Robert Sheehan plays Clary’s adorable sidekick Simon Lewis in The Mortal Instruments. Sheehan talks about playing a well loved character and his favorite scene in this interview we conducted with him during our set visit.

What have been the biggest challenges playing Simon? Did you reference the book as a tool to build your character?

I was being surrounded by the hotshot action movie stars out there and they being very cool and very active amongst the action. And me having to kind of, remain somewhat passive, that for some reason, is almost as exhausting as you were, you know, I’m not just saying that, not trying to big myself up but it’s an exhausting thing.

What was your favorite scene that you’ve shot so far?

Umm, I really liked the conversational stuff that I share with Lily’s character Clary because you know this film is beautiful and epic and magical and big but there still exists in the film an arc of a relationship breaking down and then rebuilding essentially between Clary and Simon. And we shot a scene basically where Simon declares his love for someone. But yea we have a lovely scene where I kind of catch Clary and Jace in missionary, right there in the corridor no. But I catch them and it kind of crystallized what hasn’t been said between the three of us since we got together. So then I kind of, in a round-about way declare my love to her and then I storm out. It was a beautifully written scene and essentially it was an argument between two people. Despite the fact they’re surrounded by this magical world it’s about these kind of unspoken feelings and it felt really real and quite dramatic and I think movies like these need those kind of scenes in order to feel real you know?

How much of a leap was it for you to step into this crazy world after being a part of Misfits and does anything supernatural surprise you anymore?

Well Misfits was like the only, Wait no, I’m trying to think. I’ve done a couple Sci-fi things. Misfits was about 3 years ago and since then I’ve done, well not any sci-fi stuff you know but it feels like a long time ago but I also know that here. It’s kind of just coming out or becoming popular which is great but yea. Everything Sci-fi, to be honest everything normal surprises me. You know, sometimes I look up at the sky and go god that’s weird. Something doesn’t have to be in the sci-fi genre in order to inspire or shock me. I suppose having that experience in sci-fi with Misfits, Misfits wasn’t sci-fi, Misfits was the odd brain child of a great strange man called Howard Overman who thought of the weirdest stuff you could possibly think and put it in a T.V. show and that’s what Misfits became. It was important to him and the show as well but that show always worked without the powers just about some people having a dysfunctional life and the powers almost became the manifestation of insecurities.

What was your first impression of Simon either when you read the book or when you read the script?

I read an earlier draft of the script; Simon represented what was normal in Clary’s life. It seems like he’s the representation of the life she gets taken away from by discovering her magical abilities. I read the script several months ago, and in one draft Simon doesn’t get taken along for the ride, which is in God’s hands, and it’s great for me because I don’t get taken along for the ride. But she returns back to some resemblance of a normal life, back to her home. It felt like Simon was very much the foundation of her normality because he’s been her best friend all these years and yea he just developed in the script to a little bit of a rock for her and all the while harboring these feelings of love. I think he’s the only normal perspective in a world full of magical people, including Clary, everyone is magical in some way and he is essentially the only normal guy in the script and I think that’s very important in the script because you go off the deep end quite quickly and magically and it’s nice to have a normal guy perspective on everything. Trying to digest what he’s seeing happen so quickly and that’s really what he represented in the script for me.

What do you have most in common with Simon’s character?

I think Simon is a pioneer of counter culture, he’s very much like a bohemian guy and that’s very much what I am. In that sense I’m drawn to things that define themselves by being on the fringe; culturally, musically, theatrically all that stuff. I think that’s how young people find each other a lot of times by what kind of culture they are interested in, what they have in common. He feels very much like a New York kid who is constantly discovering things. New York being a hotbed of creativity. The fact that he’s in bands, and he’s just kind of reaching out creatively all the time and I’m drawn to people like that. And I’d like to think I am one of those.

So what do you love most about The Mortal Instruments?

This is because of Classandra Clare first and foremost, but there’s a real sense of tangential adventure about the series in the sense that it feels like a character falling down the rabbit hole. Much in the wonderful inhibited sense of adventure and unpredictability about the books and about the script. I read the scripts first and that’s what I really felt was quite amazing and fantastic and filming that kind of stuff as an actor, it’s the absolute best. Every single day there’s a new color and a new bit of the tapestry. I like the general gist of the adventures in the script and obviously the series.

