We’ve all been there. You waited for a weekday afternoon showing of The Avengers to avoid the frenzy of long lines and crowded theatres, just to end up having the experience ruined for you by one loud, raucous, candy-rustling patron sitting directly behind you in an empty theatre. If only he had read a few guidelines first…

Rules to keep in mind while at a movie theatre…

• Cell Phones

So, cell phones are a reality, and, as we are all basically tethered to them 24/7, it can sometimes be hard to shove them away for 2 hours to watch a movie. You can do it. Trust us. Now, it’s perfectly okay to check facebook and texts during the commercials & previews before the movie, but when the lights finally go dim, so should your phone. It is NOT OKAY to text or receive calls during the film.

If you absolutely have to answer a text or something (if, perhaps, you are on an organ donor list waiting for a kidney, or a prospective employer is supposed to call) exit the theatre, or at least go to a location where you will not be bothering anyone.

Noises and ringtones aside, all smart phones have this one thing in common… a VERY bright screen. If you’re sitting in the front row, all 200+ people behind you will be affected. We can see the blinding-light all the way in the back row, and short of screaming across the theatre at you, there’s not much we can do about it.

Stow the phone. If for some reason you absolutely cannot control the urge to tweet during the movie, at least sit in the back corner of the theatre where your antics will bother the least number of people.

• Seating

Now, you might not think that seating in a theatre has rules… but it does. We like to call these our “Common Courtesy Theatre Seating Rules”. At crowded midnight premieres, any seat is fair game. The early bird gets the worm in those cases, and if you are the 1st in line for the 1st showing, you have earned your place.

Now, on a slow Tuesday afternoon, the rules are completely different.

First of all, NEVER sit directly in front of someone that is already seated. This will be taken as a sign of aggression and treated as such, especially if you are the only ones in the theatre.

In order to stay within the rules, don’t sit within three seats of anyone you aren’t with. That means three to the right or left. Try to leave at least a row or two in between as well.

Now, some of you may see this as an overreaction, but there is something unsettling about a person that chooses to sit uncomfortably close to a stranger when it’s completely unwarranted. Do your part to help everyone’s theatre-going experience, respect personal space when it’s possible.

• Noises

There are some noises that are understandable: sneezing, a shoe squeak, even a chair screech when you lean back. It happens and is completely excusable, but those incidental noises are few and far between.

As a courtesy to those around you, try to eliminate the noises you make as much as possible. That means: opening your $5 box of candy, putting the straw in your beverage, pop the top on that bottle of coke you conveniently snuck into your purse, take your coat off, and tell your neighbor that joke your friend sent you on Facebook before the previews end.

We’re all bound to cause some noises at some point, but just be mindful that everyone should do their best to keep it to a minimum considering we’re stuck with each other for next 90 minutes.

It’s not too much to ask. After all, you probably spent somewhere around $8-$10 to get into the movie in the 1st place, and in this economic climate, those are precious pennies.

• Reactions

Lastly, and it seems silly to even have to mention, please keep reactions appropriate and timely. At a comedy, it is totally acceptable to laugh out loud for as long as you find it funny. At a horror film, a short high-pitched scream when the demon rears its ugly face in full view of the camera is perfectly understandable.

However, singing along at a musical, hysterically laughing at the unrealistic CGI in an action movie, or pointing out every historical inaccuracy in that period drama are simply unacceptable.

Those are reactions to save for your private viewing in your home 6 months later while watching the blu-ray. Again, this rule is mainly about respect. It’s horrifically disrespectful to others, who are just trying to enjoy a film, to have over-the-top reactions to everything that happens on screen during a 90 minute film that we all paid $10+ to get into.

Now, we understand involuntary noises as there’s nothing you can do about a snort of derision at some really bad writing, but leave it at that.

• Talking

Talking in a theatre has been a problem for as long as theatres have existed. It’s rude, disruptive, and annoying. This includes both talking to your neighbor in hushed whispers, as well as talking out loud at the characters on screen.

That hushed whisper you think you are using to address the actress’ chronic lip biting is not as hushed as you think. If there is anyone within 2 rows of you, chances are they can hear you as well. Now, one comment here and there is one thing, we can overlook it and not be too distracted, but the couple behind us talking about how Richard Gere has changed a lot since Pretty Woman and how this scene reminds them of that funny thing their grandchild did last week have crossed the line. Have that conversation after the movie over coffee at the Starbucks located conveniently a block away.

