Pixar’s Monsters University will hit DVD and Blu-ray on October 29, and today the special features were announced.

If you can’t wait until then, Monsters University makes its digital debut on October 8.

As usual, the Blu-ray set is packed with extra features…

• Campus Life – What’s it like being on a production crew at Pixar? Get a look at a day in the life of the “Monsters University” crew through their own eyes.

• Story School – This documentary examines the challenges of creating a prequel as well as themes that run through the story, and the change in focus from Sulley to Mike. We’ll also look at how gags are developed – from writing jokes to brainstorming a million ideas, only

• Scare Games – At Pixar, we play hard while we work. The same people who keep the film production moving – producers, managers, coordinators and artists – are also the ones who bring spirit and excitement to some of our extracurricular activities. We check out the MU production teams as they go head to head in the mostly playful Pixar Scare Games competitions.

• Welcome to MU – Sets aren’t just buildings, they are the worlds our characters live in and explore. This look at the Monsters University campus and its development is told from the perspective of the artists who created each piece of the campus from the architecture to the ivy leaves.

• Music Appreciation – Randy Newman’s scores are a mainstay of Pixar films, and this documentary will give you a privileged look at his creative process. We follow the “Monsters University” scoring process from spotting to writing and on to the scoring session. Including special college-themed recording sessions.

• Scare Tactics – Animators are actors who digitally bring the characters to life. In this look at how the MU animation team worked, you’ll see their process of how they channeled their own monster-selves and created moments on screen that were really funny, really scary and also really serious, sometimes all at the same time.

• Color and Light – How can a single painting set the tone for an entire scene? We’ll look at the creation of the colorscripts and how they were realized technically in the final film. Along with the process, this piece explores the many layers of technical innovation required to produce such a naturalistic feel.

• Paths to Pixar – MU Edition – When one door closes, sometimes another door opens – one with an even more exciting opportunity behind it. Members of the MU crew tell their own compelling backstories and share the challenges they overcame along their paths to Pixar.5% of which actually end up in the movie.

• Furry Monsters: A Technical Retrospective – Explore the difficulties in creating characters that are 20 years younger with tools that are 10 years more advanced in this contrasting look at the differing technical challenges that arose when making “Monsters, Inc.,” and “Monsters University.”

• Deleted Scenes – Four separate scenes – “Rivalry,” “Recon,” “Movie Night,” and “Drama Class” – are highlighted with an introduction from director Dan Scanlon.

• “The Blue Umbrella” – This animated short film from Pixar Animation Studios, directed by Saschka Unseld and produced by Marc Greenberg, played in theaters in front of “Monsters University.” “The Blue Umbrella” tells the story of an evening commute in which the rain starts to fall and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters. And in the midst, two umbrellas — one blue, one not — fall eternally in love.

• Additional Bonus Features – Audio Commentary, Promo Picks, College Campaign, Theatrical Campaign, Set Flythroughs, Art Gallery and more!

Meanwhile, the DVD version of Monsters University includes audio commentary and “The Blue Umbrella” animated short which ran in front of the film in theaters.

The box art for the DVD/Blu-ray edition and the DVD/Blu-ray 3D edition are below:

'Monsters University' DVD/Blu-ray combo art

'Monsters University' DVD/Blu-ray 3D combo art

Intellectual property law may prevent Stephen Colbert of The Colbert Report from appearing on The Late Show, but it cannot stop his identical twin cousin.

Last week, Stephen Colbert brought a familiar face to visit The Late Show. Tucked away in the woods living happily ever after with Jon Stewart was Colbert’s character, host of The Colbert Report, champion of America, Her Excellency The Rev. Sir Doctor Stephen Tyrone Mos Def Colbert, D.F.A., Heavyweight Champion of the World** featuring Flo Rida La Premiere Dame De France. Or Stephen Colbert for short.

Colbert resisted bringing the character to The Late Show, choosing to introduce the world to the real Stephen Colbert. But the Republican National Convention selecting Donald Trump as their candidate for President demanded that Colbert dust off his Captain America shield and return to glory for one night only. And one night only is all we are going to see of that man.

Colbert late show colbert returns

Colbert announced on The Late Show that immediately after the live show on July 18, 2016, Viacom’s lawyers called up CBS and said that “the character Stephen Colbert is their intellectual property.” And so, Stephen Colbert revealed that Stephen Colbert, host of The Colbert Report would never be seen again.

