Well, here it is Doctor Who fans! Following yesterday’s part 1 of our readers’ 50 favorite episodes so far, we proudly present you with your Top 25! Where will your favorite rank?

So, there were some surprises in yesterday’s list, as adventures like “The Waters of Mars,” “Dalek” and “The Unicorn and the Wasp” ranked in disappointing places – failing even to break the Top 40. Trust us, there are plenty more surprises to come as we count down from 25 in order to crown our readers’ favourite Doctor Who episode so far.

Onwards and upwards. GERONIMO!

ARMY OF GHOSTS

Doctor Who “This is the story of how I died,” announces Rose in the prologue of “Army of Ghosts.” While her death is more metaphorical than initially made out, this episode begins the most heart-wrenching departure we’ve seen on Doctor Who. It’s not long before The Doctor, Rose and Jackie Tyler find themselves in Torchwood HQ (the irresponsible London division, not the cheeky Welsh team who fight car-driving blowfish and sleep with each other). As four Daleks prepare for war with the Cybermen and all of human kind, we were glued to our chairs waiting for the second part.

 

THE END OF TIME, PART 1

The beginning of the end for The Tenth Doctor, “The End of Time, Part 1” has plenty of set pieces and epic moments. Everything from an unstable Master turning all of humanity into a projection of himself to the sinister return of the Time Lords cranks up the Richter scale to stratospheric heights. But despite all the grandiose, returning character Wilfred Mott keeps The Doctor grounded and pulls on our heart strings – creating the perfect mixture of action and drama. Doctor Who

 

THE FAMILY OF BLOOD

Doctor Who Oh, the feels. With part 1 narrowly missing out on a place in the top 25, “The Family of Blood” takes everything up a notch. From the action and suspense of the scarecrow attack on the school, to John Smith’s tearful farewell (there’s a good reason David Tennant won awards for his performance in this episode), our hearts are working overtime until they’re left broken by the ending. The conclusion to one of the most unique stories we’ve even seen on Doctor Who has everything an episode needs and then some.

 

DAY OF THE MOON

In the opening minutes of “Day of the Moon,” Rory, Amy and River are apparently killed by Canton Delaware. But of course, this episode is full of twists, turns, surprises and general deceptiveness. Its genre bending narrative veers from sci-fi to horror to conspiracy so suddenly and so confidently that by the end we feel like we’ve watched a feature length movie. And of course, there’s the mysterious regeneration at the end of the episode – planting the seeds that are continuously sown throughout the series. Doctor Who

 

FLESH AND STONE

Doctor Who Steven Moffat’s Weeping Angels always make for a terrifying adventure, and “Flesh and Stone” keeps us on edge throughout. Continuing from “The Time of Angels,” the adventure rattles on at breakneck pace (and plenty of soldiers get their necks broken as well). The sense of humour remains present – specifically with The Doctor’s conversations with Angel Bob – but it takes a backseat as Amy’s time begins to run out. If you maintain that you weren’t hiding behind the sofa watching this one, you’re lying.

 

THE GIRL WHO WAITED

A unique, high concept sci-fi story that manages to keep the drama present and the emotion touching is always a compelling adventure, and “The Girl Who Waited” is as good a science fiction tale as you will ever see at the movie theater. With Amy stuck in a separate time-stream on an alien planet, some wibbly wobbly timey wimey stuff leaves her trapped for 36 years. Rory breaks into the quarantine facility and tries to free her, but finds himself with both an older and present day Amy. As the rules of fixed points and paradoxes come in to play, the three must battle robots and Rory is forced to make a heart-breaking decision. Doctor Who

 

THE TIME OF ANGELS

Doctor Who Ranking a little higher than its concluding part, “The Time of Angels” brings the spectacular return of River Song and a tribe of Weeping Angels that are more powerful than we had ever seen before. There’s a surprising amount of comedy for such a dark adventure, with the chemistry (and plenty of flirting) between Matt Smith and Alex Kingston bringing welcome relief from the murder, suspicion and body-horror. “The Time of Angels” is all the more impressive when you remember that this was Smith and Gillan’s first shoot – you can’t tell, as they give confident and assured performances throughout.

 

A GOOD MAN GOES TO WAR

“A Good Man Goes To War” was Doctor Who‘s first mid-series finale, and it justified the format with all the action, twists and effects we’ve come to expect from a series climax. “This is the day The Doctor finds out who I am,” warns River early on. The eventual revelation left fans with their jaws on the floor, but not before our hearts and nails had received a beating from the Star Wars like battles and tragic loss of young Melody Pond. When The Doctor is shown the consequences (both moral and mortal) of his knee-jerk reactions, we can see that he’s a changed man. A wonderful array of supporting characters and quotability galore ensure this episode will be remembered for a long time to come. Doctor Who

 

THE END OF TIME, PART 2

Doctor Who The Tenth Doctor’s swansong has all of the action and apocalyptic stakes you’d expect after Part 1’s cliffhanger, but that’s not what we love it for. It’s the last fifteen minutes that mark Part 2 as something special, with David Tennant’s Doctor given an unprecedented chance to bid farewell to all of his companions. These short moments are poignant and touching, wrapping up not just Ten’s arc but also many of his companions. As he saves their lives, finds them partners, looks on from the distance, and (in the case of Rose) says hello, he grows weaker. “I don’t wanna go,” he says before regenerating. We didn’t want you to either, David.

