Well, here it is Doctor Who fans! Following yesterday’s part 1 of our readers’ 50 favorite episodes so far, we proudly present you with your Top 25! Where will your favorite rank?

So, there were some surprises in yesterday’s list, as adventures like “The Waters of Mars,” “Dalek” and “The Unicorn and the Wasp” ranked in disappointing places – failing even to break the Top 40. Trust us, there are plenty more surprises to come as we count down from 25 in order to crown our readers’ favourite Doctor Who episode so far.

Onwards and upwards. GERONIMO!

ARMY OF GHOSTS

Doctor Who “This is the story of how I died,” announces Rose in the prologue of “Army of Ghosts.” While her death is more metaphorical than initially made out, this episode begins the most heart-wrenching departure we’ve seen on Doctor Who. It’s not long before The Doctor, Rose and Jackie Tyler find themselves in Torchwood HQ (the irresponsible London division, not the cheeky Welsh team who fight car-driving blowfish and sleep with each other). As four Daleks prepare for war with the Cybermen and all of human kind, we were glued to our chairs waiting for the second part.

 

THE END OF TIME, PART 1

The beginning of the end for The Tenth Doctor, “The End of Time, Part 1” has plenty of set pieces and epic moments. Everything from an unstable Master turning all of humanity into a projection of himself to the sinister return of the Time Lords cranks up the Richter scale to stratospheric heights. But despite all the grandiose, returning character Wilfred Mott keeps The Doctor grounded and pulls on our heart strings – creating the perfect mixture of action and drama. Doctor Who

 

THE FAMILY OF BLOOD

Doctor Who Oh, the feels. With part 1 narrowly missing out on a place in the top 25, “The Family of Blood” takes everything up a notch. From the action and suspense of the scarecrow attack on the school, to John Smith’s tearful farewell (there’s a good reason David Tennant won awards for his performance in this episode), our hearts are working overtime until they’re left broken by the ending. The conclusion to one of the most unique stories we’ve even seen on Doctor Who has everything an episode needs and then some.

 

DAY OF THE MOON

In the opening minutes of “Day of the Moon,” Rory, Amy and River are apparently killed by Canton Delaware. But of course, this episode is full of twists, turns, surprises and general deceptiveness. Its genre bending narrative veers from sci-fi to horror to conspiracy so suddenly and so confidently that by the end we feel like we’ve watched a feature length movie. And of course, there’s the mysterious regeneration at the end of the episode – planting the seeds that are continuously sown throughout the series. Doctor Who

 

FLESH AND STONE

Doctor Who Steven Moffat’s Weeping Angels always make for a terrifying adventure, and “Flesh and Stone” keeps us on edge throughout. Continuing from “The Time of Angels,” the adventure rattles on at breakneck pace (and plenty of soldiers get their necks broken as well). The sense of humour remains present – specifically with The Doctor’s conversations with Angel Bob – but it takes a backseat as Amy’s time begins to run out. If you maintain that you weren’t hiding behind the sofa watching this one, you’re lying.

 

THE GIRL WHO WAITED

A unique, high concept sci-fi story that manages to keep the drama present and the emotion touching is always a compelling adventure, and “The Girl Who Waited” is as good a science fiction tale as you will ever see at the movie theater. With Amy stuck in a separate time-stream on an alien planet, some wibbly wobbly timey wimey stuff leaves her trapped for 36 years. Rory breaks into the quarantine facility and tries to free her, but finds himself with both an older and present day Amy. As the rules of fixed points and paradoxes come in to play, the three must battle robots and Rory is forced to make a heart-breaking decision. Doctor Who

 

THE TIME OF ANGELS

Doctor Who Ranking a little higher than its concluding part, “The Time of Angels” brings the spectacular return of River Song and a tribe of Weeping Angels that are more powerful than we had ever seen before. There’s a surprising amount of comedy for such a dark adventure, with the chemistry (and plenty of flirting) between Matt Smith and Alex Kingston bringing welcome relief from the murder, suspicion and body-horror. “The Time of Angels” is all the more impressive when you remember that this was Smith and Gillan’s first shoot – you can’t tell, as they give confident and assured performances throughout.

