Guest judge Anna Kendrick relished in the opportunity to watch the So You Think You Can Dance top 14 dance for America’s votes in this week’s episode full of unique routines, lots of props, and a fall.

Anna Kendrick proved herself to be a massive improvement over recent guest judges. Her critiques hinted at her dance know-how (a result of her years spent on the broadway stage before her film career took off), but most importantly, she filled the role the show is looking for the guest judges to deliver: entertainment.

As America’s spirit animal, Anna totally geeked out for the entire show, with a slew of hilarious comments ranging from “If I could have your body for one day, I could do anything…I could solve world hunger!” to “I feel like you two should make a baby.” She was funny and entertaining, while also providing worthwhile criticism about the contestants’ routines. It left this writer wondering what number to dial to get Anna Kendrick to stick around for next week’s show.

Host Cat Deeley started the night with bad news: tapper Curtis Holland injured his shoulder in rehearsals this week, and was unable to dance this week, on doctor’s orders. It was a tough break for Curtis, who only barely made it through last week by the skin of his teeth, and this week didn’t have another chance to show off for the judges.

Eliminations

The bottom six dancers were revealed at the top of the show: Nico Greetham, Alan Bersten, and Curtis Holland for the guys, and Alexis Juliano, Makenzie Dustman, and Jasmine Harper for the girls.

The judges decided not to have any of the guys dance for their lives. None of them were safe, but the judges felt they knew how well they could dance. This was not a good sign for Curtis, as it seemed unlikely that they would send Nico or Alan home over someone who couldn’t dance at all this week.

Makenzie’s and Jasmine’s appearance in the bottom three girls was a big shock. They have been two of the strongest dancers throughout the competition, and both girls received raves for their performances last week. Makenzie, in particular, stole the show with her retro hip-hop performance. This seems to be another case of voters being overconfident that their favorite contestants are safe.

The judges chose to save Makenzie, and have Alexis and Jasmine dance for their lives. Both girls’ solos were strong, but Jasmine’s stunning routine outshone Alexis’.

The eliminations were quick, but probably not painless for Alexis Juliano and Curtis Holland, the two contestants sent home this week. Judge Nigel Lythgoe, a tapper himself, said the elimination “kills me this week, because we’re losing two tappers.” Curtis’ fate seemed inevitable from the beginning, and Alexis had some very stiff competition, so it wasn’t much of a surprise that the judges were unanimous in their decision.

Performances

Jenna Johnson and Tucker Knox

Jenna and Tucker kicked off the competition with a Luther Brown hip-hop routine. Coming from the worlds of ballroom and contemporary, respectively, hip-hop was a little bit out of their comfort zone. They dove into it and gave it their best effort, but it came across looking a little nerdy.

Tucker’s role in particular required an awful lot of swag, and he fell a bit short. Nigel was pretty harsh, saying the routine was unconvincing and unmemorable. He felt Tucker was too upright, and Jenna was too sweet.

Alexis Juliano and Nico Greetham

Both in danger this week, Alexis and Nico had a lot to prove with their Sonya Tayeh contemporary routine. The concept of the routine was that at the end of their relationship, Nico is trying to slip away quietly, but Alexis is still madly in love with him and doesn’t want to let him go.

It was a good showing from both Alexis and Nico, as both dancers showed a lot of intensity and emotion. The most memorable part of the routine was Alexis’ super-intense running in place, which was either stunning or hilarious, or maybe a little of both.

Hayley Erbert and (not) Curtis Holland

Hayley was left without partner Curtis for their Leonardo Barrionuevo and Miriam Larici Argentine tango, due to his injury, so Leonardo joined her in Curtis’ place. While it might be a challenge for other amateur dancers to perform with a professional in a genre outside of their own, Hayley rose to the challenge, and then some.

She was absolutely stunning, and sexy, and sold the entire routine with just her expressions. There were some beautiful lifts (especially the one where Hayley was frozen in mid-air for a moment), and technical work that brought ballroom expert Mary Murphy to her feet.

Makenzie Dustman and Paul Karmiryan

Makenzie and Paul were given a doozy of a jazz routine this week by Sonya Tayeh. She started off the rehearsals by having Paul take his shirt off, and the sexiness just escalated from there. It was a very sexy and sultry routine, and very aggressive as well.

