The Riverdale season 3 musical episode didn’t go where we expected.
After the bloodbath that was the Carrie musical, fans were expecting a similar outcome from the second Riverdale musical episode. Similarly to how the Black Hood struck at the musical after being dormant for a while, it’s been quite some time since Griffins and Gargoyles claimed a victim.
Tensions have only been rising in Riverdale since the last death. Archie narrowly escaped the series of quests to defeat the red paladin, Hiram has been far too quiet since his near-death experience (although Gladys seems to be picking up right where he left off), and Jughead’s been playing things fast and loose with the Gargoyles and the Serpents. Coming into the musical, the stage was literally and figuratively set for blood.
The only thing bigger than the fun in this episode of Riverdale was the stakes. “Big Fun” toyed with the fans’ expectations and the high tensions in the town from start to finish.
Despite not being mentioned at all in Riverdale season 3, Midge seemed to be a constant, threatening presence in this episode. Not only was her memory haunting the entire cast and affecting their mental states, she even appeared in the episode during Kevin’s Farm-induced drug trip! It was impossible to forget the consequences of the last Riverdale musical.
Adding to the murder-meter was the Lodges. Hiram and Hermione dropped a huge bomb (no Heathers pun intended) on Veronica that has been ticking away for a long time. They’re getting separated because Hiram finally knows for certain about Hermione’s schemes.
With that knowledge, it’s highly likely that Hermione’s days are numbered. Hiram’s not one to just let a threat go about their business. In case you forgot, he had twelve different people hunting down Archie, who was just a teenager that happened to be dating his daughter.
Veronica even made sure that her parents would be in the front row on opening night of Heathers. This put Hermione mere feet away from the place where Hiram’s actions have come close to permanently getting rid of her previously.
On top of all that, the subject matter of Riverdale‘s (aka Cheryl’s) chosen musical even lent itself perfectly to peril. Heathers is all about a series of teen murders, which occur at the hands of other teens, that end up being masked as suicide.
This is not unlike the Gargoyle King’s methods. In fact, the first death in Heathers even leaves someone asphyxiated with a blue mouth! If anything, the Gargoyle King is pulling his plays directly from the Heathers handbook. It seemed like the musical was hand-picked as a backdrop for yet another “ascension.”
When you put all of that together, tension was at an all-time high in the Riverdale Heathers musical episode. With every heated conversation, every break-up, and every make-up, the stakes got higher and it became more evident that a murder would take place by the end of the episode. It felt like every note sung was just another step up the scale to someone’s eventual demise.
And then, nobody died.
Does that mean that the Riverdale Heathers musical was lackluster, or even a tease? Definitely not.
The intrinsic high stakes and the constant foreshadowing made every moment of the episode better. Every time a couple even looked at each other I was all but certain that it would be for the last time. It made every separation and reconciliation so much more powerful. It took every song up an octave.
And the finale was far from serene. In fact, it highlighted a much more sinister plot that had been going on underneath all the hook ups and high notes, which is actually not too far off from Heathers, itself. For Veronica Sawyer, the events of Heathers look bad on the surface, but there’s something much bigger going on behind the scenes.
All of the tension, juxtaposed with the hopeful nature of the cast’s final song, set the perfect scene for the creepy slow clap that was the real culmination of the episode. Betty’s suspicions of Ethyl, the party at the Farm and the casual mention of Edgar all seemed like a frivolous dessert plot that we would get to after whatever craziness happened in this episode, but, in reality, those moments were the main course.
The reveal of Edgar Evernever and the extent to which he’s already taken over the town of Riverdale was a flawless conclusion to the Riverdale Heathers musical episode, and it’s all because we thought something completely different was going to happen. By subverting our expectations of something terrible happening, the show delivered a far more terrifying finale and a far better episode.
Now, this episode won’t go down as just another G&G quest fulfilled. Instead, it will be remembered as the launching point for the Farm’s reign over Riverdale, which is a great legacy for the second musical episode to have. How very!
What did you think of the ‘Riverdale’ ‘Heathers’ musical episode?
Sometimes, the only remedy to a bad day is by isolating yourself on the couch and watching a guilty pleasure show, and luckily for us, Netflix has several great options.
Jessica is finally starting to "give a shit," and we ramp up the noir bigtime.
The 100 season 6 continues strong with “Memento Mori,” in which Bellamy and his friends discover that Clarke is dead while Diyoza and Octavia sample some local beauty products.
May saw another side of Sarge while Simmons took a gamble on the future in Agents of S.H.I.E.L.D. 6×05.
Swamp Thing 1×03 introduces The Rot, increases Swamp Thing’s vocabulary, and continues the show’s streak of giving us excellent episodes.
With the release of Aladdin and the live-action remake of The Lion King right around the corner, we rank the best (and worst) of the Disney remakes so far.
Universal Orlando has relied on big screens and motion simulation for its two marquee Wizarding World of Harry Potter rides, but its third, Hagrid’s Magical Creatures Motorbike Adventure, rewrites the script.
Teeth in the Mist by Dawn Kurtagich is a tale of horror and mystery that twists and extends the familiar tale of Faust.
The Hunger Games author Suzanne Collins has announced a prequel novel that will hit book store shelves in 2020, and Lionsgate is already confirming a movie adaptation.