And now for you screen-talkers. The characters can’t hear you. The plot is not going to change because you yell “No!” at the screen. The steady stream of advice for the main character will go unheard by those on-screen because they aren’t actually there. We understand that it might take a minute or two to end the habit, but at least learn to keep it under control.

Summing it up

The main question here is: Am I doing something that is going to bother some else? If the answer is yes, chances are whatever you are doing can wait until the movie is over. If it absolutely can’t, then step out. We all have the right to enjoy the movie we have paid good money to see, and if we all keep each other in mind, things can go a lot smoother. This may be a digital age, but we can remember those classic manners that time has tested decades before.

Did we miss anything? What kinds of things distract you in the theatre? Or do you just want to confess your guilt… Feel free to sound off in the comments below!

Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

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Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

Kristen Stewart

Charlize Theron

Madonna

Nick Offerman

Sir Ian McKellen

Candice King, Julie Plec and Kayla Ewell

Mindy Kaling

A photo posted by Mindy Kaling (@mindykaling) on

Darren Criss and Nick Lang

Melissa Benoist

💪#womensmarchonwashington

A photo posted by Melissa Benoist (@melissabenoist) on

Misha Collins

#womansmarch Jacksonville, FL. Fight on!

A photo posted by Misha Collins (@misha) on

Aja Naomi King and Alfred Enoch

Resistance. Respect. #womensmarch 👊🏾

A photo posted by Aja King (@ajanaomi_king) on

Lin-Manuel Miranda

Joss Whedon

Edgar Wright

Miley Cyrus

Ariana Grande

today filled my heart with so much hope !! got to meet many beautiful, passionate people and march alongside my loved ones. the sun came out for us. we are so much stronger and louder than hatred, ignorance, sexism, racism, agism, homophobia, transphobia, body shaming, slut shaming, prejudice, discrimination of all kinds, patriarchal conditioning and the backwards expectations of what a woman should be! I'm so proud of / inspired by everyone who marched today and thankful that there are so many people on this planet currently celebrating how brilliant and magical women truly are! let's keep our voices loud, passionate & peaceful! let's continue being strong for each other and to build each other up! let us stay connected to our divinity. 🌸♡🌌

A photo posted by Ariana Grande (@arianagrande) on

John Legend

#WomensMarch

A photo posted by John Legend (@johnlegend) on

Chrissy Teigen and America Ferrara

Dame Helen Mirren

Gillian Anderson

Bryan Fuller

Neil Gaiman

Kerry Washington with Natalie Portman

… and with Laverne Cox

Ben Barnes

Amy Schumer and Uzo Aduba

A photo posted by @amyschumer on

Gina Rodriguez

Carlos Valdes, Arthur Darvill, Danielle Panabaker, Caity Lotz and Keiynan Lonsdale

Maggie and Jake Gyllenhaal

Kevin McHale

Chris Colfer

Scarlett Johansson

Blake Lively

Yoko Ono and Whoopi Goldberg

Jessica Chastain

Alicia Keys and Janelle Monae

Katy Perry

Zendaya

That's right…

A photo posted by Zendaya (@zendaya) on

Troye Sivan

Willow Smith

Mark Ruffalo

Yip. Well said. Borrowed sign from @dorisfullgrabe design by @dirtybandits #womensmarch Nyc

A photo posted by Mark Ruffalo (@markruffalo) on

Paul Bettany

Eddie Izzard

Stephen Colbert

Did you turn out to support the Women’s March?

Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

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Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

They don’t specifically say Omundson will be playing the God, but EW reports he is “a patient in a psychiatric hospital, who is charming, enigmatic, and oh yeah, he thinks he’s the one and only God Almighty.”

Lucifer will certainly take issue with someone impersonating any divine being, let alone his father.

However, EW also says, “As Lucifer (Tom Ellis) tries to prove him a phony, he comes to find that ‘God Johnson’ seems to know things that only Lucifer’s true Father would know. Could he really be the Big Guy Upstairs?”

The trick will be to figure out if God Johnson is the real deal or if someone else is feeding him information to lure Lucifer out. At this point, it could be just about anybody — Charlotte, Amenadiel, the man in the hat, or a player we’ve yet to meet.

Omundson has been signed on for only one episode, but that doesn’t necessarily mean we’ll never see him again.

Are you excited Timothy Omundson has been added to ‘Lucifer‘?