Anna Kendrick wisely pointed out that this was a different role for Makenzie to play, as often she is very beautiful and ethereal, but this time she was more powerful, and “the power wasn’t coming from your beauty, it was coming from your ability.” These last two weeks, Makenzie has certainly proved herself to be more than just a pretty face: now if only she can get America on board.

Jasmine Harper and Aaron Turner

Jasmine and Aaron were given a very unique Justin Giles contemporary routine, based on Shel Silverstein’s The Giving Tree. Jasmine played the part of the tree, and Aaron the part of the boy trying to steal her last apple. They danced with a real apple, tossing it up and down and back and forth, with everyone holding their breath each time the apple was in the air, hoping Aaron or Jasmine would catch it. But they always did.

The dancing itself was wonderful. Nigel put it best when he said that The Giving Tree is about unconditional love, and “that’s what you two have as a couple.” Jasmine and Aaron are beautiful dancers, but they are also beautiful partners: supporting each other and interacting with one another in such a genuine, loving way. It’s a joy to watch.

Amy Yackima and Dushaunt “Fik-shun” Stegall

Amy and Fik-shun took us to “Café So You Think You Can Dance” with their Christopher Scott hip-hop routine. In this routine, Amy was a waitress finishing up a long day of work, and Fik-shun was a regular customer with a big crush on Amy, who’s waited for the last customer to leave so he can put the moves on.

With the routine set to Marvin Gaye’s “Let’s Get It On,” the ultimate seduction song, combined with Fik-shun’s contagious smile, Amy was putty in his hands in no time. Amy was maybe too putty-like, however, as she tripped over a chair at one point and fell, but she was back up in a blink with a smile on her face, so you’d never know it happened. The judges commended her recovery.

The two of them are so ridiculously charming, it’s a delight to watch them in every single routine. Nigel pointed out, however, that their most memorable routines are all silly happy dances like this one, they have yet to shine in a more dramatic role.

Malece Miller and Alan Bersten

Alan and Malece closed out the duets with a roller coaster ride of a salsa routine choreographed by season 5 contestant Jonathan Pletero. There were a lot of lifts and death drops which made Malece a little nervous, (given that her partner in the jazz round in Vegas dropped her on her head) but Alan was confident in his own style, and wouldn’t let Malece fall.

It was a very strong routine, with Alan showing off in his own style, and Malece rising to the occasion. She was a little winded towards the end, but understandably so, given the energy level required for the fast-paced routine.

Group Performances

Top 14

The top 14 (sans Curtis) danced a very intense group jazz routine, choreographed by Dmitry Chaplin and Sonya Tayeh. The beginning pose was stunning, with Malece Miller hanging from a trapeze bar, and the other dancers creating a giant wave of bodies down to the floor. The music and mood were very intense, incorporating the best of Dmitry’s ballroom holds and Sonya’s jazz attitude.

It was a different sort of routine, from Malece swinging from the rafters, and Nico Greetham flipping his way across the stage and climbing the scaffolding. The dancers were bursting at the seems with energy and the result was outstanding.

Broadway

This week’s first mini group routine featured Makenzie, Alan, Nico, Hayley, and Malece in a Spencer Liff broadway routine. Curtis was originally involved as well, but in light of his injury, Spencer Liff himself stepped in to fill his absence.

They were all cool, well-dressed hipster kids in a smokey pool hall, rocking out to Joe Cocker’s “Come Together” from Across The Universe. It was a funky routine, but the judges felt that the inclusion of Spencer in the routine didn’t do the contestants any favors, because everyone’s eye was drawn to the professional dancer onstage.

Contemporary

Newcomer Bonnie Story choreographed an emotional routine for Fik-shun, Amy, Paul, Tucker, Jasmine, Aaron, and Alexis, dealing with the topic of bullying. She set out to prove that those that turn a blind eye are just as dangerous as the bullies themselves. Her friend was a victim of a beating, and she actually called him and had him tell the contestants his story, moving many of them to tears.

It was a great message, but was not executed as well as it could be in the hands of another choreographer. The routine didn’t grab you as much as other emotional and topical routines have in the past, but it also wasn’t the best performance by any of the dancers. They seemed a bit out of sync at times, and the judges pointed out Fik-shun in particular for his lack of technique. Nigel did say, however, that if he can sharpen his technique he will be unstoppable.

