After watching a video concerning Hugh Jackman’s Wolverine standing in for Ellen Page’s Kitty Pryde, I suddenly felt an unrelenting frustration and confusion with regard to the choice made by the writers of X-Men: Days of Future Past.

In the video, we see one of the screenwriters, Simon Kinberg, explain to Total Film that Wolverine is “the protagonist of the franchise, and probably the most beloved character to a mass audience,” but he went on to say “obviously in the book it’s Kitty… But you’re talking about an actress who, in the age of Michael Fassbender and James McAvoy, would have been negative 20 years old. So we started thinking again, and the first reflex response to that was a character who doesn’t age. Wolverine is the only character who would look the same in 1973 as he does in the future.”

After listening to this, one can’t help but wonder if they telling us, of all the changes that have been made to the film already (i.e. Gambit existing in the wrong time line in X-Men Origins: Wolverine, when he’s supposed to be part of the infamous relationship between he and Rogue), that the filmmakers are simply incapable of handling the issue of Kitty Pryde not existing in the film’s 70’s era? They could have, perhaps, enabled her to travel back in time by the same means Bishop arrives to the present, thus accommodating the use of her character?

Seeing as how Bishop is going to be introduced into the present day X-Men anyway, could that not be one of many other ways in which to depict Kitty as the main protagonist, as opposed to ending up with Wolverine as the main character again?

If that seems unsatisfactory, then perhaps the writers could alter the timeline a little further, showing her character as a slightly more mature woman, currently married to Colossus.

Using Wolverine again sounds a little nonsensical and, to be honest, a little lazy at this point when you consider the creative liberties many adaptions have taken in the past for various reasons. An example of such changes occurring in adaptions would be the Harry Potter films in which Dobby is absent (between Chamber of Secrets and Deathly Hallows) when, in fact, he is present in the books, mentioning Winky the House Elf and her drinking problem, among other things.

The writers were given a golden opportunity to expand on Kitty Pryde’s character, a female no less, but instead it feels as though they chose what appears to be the easy way out by opting for Wolverine to take centre stage once again. Considering Cyclops is, at times, thought of as the “leader” of the X-Men (yet the whole group seem to be individual leaders, enabling them to work effectively as a collective group), why Wolverine was initially chosen to be the protagonist of the whole series is beyond me.

While he is a complex enough character with a unique past, he is not, in my opinion, so interesting to deserve the spotlight once again after receiving so much of it already.

Looking through a retrospective eye on things, the first film is the only exception with the introduction of his character; the second film was not as good because his backstory and his feelings for Jean Grey were given a little more attention, in addition to the general mutant-capture-and-rescue plot line. In the third film, he receives the spotlight again after the death of Cyclops, giving him more camera time to act as more of the tortured soul while his mind is plagued by Jean’s voice. Finally, there were two stand-alone films to add to the list of many other male superhero films which exist today.

These films, and others like Man of Steel and The Avengers, will continue to overshadow the overwhelmingly small amount of superheroine-centric films that are badly needed. Not just for more female representation for younger audiences, but simply because films which follow the usual tropes and consist of male-dominated casts are becoming increasingly boring, i.e. The Avengers, merely consisting of one superheroine and (the immediate) Justice League, in which a lot of the time the men outweigh the women in numbers depending on what issue you’re reading.

I thought X-Men: First Class was much better than its three predecessors (not a perfect product but better than the others), and was hoping it was a starting point for the franchise to move into a more updated and improved direction from then onward. I still am hopeful about this upcoming film, but I’m starting to think that hoping is all that I’ll ever be able to do for a good while until, by some miracle, the X-Men films are rebooted.

Please bear in mind that this is strictly my two cents on the issue of underrepresentation of female characters.

Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

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Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

Original story (May 2016): Heroic Hollywood, who has a good record of breaking superhero news, is the source behind the exciting development. As was previously announced, the animated Spider-Man movie will be produced by LEGO Movie helmers Phil Lord and Chris Miller. The duo are also set to direct the Star Wars Han Solo spinoff for Lucasfilm.

