The Hunger Games director Gary Ross sat down with Moviefone for a great new interview. In it, he touches on working with author Suzanne Collins to add scenes to the film and much more.

Below is a lengthy portion of the interview we enjoyed reading ourselves. Click here to read the full interview which includes Ross’ thoughts on asking Steven Soderbergh to film a scene for him, individual casting decisions, and more!

How did Suzanne Collins feel about your adding scenes?
I would never give myself carte blanche to make changes. My job is to faithfully adapt something I love and to get at the essence of what I love about it. It’s incredibly compelling. It’s wonderfully urgent. It’s the beautiful evolution of a girl into a leader as she matures under very extraordinary circumstances. So it wasn’t so much about having carte blanche, but finding the most deft way to get at the essence of the story. So I wrote a draft of the script and then I sent it to Suzanne. We’d talked about it a bunch and she responded really, really favorably to the script. And then she came out to California so we could talk further and she had wonderful thoughts about it. And we started pitching back and forth and she was bringing a whole new layer in her insight because she had obviously lived with these characters a long time and before we knew it, we were working together. it wasn’t like I invited her in to work on the next draft with me, it just evolved. So I said, “Well, this is crazy. You’re not giving me notes, why don’t we just write the next draft together?” And she said, “Great.” So we locked ourselves up in a room and wrote the next draft of the script. Which was great for me, because I hadn’t had a writing partner since Anne Spielberg on “Big.” And I loved writing with someone again. That was a fun, special, really unique experience.

Did you feel like you had to tone down some of the violence to get that PG-13 rating or did you decide to make the film and then worry about the rating later?
I think that there’s a way to be as urgent and as compelling as the book is without being lurid or indulgent with the violence. If you tell the story from Katniss’s point of view, which is what the job is, then you’re in a perspective where you never become lurid or fetishistic about the violence. It’s a horror going on around her, but that can be done in a way that is very precise and select and even sparing at times without sacrificing any of the urgency or the immediacy of it. So no, it’s not done for the rating. It’s pretty intense. I’ve had people see the movie and they said it was more intense than they even expected. But it’s PG-13. It’s not gratuitous in any way. It’s just appropriate, I feel.

Are you also going to direct “Catching Fire?”
I’m attached to the next one. I’m looking forward to it. Simon Beaufoy, [“Slumdog Millionaire”] who’s a writer I’ve been a fan of for a long, long time, is doing the script. We had great meetings with him when he was here in LA. And I’m really excited about that. I can’t write the “Catching Fire” script right now because I’m finishing [“Hunger Games”], and we’re on a schedule where the script has to get written right now. So I’m unbelievably fortunate that someone like Simon is going to be writing the script. That was the person I wanted to do it. One of the great things about this is that you get to work with people that you respect and you love and I think I’m at a point in my career where that’s exciting for me. Would it be great to have time to write the script right now? Yeah. But I get to work with Simon Beaufoy. That’s a thrill. He’s somebody that I respect and I just love his work.

DCOM marathon schedule: See full list of movies and when they air

The mega marathon begins Friday, May 27 and runs into June!

10:00 am EDT, May 27, 2016

The highly-anticipated Disney Channel Original Movie marathon began Friday, May 27 at 10 a.m. eastern and runs through the holiday weekend. See the complete DCOM marathon schedule here!

When Disney Channel says they’re running a DCOM marathon, they mean it. The network will be airing 51 DCOMs from Friday to Monday ahead of this summer’s release of their 100th DCOM, Adventures in Babysitting (debuting June 24). Who needs Memorial Day festivities when you can sit inside and enjoy Disney Channel classics all weekend?!

After Monday they’ll continue to air a couple more movies every night until they eventually air all 100 DCOMs. That’s right! Every single one of ’em is returning to television between now and late June.

Below is the complete list of DCOMs airing from Friday, May 27 into the middle of June. Since many are airing in the overnight hours, you’ll probably want to set up your DVR. Or in case you want to watch them again. And again.

DCOM Marathon Schedule

Friday, May 27

10:00AM Kim Possible Movie: So the Drama
11:20AM Read It and Weep
12:55PM Wendy Wu: Homecoming Warrior
2:40PM Jump In!
4:15PM Lemonade Mouth
6:15PM Zapped
8:00PM High School Musical 2
9:55PM The Cheetah Girls 2
11:45PM Zenon the Zequel
1:25AM Halloweentown II: Kalabar’s Revenge
2:55AM Twitches Too
4:25AM Alley Cats Strike!

Saturday, May 28

6:25AM You Wish!
8:05AM The Proud Family Movie
9:50AM Quints
11:25AM Horse Sense
1:10PM Cow Belles
2:50PM Twitches
4:30PM The Even Stevens Movie
6:15PM Wizards of Waverly Place The Movie
8:00PM Camp Rock 2: The Final Jam
9:50PM Princess Protection Program
11:30PM The Cheetah Girls: One World
1:05AM Zenon: Z3
2:40AM Halloweentown High
4:20AM The Thirteenth Year

Netflix DCOMs High School Musical

Sunday, May 29

6:00AM Right On Track
7:45AM Full-Court Miracle
9:35AM Eddie’s Million Dollar Cook-Off
11:20AM Brink!
1:10PM Double Teamed
2:55PM Rip Girls
4:35PM Motocrossed
6:20PM Cloud 9
8:00PM Teen Beach 2
9:55PM Bad Hair Day
11:40PM How to Build a Better Boy
1:20AM Pixel Perfect
2:55AM The Other Me
4:30AM Genius

Monday, May 30

10:00AM Stuck in the Suburbs
11:30AM Halloweentown
1:05PM Zenon, Girl of the 21st Century
2:55PM Smart House
4:25PM High School Musical
6:15PM Camp Rock
8:00PM Descendants
10:05PM Teen Beach Movie
11:55PM Cadet Kelly
1:50AM The Cheetah Girls
3:35AM Johnny Tsunami

Camp Rock DCOM

After Memorial Day Weekend, Disney Channel will air two more DCOMs each night. Here’s the schedule so far (again, set your DVRs because these air late!)