 

A GOOD MAN GOES TO WAR

“A Good Man Goes To War” was Doctor Who‘s first mid-series finale, and it justified the format with all the action, twists and effects we’ve come to expect from a series climax. “This is the day The Doctor finds out who I am,” warns River early on. The eventual revelation left fans with their jaws on the floor, but not before our hearts and nails had received a beating from the Star Wars like battles and tragic loss of young Melody Pond. When The Doctor is shown the consequences (both moral and mortal) of his knee-jerk reactions, we can see that he’s a changed man. A wonderful array of supporting characters and quotability galore ensure this episode will be remembered for a long time to come. Doctor Who

 

THE END OF TIME, PART 2

Doctor Who The Tenth Doctor’s swansong has all of the action and apocalyptic stakes you’d expect after Part 1’s cliffhanger, but that’s not what we love it for. It’s the last fifteen minutes that mark Part 2 as something special, with David Tennant’s Doctor given an unprecedented chance to bid farewell to all of his companions. These short moments are poignant and touching, wrapping up not just Ten’s arc but also many of his companions. As he saves their lives, finds them partners, looks on from the distance, and (in the case of Rose) says hello, he grows weaker. “I don’t wanna go,” he says before regenerating. We didn’t want you to either, David.

 

THE IMPOSSIBLE ASTRONAUT

“The Impossible Astronaut” marks the first time Doctor Who had filmed in America, and the gorgeous Utah surroundings lend scope and beauty to a mind-boggling series opener. Minutes into the episode, The Doctor is struck down dead and laid to rest. Later, an earlier version of himself swaggers into a diner and whisks his companions away to the 1960s. With President Nixon, the mysterious Silence, and a distress call from a trapped girl, we crash into an adventure of twists and turns aplenty. As the groundwork is lain for a puzzling series arc, we’re left scratching our heads and picking up our jaws from THAT cliffhanger. Doctor Who

 

THE STOLEN EARTH

Doctor Who When the role call of Doctor Who stars’ names whiz across the screen at a frantic pace in the opening credits, we know we’re on for the reunion ensemble piece of the decade. And as the Daleks relocate Planet Earth and begin to invade, companions past and present assemble to protect the earth. But with his “children” fighting for their lives, The Doctor and Donna are left out of the loop in a desperate search. After an ecstatic reunion with Rose leads to tragedy, the turbulent events and adrenalin injected action comes to a crashing close – ready for the return of The Doctor’s most frightening adversary.

 

MIDNIGHT

“Midnight” is a clean break from many of the sci-fi conventions we’ve become accustomed to. No CGI alien, no chase, no clever reveal. Just people in a room, talking. Oh, and slow-burning, agonizing tension that builds to a downbeat climax. As one of a shuttle’s passengers is possessed by an unidentified monster, the assorted tourists find themselves turning against eachother out of fear. Using words as weapons, panic and suspense mount and not everyone gets out alive. This adventure was a big risk for Doctor Who, but it all paid off and great directing, writing and acting gave us one of the most terrifying things in television history. Doctor Who

 

THE PANDORICA OPENS

Doctor Who A lengthy pre-credits sequence follows a message from the delirious Vincent Van Gough through time and space, eventually leading The Doctor, Amy and River to Stonehenge in search of the ominous Pandorica. Various aliens, monsters and villains gather as the box begins to open – and it’s revealed to be a prison for The Doctor. When a revived Rory turns out to be an Auton, things get worse. With The Doctor imprisoned, Amy murdered, River and the TARDIS caught in a looping explosion and the whole Universe coming to an end, it looked like the game really was up. Breathtaking scope and a range of clever concepts cement “The Eleventh hour” in our collective psyche.

 

THE ELEVENTH HOUR

New Doctor, new companion, new rules. After the spectacle of “The End of Time,” Steven Moffat grounded things back on Earth to introduce the wacky Eleventh Doctor. As the newly regenerated alien waltzes in and out of Amelia Pond’s life, he finds himself having affected a whole childhood just by being “five minutes” late. When he returns, the feisty Amy is all grown-up and in danger as her home plays safehouse to the escaped Prisoner Zero. Confident performances and masterclass writing guides us towards a thrilling climax. And as Matt Smith steps out of the (literal) shadows of previous incarnations and declares “I am The Doctor,” we find ourselves asking “David Who?” Doctor Who

 

JOURNEY’S END

Doctor Who Davros is back, and has The Doctor right where he wants him. The assembled companions of the past fight the Dalek empire and save the earth (and indeed the Universe) from certain extermination. The mindblowing climax doesn’t pass without its casualties, and Donna is forced to forget her adventures and just how remarkable of a person she really is. This heartbreak is balanced by Rose finally getting her happy ending. “Journey’s End” is an emotional rollercoaster from start to finish, veering from action set pieces to tender tearjerkers in the blink of an eye.

