After nine seasons, The Office series finale will give the employees of Dunder Mifflin the opportunity to say goodbye to their documentary, which airs this Thursday. We look back at the relationships and moments that made this show so special.

The Office took the mockumentary format that before 2004 was rarely, if at all, a viable television show concept. Over time we’ve come to love these quirky characters: Phyllis with her knitting, Angela with her cats, Creed with his, well, at times, suspicious activity, and Meredith and Kevin and Toby, the list goes on. The humor wasn’t in your face; it was every day, real-life, happens-to-real-people-sometimes humor thrown in with some wacky oh-no-Dwight-set-the-office-on-fire stuff.

Without further adieu, let’s commemorate the folks of Dunder Mifflin Paper Company before The Office finale. We should note that we talk about all nine seasons, so proceed with caution if you’re binging on Netflix right now – though we did mark specific spoilers from last week’s episode.

It should also be noted that there was too much material to adequately cover all nine seasons in this post. It’s hard to sum up all the plot twists and turns and appearances and revelations without writing pages upon pages of material. Think we missed an absolutely important aspect of the show? Let’s discuss in the comments!

Michael Scott

He might have left a couple seasons ago, but Steve Carell’s Michael Scott became somewhat of a pop-culture icon, known for his perplexing, funny, and sometimes heartwarming quotes (see below).

The show found it’s footing in its ensemble cast, however it was Michael Scott, manager of Dunder Mifflin Scranton Branch, who became the break-out character the viewers tuned in for. In his quest to be universally liked by everyone in the office, his antics and silly personality often bordered on irritatingly childish or gullible. But when it came down to it, Michael was always there for his employees, ready to give advice (see: his conversation with Jim in the season one episode, “Booze Cruise”) or a supportive hug (see: his attendance of Pam’s art show in the season three episode, “Business School”). There’s no doubt the show suffered once Carell left, because no matter how hard a string of big names tried to replace him, Michael Scott could never be replaced. He also often had the most ridiculous, and therefore, gif-able lines.

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The relationships

Jim/Pam

Where to begin with these two. At the beginning, I suppose. Throughout seasons one and two, Pam was engaged to jerk-wad Roy while Jim was forced to watch on the sidelines. Then there was the intimate season two finale kiss that gave Jam shippers hope for these two. But our hopes are dashed in the season three premiere when it’s realized Jim had transferred to a different branch in an effort to distance himself from the pain of watching Pam and Roy continue on with their wedding – which Pam had broken off. Great – they’re both single! But wait! Enter Karen, (Rashida Jones, the reason why a Parks and Rec and Office crossover can never happen) Jim’s new girlfriend, who stays throughout season three. She leaves – well, technically Jim ditches her – in the finale when he adorably interrupts one of Pam’s confessional sessions to ask her out to dinner. Ah, young love.

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Season four passes for these two largely without incident, as they continue to develop their relationship. It’s not until the season five premiere Jim proposes to Pam at an unconventional time and location, but it’s passionate and works for these two. During the finale (major Jim/Pam moments seem to book-end the seasons), it’s covertly revealed that Pam is pregnant. Season six was a doozy for these two: they get married in the middle of the season in a spectacular television wedding, and then a few episodes later welcome their first child, Cecilia, into the world. As season seven blends into season eight, they realize they’ve become the boring married couple. But, they’re still in love and adorable. Still, they have a second kid, and things become routine.

Which brings us to the current, and final season. The show waited nine seasons to inject some drama into this relationship, after smooth sailing for so long, Jim and Pam have been doubting themselves and their marriage throughout the season, leaving viewers to think about the possibility of a divorce. Hopefully, the finale doesn’t have any big surprises for these two, but [spoiler] after last week’s tear-inducing final ten minutes that included a montage of their romance, and Jim talking to Dwight about love, I believe they’re going to be okay. They have to be. They’re Jim and Pam.

It was during season seven that the show’s quality began to suffer (and you can dispute me on that, it’s a opinion, though a widely-accepted one), as it coincided with the expansion of a cast of weaker characters (Gabe, Jo) and the departure of Michael Scott.

Dwight/Angela

Without over-simplifying it, these two have been on a nine-season-long lovers tryst. Stolen kisses and other ahem things happened most frequently in the dark corners of the warehouse during office hours, while the documentary film “cameras” were stil rolling. While they often dated other people, it was usually in an attempt to get a jealous rise out of one another. When Angela gave birth to son, Philip, at the beginning of season nine, the show duped viewers into believing it was a Schrute baby, but the paternal test results concluded otherwise she denied he was Dwight’s, but if you watched last week’s episode, [spoiler] you’d know that Angela confessed, Dwight is a dadddy! Cue their road-side engagement (also reminiscent of Jim and Pam’s in season five.)

Andy/Erin & Pete/Erin

When Ellie Kemper joined the cast in season five, she played the naive, innocent secretary part perfectly. Her chemistry with Ed Helm’s Andy was apparent and their courtship injected some energy into the show. Over the past four seasons, they’ve been on-again, off-again partners, until Andy took the three-month boat trip earlier this season, and Pete entered the picture.

The Office has done something that was either well or ill received this season – bring the show around full circle. If all ends well, we’ll see the receptionist and sales guy embarking on a new life together. A storyline that is too similar to Jim and Pam’s to be coincidental.

Jim/Dwight

While these two originally seemed to be more nemeses than friends in the workplace, with the endless pranks on Jim’s side, and Dwight’s endless search for more power than his counterpart, there’s been a shift over the years as they became comrades, partners in crime, and eventually, strangely, close friends. Jim comforted Dwight when Angela agrees to date Andy in season four, arguably the turning point in their friendship that went from occasional competitors on the sales team, to having one another’s backs.

Jim’s Pranks

They started in the pilot and haven’t stopped. Here are a few of the classics.

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And then there was the one episode Jim and Dwight engaged in a massive prank battle and, in a role-reversal, Dwight pranked Jim for once.

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Quotables

That’s what she said

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Ain’t no party like a Scranton party because a Scranton party don’t stop.

Jim’s deadpanned looks to the camera.

After this became a thing on the show, just like the inner-monologue from JD on Scrubs, many people (this author included) pretended their lives were being filmed for the camera. Sometimes it’s fun to just look off into the distance and give a half-smile, and a shrug of the shoulders.

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This article could have been a lot longer, and we could’ve dedicated much more time to all the relationships and friendships and memories from the show. If the penultimate episode is any indicator, The Office finale this Thursday is going to be filled with heart-warming moments, and tears, lots and lots of tears.

Be sure to watch the hour-long retrospective at 8pm and the “supersized” 75-minute finale this Thursday on NBC.

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That they are, Jim, that they are.

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

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Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

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We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

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Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

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What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?