Is it hard to bring a character to life that people love so much and are invested in to the big screen?

Yea, I was thinking about this the other day when I got asked this and you can only really have one interpretation of the character and put that out there and the thing about books and the thing about adaptations being a disappointment to people is that every single person has a different image of what Simon is and how they see him. You can only do your best to please the people who love the book and do it from where you think is the best place. If I got caught up in trying to interpret how the fans might like the character the best I think I’d go crazy so I’m just kind of taking my interpretation and hoping for the best really.

I know that all the fans that I’ve talked to absolutely love you for this role and so what is the best part in playing this character?

There are so many, you know I’m not just saying that, but it might be the fact that this story is already loved, and it’s already out there and it’s quite exciting, and quite weird to even sign Cassandra’s book because it feels like she’s put a beautiful book together and a beautiful story and here we are kind of clumsily signing it, “yea yea, thanks for reading.” But it’s nice that there’s this kind of mass of people that love this story already. And it does feel like your entering into that harem just by playing the character and being accepted and it’s certainly feels like I’ve been accepted already by the feedback that I got and the films not even out yet. I could have made absolute balls of it. But no, it feels very welcoming I think playing this character and I’ve never gone into something which has had such prior knowledge before. I’ve done character in books but not any book to this epic scale. And that’s quite pleasing, quite comforting.

The book is good for teens and its good for adults, and I think that Simon is an integral relation to that. From your perspective, how will this movie appeal to teens and adults?

I think in the script they wanted to mature the characters I think in age and also the fact that they are having these relationships. So I think the relationship, certainly the triangle of love if you will call it is quite a complex one and one that will appeal to people because it’s very well written and its quite a classic love triangle in the sense that there’s the younger quieter character and then there’s the blossoming love and so on. It’s written in such a way that it’s not in my opinion Twilighty. It’s actually very real and it just happens in some little conversations between friends and I think the relationship side of this between brother and sister or Alec and Jace they’re written quite maturely and that I liked a lot about the script and I think that’s why it will appeal or certainly please adults because they won’t feel like they’re being patronized and then teenagers also same thing because teenagers are adults in my opinion, they’re just people that are younger you know, it’s the exact same for me adults and teens alike. I always knew when I was a teenager when I was being patronized or spoken down to and I think a lot of movies do that because they think their demographic is stupider than them you know? Like they think people from 12-18 can’t grasp certain concepts when in fact of course they can. So umm, I think the movie will appeal to adults and teens absolutely the same. Maybe teens possibly more because they’re more absorbent and more influenced by the things they like so you never know.

Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

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Doctor Who season 10 finally has an air date and not only that, so does the spin-off Class!

It’s time to celebrate because we finally know when we’ll see Peter Capaldi back in the T.A.R.D.I.S. as the Doctor! BBC America will premiere Doctor Who season 10 on Saturday, April 15 at 9/8c. Check out the brand new trailer promoting the series, narrated by the brand new companion, Bill:

No word on if the UK will be seeing the same air date but it’s more than likely they will since it’s been like that in years past.

This will be Peter Capaldi’s last season as the Doctor, along with Steven Moffat’s last season running the show. After this we’ll be seeing Chris Chibnall taking the reins with a clean slate, and we’re so curious about how the series will go. How will the Doctor regenerate? Will this be Bill’s first and last season on the show as well? Who’s going to be the next Doctor? We’ve got so many questions! But they’ll all be answered in due time… we hope.

And that’s not all! Fans in the UK have already had the chance to enjoy the brand new spin-off series, Class, and after Doctor Who premieres on April 15 Americans will finally witness it as well.

Set to air directly after Doctor Who at 10/9c, Class is helmed by award-winning YA writer and executive producer, Patrick Ness. The series follows a group of students at Coal Hill School as they deal aliens, invasions and awkward social dilemmas.

Having seen Class in its entirety we can tell you that it’s got the perfect Doctor Who vibe and should fit in perfectly after you watch the season 10 premiere. Although not everyone loved the premiere, the series as whole definitely grows on you. You’ll just have to check it out for yourself!

