Pretty Little Liars showed Spencer (Troian Bellisario) unraveling and in its eighteenth episode of season 3, “Dead to Me,” dealt with the discovery of Allison’s (Sasha Pieterse) Beach Hottie. What follows is a recap, so naturally spoilers are included from this episode.

Aria (Lucy Hale) and Hanna (Ashley Benson) worry about their possible jail time since they have items from Ali’s grave. Meanwhile Caleb (Tyler Blackburn) is resisting Hanna’s efforts to visit his aunt and uncle and grab his things before he moves to Australia. Spencer continues to be on her private investigator’s case to discover the mysterious door that the key fits in.

Emily (Shay Mitchell) goes back to the police station to once more find the picture of Detective Wilden (Bryce Johnson) at Cape May. It seems like she suspects that he is Allison’s Beach Hottie, the one who possibly impregnated her. The postcard is of course missing but her mother discovers a postcard that Ali sent her of Paris with a note in French. Emily goes to Spencer who is better at French than she is to translate the note. It says, “Stop digging. The police already know it’s you that’s capable of murder.”

Emily is confused by the note and tries to help Spencer move forward from her breakup with Toby (Keegan Allen). To try to sort out her own confusion, Emily decides to visit Dr. Sullivan (Annabeth Gish) as Hypable previously previewed.

Hanna talks with Caleb’s uncle Jamie about his dad abandoning him. Meanwhile, Emily is in a hypnotic state of mind as Dr. Sullivan gets her to relay the events of the night of the lighthouse. Aria and Wesley (Gregg Sulkin) play house as he continues to be plagued with silent phone calls. Instead of remembering the night of the lighthouse, Emily sees the night Allison was killed and thinks that she murdered her friend. Hanna and Jamie continue their heart to heart as Emily freaks out after her therapy appointment.

Pretty Little Liars shows fans a cute moment of Ali planning a trip to Paris with Emily as seen by the cute postcards. Emily feels guilty and is unsure of who she is anymore despite her mother’s reassurances.

Spencer meets with her P.I. who tells her where the door is but advises her to move on. Do you think Spencer needs to move on from Toby or do you still hold on to hope that they will work out?

Wesley punches his physics teacher’s husband after he accosts Wesley and Aria in the street. Wesley attempted to get kicked out of prep school in order to escape his mom so he hit on the physics teacher. Wesley gets some major points as he compliments Aria saying, “You’re the most amazing part of this.” It seems like while he’s on academic suspension, Pretty Little Liars fans might see a new relationship develop.

Hanna gives Caleb the picture of him as a baby that Jamie gave her. Hanna suspects that Jamie was the one in the picture and knew Caleb for longer than he said. As previously seen from Hypable stills, Mona (Janel Parrish) stops by Dr. Sullivan’s office with a lovely orchid. Do you think that there’s a bug in the orchid? Spencer opens the mysterious room only to find it empty.

Hanna, Aria, and Emily wait with Jason (Drew Van Acker) at the mausoleum to remember Ali when Spencer shows up. She reveals to Jason that not only was Ali pregnant but that they suspect Detective Wilden was the father. Emily thankfully remembers that she did not murder Ali but rather her memory was of digging up the grave site. She remembers a blonde woman in a red coat in charge. Hanna speculates that maybe it was Ali. The episode ends with Spencer scratching Toby’s name onto his mother’s mausoleum spot. Not the classiest move.

What did you think of “Dead to Me”? Do you think Wilden is the Beach Hottie? Do you think Ali is still alive or was at the time of the removal of the body?

Pretty Little Liars airs Tuesdays at 8 p.m. EST on ABC Family.

Photo Credit: ABC Family

After all that talk of inclusivity, Star Trek Beyond falls into the Hollywood trap of implied sexuality.

Mild spoilers for Star Trek Beyond.

Star Trek Beyond, already a wildly anticipated movie, made headlines ahead of its release because of the franchise’s decision to introduce the first openly LGBT character: Mr Sulu, played by John Cho.