Who is Miles Morales? As we wrote in a lengthy tell-all about the character last year:

Miles Morales is the current Spider-Man in Marvel’s Ultimate Comics series. Introduced in 2011, Miles is a black-hispanic young man who, like Peter Parker, is a talented scientist and self-proclaimed nerd. However, unlike his predecessor, Morales steps into the superhero’s shoes at the surprisingly young age of 13.

Raised in Brooklyn, Miles was born into a family plagued by criminal activity. Before settling down with his wife Rio, Miles’s father Jefferson used to be crime partners with his brother Aaron (Miles’s uncle). However, where Jefferson tried to shrink away from the lifestyle, Aaron continues to embrace it — assuming the role of classic Marvel villain the Prowler. After pulling off a heist on Oscorp, Aaron unknowingly takes a genetically modified spider home with him. It is at Aaron’s house that Miles is bit by the spider and starts the transformation into Spider-Man.

Where Peter Parker relished the opportunity to become spidey, Miles is reluctant to enter the world of vigilantism. What’s more, his family’s criminal history causes him to question whether or not he can ever be a hero, or if evil is hardwired into him.

Oh, and one other cool thing about him: The guy is immortal, unlike the Peter Parker version of Spider-Man.

Related: Who is Miles Morales? We explain everything

The rumor mill was alive with chatter about the MCU’s Spidey being the Miles Morales version last year, but obviously those reports never panned out. The Peter Parker version of Spider-Man was introduced in Captain America: Civil War, played by Tom Holland. He’s getting his own spinoff film, Spider-Man: Homecoming, next year.

Telling the Miles Morales story on screen may be just the thing the animated Spider-Man movie needs in order for it to draw people into the theaters in December 2018. We’ve had enough Peter Parker stories!

2018 will be a great year for super hero diversity: Marvel’s Black Panther starring Chadwick Boseman will be released a few months earlier.

‘The Space Between Us’ set report: What if a human was born on Mars?

Hypable visited the set and spoke to the film's stars.

12:00 pm EST, January 17, 2017

Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

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Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

He never would’ve guessed what was going to happen when he spoke to them.

“I called a group of NASA scientists and said, ‘So what would happen if an astronaut turned out to be pregnant on a flight to Mars?’ and there was just silence on the other end of the call. And they said, ‘Are you listening to our phone calls?’ I said, ‘No, I’ve never spoken to you in my life.’ And they said, ‘It’s going to happen, and we don’t know what to do.'”

That was when he teamed up with screenwriter Allan Loeb and started fleshing out an answer. “I thought, wow, that’s the beginning of an interesting story.” Lewis even worked with his father, a heart specialist, to examine how that muscle would develop differently on Mars, and aspects of this research became a big part of the story.

The Space Between Us is an interplanetary adventure following a human boy named Gardner Elliot (Asa Butterfield) born on the distant red planet. His mother, an astronaut, only realized she was pregnant with Gardner after leaving on her mission to colonize Mars.

Once Gardner reaches his teenage years he becomes interested in leaving East Texas (yep, on Mars) and returning to the home of his species. Not only is he curious about Earth, but Gardner has also fallen for a girl named Tulsa who’s literally tens of millions of miles away in the state of Colorado. The two met online and can relate over their outsider perspectives.

There’s just one problem: Tulsa doesn’t realize that Gardner is literally living on Mars.

Hypable visited the Albuquerque, New Mexico set of The Space Between Us starring Butterfield, Robertson, and Gary Oldman in late October 2015. On the day we visited, Asa, Britt, and crew were at the tail end of their 37-day shooting schedule which took them through New Mexico, Las Vegas, and Malibu.

It was Day 31, and indoor and outdoor shoots were taking place at Highland High School located in the southeast quadrant of Albuquerque. Since it was a weekday, real classes were in session as Asa and Britt shot outdoor scenes.

