On January 31, we’ll say goodbye to our friends Liz Lemon, Jack Donaghy and the rest of the TGS staff for the last time. 30 Rock has become a cultural touchstone over the years, and since its debut in 2006, has garnered a record breaking amount of Emmy nominations, has revitalized much of its cast’s careers, and has become known for its sometimes meta, always outlandish commentary on NBC, television, and America.

In an effort to ease the pain of losing 30 Rock – at least, in primetime, as it has recently gone into syndication – let’s look back at what made the show what it was: a weird mishmash of stuff that could’ve been terrible but was so cleverly executed and it helped the show earn its place in television history.

This article originally had a section for guest stars, but we soon realized there were simply too many names to mention and we had to dedicate a whole article to it. So we did. Even still, there are so many elements that make up the unique and quirky thing that this show is, so please understand when we say that, while we were all over the place trying to highlight the biggest aspects of 30 Rock we might not have caught them all. With that being said, on to the memories!

Liz Lemonisms:

“I want to go to there.”

A term that first appeared in season 3, this is essentially a term of desire. Whether she’s talking about food, a place, or Jon Hamm (watch the clip) the phrase is applicable to just about any instance. More eloquent than saying “I want that,” “I want to go to there” is the perfect way to express your desire for something.

“Blerg!” & “Nerds!”

The equivalent of cursing, these two words are simple terms of expressing frustration. They’ve handily replaced more vulgar vernacular, as FCC law states you cannot curse on television, and because Liz I-Wore-a-Princess-Leia-Costume-To-My-Wedding Lemon doesn’t seem like the cursing type, “blerg” is one of the better (and family-friendly!) colloquialisms to come from the show.

If you find yourself exclaiming either of these terms on a daily basis, you might want to consider investing in a shirt with the phrase on it, just to save you the time.

Honorable mention: “Yes to love, yes to life, yes to staying in more!”

We feel you, Liz. And while we’re staying in, we’re probably eating cheesy blasters and watching some 30 Rock on Netflix. Thank goodness for auto-play, no need to touch the computer with our cheesy hands.

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Jackisms:

“Good God, Lemon!”

Usually spoken in a hushed undertone or in a quick breath, this quickly became Jack’s go-to expression of disbelief whenever his mentee/friend did something ridiculous – which was often. It would make more sense if it were followed with a “pull yourself together,” as Liz often comes to Jack with her life in shambles. The clip below isn’t even Jack saying it, but the way Liz delivers the line at the end pretty much hits the nail on the head.

“Shut it down.”

Does what it says on the label. Immediately stop whatever you are doing, mostly referred to in the show when someone is producing a particularly terrible show or sketch. This is a fantastic compilation video, showing how the term started with Jack, but its use slowly spread to the rest of the characters.

Honorable mention: “It’s after 6 p.m., what am I, a farmer?”

He only says it once but there’s something about this line – the comedic timing of it, the way it’s so quintessentially Jack Donaghy, makes it one of the most quotable among fans. Even if it’s completely out of the context of your conversation, it’s still fun to say.

Meta

The show was generally always aware of itself, and the constant breaking of the fourth wall never ceased to be entertaining, even if we were being told to go buy a Verizon phone.

A show within a show is not exactly a new concept, but never as well executed as TGS was on 30 Rock. This could be perhaps because as much as it was about producing and making TGS, 30 Rock was never wholly centered around the airing of an episode of TGS itself. There are, of course, exceptions, like when Hazel slowly sabotaged Liz the week leading up to an airing in an attempt to take over and become the star, but it was mostly about the antics like in any old workplace comedy.

100th episode

30 Rock‘s pilot is also the start of TGS, and while the show doesn’t follow real-time 24 style, it does on a season-to-season basis. So it would stand to reasn that when TGS celebrates its 100th show, 30 Rock celebrates the milestone achievement as well. The show’s characters express their surprise, and who can blame them? Just go back to 2005 when Studio 60 was supposed to be the smash hit and 30 Rock was maybe going to get a full-season order.

Nibbling at the hand that feeds

For a show that’s aired on NBC and was once owned by GE, 30 Rock goes to great lengths to parody just about every aspect of it. At one point even promoting Jack to VP of East Coast & Microwave Oven Programming – what? Let’s not forget that GE is also originally just a subsidiary for Sheinhardt Wigs. And then season 4 brought the buyout from Kabletown, whose logo looked suspiciously like Comcast’s – which bought NBCUniversal around the same time. Then there was the time the head of NBC was reincarnated as an actual peacock…

Recently, GE released a commercial, thanking 30 Rock for seven years of laughs, and at the same time letting the audience know that it was in on the joke the whole time. In fact, many of the show sponsors have been parodied on the show, but advertising is advertising. GE has curated a list of clips and gathered them here, titled “GE’s Favorite Moments.”

Live episodes

A feat most shows would never dare attempt, and 30 Rock pulled it off twice. Major props have to go to the crews that coordinated the quick set and costume changes. In a recent interview with Jimmy Fallon, Tina Fey explains the shows were done on the SNL stage and the crew was a mix of 30 Rock and SNL staff. The appearance of guest stars such as Jimmy Fallon as a young Jack or Julia Louis-Dryefus as a stand-in Liz is nothing short of pure genius and cleverly executed. And of course, no show preformed on the SNL stage is complete without Fred Armisen doing something strange in the background.

Quotables

30 Rock may have been the best thing to ever happen to the one-liner type of comedy that seemed on the outs in the modern age of irony. If you poured all of 30 Rock’s scripts into a database that just fired sentences out randomly, you’d probably laugh at at least 70% of them. Choosing the best one is a tough decision but it’s truly hard to top “never follow a hippie to a second location.”

Because we live in a modern era, this has translated into thousands of reaction gifs spread out across the Internet, from “high-fiving a million angels” to express happiness and glee, to the always-applicable gif about Liz Lemon’s food addiction (which could be another post itself).

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New Holidays

30 Rock had its typical Christmas-themed episodes like most other sitcoms, but not since Seinfeld has a show attempted to so brazenly create new holidays for us all to enjoy. If you’re not pouring over post-feminist theory on Anna Howard Shaw Day or trading your children’s tears to Leap Day William for candy on Leap Day, then you’re just not living right.

30 Rock is a lot of things, but normal isn’t one of them. This show grew from a middle-of-the-road NBC comedy into one of the most culturally relevant, funny, and entertaining shows of the decade.

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

cogsworth-lumiere-live-action-beauty-and-the-beast

While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

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Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

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We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

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Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

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What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?