We take an extensive look at Dexter’s character evolution in the seven aired seasons. How really has Dexter changed? And, what might be coming to our screens in season 8?

Season 1 – Existence

In the beginning Dexter followed Harry’s code to the word and never really gave any attention to his own personal feelings. Dexter never particularly expressed any desire to change and accepted the way he is will never change. His brother, Brian, represented the exact opposite of Harry’s code. Brian was a complete free spirit and lived by one rule, and that was there are no rules. Season 1 ended with Dexter’s strict adherence to Harry’s teachings ending up costing him his brother, and almost his sister Debra, too.

Season 2 – Possession

The beginning of the change. The second season introduced Lila, who represented the importance of dependence as she seduced Dexter making him connect far more with his inner self and begin to understand his own feelings. Dexter struggled with this when he had to make his toughest decision yet regarding Doakes.

When Dexter killed Doakes, this was either give in to his greatest weakness – the need to kill – or set Doakes free and ultimately risk revealing every secret Dexter had kept within. Doakes brought up suicide, and even planted emotions of regret and shame in Dexter’s mind, causing him to consider turning himself in. This again links strongly back to possession, forcing Dexter to make a decision which ultimately leads into the theme for season 3.

Season 3 – Trust

This mostly goes hand-in-hand with friendship, but it extends beyond that somewhat. There were parallels drawn between Dexter’s relationships with Miguel and Rita. Friendship and marriage are ultimately built on similar foundations of trust.

Miguel was the first person Dexter had let the door slightly open to, aside from Harry. Miguel was also Dexter’s first true friend and learnt of the life Dexter had hidden for years. He ultimately was the one character who Dexter thought he could share his inner feelings with, but it wasn’t to be. Dexter’s understanding of trust saw the stark contrasts of both ends, having been able to share his own inner-self, but also knowing that what Dexter revealed ran a very high risk of losing the life he longed for. Dexter learnt of the responsibility trust demands.

Season 4 – Responsibility

With family comes the great demand of responsibility and priority. Dexter eventually learned the hard way that you can’t just make careless appearances and not expect things that will eventually degrade. Dexter’s lack of responsibility became the sole reason for Rita’s death. Dexter needed a wake-up call of what was important in his life other than satisfying his need for killing his victims. Rita paid the ultimate price, and his relationship with Astor and Cody, with whom he’d been a pivotal figure in their development as young children. Trinity brought Dexter firmly back to the ground leaving him upturned and utterly confused. Dexter’s next mission was to learn about selflessness.

Season 5 – Selflessness

This season continued from season 4 in an undetected manner as Dexter was dealing with guilt over his brief and neglectful marriage. The things Dexter did for Lumen were essentially acts of contrition. Dexter knew his failed marriage was his fault and regretted it hugely, and looked for someone who needed to be looked after, to be fixed per se. Lumen was the gem he discovered and attempted to uncover. Lumen was an individual who was hellbent on confronting her demons and selflessly took on her own darkness, showing that faith was a strong tool that Dexter had ignored for some time. Dexter tried desperately to misdirect Lumen’s desires but in the end realised that selflessness is an important lesson to learn.

Dexter may have hunted these same eventual victims for the crimes that they committed, had he not met Lumen, but in the end Dexter understood that Lumen needed to deal with her own problems. Her “Dark Passenger” could only be conquered by her own inner strength. This was something Dexter had not quite attempted to do before meeting Lumen. Jordan Chase was the man who tormented her “Dark Passenger” and paid the eventual price when Lumen disposed of his life.

Season 6 – Faith

Dexter never really attempts to engage with his “Dark Passenger” but he gains a respect for the concept of faith. Dexter’s attitude towards faith is openly described by his attempts to get his son, Harrison, into one of the best schools in the area. Dexter is bluntly rude and mocks the religious teachings held in high regard by the school. Brother Sam was the man to change his perspective during this season.

Brother Sam was able to help him discover a capacity to trust that things will work out when they lie outside your control, that almost something external can help decide the outcome of your actions. Control is one of the most common themes that rides through almost every single season of Dexter, and when Harrison was gravely ill in the hospital, Dexter turns to faith as he is completely paralysed by what the outcome of Harrison’s health will be. The loss of control is something we have rarely witnessed in Dexter.

