As a fairy-tale-swooning female, I decided to give my take on Snow White and the Huntsman. Here is what writer James Bean had to say about the movie. As for me, I enjoyed the movie more than he did, because I cared about the characters, and, I’ll just admit it, I always grin when good triumphs over evil.

Let me just say this up front: I have never written a movie review before, and this one will be riddled with minor spoilers (because honestly, I don’t know how to write about a movie without revealing some small surprises). For another head’s up, I am not typically a Kristen Stewart fan (don’t ravage me to shreds readers), because her acting reads as emotionless — stoic at best — throughout the Twilight films thus far. And finally, I worship the ground Charlize Theron walks on (after Young Adult, who doesn’t?!).

I went to see Snow White and the Huntsman on a whim with no real expectations, and the film surprised me. Though the plot grew shaky at times, the writers took the time to give ample breathing room to each character’s back story, so by the end, you cared for each of them. The visuals blew me away (the scene in fairy forest … who do I have to bribe to take me there). And the classic story of Snow White wove into the plot without seeming forced. Neither the apple nor the kiss nor the mirror will disappoint. And to top it off, the film didn’t present the typical must-be-saved-by-prince plot line, but instead offered a heroine who had to learn to save herself.

The movie begins with a haunting sequence that breathes life into the plot. Princess Snow White is the pride and joy of the kingdom, while the evil — yet sexy — new Queen claws her way to the top. A thread is introduced here, a series of birds who Snow White healed as a child guide her to safety as the film progresses. Within the first 20 minutes, there is a lonely brother’s moment of weakness, a daring escape and a proper soul sucking. Wham, bam, boom, I’m hooked.

The Huntsman (Chris Hemsworth), our unlikely hero’s helper, now becomes part of the plot. And Snow and the Huntsman become a lovable duo making their way through the eerily enchanted dark forest. This portion disappoints only in that the dark forest is given no context. Why does it work the way it does, and why do the two make it out while almost no other’s survive? After this jaunt, the two come across my favorite village of people: the women who have sacrificed their beauty to raise their children in peace. It will give you chills.

As the story continues, we begin to feel sorry for the Queen and forgive some of her satanic ways. She is merely feeding the fire that keeps her alive at any price. And you get a whiff of how difficult her life has been in her moment of grief later in the film.

Within the first hour, the Duke’s son William (Sam Claflin) vies to help save the Princess. His character seemed to be the most disjointed. We get little background on him besides a few flashes of his childhood, and we don’t really understand who he is or why he fight’s for his childhood love. (And, let’s just be honest, we aren’t really rooting for him to win her back. Team Huntsman!)

After him, the lovable and insightful dwarves join the crew. Their characters grant the film a cup of comedic relief and a splash of sincerity. Once Snow White manages to wrangle the troops with a winning yet rushed speech, they’re off for an epic battle (which totally channeled the Hogwarts Battle, though with the evil inside the castle walls this time). In the final (and predictable) show down between the Queen and Snow White; the two brawl face-to-face, and it’s the Huntsman’s earlier advice that ends the battle. Beautiful.

Throughout the film, Kristen Stewart maintained her typically stoic demeanor, but for once, I actually think it worked for the character. It made her character hard as well as lovable. What made it better was the dichotomy between Stewarts’s shielded expressions and Charlize Theron’s grandiose ones. Theron was truly larger than life in this film, and Stewart served as the perfect balance.

Overall, the film was visually awe-striking, but it didn’t lack a plot. Though the narrative had loose ends, the critical threads were tied up nicely. More than anything, I cared about these characters, and I think the movie can appeal to action lovers and fairy tale fans alike. This isn’t a film I will own, probably just a one time watch, but it was worth the time and money to view in theaters.

Grade: B

Rated: PG-13 (for intense sequences of violence and action, and brief sensuality)

Snow White and the Huntsman is now available in theaters.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Barnes & Noble has announced that Harry Potter and the Cursed Child is already a gigantic hit. In fact, it’s the most pre-ordered book since Deathly Hallows.

It’s been 9 years since J.K. Rowling publsihed Deathly Hallows in the summer of 2007, but Harry Potter fans are evidently still eager for more stories from the Wizarding World. In a press release on Monday, the biggest book chain in the United States revealed that they haven’t seen pre-orders this huge since the last Harry Potter book.


“Harry Potter and the Cursed Child is Barnes & Noble’s most pre-ordered book since Harry Potter and the Deathly Hallows, and we expect it to be our biggest selling book of the year,” said Mary Amicucci, Chief Merchandising Officer at Barnes & Noble in a press release. “To guarantee that our customers get the new Harry Potter book as quickly as possible, Barnes & Noble is the only national retailer that’s guaranteeing delivery of the book on August 1, for both online and ship-to-home pre-orders placed by noon ET on Friday, July 29. Our booksellers are also preparing to host big crowds for our signature Midnight Magic parties on July 30.”

If you’ve passed by a brick and mortar Barnes & Noble in the past few months you’ve probably seen the heavy promotion they’ve been doing. Headers that state “HARRY POTTER IS BACK” will clearly entice people to pre-order.