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Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

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Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

No word on if the UK will be seeing the same air date but it’s more than likely they will since it’s been like that in years past.

This will be Peter Capaldi’s last season as the Doctor, along with Steven Moffat’s last season running the show. After this we’ll be seeing Chris Chibnall taking the reins with a clean slate, and we’re so curious about how the series will go. How will the Doctor regenerate? Will this be Bill’s first and last season on the show as well? Who’s going to be the next Doctor? We’ve got so many questions! But they’ll all be answered in due time… we hope.

And that’s not all! Fans in the UK have already had the chance to enjoy the brand new spin-off series, Class, and after Doctor Who premieres on April 15 Americans will finally witness it as well.

Set to air directly after Doctor Who at 10/9c, Class is helmed by award-winning YA writer and executive producer, Patrick Ness. The series follows a group of students at Coal Hill School as they deal aliens, invasions and awkward social dilemmas.

Having seen Class in its entirety we can tell you that it’s got the perfect Doctor Who vibe and should fit in perfectly after you watch the season 10 premiere. Although not everyone loved the premiere, the series as whole definitely grows on you. You’ll just have to check it out for yourself!

Are you excited for ‘Doctor Who’ season 10?

How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

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How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

After confessing to both Michaela why Connor was at the house the night Wes died one of the many shocking reveals of the episode is made. “Connor might have killed Wes.” As it turns out, Connor showed up at the Keating home after responding to Annalise’s plea for them to all meet there. As he arrived he found signs of a struggle, and even more, Wes’s warm body in the basement.

Connor could smell gas, but still he persisted in trying to resuscitate Wes through CPR. For over a minute he cried and pounded on the dying boy’s chest until he heard a crack of bone, a fractured rib. He fears he might have punctured a lung. He fears he might have been the one to strike the deadly blow.

Once the confession is made the Keating crew reacts. Oliver pleads for understanding. Annalise reassures Connor that he didn’t do this. Bonnie tries to play mediator, keeping everyone calm. Finally Laurel, in a blindingly emotional rage, instructs Connor to go and kill himself. Saying such action will be the only good thing he will ever do with his life.

2. Annalise’s hidden voicemail

Connor and Oliver were adamant that nothing on the copy of Annalise’s phone was incriminated. Then why would she ask Oliver to erase it? Well when Connor is about to be arrested for Wes’ murder fans find out just what Annalise was so afraid of. he discloses to Denver the location of the copy, and Annalise comes forward with what she wanted to hide.

The night that Wes died he left her a voicemail, explaining ADA Atwood’s plan to take her down for the murder of Sam and Rebecca Stutter. His exact words are “I can’t let you go down for what I did.” He begs her to come home, to talk about it, to discuss their options. But he died before any arrangements could be made. In fact, he was taken down moments after the call was made.

What is truly shocking however isn’t the voicemail itself. The kicker is how Annalise uses the voicemail to pin it all on a new suspect to clear her own name. Wes. Out of context, the voicemail sounds like Wes is confessing to killing both Sam and Rebecca. Annalise is able to twist the story to make it look like Wes took his own life out of guilt. She tarnishes his reputation forever.

3. Oliver’s shocking request

After Connor answers the burner phone Denver used to stay in contact with Atwood throughout Wes’ death, he goes missing. He is caught by Denver and taken to a hidden location where he is held against his will.  While held, he is questioned about his involvement with Wes’ death. He is accused of murdering Sam. He is threatened to be held for more than the legal 48 hours.

Meanwhile, Oliver heightens to a frenzy. In a panicked state he obsesses about the whereabouts of his boyfriend. He brings up the severity of the situation almost every time his face shows up on our screens. While most (Laurel) believe that Connor has taken Wes’ immunity deal, Oliver remains convinced that Connor is in immediate danger.

He isn’t wrong. Connor is nearly arrested for the murder of Wes. Luckily, after the voicemail comes to light he is released. When he arrives home the two boys engage in a moment of passion, literally ripping the clothes off of each other. They talk about safety, moving to California, making babies, and loving each other forever. To Connor it’s all tied to the sex. To Oliver, however, it’s much more. He’s serious. He asks Connor to marry him.