 

THE IMPOSSIBLE ASTRONAUT

“The Impossible Astronaut” marks the first time Doctor Who had filmed in America, and the gorgeous Utah surroundings lend scope and beauty to a mind-boggling series opener. Minutes into the episode, The Doctor is struck down dead and laid to rest. Later, an earlier version of himself swaggers into a diner and whisks his companions away to the 1960s. With President Nixon, the mysterious Silence, and a distress call from a trapped girl, we crash into an adventure of twists and turns aplenty. As the groundwork is lain for a puzzling series arc, we’re left scratching our heads and picking up our jaws from THAT cliffhanger. Doctor Who

 

THE STOLEN EARTH

Doctor Who When the role call of Doctor Who stars’ names whiz across the screen at a frantic pace in the opening credits, we know we’re on for the reunion ensemble piece of the decade. And as the Daleks relocate Planet Earth and begin to invade, companions past and present assemble to protect the earth. But with his “children” fighting for their lives, The Doctor and Donna are left out of the loop in a desperate search. After an ecstatic reunion with Rose leads to tragedy, the turbulent events and adrenalin injected action comes to a crashing close – ready for the return of The Doctor’s most frightening adversary.

 

MIDNIGHT

“Midnight” is a clean break from many of the sci-fi conventions we’ve become accustomed to. No CGI alien, no chase, no clever reveal. Just people in a room, talking. Oh, and slow-burning, agonizing tension that builds to a downbeat climax. As one of a shuttle’s passengers is possessed by an unidentified monster, the assorted tourists find themselves turning against eachother out of fear. Using words as weapons, panic and suspense mount and not everyone gets out alive. This adventure was a big risk for Doctor Who, but it all paid off and great directing, writing and acting gave us one of the most terrifying things in television history. Doctor Who

 

THE PANDORICA OPENS

Doctor Who A lengthy pre-credits sequence follows a message from the delirious Vincent Van Gough through time and space, eventually leading The Doctor, Amy and River to Stonehenge in search of the ominous Pandorica. Various aliens, monsters and villains gather as the box begins to open – and it’s revealed to be a prison for The Doctor. When a revived Rory turns out to be an Auton, things get worse. With The Doctor imprisoned, Amy murdered, River and the TARDIS caught in a looping explosion and the whole Universe coming to an end, it looked like the game really was up. Breathtaking scope and a range of clever concepts cement “The Eleventh hour” in our collective psyche.

 

THE ELEVENTH HOUR

New Doctor, new companion, new rules. After the spectacle of “The End of Time,” Steven Moffat grounded things back on Earth to introduce the wacky Eleventh Doctor. As the newly regenerated alien waltzes in and out of Amelia Pond’s life, he finds himself having affected a whole childhood just by being “five minutes” late. When he returns, the feisty Amy is all grown-up and in danger as her home plays safehouse to the escaped Prisoner Zero. Confident performances and masterclass writing guides us towards a thrilling climax. And as Matt Smith steps out of the (literal) shadows of previous incarnations and declares “I am The Doctor,” we find ourselves asking “David Who?” Doctor Who

 

JOURNEY’S END

Doctor Who Davros is back, and has The Doctor right where he wants him. The assembled companions of the past fight the Dalek empire and save the earth (and indeed the Universe) from certain extermination. The mindblowing climax doesn’t pass without its casualties, and Donna is forced to forget her adventures and just how remarkable of a person she really is. This heartbreak is balanced by Rose finally getting her happy ending. “Journey’s End” is an emotional rollercoaster from start to finish, veering from action set pieces to tender tearjerkers in the blink of an eye.

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Director James Gunn confirms the name of a Guardians of the Galaxy Vol. 2 creature with the release of some concept art from the film.

The Guardians of the Galaxy have been pretty busy lately while they gear up for Vol. 2. On Friday we learned that they’ll be showing up in Avengers: Infinity War, and tonight we got a sneak peek of a creature the team will be taking on in the GotG sequel.

Taking to Twitter, Gunn showed off a piece of concept art created by Andy Park.

Read full article

Director James Gunn confirms the name of a Guardians of the Galaxy Vol. 2 creature with the release of some concept art from the film.

The Guardians of the Galaxy have been pretty busy lately while they gear up for Vol. 2. On Friday we learned that they’ll be showing up in Avengers: Infinity War, and tonight we got a sneak peek of a creature the team will be taking on in the GotG sequel.

Taking to Twitter, Gunn showed off a piece of concept art created by Andy Park.

guardians-of-the-galaxy-2-concept-art

In his replies, he names the creature and states that, no, they aren’t fighting in space.