What did you think of the ‘So You Think You Can Dance’ top 14’s performances this week?

Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

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Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

Original story (May 2016): Heroic Hollywood, who has a good record of breaking superhero news, is the source behind the exciting development. As was previously announced, the animated Spider-Man movie will be produced by LEGO Movie helmers Phil Lord and Chris Miller. The duo are also set to direct the Star Wars Han Solo spinoff for Lucasfilm.

Who is Miles Morales? As we wrote in a lengthy tell-all about the character last year:

Miles Morales is the current Spider-Man in Marvel’s Ultimate Comics series. Introduced in 2011, Miles is a black-hispanic young man who, like Peter Parker, is a talented scientist and self-proclaimed nerd. However, unlike his predecessor, Morales steps into the superhero’s shoes at the surprisingly young age of 13.

Raised in Brooklyn, Miles was born into a family plagued by criminal activity. Before settling down with his wife Rio, Miles’s father Jefferson used to be crime partners with his brother Aaron (Miles’s uncle). However, where Jefferson tried to shrink away from the lifestyle, Aaron continues to embrace it — assuming the role of classic Marvel villain the Prowler. After pulling off a heist on Oscorp, Aaron unknowingly takes a genetically modified spider home with him. It is at Aaron’s house that Miles is bit by the spider and starts the transformation into Spider-Man.

Where Peter Parker relished the opportunity to become spidey, Miles is reluctant to enter the world of vigilantism. What’s more, his family’s criminal history causes him to question whether or not he can ever be a hero, or if evil is hardwired into him.

Oh, and one other cool thing about him: The guy is immortal, unlike the Peter Parker version of Spider-Man.

Related: Who is Miles Morales? We explain everything

The rumor mill was alive with chatter about the MCU’s Spidey being the Miles Morales version last year, but obviously those reports never panned out. The Peter Parker version of Spider-Man was introduced in Captain America: Civil War, played by Tom Holland. He’s getting his own spinoff film, Spider-Man: Homecoming, next year.

Telling the Miles Morales story on screen may be just the thing the animated Spider-Man movie needs in order for it to draw people into the theaters in December 2018. We’ve had enough Peter Parker stories!

2018 will be a great year for super hero diversity: Marvel’s Black Panther starring Chadwick Boseman will be released a few months earlier.

‘The Space Between Us’ set report: What if a human was born on Mars?

Hypable visited the set and spoke to the film's stars.

12:00 pm EST, January 17, 2017

Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

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Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

He never would’ve guessed what was going to happen when he spoke to them.

“I called a group of NASA scientists and said, ‘So what would happen if an astronaut turned out to be pregnant on a flight to Mars?’ and there was just silence on the other end of the call. And they said, ‘Are you listening to our phone calls?’ I said, ‘No, I’ve never spoken to you in my life.’ And they said, ‘It’s going to happen, and we don’t know what to do.'”

That was when he teamed up with screenwriter Allan Loeb and started fleshing out an answer. “I thought, wow, that’s the beginning of an interesting story.” Lewis even worked with his father, a heart specialist, to examine how that muscle would develop differently on Mars, and aspects of this research became a big part of the story.

The Space Between Us is an interplanetary adventure following a human boy named Gardner Elliot (Asa Butterfield) born on the distant red planet. His mother, an astronaut, only realized she was pregnant with Gardner after leaving on her mission to colonize Mars.

Once Gardner reaches his teenage years he becomes interested in leaving East Texas (yep, on Mars) and returning to the home of his species. Not only is he curious about Earth, but Gardner has also fallen for a girl named Tulsa who’s literally tens of millions of miles away in the state of Colorado. The two met online and can relate over their outsider perspectives.

There’s just one problem: Tulsa doesn’t realize that Gardner is literally living on Mars.

Hypable visited the Albuquerque, New Mexico set of The Space Between Us starring Butterfield, Robertson, and Gary Oldman in late October 2015. On the day we visited, Asa, Britt, and crew were at the tail end of their 37-day shooting schedule which took them through New Mexico, Las Vegas, and Malibu.