4. Michaela’s oddly-timed confession

In the heat of everything going on Asher declares his love for Michaela. He calls this year the most awful of his life. He can’t let another moment go by without telling Michaela how he feels. As he spends a few tender moments showing Michaela his heart she pretends to hear Laurel from the other room. She effectively flees the situation.

Michaela doesn’t feel she can honestly answer that question. She doesn’t know. In fact, she doesn’t know if she has ever been in love. However, when it comes down to it, as Michaela has to pretend she wants to go home with Charles Mahoney she realizes something. She does love Asher. Or at least she thinks she does. That’s right, the girl who has always held her true intentions hidden deep inside finally opens up in a women’s public restroom, no less.

5. Wes’ murderer revealed

As the final episode of season 3 came to a close we felt pretty sure that the mysterious hitman was in cahoots with Denver. He never denied it, he almost seemed to confess as Annalise threatened to take him down. As she accused him of having a hand in Wes’ death in some way he seemed so guilty. It had to be him. The very last moments of the episode revealed a very different story, however.

As Laurel began to run down Charles Mahoney who awaited Michaela at a cab she ran into a similar face. Although, she and the audience had much different reasons for recognizing him. To her this man was Dominique, a family friend. To the audience he was the hitman who injected Wes with the lethal substance that took his life.

In one final flashback we see Connor running past the hitman’s car as he talks on the phone. He confirms that the deed is done. Wes is dead. But he doesn’t relay this news to Denver. He is speaking with Laurel’s father. The orchestrator of this all.

What moment stood out to you most in the ‘How to Get Away with Murder’ season 3 finale?

I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

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I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

But that’s just it, we’ve only begun to explore mental health awareness in the proper way. With all of the shows on TV only a small number of them have started to explore this important subject. But the few that have? They’ve done a great job.

As much as I love TV I don’t watch everything so I’ve asked my Hypable co-workers to share with me their shows and how any of them highlight mental health awareness. These are all such great examples of how a television show can bring up awareness not for the sake of entertainment but rather because it’s important to show the world how mental health actually affects our lives.

‘The 100’


Jasper Jordan is a rare character in a post-apocalyptic work of fiction, because unlike most of his delinquent peers, he doesn’t have a near-superhuman ability to compartmentalise the traumas and keep fighting for his own and his friends’ survival.

Related: Jasper’s arc on The 100 is real, raw, and underrated

Where characters like Clarke, Bellamy, Monty and even Murphy get knocked down and get right back up again, Jasper isn’t able to do that. The ground was already well on its way to breaking him before he experienced the horrors of Mount Weather, and despite surviving it all, he hasn’t emerged stronger — his mind is giving out, and Jasper has no desire left to carry on. His self-destructive depression and suicidal tendencies were on full display in the season 3 finale, and although the writers decided to let him live (the original plan was for him to kill himself), his trauma hasn’t magically disappeared.

Jasper is a broken soul in an unforgiving world, and his pain is going to continue to define his character from here on out. –Selina Wilken

‘Bojack Horseman’


Every character on Bojack Horseman suffers from depression, and they all deal with it in different ways. Bojack is cruel and listless and blames everyone else for his problems, Mr.Peanutbutter hides his pain behind a smile and an upbeat personality.

Princess Carolyn loses herself in work and keeps her distance from other people emotionally to avoid being hurt again. Todd allows others to steer his life for him because he believes he’s too dumb and useless to make his own decisions. Every season hammers home why these characters behave the way that they behave, and it’s all wrapped up in a big metaphor about how we’re all just animals trying to survive. –Jimmy Bean

‘UnReal’


Probably one of the most evident and obvious shows that handle mental health, UnReal‘s main protagonist Rachel suffers from a lot of anxiety, depression and post traumatic stress disorder. If you watch just season one and half of season 2 you may not understand Rachel’s actions or why she suffers from PTSD, but in season 2, episode 7 it all becomes clear. Unlike the other shows, UnReal provides a great example for how to not handle depression. The actions of the characters are so abundantly harmful and deceitful that it’s easy to hate the characters and what they’re doing.