Luckily, Stephen Colbert had an identical twin cousin! How might that work, you ask? Well Colbert’s mother was an identical twin and she and her sister married identical twins and gave birth at the same time and both named their sons Stephen Colbert. Rest assured attorneys, the two men are very different people. The banned Colbert went to Dartmouth, the cousin Colbert only applied there. The banned Colbert wears smart fitting suits, the cousin Colbert prefers a breezy American flag button down. Night and day those two.

Colbert late show werd

Real Stephen Colbert (are you confused yet?) asked cousin Colbert if he’d be willing to make himself available for future appearances on The Late Show, a task cousin Colbert was more than willing to take on. Loopholes!

Another intellectual property to fall to the wayside was “The Word,” a segment Colbert revived from The Colbert Report to introduce the word, “Trumpiness.” There’s a way around this one too. Introducing, “The Werd.”

Watch all of the Stephen Colberts in action and get the lowdown on “The Lesser of Two Evils” in the full segment from July 27.

The Late Show continues its live coverage of the Democratic National Convention tonight at whatever time Hillary Clinton is done speaking on CBS.

When in doubt, look to Harry Potter. At least, that’s what Marvel and Sony are planning for the latest Spider-Man reboot.

When Tom Holland showed up in Captain America: Civil War as Spider-Man, fans were obviously hesitant to throw too much weight behind his version of Peter Parker. The webslinger had been seen at the forefront of a blockbuster movie twice in the past couple decades, and even the biggest Spidey fans were wary of yet another incarnation.

But Holland swung himself right into our hearts with his charm and enthusiasm, both on screen and off. The cast took him under their wings and fans were soon to follow. So, when it was announced that he’d be starring in another solo Spider-Man film, titled Homecoming, the response was optimistic.

There are a lot of things Marvel and Sony are doing differently for Homecoming, not least of which is actually working together. Peter is also much younger than we’ve seen him in the past, and his story will focus as much on his time in school as his time fighting bad guys.

spider-man homecoming logo

In fact, the school year may even help structure Homecoming and subsequent Spider-Man solo films. Speaking to Collider, Kevin Feige even said they may take a leaf out of Harry Potter’s book:

“Should we be able to make more after [Homecoming]? Sure. This is sophomore year, is the next one junior year? Is the next one senior year? Is there a summer break between each of those? I don’t know what, but it was sort of how do we do a journey for Peter not dissimilar for what the students of Hogwarts would go through each of their years, which was one of the early ideas we had for the movies.”

This structure allows for a consistent progression of time for both the characters and the world. We’ll say goodbye to Peter at the end of the school year, but welcome him back again at the beginning of the next. It allows for changes to take place over the summer, for new threats to materialize, and for the story to stretch its legs and develop over the course of nine months, rather than a few short days.

But first we have to see if Spider-Man: Homecoming will be the hit both Marvel and Sony are hoping it’ll be.

How are you feeling about the current developments regarding ‘Spider-Man: Homecoming’?

Netflix has passed on picking up Agent Carter for a third season, and now they’re explaining why.

The cancellation of Agent Carter sent shock waves through the Marvel fandom. We get so few female-led properties in the superhero world, and Peggy was unapologetically kickass on every level. When ABC didn’t renew the show for another season, fans immediately started pitching to Netflix, hoping they would give the S.H.I.E.L.D. founder a new life.

Alas, it wasn’t to be so. In an interview with EW, Netflix Chief Content Officer Ted Sarandos explains why they decided to pass on the opportunity.

The first reason was because they’re looking for “truly original brands to own.” Netflix, as you probably know, already has a pretty clear corner on that market with Daredevil and Jessica Jones, both of which have been wildly popular, as well as their upcoming series Luke Cage and Iron Fist, all four of which will eventually merge into an Avengers-esque crossover series called Defenders. Plus, the Punisher is getting his own series, too.

ABC had already owned and put out two seasons of Agent Carter, which means, creatively, Netflix couldn’t take over the show and make it their own. They would have to honor what came before and make sure it had the same look and feel. Considering how wildly popular their original series have been (for reference, check out the current buzz about Stranger Things), it’s understandable that they’d rather focus on something they can build from the ground up.

The second reason why Netflix passed on Agent Carter is a bit more technical in that the streaming service likes to release its original content globally, something that would be difficult, if not impossible, due to Agent Carter’s current international restrictions. As Sarandos says, passing up on Agent Carter was “a business decision more than a creative one.”

But neither of those reasons make the situation any better for fans of the character and her solo show. While Netflix would’ve been an ideal place to watch Peggy’s next great adventure, we’ll have to hope the showrunners and Hayley Atwell can swing something else instead.

Are you disappointed Netflix isn’t picking up ‘Agent Carter’?