It was Day 31, and indoor and outdoor shoots were taking place at Highland High School located in the southeast quadrant of Albuquerque. Since it was a weekday, real classes were in session as Asa and Britt shot outdoor scenes.

The real students who walked by the production had mixed reactions. Some watched and Snapchatted the excitement, while others passed by as if a Hollywood production wasn’t filming right before their eyes. Later in the day, after the real students went home, production moved inside the school to shoot a scene where Gardner and Tulsa meet in person for the first time. It’s one of the more touching moments in the movie.

Earlier, Asa walked into our press tent carrying a drone in tow. He had recently purchased it to try and capture aerial footage for fun, and was learning how to operate it in between filming his scenes.

Both the aerial device and Gardner struggle to deal with Earth’s gravity.

When asked how he handles playing a character who has never been on Earth before, Asa describes it as a very unique experience. “It’s hard to put yourself in that kind of position because we [as humans] are so experienced in the world, and to completely strip all that back and be absolutely in awe at everything you see — a tree, a doorman — everything’s interesting,” he says.

space-between-us-asa-britt

Tulsa (Britt Robertson) experiences zero gravity with Gardner (Asa Butterfield).

Living on Mars your whole life doesn’t mean you’re missing hormones, so girls are also of interest in Gardner. On the relationship between his character and Tulsa, Asa tells us, “They both have this longing desire for being somewhere. Belonging somewhere. Tulsa’s been jumping around through various foster homes, she’s never really settled anywhere. Gardner spends his life on Mars. No one knows he exists. They’re kind of united by this experience.”

“He’s an alien, and she’s an alien, and this is the journey of the story,” Lewis tells us. “Watching these two characters connect, and the disconnects, the misunderstandings, and then ultimately they have a connection.”

Those good and bad connections were present in the scene we observed, which finds Gardner surprising Tulsa in her school hallway. As someone who is tough and reserved, Tulsa is understandably frustrated by Gardner’s sudden appearance. The two still haven’t communicated well with one another — Adorably, Tulsa is unaware that when he says he’s from “East Texas” he means the establishment on Mars.

With Gardner now on earth, the two begin to form a close bond as the Mars-born boy tries to discover his roots.

Co-starring in the movie is Gary Oldman, whose character originally organized the trip to Mars. He wasn’t on set the day we visited, but the actor has a very important role in the movie.

The Space Between Us opens in theaters February 3, 2017.

‘Rogue One’s’ best scene doesn’t involve the heroes

It's a nameless character who saves the day.

8:15 am EST, January 17, 2017

Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

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Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

This character has no name, and we know nothing about him beyond this scene. But faced by the most fearsome threat and terrible odds, he abandons fighting and uses his dying moments to get the plans across the doomed ship, and to Princess Leia.

It’s not common to see a scene like this one – scenes that convey the power of the collective action of many people across different areas – done so skillfully, especially in movies that are so character-driven.

In Star Wars, we’ve always focused on Luke and Leia and Han, and more recently on Rey, Finn and Poe. Although we knew that the Rebellion was the fruit of the efforts of many, we never had such a clear look into just how many lives were involved.

Rogue One the Rebellion

This final scene brings it all together, tying together the various storylines we know in an epic finale, and finally connecting them to Episode IV in a perfect mix of excitement and nostalgia. Without this character, driven by desperate hope rather than fear of his imminent death, Rogue One’s mission would not have ended successfully, Leia would have never received the plans… and none of the story we already know would have taken place.

For once, it was a character whose face we didn’t even see properly, dressed just like everyone else, fulfilling his own small role in a much bigger mission, who saved the day.

This ending, maybe even more meaningfully than the stories of the heroes we know and love, shows us the very essence of the Rebellion: a movement of dedication and sacrifice, full of people like the ones that died on Scarif, that put themselves between the plans and Vader, that drove the mission to success in their dying moments – and that stopped the race to save their own lives in favor of securing the mission’s objective.

We, as the audience, can find ourselves in the nameless rebel soldier and his sacrifice – a realistic and emotional portrayal of what makes any movement for change possible: the sacrifices of a vast number of people whose names and faces we may never know, whose stories may never be recorded, but whose lives were spent in search of a better future for the generations that follow.

What scene in ‘Rogue One’ impacted you the most?