Edgar Wright recently sat down with IGN Movies to discuss his next film The World’s End, and luckily for us he let loose new details about his highly anticipated Marvel film Ant-Man. He also reveals what his favorite Marvel films have been so far.

Speaking with IGN Movies, Wright says that the Marvel Studios’ project is coming along nicely, and that while it may seem as though it’s been in development forever, he’s simply been waiting for the right time to work on Ant-Man. Wright says that he wanted to tell an original tale, saying: “It’s a way of doing a superhero film within another genre. I wanted to tell an origin tale in a slightly different way. It’s part of the Marvel cinematic universe, but it also feels like its own piece.”

He went on to say that he’s been working closely with Marvel’s President Kevin Feige during the process and further explained why he’s waited such a long time to get the pint-sized hero on the big screen.

“I’ve been collaborating with [Marvel boss] Kevin [Feige] during the whole of that cycle. I think people have always assumed… ‘Oh why is it taking so long to make?’ Part of it is because I wanted to make two other movies first. I wanted to make World’s End… me and Simon were very keen to make it and it felt like it was unfinished business and we wanted to wrap up the trilogy. The script came together really fast. Well not really fast, but it came together at a certain point where it was like ‘I really want to do this next.’”

While fans will have to continue to wait for Ant-Man to hit theaters, director Edgar Wright says it’s been somewhat of a blessing in disguise as it’s given him more time to learn about “big special effects.” Wright goes on to explain: “But to be honest, the later I do it, it feels like I could learn more, especially about special effects. It’s a big effects movie, so I’m pleased to go into it having done Scott Pilgrim and The World’s End because you’re always learning more about that side.”




During Comic-Con this past year he showed some rough footage of Ant-Man and fans seemed to respond well to the footage despite being unfinished. He later revealed that he hoped that he’d get a chance to show the footage again now that it’s finished, because “all done it looks really good.”

When asked about what his favorite Marvel film has been thus far, Wright went on to say:

“I guess my two favourites would have to be Iron Man and The Avengers. I’ve enjoyed all of them and I think those two are the ones that score highest on the popcorn metre. That totally work as great crowd-pleasers. And I think what they’ve managed to do in terms of The Avengers coming after a five-film cycle, is kind of extraordinary and unprecedented in cinema history. To bring together four other franchises into one. It couldn’t have gone better could it? It’s amazing.”

We’re glad to see that he’s a fan of Iron Man and The Avengers, as they are obviously crowd-pleasers, but most importantly they’re some of the more well-received comic book films in the last few years.

In related Ant-Man news, we recently caught up with Alan Tudyk and asked him about the rumors that have swirled that he was in the running to star in Ant-Man, and fans may be a bit disappointed with what he had to say about the rumors. Tudyk says, “I’ve heard about that, but no,” he says. “That’s a shame,” we reply, because it is. “I know, I’m a fan of ants,” he sighed empathetically. “But no.”

Marvel’s Ant-Man, directed by Edgar Wright, and as of now having no actors attached, will hit theaters November 6, 2015.

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

cogsworth-lumiere-live-action-beauty-and-the-beast

While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

live-action-beauty-and-the-beast-gaston

Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

human-beast-dan-stevens

We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

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Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

borderlessmockup1

What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?