Teen Wolf season 3, episode 9 just finished airing! Come read our recap and discuss “The Girl Who Knew Too Much” with your fellow fans.

Teen Wolf season 3, episode 9 “The Girl Who Knew Too Much” began with the deputy walking through the school alone because someone called 911. When we hear the creepy chant through her radio, we know that something is wrong.

And it most definitely is. The deputy sees her own dead body before she is strangled from behind by the Darach. Lydia shows up without meaning to and, learning from her past run-in with Stiles, calls him, Allison, and Scott to find the body.

The next day at school Scott and Stiles devise a plan to talk to Ethan. Unfortunately, they have to go through Aiden in order to do that, but Lydia seems to be the perfect distraction. Their time in the closet is cut short, however, when someone draws the spiral of vengeance on the window.

Ethan tells Scott and Stiles that he and Aiden were omegas when Deucalion found them. He taught them how to control their ability, and the twins subsequently killed each member of their pack, including their Alpha. It’s because of this that they owe Deucalion so much and stay loyal to him.

Back in the locker room, we see Cora attacking Aiden. Ethan can feel it, and he, Scott, and Stiles come to Cora’s rescue. Ethan calls Aiden off, but not before Cora gets severely injured.

Teen Wolf Stiles The Girl Who Knew Too Much

Scott sent Isaac to keep an eye on Allison, but she finds him out. Together they look at what Allison’s father has been working on and, underneath the map, they see a Celtic five-fold knot. In each of the circles, we see the groups of sacrifices that the Darach has been killing.

While Jennifer and Derek enjoy a short-lived reunion, Stiles takes Cora home. On his way, Allison tells him that she thinks his father could be in trouble. He agrees to tell his dad, and needs Cora to help him.

Meanwhile, Scott goes to Morrell and flat-out asks her if she’s the killer. She denies it and her steady heartbeat backs up her story. She does have a warning for Scott, though: Deucalion wants a True Alpha in his pack, but if Scott won’t join his pack by choice, he’ll force him to kill.

When another teacher is taken, Lydia stumbles upon the room and, in some sort of trance, writes the number two on the board in the middle of a symbol that mysteriously showed up when he had turned his back. She screams right before it cuts to a commercial.

In the next scene, Stiles tries to convince his father that werewolves exist. After a hilarious scene of him trying to keep all the facts straight (“Deaton is a kanima?”), he tells Stiles to cut it out. As a last ditch effort, Stiles tells Cora to change, but she passes out right before she can.

Teen Wolf Melissa Sheriff The Girl Who Knew Too Much

Allison goes after her father, convinced he’s the one that is killing everyone. Isaac doesn’t think it’s a good idea, but follows her anyway. They see the Darach, and it’s then that her father comes out and shoots at it. But the Darach escapes.

At the rehearsal, Ethan tells Danny that if anything happens, he’s to find him. Lydia tells Scott that she’s going to stop fighting the feeling, and maybe she’ll be able to save someone in time. Meanwhile, Derek is with Cora in the hospital. Something seems to be very wrong with her.

Lydia gets a text from Aiden to meet her, and she leaves reluctantly. However, when she reaches the classroom, Jennifer is there waiting, and hits her over the head.

As Jennifer plans to kill Lydia, Lydia screams, and we finally find out what she is: A banshee.

Back in the concert hall, a piano wire kills a woman and everyone runs screaming. Back in the classroom, the sheriff points his gun at Jennifer, but she throws the knife at him and it lands in his shoulder. Scott shows up to fight Jennifer, but she’s just too strong for him.

As Stiles watches from the other side of the door, Jennifer takes the sheriff away and the episode ends.

‘Teen Wolf’ season 3, episode 9 ‘The Girl Who Knew Too Much’ quotes

Lydia: “You find the dead body from now on.”
Stiles: “So you and your brother were like the bitches of the pack?”
Cora: “I did it for Boyd.”
Morrell: “He wants to make a killer out of you.”
Isaac: “This is so not going to end well.”
Stiles: “Mom would’ve believed me.”
Scott: “You get me the time and I’ll do something about it.”

Teen Wolf season 3, episode 10 “The Overlooked” will air next week, Monday, August 5 at 10 p.m. EST on MTV.

Did you know Jennifer was the Darach? Were you certain that Lydia was a banshee?

After all that talk of inclusivity, Star Trek Beyond falls into the Hollywood trap of implied sexuality.

Mild spoilers for Star Trek Beyond.