Travis represented the twisted ideology of faith, with Travis accustoming the role of the devil. Travis distorts faith and the interpretation of it in a radical fashion absolving all that is sin within religious values. Interestingly, Dexter learnt that faith gives hope to those who are in desperate need of it, when control is not a weapon to harness the outcome of a situation. What Dexter was not expecting was the then imminent arrival of Debra, discovering Dexter with a knife in Travis’ chest.

Season 7 – Love

Dexter has discovered that there are two different types of love, and that is innate love for your siblings and that of someone who you are meant to spend the rest of your life with. Dexter learnt that Debra is far more important that he ever realised, that they are bound by blood and that they still love each other no matter what obstacle they face. What is highly unusual here for a normal brother-sister relationship, is that it’s not every day that you discover your brother to be a serial killer. The intensity of this dynamic stems from Dexter lying to his sister for so many years of his life and that the uncovering of this secret came ever so very close to Dexter being one of the most notorious serial killers of all time within the world of Dexter.

Debra, who is now the Lieutenant of Miami Metro Homicide, is the most important figure in those four walls; and with Debra written in a way who is very much disciplined by morals, she should have turned Dexter in, but didn’t.

Dexter also found his soulmate. Hannah McKay is by far more compatible with Dexter than Rita ever was. It’s really hard to fathom, but Dexter shared more with her in one season than he did with Rita in four seasons. Their love is unquestionable for each other, and Hannah is almost a female double of Dexter. She’s a serial killer much akin to him, and accepts Dexter who for he is.

Season 8 – Acceptance?

Season 8 is most likely going to be the very last season of Dexter. Dexter has gone through a journey of transformation over the seven seasons, and it appears that this will be the season where all of these themes, or ingredients should we say, will be pushed to the limits. Season 8 should adhere to existence, possession, trust, responsibility, selflessness, faith and love, but what could be the next theme for Dexter to enslave?

This will all depend on the direction the writers will pursue. Dexter is firmly looking to hide in broad daylight with Debra over the death of La Guerta and Estrada. Hannah has also escaped from the hospital, and we last saw her leaving a plant on Dexter’s doorstep. It’s incredibly interesting to read into Dexter’s cryptic voiceover in the final scene, with him describing the situation as “the beginning of the end.” Will Dexter be going through similar notions of the five stages of grief in the final season?

Denial, anger, bargaining, depression and acceptance could be very relative themes to be explored in season 8. We just cannot wait.

Be sure to check out the potential last season of Dexter which will begin on June 30 over on Showtime.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Barnes & Noble has announced that Harry Potter and the Cursed Child is already a gigantic hit. In fact, it’s the most pre-ordered book since Deathly Hallows.

It’s been 9 years since J.K. Rowling publsihed Deathly Hallows in the summer of 2007, but Harry Potter fans are evidently still eager for more stories from the Wizarding World. In a press release on Monday, the biggest book chain in the United States revealed that they haven’t seen pre-orders this huge since the last Harry Potter book.

deathly-hallows-book-cover

“Harry Potter and the Cursed Child is Barnes & Noble’s most pre-ordered book since Harry Potter and the Deathly Hallows, and we expect it to be our biggest selling book of the year,” said Mary Amicucci, Chief Merchandising Officer at Barnes & Noble in a press release. “To guarantee that our customers get the new Harry Potter book as quickly as possible, Barnes & Noble is the only national retailer that’s guaranteeing delivery of the book on August 1, for both online and ship-to-home pre-orders placed by noon ET on Friday, July 29. Our booksellers are also preparing to host big crowds for our signature Midnight Magic parties on July 30.”

If you’ve passed by a brick and mortar Barnes & Noble in the past few months you’ve probably seen the heavy promotion they’ve been doing. Headers that state “HARRY POTTER IS BACK” will clearly entice people to pre-order.


HARRY POTTER IS BACK! (Spotted at a Barnes & Noble) #harrypotterforever #harrypotter

A photo posted by Hypable.com (@hypable) on

In a report from the Wall Street Journal earlier this month we learned that Scholastic was printing 4.5 million copies of “the eighth story” for the United States and Canada. This is a far cry from the 12 million printed for Deathly Hallows, but still a very large print run for a book in modern times. (Also worth noting: Many readers have switched to eBooks in the years since Deathly Hallows.)

It’s nice to see that Harry Potter fans haven’t lost their interest in the series. Perhaps the success will inspire J.K. Rowling to continue writing within Harry’s world?

