X-Men: Days of Future Past’s first trailer was released today to much anticipation, and director Bryan Singer has released some quotes explaining some shots from the trailer.

Singer continues to reach out to the X-Men fanbase as he tweets behind-the-scenes photos daily and now has revealed some very interesting comments coupled with some screenshots from the film’s first trailer. If you haven’t seen the film’s trailer yet, watch it first, then check out the director’s comments below thanks to Empire.

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“The grey in the hair is something I took from X-Men Days Of Future Past, it’s a look in the comic,” says Singer. “I liked it, even though he hasn’t really aged physically it’s something that shows how tough things have gotten in the future, and brought that out in him and given him a little more world-weariness.”

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“She’s one of the last surviving X-Men in this post-apocalyptic world,” explains Singer of Storm’s place in the movie. “She’s part of that with Wolverine and Charles and Magneto, they’re some of the last folk standing from the original X-Men. They’re at the spearhead of this mission, this last chance at saving the world. This is their only hope, their mission into time. Can you actually go back and affect time? Can you go back and change things or will time correct itself? Will history fight you back and is your destiny pre-determined or can you change it?”

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“You’ll need me as well…” Ian McKellen’s Erik Lehnsherr, AKA Magneto, is also a fixture in the future war, facing an enemy so monstrous that it forces former foes to band together. When we meet the X-Men in the future, the X-Men effectively no longer exist. “They’re on the run,” says Singer. “There’s no organisation. It’s all been shattered. Most of them have been hunted down. Most of them are dead.”

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Days Of Future Past isn’t all about the old guard. Singer and writer Simon Kinberg have introduced some new mutants too, and here’s our first look at Omar Sy as long-term fan favourite Bishop, Adan Canto as fiery Brazilian mutant Sunspot (who almost appeared in X-Men 3), Booboo Stewart as the Native American strongman Warpath and Fan Bingbing as Blink, whose ability to conjure portals may come in handy during battles. Just don’t think of them as X-Men. “They’re not really fresh recruits,” explains Singer. “They’re more refugees that are living day to day in this hideously ruined world. They don’t have much hope in the future. They’re on the run and they join forces with the remaining X-Men to try to do this one last attempt at fixing the world.”

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“There’s a line in the movie, ‘he’s always had a way with guns’,” reveals Singer. “That’s how he crippled Xavier, and he’s such a powerful mutant but in this particular moment he’s holding a gun and I like that. He’s a product of the Second World War and he knows how to use a gun as much as he does his powers.”

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The monastery or temple or whatever the heck it is comes under attack as a bulky figure runs through the destruction. Is this our first look at the return of Daniel Cudmore as Peter Rasputin, aka the metal-skinned Colossus? It sure is. Minus the metal skin.
“He may be his human form in that shot, I’m not sure. By that time in the sequence he may actually be metal but I have no visual effects done!” laughs Singer. “So for that shot you just get what’s on the set – a big, live, real explosion. No CGI yet. We’re in process on very elaborate effects but there’s really none of them done except for a couple of backdrops and a couple of shots I could slide in.”

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Now this is a big one. Logan, in the 1970s, takes out some dude. You can just about see them in this grab, but Wolverine’s claws aren’t adamantium. Instead, they’re all bone, baby. All bone.

“He doesn’t have his metal yet in 1973,” confirms Singer, which places this movie before the events of X-Men Origins: Wolverine, and Wolverine’s first meeting with a man by the name of William Stryker, head of the Weapon X programme. Here, Stryker (previously played by Brian Cox in X2 and Danny Huston in Origins) is played by Josh Helman. And we’re intrigued to see how Magneto and Wolverine get on now that the former can’t make the latter behave like a puppet on a string…

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And Old Charles. This juxtaposition between Fassbender and McAvoy’s broken Erik and Charles and the dignified old men they become will be one of Days Of Future Past’s major themes.

“When I try to direct an actor, you always try to give them a sense of who they were as young men, who they were in their past lives, and in my imagination I always had that [with Charles and Erik],” says Singer. “I was able to introduce those notions in X-Men First Class but to actually have them performing simultaneously on screen, that was a real thrill and a challenge.”

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And the trailer ends with the big visual that sent 6,500 people in Hall H nuts when the footage debuted at Comic-Con: the meeting of the two Xaviers, presumably on the astral plane. “Please…” pleads Stewart’s Xavier of his reluctant younger self. “I need you to hope again.”

“It’s an abstract scene, without giving away its origin and how it happens,” says Singer. “It’s a trippy scene, it has a bit of 70s style in it and the entire scene involved a lot of interesting practical photography using mirrors and other things. It was fun to shoot, and it was great to get the two actors together.”

Interestingly, it was McAvoy’s first day on set – not a bad way to ease yourself in gently.

“I did get goosebumps,” says Singer. “I’ve got a picture on my iPhone of the two of them talking to each other. These moments need to be photographed.”

It’s nice of Bryan Singer to give us some insight into the trailer, as it certainly raised some interesting questions. This was bound to happen as X-Men: Days of Future Past involves quite a bit of time travel and introduces over half a dozen new mutants.

The response from fans concerning the first trailer have been favorable, although there seems to be a minority who had somewhat mixed feelings. It’s definitely piqued our interest and hearing more about the trailer from the director makes us feel a bit better already. We look forward to X-Men: Days of Future Past when it lands in theaters on May 23, 2014.

The film stars returning actors Jennifer Lawrence, Nicholas Hoult, McAvoy, and Fassbender. Also rejoining the X-Men franchise are Halle Berry, Anna Paquin, Shawn Ashmore, James Marsden, Ellen Page, and Hugh Jackman. Fan Favorite Peter Dinklage will be playing one of the villains in the film.

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

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Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

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We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

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Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

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What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?