Star Trek Beyond, already a wildly anticipated movie, made headlines ahead of its release because of the franchise’s decision to introduce the first openly LGBT character: Mr Sulu, played by John Cho.

While this decision was certainly met with excitement, there was disappointment, too. The original Mr Sulu, George Takei, openly voiced his opinion that they should have introduced a new LGBT character rather than expand on original canon (as they have been the whole trilogy), while Simon Pegg beautifully argued that there was power in using an established character who wouldn’t be defined by his sexuality.

Then came the movie itself, and while the introduction of gay Sulu is still a great thing, we’re left sorely disappointed by Beyond‘s decision to depict the LGBT relationship — or rather, hardly depict it at all.

As reported by our friends at The Mary Sue, the scene featuring Sulu and his husband Ben depicts a “lukewarm” relationship, although Sulu is very affectionate with the pair’s daughter.

This is, unfortunately, a common problem in Hollywood when an LGBT couple — almost impossibly — makes it into a big franchise film. They’re allowed to be there, but having any kind of physical interaction even remotely resembling what a heterosexual couple might have still seems to be off-limits.

Related: Hollywood is failing the LGBT community: GLAAD slams Disney, Paramount and Warner Bros.

And, according to John Cho, there was actually a kiss filmed. “There was a kiss that I think is not there anymore,” he told Collider. “It wasn’t like a make-out session. We’re at the airport with our daughter. It was a welcome-home kiss. I’m actually proud of that scene, because it was pretty tough.”

Cho points out that Ben was played by a non-actor, writer Doug Jung, and says, “Obviously, I just met the kid, and then Doug is not an actor. I just wanted that to look convincingly intimate. We’re two straight guys and had to get to a very loving, intimate place. It was hard to do on the fly. We had to open up. It came off well, in my view.”

And we wish we could have seen it. Introducing a major LGBT character in the Star Trek franchise is a fantastic first step, and depicting two POC actors raising a child together is a great statement — but, unfortunately, the decision to cut out their kiss (which was already chaste, by the sounds of it) is emblematic of Hollywood’s continuous phobia of depicting LGBT relationships and intimacy on the big screen.

As Screen Crush also points out, this exact same scenario played out in Independence Day: Resurgence, too. In Finding Dory, the lesbian couple are only implied, in a blink-and-you’ll-miss-it sequence.

LGBT representation (when present at all) is always so subtle, evidently in fear of offending straight audiences while not totally erasing non-straight sexualities. And, sadly, even that is considered a big step forward — but maybe it’s time we start depicting humanity as it is, and not what society wished it was 100 years ago.

Here’s looking at you, Star Wars.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Present day Han Solo may’ve left the main Star Wars series after the events of The Force Awakens, but the character’s time in movie theaters is far from over.

The new Han Solo film from Lucasfilm — scheduled to hit theaters in May 2018 — might turn into a trilogy for the reluctant hero, according to the New York Daily News.

The paper reports that star Alden Ehrenreich has signed a three-picture deal, suggesting that the studio intends to expand the Han Solo spinoff into a trilogy. “They feel that his character has the right potential to become a central figure in several movies,” a source told NY Daily News. “They’re keeping things under wraps at the moment, but the deal is that he has signed for at least three movies.”

This makes a lot of sense given the popularity of the character coupled with his absence in Episode 8 and beyond. We also know that Lucasfilm and Disney have many, many grand plans for Star Wars in the years ahead: The very first Star Wars theatrical spinoff, Rogue One, opens later this year. Episode 8 then hits theaters a year later (2017), followed by Han Solo’s own movie (2018). Next comes Episode 9 in 2019, followed by yet another spinoff reportedly focused on Boba Fett in 2020.

As for 2021 and beyond? Only time will tell, but we expect more movies set in the worlds of The Force Awakens, Rogue One, and now Han Solo.

The Han Solo spinoff will be directed by LEGO Movie helmers Phil Lord and Christopher Miller. They’re currently deep into pre-production, as this tweet from Lord this morning shows:

“This is the first film we’ve worked on that seems like a good idea to begin with,” the directors said last July. “We promise to take risks, to give the audience a fresh experience, and we pledge ourselves to be faithful stewards of these characters who mean so much to us. This is a dream come true for us. And not the kind of dream where you’re late for work and all your clothes are made of pudding, but the kind of dream where you get to make a film with some of the greatest characters ever, in a film franchise you’ve loved since before you can remember having dreams at all.”