Wednesday, June 1
12:00AM Return to Halloweentown
1:40AM Can of Worms

Thursday, June 2
12:00AM Going to the Mat
1:40AM Miracle in Lane 2

Friday, June 3
12:00AM The Suite Life Movie
1:40AM Ring of Endless Light

Saturday, June 4
12:00AM Invisible Sister
1:40AM Now You See It…

Sunday, June 5
12:00AM Girl vs. Monster
1:40AM Phantom of Megaplex

Monday, June 6
12:00AM Tru Confessions
1:40AM Tiger Cruise

Tuesday, June 7
12:00AM Mom’s Got a Date with a Vampire
1:40AM Under Wraps

Wednesday, June 8
12:00AM Den Brother
1:40AM Go Figure

Thursday, June 9
12:00AM Avalon High
1:40AM Jett Jackson: The Movie

Friday, June 10 and beyond
As of right now Disney Channel hasn’t released the schedule beyond June 10.

Which DCOMs do you plan to watch during the Disney Channel Marathon?

Next week we’ll be launching a fun new game here on Hypable where we’ll seek your help in ranking every single DCOM in the history of DCOMs. It’s probably a good idea to watch as many of these as possible so you can brush up on your knowledge base and rank them accurately!

James Cameron’s Battle Angel adaptation has found its lead in Maze Runner standout Rosa Salazar.

According to Collider, Salazar has been officially confirmed as the lead in Alita: Battle Angel, beating out Maika Monroe and Zendaya for the titular role. The manga adaptation was developed by James Cameron, and will be directed by Robert Rodriguez.

Battle Angel Alita is a manga series by Yukito Kishiro, which takes place in the 26th century and follows a cyborg girl with amnesia. Designed with spectacular martial arts skills, Battle Angel becomes a bounty hunter, who makes a living tracking down violent criminals.

As Brenda in Maze Runner: The Scorch Trials and Lynn in Insurgent, Rosa Salazar is already well-known in dystopian YA circles. She’s also had recurring roles in Parenthood and American Horror Story, and you can currently catch her in FXX’s Man Seeking Woman.

alita

James Cameron has been tinkering with this project for a while, but his extensive and all-consuming work on the Avatar sequels led him to hand over directorial duties to Robert Rodriguez last year. Rodriguez previously served as showrunner on From Dusk Till Dawn (after directing the movie of the same name in 1996), and his versatile directorial resumé includes Sin City, Spy Kids and The Faculty.

When Cameron picked Rodriguez as Battle Angel director, he said in a statement, “Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel. He’s very collaborative and we’re already like two kids building a go-kart, just having fun riffing creatively and technically.

“This project is near and dear to me, and there’s nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We’re looking forward to learning a lot from each other while we make a kick-ass epic.”

Alita: Battle Angel has no release date yet, but we’ll keep you posted. Here’s the official synopsis from IMDb:

“Alita is a creation from an age of despair. Found by the mysterious Dr. Ido while trolling for cyborg parts, Alita becomes a lethal, dangerous being. She cannot remember who she is, or where she came from. But to Dr. Ido, the truth is all too clear. She is the one being who can break the cycle of death and destruction left behind from Tiphares. But to accomplish her true purpose, she must fight and kill. And that is where Alita’s true significance comes to bear. She is an angel from heaven. She is an angel of death.”

Harry Potter and the Cursed Child is set to continue Harry, Ron and Hermione’s story. Downside: The characters that survived Deathly Hallows are suddenly no longer safe!

Details about Cursed Child, the Harry Potter play opening in London next month, are being kept tightly under wraps.

But one teaser J.K. Rowling did let slip? It’s designed to make you cry.

Answering the Twitter question, “Will the Cursed Child make me cry?” Rowling strongly implied that the answer is yes — “or we’ll be checking your vital signs.”

Bombarded with worried follow-up questions, Rowling (randomly) chose to answer “why are you like this” by reminding fans of what she believes her primary responsibility is as an author: To make us feel things.

Of course there’s no reason to assume the “OMG RON IS DEFINITELY DYING AKSDJFSHFJ” position (even if that is the first instinct of this writer), but it is an indisputable fact that for many authors — Rowling included — evocative storytelling is synonymous with, “I’m going to make you love something, and then I’m gonna kill it.”

Cursed Child takes place 19 years after the conclusion of the Harry Potter saga. Not only are there many elderly characters we might reasonably fear for (including McGonagall, Hagrid, and Molly and Arthur Weasley), but J.K. Rowling’s Potter series has set a strong precedent for killing off parental figures to usher in a new generation of characters.

Related: England’s biggest bookstore announces first Cursed Child midnight release party

On the other hand, we could just be traumatized by the original Potter series, and everything is actually gonna be fine. Maybe J.K. Rowling simply expects us to cry tears of happiness because we get to return to the fantastic, magical world she has created.

What do you think? Is someone we love dying in Cursed Child, or will the plot make us emotional in other ways?