HARRY POTTER IS BACK! (Spotted at a Barnes & Noble) #harrypotterforever #harrypotter

A photo posted by (@hypable) on

In a report from the Wall Street Journal earlier this month we learned that Scholastic was printing 4.5 million copies of “the eighth story” for the United States and Canada. This is a far cry from the 12 million printed for Deathly Hallows, but still a very large print run for a book in modern times. (Also worth noting: Many readers have switched to eBooks in the years since Deathly Hallows.)

It’s nice to see that Harry Potter fans haven’t lost their interest in the series. Perhaps the success will inspire J.K. Rowling to continue writing within Harry’s world?

The book has also been a huge success on Amazon. The Cursed Child has sat at the top of the online retailer’s bestseller list for months.

Hypable will have lots of coverage surrounding The Cursed Child once it’s released this weekend. Stay tuned! AHHHH!

Sherlock finally made it to Hall H at Comic-Con and the creative team brought a few surprises. Steven Moffatt, Sue Vertue, Mark Gatiss, Amanda Abbington, and Benedict Cumberbatch were on hand to the thrill of fans.

Benedict Cumberbatch and crew definitely know how to work a crowd. Here are the top highlights of the panel that played to a crowd of thousands.

1. Season 4

They are currently two weeks from finishing Sherlock season 4. Cumberbatch said that “a lot comes home to roost this season… it’s ballsy.”

They have 26 pages to film this Tuesday. Cumberbatch states that the monologues are very challenging and take a lot of work.

As for actors’ favorite lines this season:

Gatiss: “Sherlock.”

Abington: Not a line but a beckoning gesture.

Cumberbatch: Can’t say.

Key names for next season (change from doing key words):

  • Moffat: Smith
  • Gatiss: Thatcher
  • Vertue: Sherinford

2. Keeping the show fresh

By not making as many episodes, the creators feel they actually keep the quality. They joked that under normal standards they’ve actually made about half a season of a standard TV show, or 13 episodes.

There are no plans for any other Victorian Era shows. Moffat feels that it would be less interesting if the mind palace returned there.

3. Learning curves and drugs

Gatiss stated that with 90-minute episodes you “really have to put [Sherlock and Watson] through the ringer.” Moffat added that because of this, Watson has to evolve. Watson can’t keep being amazed by Sherlock. As for Sherlock, “he can’t be the weird scary amoral man we met in the first episode… geniuses learn… he has to learn.”

Sherlock’s drug addiction comes back when he is not working. It’s hinted that the addiction will be a bigger issue this season than in the past.

4. The coat and the hair

There is apparently a big debate every year over changing the iconic coat. Sue Vertue wants to change it, and Steven Moffat wants to keep it. Benedict Cumberbatch dove into the debate stating, “I’m quite hung up on the coat…. but sometimes it has to come off.” The audience reaction was predictable.

Cumberbatch joked that he loved playing Sherlock in the Victorian era because of the slicked back hair. In the modern era it takes forever for his hair to get done. On a serious note, he loved the more straight-laced, clipped version of Sherlock.

5. First ‘Sherlock’ season 4 trailer

The teaser trailer featured this phrase over and over: “Something’s coming. It may be Moriarity, maybe not.” Literally every character we know and love looks like they are scared, angry, or worried on an epic scale.

One of the best moments is Mrs. Hudson saying with supreme venom to Mycroft, “Get out of my house you reptile.” Watch below:

6. Improv and family

There is actually, according to Cumberbatch, very little improvisation on set. It’s about how to do what’s there, and not messing with the script. He firmly believes that what is there is what is needed for the show.

Cumberbatch genuinely loves having his mom and dad play his TV mom and dad. Every now and then he can see his mother struggle to call him “Sherlock” and not “Ben.”

7. Mary in the know

Abbington didn’t know she was an assassin until well into the last season. When she found out, she told partner Martin Freeman, “My God, [the fans] are going to hate me.” Despite this, she loves the flawed characters of the series.

8. When will the series return?

No date was given for either the BBC release date or the PBS release date. We only know that it will premiere in 2017.

9. The dog photo

According to Cumberbatch the dog (depicted above) was a nightmare. “The dog wouldn’t fucking move,” he said. The companion was supposed to drag Sherlock all over London, but the dog didn’t like people, concrete, crowds… really anything about an urban setting.

Moffat and Gatiss resorted to writing a new scene on the spot to account for the lack of the dog’s interest in roaming. According to Gatiss all it did was drool on the concrete.

10. Future seasons?

Touching on the future of the series, Moffat stated, “Why is everybody assuming they survive season 4?” Gatiss joked, “We’re skipping season 5 and doing season 6.”

Moffat clarified that — contrary to recent reports — he never said that this season would be the last one (He’s right: All he said was the schedules of Cumberbatch and Freeman are only getting more difficult to work with). Gatiss added that they want to do more seasons, and they hope that they are able to.

Sherlock will be back in 2017. What do you think of the first season 4 trailer?