Are you excited for ‘Doctor Who’ season 10?

How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

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How to Get Away with Murder just dropped a bombshell as we found out the truth behind #WhoKilledWes. However, that reveal isn’t the only moment fans are buzzing about.

Obvious spoilers below.

1. Laurel’s emotional demand

After confessing to both Michaela why Connor was at the house the night Wes died one of the many shocking reveals of the episode is made. “Connor might have killed Wes.” As it turns out, Connor showed up at the Keating home after responding to Annalise’s plea for them to all meet there. As he arrived he found signs of a struggle, and even more, Wes’s warm body in the basement.

Connor could smell gas, but still he persisted in trying to resuscitate Wes through CPR. For over a minute he cried and pounded on the dying boy’s chest until he heard a crack of bone, a fractured rib. He fears he might have punctured a lung. He fears he might have been the one to strike the deadly blow.

Once the confession is made the Keating crew reacts. Oliver pleads for understanding. Annalise reassures Connor that he didn’t do this. Bonnie tries to play mediator, keeping everyone calm. Finally Laurel, in a blindingly emotional rage, instructs Connor to go and kill himself. Saying such action will be the only good thing he will ever do with his life.

2. Annalise’s hidden voicemail

Connor and Oliver were adamant that nothing on the copy of Annalise’s phone was incriminated. Then why would she ask Oliver to erase it? Well when Connor is about to be arrested for Wes’ murder fans find out just what Annalise was so afraid of. he discloses to Denver the location of the copy, and Annalise comes forward with what she wanted to hide.

The night that Wes died he left her a voicemail, explaining ADA Atwood’s plan to take her down for the murder of Sam and Rebecca Stutter. His exact words are “I can’t let you go down for what I did.” He begs her to come home, to talk about it, to discuss their options. But he died before any arrangements could be made. In fact, he was taken down moments after the call was made.

What is truly shocking however isn’t the voicemail itself. The kicker is how Annalise uses the voicemail to pin it all on a new suspect to clear her own name. Wes. Out of context, the voicemail sounds like Wes is confessing to killing both Sam and Rebecca. Annalise is able to twist the story to make it look like Wes took his own life out of guilt. She tarnishes his reputation forever.

3. Oliver’s shocking request

After Connor answers the burner phone Denver used to stay in contact with Atwood throughout Wes’ death, he goes missing. He is caught by Denver and taken to a hidden location where he is held against his will.  While held, he is questioned about his involvement with Wes’ death. He is accused of murdering Sam. He is threatened to be held for more than the legal 48 hours.

Meanwhile, Oliver heightens to a frenzy. In a panicked state he obsesses about the whereabouts of his boyfriend. He brings up the severity of the situation almost every time his face shows up on our screens. While most (Laurel) believe that Connor has taken Wes’ immunity deal, Oliver remains convinced that Connor is in immediate danger.

He isn’t wrong. Connor is nearly arrested for the murder of Wes. Luckily, after the voicemail comes to light he is released. When he arrives home the two boys engage in a moment of passion, literally ripping the clothes off of each other. They talk about safety, moving to California, making babies, and loving each other forever. To Connor it’s all tied to the sex. To Oliver, however, it’s much more. He’s serious. He asks Connor to marry him.

4. Michaela’s oddly-timed confession

In the heat of everything going on Asher declares his love for Michaela. He calls this year the most awful of his life. He can’t let another moment go by without telling Michaela how he feels. As he spends a few tender moments showing Michaela his heart she pretends to hear Laurel from the other room. She effectively flees the situation.

Michaela doesn’t feel she can honestly answer that question. She doesn’t know. In fact, she doesn’t know if she has ever been in love. However, when it comes down to it, as Michaela has to pretend she wants to go home with Charles Mahoney she realizes something. She does love Asher. Or at least she thinks she does. That’s right, the girl who has always held her true intentions hidden deep inside finally opens up in a women’s public restroom, no less.

5. Wes’ murderer revealed

As the final episode of season 3 came to a close we felt pretty sure that the mysterious hitman was in cahoots with Denver. He never denied it, he almost seemed to confess as Annalise threatened to take him down. As she accused him of having a hand in Wes’ death in some way he seemed so guilty. It had to be him. The very last moments of the episode revealed a very different story, however.

