We all know by now that Robert Galbraith is the queen herself, J.K. Rowling. Fans are celebrating, but post-unveiling we are now left wondering – is the book any good?

The story is a straight up detective novel, in the English crime tradition. We open the narrative following the death of supermodel Lula Landry, whose apparent suicide has the press in a frenzy. Three months later, private detective Cormoran Strike is asked to investigate if, in fact, Landry was pushed.

Together with his new secretary, Robin, Strike navigates the murky waters of celebrity culture, attempting to put Lula Landry to rest, once and for all.

Potter fans be warned (as if The Casual Vacancy didn’t tip you off by now), The Cuckoo’s Calling is the next step in Rowling’s clear decision to try things overtly different from The Boy Who Lived.

That said, even given the cloak-and-dagger nature of The Cuckoo’s Calling, Potter fans are likely to find more they recognise in this secret side project than they did in The Casual Vacancy.

Within the writing, there are bursts of recognition, like flashes of a distant memory. There is a familiar focus on names (bird names take centre stage in this novel), and you can be sure that the most die-hard of fans will already be checking their various meanings and connotations.

The physical descriptions are like the wave of a friend, reminding you of Rowling’s immense skill in bringing a character to life with a few swift strokes of her pen.

There are also some characteristics that we wish Rowling had left behind in her Potter days, such as the pages and pages in which she dumps (admitedly necessary) information on the reader. These have certainly developed from the Harry/Dumbledore conversations in which an entire book would be summarised, but are still offputting in their frequency.

Of course, this kind of information dump is a mainstay in the crime genre, and the question and answer style implemented in The Cuckoo’s Calling reads a lot more authentically than some of the occasions when these occurred in Potter.

As the two main characters, Cormoran Strike and Robin (both bird-related names, for those keeping score) leave a lot of room for development. In The Cuckoo’s Calling there is something vaguely unsatisfying about the large, burly detective and his attractive, plucky sidekick.

You finish the novel hoping that there is more to come for these two characters because their own stereotypical nature is only heightened by the range of brilliantly drawn bit-players surrounding them. Rowling can do better than this trope, and if a series follows as planned, we hope that she does.

The Cuckoo’s Calling is an enjoyable, entertaining read. You read it with the certainty that all loose ends in the Lula Landry case will be resolved by the final page, as part of the contract between a detective novel writer and a reader.

Rowling follows the crime conventions to a T, and the structure she implements doesn’t impede her story in any way. The side characters, in particular, are well drawn and diverse. There is enough suspense to keep you turning the pages.

The detective genre really does allow Rowling to flex the muscles she did not always have occasion to use in Potter, as she addresses more ‘adult’ scenarios, and twists the plot in whatever direction she fancies.

Yet for all that, there is the unsettling feeling that Rowling is doing nothing here that hasn’t been done before by generations of writers. There is nothing in particular about The Cuckoo’s Calling that makes it stand out from the shelves of preexisting crime novels.

Had Robert Galbraith never have been unmasked, he could have gone on to publish many best-sellers without anyone really caring who he was. There is something comforting in the structured formula Rowling makes use of, but there is nothing ground-breaking in it.

With the hindsight that Rowling authored it, you can see the hallmarks of her writing, but without her name having been attached to the novel, it is most likely that you would have read the book with enjoyment, and not thought a lot about it after you finished it.

Grade: B+

Fox has moved the third and final Maze Runner movie to 2018.

The cast and crew were only a few days into filming The Death Cure in March when Dylan O’Brien suffered serious injuries on set, prompting the production to be put on a break so he could recover. When his recovery ended up taking longer than expected, the production was put on an indefinite hold.

Now, a plan to resume the shoot seems to be in place. Fox announced Friday The Death Cure will be hitting theaters January 12, 2018, which is nearly a year later than the original February 2017 date. The last Maze Runner movie, The Scorch Trials, opened last September.

Production on The Maze Runner: The Death Cure likely won’t resume until late this year or early next. Dylan O’Brien has already committed to another movie which is expected to shoot this summer.

Getting the rest of the cast and crew back together to shoot The Maze Runner finale may be a bit of a challenge since they may’ve committed to other projects that were supposed to be shooting after they finished The Maze Runner. However, the new Death Cure release date suggests Fox has found a time that’ll work for everyone.

Tom Cavanagh will return to The Flash in season 3 as a series regular, though which character he’ll be playing remains to be seen.

Cavanagh has had a unique acting challenge on The Flash, playing a different version of his character in each of the first two seasons — and now it looks like he’ll be doing it for a third season in a row, as EW confirms that he will be a series regular in season 3.

In season 1, Cavanagh played Eobard Thawne, aka the Reverse Flash, in Harrison Wells’ body. Thawne, after traveling back in time, killed the original Wells and took his form to expedite the development of the particle accelerator so he could return to his own time. Thawne was written out of existence in the season 1 finale, though, leaving fans curious about who Cavanagh would be playing in season 2.

This past season, Cavanagh played the Earth-2 version of Harrison Wells, nicknamed Harry, who was a significantly different character from the man we thought was Wells in season 1. However, in the season 2 finale, Harry and his daughter, Jesse, returned to Earth-2.

The Flash season 2, episode 6 recap Wells

So, who does that leave for Cavanagh to play in the third season?

My guess would be the Earth-1 version of Harrison Wells, who we only briefly met in a flashback in season 1. Why the original Wells? Because in the final moments of the season 2 finale, Barry traveled back in time and stopped Thawne from killing his mother. This means the timeline in which Thawne killed Wells and took his form no longer exists, so Earth-1 Wells would be the version left alive.

Assuming he does play the original version of the character, the one who was killed and had his identity stolen, it will be interesting to see Cavanagh inhabit yet another version of the character. While we already met Wells briefly in the flashback to his death, that was a small sample size. I look forward to seeing him differentiate another Wells from those he’s already played for entire seasons.

Are you excited to see more Tom Cavanagh on ‘The Flash’?

‘Glee’ alum Mark Salling indicted on child pornography charges

The actor is facing a lot of jail time.

4:55 pm EDT, May 27, 2016

Following an arrest in December, Glee star Mark Salling (who played Puck on the Fox series) is now facing child pornography charges.

A federal grand jury has charged the 33-year-old actor with two counts of child pornography after a search of his home turned up “thousands” of images and videos involving children, TMZ reports. He will be arraigned in early June.

Salling’s charges potentially come with big sentences: 5 to 20 years in prison for receiving child porn, and another 20 years for possessing it.

After Glee went off air last year, Salling has worked on only one project: The action movie Adi Shankar’s Gods and Secrets which is slated to hit theaters later this year.

The actor has been in trouble with the law before — he was sued for sexual battery in 2013.