The book has also been a huge success on Amazon. The Cursed Child has sat at the top of the online retailer’s bestseller list for months.

Hypable will have lots of coverage surrounding The Cursed Child once it’s released this weekend. Stay tuned! AHHHH!

Sherlock finally made it to Hall H at Comic-Con and the creative team brought a few surprises. Steven Moffatt, Sue Vertue, Mark Gatiss, Amanda Abbington, and Benedict Cumberbatch were on hand to the thrill of fans.

Benedict Cumberbatch and crew definitely know how to work a crowd. Here are the top highlights of the panel that played to a crowd of thousands.

1. Season 4

They are currently two weeks from finishing Sherlock season 4. Cumberbatch said that “a lot comes home to roost this season… it’s ballsy.”

They have 26 pages to film this Tuesday. Cumberbatch states that the monologues are very challenging and take a lot of work.

As for actors’ favorite lines this season:

Gatiss: “Sherlock.”

Abington: Not a line but a beckoning gesture.

Cumberbatch: Can’t say.

Key names for next season (change from doing key words):

  • Moffat: Smith
  • Gatiss: Thatcher
  • Vertue: Sherinford

2. Keeping the show fresh

By not making as many episodes, the creators feel they actually keep the quality. They joked that under normal standards they’ve actually made about half a season of a standard TV show, or 13 episodes.

There are no plans for any other Victorian Era shows. Moffat feels that it would be less interesting if the mind palace returned there.

3. Learning curves and drugs

Gatiss stated that with 90-minute episodes you “really have to put [Sherlock and Watson] through the ringer.” Moffat added that because of this, Watson has to evolve. Watson can’t keep being amazed by Sherlock. As for Sherlock, “he can’t be the weird scary amoral man we met in the first episode… geniuses learn… he has to learn.”

Sherlock’s drug addiction comes back when he is not working. It’s hinted that the addiction will be a bigger issue this season than in the past.

4. The coat and the hair

There is apparently a big debate every year over changing the iconic coat. Sue Vertue wants to change it, and Steven Moffat wants to keep it. Benedict Cumberbatch dove into the debate stating, “I’m quite hung up on the coat…. but sometimes it has to come off.” The audience reaction was predictable.

Cumberbatch joked that he loved playing Sherlock in the Victorian era because of the slicked back hair. In the modern era it takes forever for his hair to get done. On a serious note, he loved the more straight-laced, clipped version of Sherlock.

5. First ‘Sherlock’ season 4 trailer

The teaser trailer featured this phrase over and over: “Something’s coming. It may be Moriarity, maybe not.” Literally every character we know and love looks like they are scared, angry, or worried on an epic scale.

One of the best moments is Mrs. Hudson saying with supreme venom to Mycroft, “Get out of my house you reptile.” Watch below:

6. Improv and family

There is actually, according to Cumberbatch, very little improvisation on set. It’s about how to do what’s there, and not messing with the script. He firmly believes that what is there is what is needed for the show.

Cumberbatch genuinely loves having his mom and dad play his TV mom and dad. Every now and then he can see his mother struggle to call him “Sherlock” and not “Ben.”

7. Mary in the know

Abbington didn’t know she was an assassin until well into the last season. When she found out, she told partner Martin Freeman, “My God, [the fans] are going to hate me.” Despite this, she loves the flawed characters of the series.

8. When will the series return?

No date was given for either the BBC release date or the PBS release date. We only know that it will premiere in 2017.

9. The dog photo

According to Cumberbatch the dog (depicted above) was a nightmare. “The dog wouldn’t fucking move,” he said. The companion was supposed to drag Sherlock all over London, but the dog didn’t like people, concrete, crowds… really anything about an urban setting.

Moffat and Gatiss resorted to writing a new scene on the spot to account for the lack of the dog’s interest in roaming. According to Gatiss all it did was drool on the concrete.

10. Future seasons?

Touching on the future of the series, Moffat stated, “Why is everybody assuming they survive season 4?” Gatiss joked, “We’re skipping season 5 and doing season 6.”

Moffat clarified that — contrary to recent reports — he never said that this season would be the last one (He’s right: All he said was the schedules of Cumberbatch and Freeman are only getting more difficult to work with). Gatiss added that they want to do more seasons, and they hope that they are able to.

Sherlock will be back in 2017. What do you think of the first season 4 trailer?