As Laurel began to run down Charles Mahoney who awaited Michaela at a cab she ran into a similar face. Although, she and the audience had much different reasons for recognizing him. To her this man was Dominique, a family friend. To the audience he was the hitman who injected Wes with the lethal substance that took his life.

In one final flashback we see Connor running past the hitman’s car as he talks on the phone. He confirms that the deed is done. Wes is dead. But he doesn’t relay this news to Denver. He is speaking with Laurel’s father. The orchestrator of this all.

What moment stood out to you most in the ‘How to Get Away with Murder’ season 3 finale?

I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

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I’ve noticed that a lot of television shows lately have focused on some form of mental health issues, and it’s making TV a whole lot better.

If you’ve watched a decent amount of TV lately you probably noticed this trend, and if you haven’t then you’re about to read about it. The more I watch TV the more I notice that a lot of shows have, in some way, brought up how people handle mental health issues like depression or anxiety. Either they have a character who faces it on a weekly or semi-weekly basis or an episode dedicated to someone handling it and I think it’s about damn time.

For the longest time Hollywood treated mental health disorders as some scary, horrible thing. It was all about straight-jackets and asylums and people never really understood how varied mental health disorders could be. Mental health problems are more than just schizophrenia and psychotic disorders, and finally I feel like Hollywood is beginning to go past the tip of that iceberg.

But that’s just it, we’ve only begun to explore mental health awareness in the proper way. With all of the shows on TV only a small number of them have started to explore this important subject. But the few that have? They’ve done a great job.

As much as I love TV I don’t watch everything so I’ve asked my Hypable co-workers to share with me their shows and how any of them highlight mental health awareness. These are all such great examples of how a television show can bring up awareness not for the sake of entertainment but rather because it’s important to show the world how mental health actually affects our lives.

‘The 100’


Jasper Jordan is a rare character in a post-apocalyptic work of fiction, because unlike most of his delinquent peers, he doesn’t have a near-superhuman ability to compartmentalise the traumas and keep fighting for his own and his friends’ survival.

Related: Jasper’s arc on The 100 is real, raw, and underrated

Where characters like Clarke, Bellamy, Monty and even Murphy get knocked down and get right back up again, Jasper isn’t able to do that. The ground was already well on its way to breaking him before he experienced the horrors of Mount Weather, and despite surviving it all, he hasn’t emerged stronger — his mind is giving out, and Jasper has no desire left to carry on. His self-destructive depression and suicidal tendencies were on full display in the season 3 finale, and although the writers decided to let him live (the original plan was for him to kill himself), his trauma hasn’t magically disappeared.

Jasper is a broken soul in an unforgiving world, and his pain is going to continue to define his character from here on out. –Selina Wilken

‘Bojack Horseman’


Every character on Bojack Horseman suffers from depression, and they all deal with it in different ways. Bojack is cruel and listless and blames everyone else for his problems, Mr.Peanutbutter hides his pain behind a smile and an upbeat personality.

Princess Carolyn loses herself in work and keeps her distance from other people emotionally to avoid being hurt again. Todd allows others to steer his life for him because he believes he’s too dumb and useless to make his own decisions. Every season hammers home why these characters behave the way that they behave, and it’s all wrapped up in a big metaphor about how we’re all just animals trying to survive. –Jimmy Bean

‘UnReal’


Probably one of the most evident and obvious shows that handle mental health, UnReal‘s main protagonist Rachel suffers from a lot of anxiety, depression and post traumatic stress disorder. If you watch just season one and half of season 2 you may not understand Rachel’s actions or why she suffers from PTSD, but in season 2, episode 7 it all becomes clear. Unlike the other shows, UnReal provides a great example for how to not handle depression. The actions of the characters are so abundantly harmful and deceitful that it’s easy to hate the characters and what they’re doing.

It’s hard to discuss without spoilers, but it’s not hard to see how Rachel suffers from these mental health conditions. The poor woman is surrounded by people who try to help her by helping themselves, leaving her to handle her depression and anxiety alone, and it provides a clear picture for how to not support your friends. The best thing this show does is displaying how important it is to take a look at the people around you and make sure you’re keeping them there for the right reasons.

