Tonight’s Downton Abbey season 4 episode had a shocking twist that has seemingly rocked one relationship. Our recap breaks down the events of the storyline.

On last week’s Downton Abbey season 4 premiere we watched as Mary began her road to recovering from the loss of her beloved Matthew.

Downton Abbey season 4, episode 2 kicked off with the arrival of several guests for a party at the estate. Of the many visitors is Lord Gillingham (“The glamorous pirate” as described by Robert) and his valet Mr. Green. He and Mary have known one another since childhood and spend some time reminiscing over their past. We learn that Gillingham has a lady in his life but he’s not married yet. Meanwhile, Green meets Anna and tries to have a little fun banter with her, but she’s more interested in working.

Tom has difficulty having small talk with the guests who’ve grown up living a higher lifestyle than he, though Violet tries to offer a little help. Also troubling Tom is Edna, who he speaks to for the first time since their trouble last season. Edna asks that they be friends going forward. Later, Edna gives Tom a glass of whiskey and proceeds to enter his room when he goes to bed. While we don’t see what happened, next episode we’ll learn about the repercussions of this nighttime rendezvous.

Also at the party is Edith and Michael. The latter decides to join a card game Robert will be participating in so that they can bond. This comes after several failed attempts by Michael at bonding with Edith’s father. The card game ends up being trouble for everyone, as Samson is secretly rigging it. Michael is on to him, however, and gets Robert’s money back, which wins the Lord over.

There’s an accidental date for Mary and Gillingham: They go horseback riding by themselves after no one else expresses interest in participating. While out together they talk about Downton’s tax bill, and her potential suitor offers some help. “It’s nice to know one’s not alone, that others are facing the same trials,” Mary says atop her horse.

Downstairs, Mrs. Patmore and her team are swamped and it’s stressing out our favorite red-headed cook – so much so that she suffers a heart attack. And while planning for an event the following day, Carson accidentally decides to not invite their party’s opera singer to dinner with Robert and family. Cora later yells at Robert and Carson for deciding that she have dinner in her room. It’s one of the funnier moments of the episode.

During the opera singer’s performance, Anna leaves the performance to cure a headache. Downstairs she encounters Gillingham’s valet Green who tries to give her some “real fun” because the “sad old cripple” (referring to Bates) can’t possibly keep her happy. He proceeds to physically attack and then rape her. No one is downstairs to intervene because they’re all at the performance.

Later that night Anna seeks help from Mrs. Hughes, who suggests that she tell Mr. Bates. Anna doesn’t want to tell him because Bates would go after Green and possibly get thrown back in jail. She later runs into her husband and won’t let him touch her.

Other notes…

– At a dance event at Downton, Mary and Gillingham are dancing when she notices that the gramophone is Matthew’s. She becomes upset and runs away, but only for a short time.

– Carson gives Molesley a job as a footman after he needs some extra help.

– Isobel is still struggling from Matthew’s loss and is afraid to smile again because it means she’s moved on. She doesn’t like seeing Mary and Gillingham hitting it off, and Tom tries to comfort her.

What did you think of tonight’s ‘Downton Abbey’ and the attack on Anna?

Downton Abbey season 4, episode 3 airs Sunday, January 19 at 9 p.m. eastern/pacific on PBS. See a preview below:

After all that talk of inclusivity, Star Trek Beyond falls into the Hollywood trap of implied sexuality.

Mild spoilers for Star Trek Beyond.

Star Trek Beyond, already a wildly anticipated movie, made headlines ahead of its release because of the franchise’s decision to introduce the first openly LGBT character: Mr Sulu, played by John Cho.

While this decision was certainly met with excitement, there was disappointment, too. The original Mr Sulu, George Takei, openly voiced his opinion that they should have introduced a new LGBT character rather than expand on original canon (as they have been the whole trilogy), while Simon Pegg beautifully argued that there was power in using an established character who wouldn’t be defined by his sexuality.