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

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At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

The CW drama The 100, which is entering its fourth season in February, rather bluntly captures that sense of young people paying the price of previous generations; at the beginning of the series, a council of adult politicians literally sent teenagers to a radiation-soaked earth to try to save their own society.

The 100 season 1 Jaha

The pilot episode revealed the extent of the power imbalance between the generations that reflects our society today: Chancellor Jaha presented the project of ‘the hundred’ as a way for young delinquents to fulfil their duty and gain redemption, even if it cost them their lives. They were even expected to be grateful, because they’d been judged as criminals and would have been executed anyway, even for relatively petty crimes.

And as The 100 season 4 approaches, the adults’ attitudes towards the kids haven’t changed that much from the show’s premiere.

Related: Previewing The 100 season 4: What to expect when you’re expecting an apocalypse

Generational conflict and tension has remained at the heart of the show throughout the series. The generational focus has not been diluted even as the world has expanded to reveal far more of the culture of the Grounders; in fact, this has only given rise to more conflict as the older members of Skaikru have struggled to accept not only the Grounders’ belief system, but the young age of their Commanders.

As the figurehead for all of the delinquents, lead character Clarke has been undermined and derided at every turn. In season 2, her own mother scoffed at the idea that Clarke and Lexa could lead their people to safety, mocking the Grounder Commander’s age and commenting, “They’re being led by a child.” It was up to Kane to point out that Skaikru were, too, because none of the adults had managed to think of a solution, and it was up to Clarke to save them.

Both Abby and Kane’s attitudes play into the infantilising of the millennial generation. Neither Clarke nor Lexa were children. They were young adults, and they were working towards making a better society where all of their people could survive while the adults were focused on internal power plays. Jaha was ready to leave the young adults in Mount Weather to die, but that’s no surprise; he’d made that decision before.

Abby couldn’t bear losing power to her own daughter, to the extent that it culminated in a scene where she assaulted Raven. The young mechanic was cool and composed in her response, pointing out that Clarke stopped being a child when Abby signed off on her daughter being sent to Earth to die.

Raven’s positioning was clear: Although not condemned by any crimes (even if she had committed the crime that Finn was convicted of), she chose to align herself with the hundred and was the one who chose to come to Earth simply to help. The younger generation, in short, pulled together, and when the older generation landed they brought down their old rules and oppression.

The consequences were overwhelming for the younger characters. They were tasked with saving everyone at the expense of any peace to their own souls. Clarke demonstrated this more than any other character and she ended up fleeing her people, unable to carry the burden of expectation they all had for her. It’s something she wrestled with throughout season 3, and with Earth facing a nuclear apocalypse again, Clarke will have to make peace — not with herself, but with how everyone else sees her if she is to survive.

The 100 season 4 Bellamy

Bellamy, too, will have to find his own identity. Last season, he effectively turned his back on the hundred to win the praise of Pike, and Bellamy upheld and supported his bigotry.

His part in slaughtering the Ark survivors’ 300 Grounder allies will not be easily forgotten. Bellamy wanted to be the hero. He wanted to protect people (specifically the women in his life) who never asked for that, and he wanted to be a part of the establishment.

If The 100 presents a metaphor for the real-life relationship between millennials and Gen X, Bellamy is the one wearing the rose-tinted glasses that younger people are supposed to wear when viewing an establishment that has been willing to regularly criticise later generations.

He had longed to be part of the Guard since he was a boy, and he saw a way to fulfil that old dream and become part of an order that had caused his entire family so much suffering. Bellamy was never quite the hundred: He was older, and his sole concern initially had been protecting his sister. It was easier for him to flit between the different groups within Skaikru than it was for any of the rest of the hundred.

After the events of last season, however, Bellamy now knows the pain he’s caused by his choices. And in season 4, he will have to choose exactly who to put his faith in: Clarke or the old order?

But maybe, in light of the external threat that now threatens humanity’s survival, the two generations will finally be able to pull together. There have been many hints that Clarke and Jaha will find some common ground this season due to the pressures they are facing, and Jaha knows well the cost of leading. Through Clarke, we will see whether lessons can be learned from the mistakes of the generation before.

Octavia once accused Clarke of being just like the council by deciding who was worthy of life. Clarke now must show whether she will follow that path or whether she can be better. The millennial dream of whether we can learn from the repression and conservatism of the past will be on trial in The 100 season 4, as we see just how Clarke plans to lead her friends into this new battle.

The 100‘ season 4 premieres February 1 at 9/8c on The CW