As morally corrupt as the show and its characters are it’s a realistic portrayal of how harmful denying and not treating your depression and anxiety can be. –Tariq Kyle

‘Teen Wolf’


Stiles anxiety has been threaded subtly through Teen Wolf, with just a few instances where it has made it to the forefront of the plot. In one case, Stiles has a panic attack when he’s learned his father has been taken in season 3. Since he lost his mother has a young child, his father is really the only family he has left. Stiles has always been overprotective of his dad — making sure he’s eating healthy and taking care of himself. When he has a panic attack, Lydia finds a way to calm him down, but she doesn’t try to cure him.

Stiles’ anxiety is as much a part of history as anything else, and it returns to enhance the plot of the show in season 5 when Stiles is worried about what will happen to his friendship with Scott after high school. It drives Stiles to attempt to keep everyone together, but when that all falls apart, he must confront his fears and accept that life doesn’t always work out the way you want it to. By the time season 6A finishes up, Stiles has overcome this particular trigger, but again, that does not mean he’s been cured of his anxiety. Teen Wolf knows that a mental illness like anxiety is not something you just get over; it’s something you constantly have to work through. –Karen Rought

‘The Magicians’

‘The Magicians’

The biggest driving force in The Magicians actually isn’t magic, but rather depression. It’s made all too clear in season 1 when Elliot explains to Quentin, “magic doesn’t come from talent, it comes from pain.” Author Lev Grossman has discussed this parallel several times, explaining that his own depression was the inspiration for the series.

Grossman explains, “when I was really struggling with depression, I would lie in bed every day, and I couldn’t get up. And I would watch people doing these normal things, going to their jobs and having their relationships, and I would think, I could never do that. And it felt like they were doing magic. And when I started to get better, and I started getting up, and I started doing all these normal things, I felt like I was a magician.”

And what’s particularly great about The Magicians is how each character handles their own depression and anxiety in their own way. Some, like Quentin, are sheepish and quiet about it. Others, like Elliot or Margo, put up a facade of strength and nonchalant-ness that they seldom put down for others. The show is incredibly unique in how it handles mental health, and it’s a great representation of how today’s adults are dealing with it in their own way. –Tariq Kyle

‘Survivor’


While scripted shows are improving leaps and bounds in their portrayals of mental illness, Survivor has always been happy to show real people overcoming real obstacles, including anxiety disorders and phobias that do not lend themselves to being marooned on an island for a month or more. This past season on Survivor brought us three very different, but inspiring storylines about people overcoming anxiety and such to do extremely well in a game that has overwhelmed some of its strongest participants.

David, who works as a TV writer when he’s not marooning himself on television, walked into the game looking like the type of person that is usually the first person voted off. He appeared weak, paranoid, and was afraid of nearly everything on the island (a scene in which he is scared to hold a stick bug stands out in my brain). As he grew comfortable with his surroundings, he managed to harness his weaknesses and use them in his own favor. He also bonded with another of our inspiring survivors, Ken.

Ken suffered from a stutter as a kid, and has social anxiety thanks to years of bullying and teasing. Ken not only learned to bond with David, but throughout the game managed to make friends and trusted allies despite his anxiety.

Last, but certainly never least is Hannah. Hannah, like David, walked onto the island looking like the type of person that gets voted off this show in the first few episodes. Her lowest point was definitely when she had an anxiety attack from just watching an immunity challenge in progress. She was sitting on the sidelines and suddenly started hyperventilating and her hands seized up. She went on to form solid alliances and maneuver her way into the final three.

Survivor allowed viewers to watch as these three unlikely people made their way through one of the toughest social experiments in play today. Their struggles are real and tough, and they’ve put themselves in circumstances most of us couldn’t dream of subjecting ourselves to, but each came out stronger, more assured in who they are, and aware that their anxiety does not define them. –Kristen Kranz

How do you feel depression and anxiety are being represented on TV?

Don’t forget, you’re not alone. Give a call to the National Suicide Hotline (1-800-273-8255) or text them by texting START to 741-741