The real students who walked by the production had mixed reactions. Some watched and Snapchatted the excitement, while others passed by as if a Hollywood production wasn’t filming right before their eyes. Later in the day, after the real students went home, production moved inside the school to shoot a scene where Gardner and Tulsa meet in person for the first time. It’s one of the more touching moments in the movie.

Earlier, Asa walked into our press tent carrying a drone in tow. He had recently purchased it to try and capture aerial footage for fun, and was learning how to operate it in between filming his scenes.

Both the aerial device and Gardner struggle to deal with Earth’s gravity.

When asked how he handles playing a character who has never been on Earth before, Asa describes it as a very unique experience. “It’s hard to put yourself in that kind of position because we [as humans] are so experienced in the world, and to completely strip all that back and be absolutely in awe at everything you see — a tree, a doorman — everything’s interesting,” he says.

space-between-us-asa-britt

Tulsa (Britt Robertson) experiences zero gravity with Gardner (Asa Butterfield).

Living on Mars your whole life doesn’t mean you’re missing hormones, so girls are also of interest in Gardner. On the relationship between his character and Tulsa, Asa tells us, “They both have this longing desire for being somewhere. Belonging somewhere. Tulsa’s been jumping around through various foster homes, she’s never really settled anywhere. Gardner spends his life on Mars. No one knows he exists. They’re kind of united by this experience.”

“He’s an alien, and she’s an alien, and this is the journey of the story,” Lewis tells us. “Watching these two characters connect, and the disconnects, the misunderstandings, and then ultimately they have a connection.”

Those good and bad connections were present in the scene we observed, which finds Gardner surprising Tulsa in her school hallway. As someone who is tough and reserved, Tulsa is understandably frustrated by Gardner’s sudden appearance. The two still haven’t communicated well with one another — Adorably, Tulsa is unaware that when he says he’s from “East Texas” he means the establishment on Mars.

With Gardner now on earth, the two begin to form a close bond as the Mars-born boy tries to discover his roots.

Co-starring in the movie is Gary Oldman, whose character originally organized the trip to Mars. He wasn’t on set the day we visited, but the actor has a very important role in the movie.

The Space Between Us opens in theaters February 3, 2017.

‘Rogue One’s’ best scene doesn’t involve the heroes

It's a nameless character who saves the day.

8:15 am EST, January 17, 2017

Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

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Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

This character has no name, and we know nothing about him beyond this scene. But faced by the most fearsome threat and terrible odds, he abandons fighting and uses his dying moments to get the plans across the doomed ship, and to Princess Leia.

It’s not common to see a scene like this one – scenes that convey the power of the collective action of many people across different areas – done so skillfully, especially in movies that are so character-driven.

In Star Wars, we’ve always focused on Luke and Leia and Han, and more recently on Rey, Finn and Poe. Although we knew that the Rebellion was the fruit of the efforts of many, we never had such a clear look into just how many lives were involved.

Rogue One the Rebellion

This final scene brings it all together, tying together the various storylines we know in an epic finale, and finally connecting them to Episode IV in a perfect mix of excitement and nostalgia. Without this character, driven by desperate hope rather than fear of his imminent death, Rogue One’s mission would not have ended successfully, Leia would have never received the plans… and none of the story we already know would have taken place.

For once, it was a character whose face we didn’t even see properly, dressed just like everyone else, fulfilling his own small role in a much bigger mission, who saved the day.

This ending, maybe even more meaningfully than the stories of the heroes we know and love, shows us the very essence of the Rebellion: a movement of dedication and sacrifice, full of people like the ones that died on Scarif, that put themselves between the plans and Vader, that drove the mission to success in their dying moments – and that stopped the race to save their own lives in favor of securing the mission’s objective.

We, as the audience, can find ourselves in the nameless rebel soldier and his sacrifice – a realistic and emotional portrayal of what makes any movement for change possible: the sacrifices of a vast number of people whose names and faces we may never know, whose stories may never be recorded, but whose lives were spent in search of a better future for the generations that follow.

What scene in ‘Rogue One’ impacted you the most?