Then taking to Facebook, Gunn replied to fans who had questions about the image.

An updated synopsis for Guardians of the Galaxy Vol. 2 reads:

“Set to the backdrop of ‘Awesome Mixtape #2,’ Marvel’s Guardians of the Galaxy Vol. 2 continues the team’s adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand.”

So it looks like for those who were lucky enough to see GotG 2 footage at San Diego Comic-Con this year, you’ve already seen this guy in action.

‘Guardians of the Galaxy Vol. 2’ lands in theatres on May 5, 2017

Maisie Williams freaks out over ‘Game of Thrones’ season 7 scripts

"Nothing will prepare you for this."

7:45 pm EDT, August 22, 2016

Maisie Williams finished reading the scripts for Game of Thrones season 7, and totally lost her sh*t on Twitter.

Williams, who plays Arya Stark, is no stranger to shocking moments on the HBO epic fantasy series. But it seems like the events of Game of Thrones‘ penultimate season are so intense, even the seasoned young actress is left flabbergasted.

Earlier this evening, Williams summarized her experience of reading the Game of Thrones season 7 scripts on her Twitter feed. Suffice to say, the stream reads something like a thrillingly ominous preview of what fans will experience when the show returns next year.

Read full article

Maisie Williams finished reading the scripts for Game of Thrones season 7, and totally lost her sh*t on Twitter.

Williams, who plays Arya Stark, is no stranger to shocking moments on the HBO epic fantasy series. But it seems like the events of Game of Thrones‘ penultimate season are so intense, even the seasoned young actress is left flabbergasted.

Earlier this evening, Williams summarized her experience of reading the Game of Thrones season 7 scripts on her Twitter feed. Suffice to say, the stream reads something like a thrillingly ominous preview of what fans will experience when the show returns next year.

At first, Williams warned fans to steel themselves for the epic events to come.

…but apparently, no amount of mental toughness will be enough for season 7.

To summarize, Game of Thrones fans the world over are now sizzlingly jealous of Maisie Williams… and also, apparently, well and truly screwed.

With George R.R. Martin’s next installment in A Song of Ice and Fire still achingly absent, there’s almost no way to predict the major events of Game of Thrones season 7. Our only theory is that we should probably say goodbye to the feelings we managed to resuscitate after Jon Snow came back to life.

Williams isn’t the only member of the cast hinting at madness to come. Maisie’s on-screen sister Sophie Turner revealed that she too had advance knowledge while pondering Sansa’s future.

“I’ve actually just got the scripts for seven,” Turner tells Variety. “So I don’t want to say too much, because I’ll probably end up slipping some truths out!”

Seven forbid, Sophie. Seven forbid.

Game of Thrones season 7 will air some time in 2017, but not soon enough.

What madness do you think ‘Game of Thrones’ season 7 has in store?

Netflix adapting ‘Anne of Green Gables’ for new TV series with additional themes

Anne Shirley is returning to our screens!

2:45 pm EDT, August 22, 2016

L.M. Montgomery’s Anne of Green Gables book series is being adapted for television by Netflix and Canadian network CBC.

The new series will begin filming next month in Ontario, Canada. Though CBC will be airing it in America’s neighbor to the north, Netflix will be distributing it in the United States and the rest of the world.

Breaking Bad writer and producer Moira Walley-Beckett is penning the entire eight-episode series and will run the show. It is expected to air on the CBC in 2017, and presumably it’ll run on Netflix around the same.

Read full article

L.M. Montgomery’s Anne of Green Gables book series is being adapted for television by Netflix and Canadian network CBC.

The new series will begin filming next month in Ontario, Canada. Though CBC will be airing it in America’s neighbor to the north, Netflix will be distributing it in the United States and the rest of the world.

Breaking Bad writer and producer Moira Walley-Beckett is penning the entire eight-episode series and will run the show. It is expected to air on the CBC in 2017, and presumably it’ll run on Netflix around the same.

The eight-book Anne of Green Gables series has been adapted numerous times over the years (including the well-known, two-part 1985 televised miniseries), but this will arguably be the biggest adaptation to date thanks to the potential audience Netflix could pull in.

anne-of-green-gables-book

According to Deadline, “the coming-of-age series will focus on a young girl who, after an abusive childhood spent in orphanages and the homes of strangers, is mistakenly sent to live with an elderly spinster and her aging brother. Over time — and thanks to her unique spirit, fierce intellect and brilliant imagination — 13-year-old Anne will transform their lives and eventually the small town in which they live.”

The new adaptation “will honor the foundation of the book, but will incorporate new adventures reflecting themes of identity, sexism, bullying, prejudice, and trusting one’s self.”

The series will be set in 1890. The first book was published in 1908 by Lucy Maud Montgomery and has gone on to sell over 50 million copies worldwide.

Will you watch Netflix’s ‘Anne of Green Gables’ series?

If you’ve ever been interested in reading the series, now’s a great time to start!