It’s hard to discuss without spoilers, but it’s not hard to see how Rachel suffers from these mental health conditions. The poor woman is surrounded by people who try to help her by helping themselves, leaving her to handle her depression and anxiety alone, and it provides a clear picture for how to not support your friends. The best thing this show does is displaying how important it is to take a look at the people around you and make sure you’re keeping them there for the right reasons.

As morally corrupt as the show and its characters are it’s a realistic portrayal of how harmful denying and not treating your depression and anxiety can be. –Tariq Kyle

‘Teen Wolf’


Stiles anxiety has been threaded subtly through Teen Wolf, with just a few instances where it has made it to the forefront of the plot. In one case, Stiles has a panic attack when he’s learned his father has been taken in season 3. Since he lost his mother has a young child, his father is really the only family he has left. Stiles has always been overprotective of his dad — making sure he’s eating healthy and taking care of himself. When he has a panic attack, Lydia finds a way to calm him down, but she doesn’t try to cure him.

Stiles’ anxiety is as much a part of history as anything else, and it returns to enhance the plot of the show in season 5 when Stiles is worried about what will happen to his friendship with Scott after high school. It drives Stiles to attempt to keep everyone together, but when that all falls apart, he must confront his fears and accept that life doesn’t always work out the way you want it to. By the time season 6A finishes up, Stiles has overcome this particular trigger, but again, that does not mean he’s been cured of his anxiety. Teen Wolf knows that a mental illness like anxiety is not something you just get over; it’s something you constantly have to work through. –Karen Rought

‘The Magicians’

‘The Magicians’

The biggest driving force in The Magicians actually isn’t magic, but rather depression. It’s made all too clear in season 1 when Elliot explains to Quentin, “magic doesn’t come from talent, it comes from pain.” Author Lev Grossman has discussed this parallel several times, explaining that his own depression was the inspiration for the series.

Grossman explains, “when I was really struggling with depression, I would lie in bed every day, and I couldn’t get up. And I would watch people doing these normal things, going to their jobs and having their relationships, and I would think, I could never do that. And it felt like they were doing magic. And when I started to get better, and I started getting up, and I started doing all these normal things, I felt like I was a magician.”

And what’s particularly great about The Magicians is how each character handles their own depression and anxiety in their own way. Some, like Quentin, are sheepish and quiet about it. Others, like Elliot or Margo, put up a facade of strength and nonchalant-ness that they seldom put down for others. The show is incredibly unique in how it handles mental health, and it’s a great representation of how today’s adults are dealing with it in their own way. –Tariq Kyle

‘Survivor’


While scripted shows are improving leaps and bounds in their portrayals of mental illness, Survivor has always been happy to show real people overcoming real obstacles, including anxiety disorders and phobias that do not lend themselves to being marooned on an island for a month or more. This past season on Survivor brought us three very different, but inspiring storylines about people overcoming anxiety and such to do extremely well in a game that has overwhelmed some of its strongest participants.

David, who works as a TV writer when he’s not marooning himself on television, walked into the game looking like the type of person that is usually the first person voted off. He appeared weak, paranoid, and was afraid of nearly everything on the island (a scene in which he is scared to hold a stick bug stands out in my brain). As he grew comfortable with his surroundings, he managed to harness his weaknesses and use them in his own favor. He also bonded with another of our inspiring survivors, Ken.

Ken suffered from a stutter as a kid, and has social anxiety thanks to years of bullying and teasing. Ken not only learned to bond with David, but throughout the game managed to make friends and trusted allies despite his anxiety.

Last, but certainly never least is Hannah. Hannah, like David, walked onto the island looking like the type of person that gets voted off this show in the first few episodes. Her lowest point was definitely when she had an anxiety attack from just watching an immunity challenge in progress. She was sitting on the sidelines and suddenly started hyperventilating and her hands seized up. She went on to form solid alliances and maneuver her way into the final three.

Survivor allowed viewers to watch as these three unlikely people made their way through one of the toughest social experiments in play today. Their struggles are real and tough, and they’ve put themselves in circumstances most of us couldn’t dream of subjecting ourselves to, but each came out stronger, more assured in who they are, and aware that their anxiety does not define them. –Kristen Kranz

How do you feel depression and anxiety are being represented on TV?

Don’t forget, you’re not alone. Give a call to the National Suicide Hotline (1-800-273-8255) or text them by texting START to 741-741