Then came the movie itself, and while the introduction of gay Sulu is still a great thing, we’re left sorely disappointed by Beyond‘s decision to depict the LGBT relationship — or rather, hardly depict it at all.

As reported by our friends at The Mary Sue, the scene featuring Sulu and his husband Ben depicts a “lukewarm” relationship, although Sulu is very affectionate with the pair’s daughter.

This is, unfortunately, a common problem in Hollywood when an LGBT couple — almost impossibly — makes it into a big franchise film. They’re allowed to be there, but having any kind of physical interaction even remotely resembling what a heterosexual couple might have still seems to be off-limits.

Related: Hollywood is failing the LGBT community: GLAAD slams Disney, Paramount and Warner Bros.

And, according to John Cho, there was actually a kiss filmed. “There was a kiss that I think is not there anymore,” he told Collider. “It wasn’t like a make-out session. We’re at the airport with our daughter. It was a welcome-home kiss. I’m actually proud of that scene, because it was pretty tough.”

Cho points out that Ben was played by a non-actor, writer Doug Jung, and says, “Obviously, I just met the kid, and then Doug is not an actor. I just wanted that to look convincingly intimate. We’re two straight guys and had to get to a very loving, intimate place. It was hard to do on the fly. We had to open up. It came off well, in my view.”

And we wish we could have seen it. Introducing a major LGBT character in the Star Trek franchise is a fantastic first step, and depicting two POC actors raising a child together is a great statement — but, unfortunately, the decision to cut out their kiss (which was already chaste, by the sounds of it) is emblematic of Hollywood’s continuous phobia of depicting LGBT relationships and intimacy on the big screen.

As Screen Crush also points out, this exact same scenario played out in Independence Day: Resurgence, too. In Finding Dory, the lesbian couple are only implied, in a blink-and-you’ll-miss-it sequence.

LGBT representation (when present at all) is always so subtle, evidently in fear of offending straight audiences while not totally erasing non-straight sexualities. And, sadly, even that is considered a big step forward — but maybe it’s time we start depicting humanity as it is, and not what society wished it was 100 years ago.

Here’s looking at you, Star Wars.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Present day Han Solo may’ve left the main Star Wars series after the events of The Force Awakens, but the character’s time in movie theaters is far from over.

The new Han Solo film from Lucasfilm — scheduled to hit theaters in May 2018 — might turn into a trilogy for the reluctant hero, according to the New York Daily News.

The paper reports that star Alden Ehrenreich has signed a three-picture deal, suggesting that the studio intends to expand the Han Solo spinoff into a trilogy. “They feel that his character has the right potential to become a central figure in several movies,” a source told NY Daily News. “They’re keeping things under wraps at the moment, but the deal is that he has signed for at least three movies.”

This makes a lot of sense given the popularity of the character coupled with his absence in Episode 8 and beyond. We also know that Lucasfilm and Disney have many, many grand plans for Star Wars in the years ahead: The very first Star Wars theatrical spinoff, Rogue One, opens later this year. Episode 8 then hits theaters a year later (2017), followed by Han Solo’s own movie (2018). Next comes Episode 9 in 2019, followed by yet another spinoff reportedly focused on Boba Fett in 2020.

As for 2021 and beyond? Only time will tell, but we expect more movies set in the worlds of The Force Awakens, Rogue One, and now Han Solo.

The Han Solo spinoff will be directed by LEGO Movie helmers Phil Lord and Christopher Miller. They’re currently deep into pre-production, as this tweet from Lord this morning shows:

“This is the first film we’ve worked on that seems like a good idea to begin with,” the directors said last July. “We promise to take risks, to give the audience a fresh experience, and we pledge ourselves to be faithful stewards of these characters who mean so much to us. This is a dream come true for us. And not the kind of dream where you’re late for work and all your clothes are made of pudding, but the kind of dream where you get to make a film with some of the greatest characters ever, in a film franchise you’ve loved since before you can remember having dreams at all.”