While this decision was certainly met with excitement, there was disappointment, too. The original Mr Sulu, George Takei, openly voiced his opinion that they should have introduced a new LGBT character rather than expand on original canon (as they have been the whole trilogy), while Simon Pegg beautifully argued that there was power in using an established character who wouldn’t be defined by his sexuality.

Then came the movie itself, and while the introduction of gay Sulu is still a great thing, we’re left sorely disappointed by Beyond‘s decision to depict the LGBT relationship — or rather, hardly depict it at all.

As reported by our friends at The Mary Sue, the scene featuring Sulu and his husband Ben depicts a “lukewarm” relationship, although Sulu is very affectionate with the pair’s daughter.

This is, unfortunately, a common problem in Hollywood when an LGBT couple — almost impossibly — makes it into a big franchise film. They’re allowed to be there, but having any kind of physical interaction even remotely resembling what a heterosexual couple might have still seems to be off-limits.

Related: Hollywood is failing the LGBT community: GLAAD slams Disney, Paramount and Warner Bros.

And, according to John Cho, there was actually a kiss filmed. “There was a kiss that I think is not there anymore,” he told Collider. “It wasn’t like a make-out session. We’re at the airport with our daughter. It was a welcome-home kiss. I’m actually proud of that scene, because it was pretty tough.”

Cho points out that Ben was played by a non-actor, writer Doug Jung, and says, “Obviously, I just met the kid, and then Doug is not an actor. I just wanted that to look convincingly intimate. We’re two straight guys and had to get to a very loving, intimate place. It was hard to do on the fly. We had to open up. It came off well, in my view.”

And we wish we could have seen it. Introducing a major LGBT character in the Star Trek franchise is a fantastic first step, and depicting two POC actors raising a child together is a great statement — but, unfortunately, the decision to cut out their kiss (which was already chaste, by the sounds of it) is emblematic of Hollywood’s continuous phobia of depicting LGBT relationships and intimacy on the big screen.

As Screen Crush also points out, this exact same scenario played out in Independence Day: Resurgence, too. In Finding Dory, the lesbian couple are only implied, in a blink-and-you’ll-miss-it sequence.

LGBT representation (when present at all) is always so subtle, evidently in fear of offending straight audiences while not totally erasing non-straight sexualities. And, sadly, even that is considered a big step forward — but maybe it’s time we start depicting humanity as it is, and not what society wished it was 100 years ago.

Here’s looking at you, Star Wars.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Present day Han Solo may’ve left the main Star Wars series after the events of The Force Awakens, but the character’s time in movie theaters is far from over.

The new Han Solo film from Lucasfilm — scheduled to hit theaters in May 2018 — might turn into a trilogy for the reluctant hero, according to the New York Daily News.

The paper reports that star Alden Ehrenreich has signed a three-picture deal, suggesting that the studio intends to expand the Han Solo spinoff into a trilogy. “They feel that his character has the right potential to become a central figure in several movies,” a source told NY Daily News. “They’re keeping things under wraps at the moment, but the deal is that he has signed for at least three movies.”

This makes a lot of sense given the popularity of the character coupled with his absence in Episode 8 and beyond. We also know that Lucasfilm and Disney have many, many grand plans for Star Wars in the years ahead: The very first Star Wars theatrical spinoff, Rogue One, opens later this year. Episode 8 then hits theaters a year later (2017), followed by Han Solo’s own movie (2018). Next comes Episode 9 in 2019, followed by yet another spinoff reportedly focused on Boba Fett in 2020.

As for 2021 and beyond? Only time will tell, but we expect more movies set in the worlds of The Force Awakens, Rogue One, and now Han Solo.

The Han Solo spinoff will be directed by LEGO Movie helmers Phil Lord and Christopher Miller. They’re currently deep into pre-production, as this tweet from Lord this morning shows:

“This is the first film we’ve worked on that seems like a good idea to begin with,” the directors said last July. “We promise to take risks, to give the audience a fresh experience, and we pledge ourselves to be faithful stewards of these characters who mean so much to us. This is a dream come true for us. And not the kind of dream where you’re late for work and all your clothes are made of pudding, but the kind of dream where you get to make a film with some of the greatest characters ever, in a film franchise you’ve loved since before you can remember having dreams at all.”