Hollywood seems to have discovered Austen in the last two decades, but which adaptations and inspirations are the must-sees?

For an author who died almost 200 years ago, Jane Austen has an amazing number of fans. Maybe it’s costume drama like Downtown Abbey, Bridget Jones pining for her real-life Mr. Darcy, or the love of all things British from Harry Potter to Doctor Who fueling the surge, but people are discovering Jane Austen like never before.

Everyone seems to have heard of the love story of Pride and Predjudice‘s Elizabeth Bennett and Fitzwilliam Darcy, but Jane Austen’s other novels and even her real-life story have inspired adaptations. Here are the best of the best.

10. ‘Pride and Prejudice’ (1995)

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There are other adaptations from a 1930’s black and movie movie, to a fairly recent Kiera Knightley and Matthew Macfadyen flick, but none is on par with the 1995 BBC miniseries. Everyone seems to know about Colin Firth, that infamous pond, and oh so clingy shirt. Even though Mr. Darcy didn’t take a spontaneous dip in the Pemberly pond in the Austen novel, the rest of the adaptation is spot on. Colin Firth’s brooding Mr. Darcy launched his career from relative unknown to household name. One of the best things about this adaptation is that since it is a miniseries rather than a two hour movie, lots of attention was able to be paid to character development and side stories. Every intricacy is explored from Lizzie and Darcy’s love-hate relationship, to Lizzie’s confrontation with Lady Catherine de Bourgh.

Best Scene: Any time Lizzie is arguing

9. ‘Sense Sensibility’ (1995)

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Sense and Sensibility works amazingly well given its number set of firsts. It was the first Western film directed by Ang Lee. It was Emma Thompson’s first attempt at writing a screen play. It was one of Kate Winslet’s first films. The result was that it swept the BAFTA’s and snagged seven OSCAR nominations, including a win for Thompson. The cast includes many who are now major stars, but then were little known U.K.-based actors such as: Hugh Laurie, Alan Rickman, and Imelda Staunton. The two key love stories are between Emma Thompson and Hugh Grant’s Eleanor and Edward, and Kate Winslet and Alan Rickman’s Marianne and Brandon. Both couples have amazing chemistry. If you’ve only ever seen Alan Rickman as the cold-hearted Snape, here he plays the ever faithful yet unrequited love.

Best scene: Colonel Brandon begging Eleanor to “give him an occupation”

8. ‘Clueless’ (1995)

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Just in case you think Jane Austen is only costume drama and can’t be updated, think again. Clueless was inspired by the Austen novel Emma. Emma is an incorrigible matchmaker in the novel, and her counterpart, Cher, played by Alicia Silverstone in the movie, is just as bad. Matchmaking has been around for centuries, and clearly the meddlesome matchmakers’ techniques and insights haven’t improved any over time. True love tends to find you when you least expect it, and often it’s right under your nose. The movie’s standouts are Paul Rudd as Cher’s best friend and eventual love, and the late Brittany Murphy’s Tai.

Best Scene: Josh and Cher finally admitting their feelings for each other

7. ‘Bride and Prejudice’ (2009)

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Who doesn’t love a movie musical? What could be better than a Pride and Prejudice themed musical only Bollywood style. It’s a whole Indian culture meets Western culture mash-up with Aishwarya Rai Bachchan, the darling of Bollywood, as the Lizzie Bennett character and Martin Henderson as Darcy. Naveen Andrews, of LOST, plays Bingly, but a much more assertive one than is in the novel. If you’ve never seen a Bollywood film this is a good way to test out the genre.

Best Scene: Dance sequence featuring Naveen Andrews. He does all his own dancing though he has never had formal training.

6. ‘The Lizzie Bennett Diaries’ (2013)

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Jane Austen was brought swiftly into the modern day in this witty adaptation that turns Pride and Prejudice‘s Elizabeth Bennet into a video blogger. Clever use of transmedia elements, like spin-off web series and social media accounts, allowed the audience to enter the world of Austen in a unique way. But the particular the strength of The Lizzie Bennet Diaries lies in the focus on the supporting characters, and especially on Lizzie’s relationship with sisters Jane and Lydia, and best friend, Charlotte. The Lizzie and Darcy romance is still key (and don’t worry, you’ll get your swoon-worthy moments), but in this story romance is not the only important thing – and we love that.

Best scene: Lizzie tells Lydia she loves her after they reconnect

5. ‘Lost in Austen’ (2009)

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What would you do if you suddenly discovered that all you had to do to go back in time was open a door in your bathroom? That’s exactly what happens to Amanda when she finds Lizzie Bennett in her bathtub enjoying flowing hot water and a bubble bath. She swaps places with Lizzie Bennett, who wants to live in present-day London, and meanwhile, she tries to fit in at Pemberley. As you can imagine, things don’t go well from Wickham being not at all what she expected to Caroline Bingly confiding she’s a lesbian and making a pass at Amanda. Fights, near fatal wounds, and four episodes later all is finally resolved in a not quite predicable ending.

Best Scene: Amanda asking Darcy to reenact the Colin Firth pond scene

4. ‘Becoming Jane’ (2007)

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So how exactly did Jane Austen get to be Jane Austen? Relatively little is known about Austen save for the material found in her private journals, and frankly they weren’t all that revealing. In Becoming Jane, Anne Hathaway plays Jane whose life plays out as a cross between actual, historical events, and the events of her novels. There are homages and parallels to all of Austen’s novels most notably Pride and Prejudice. James McAvoy plays Tom Lefroy, a real-life beau of Austen’s who many speculate was the model for Mr. Darcy. The story isn’t so much historical as it is a romance with lots of twists and turns.

Best Scene: Twist ending which we won’t spoil

3. ‘Mansfield Park’ (1999)

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Mansfield Park is a tough novel to adapt. Many people don’t like the heroine, Fanny Price, because they find her a bit too preachy and stiff. However, director/writer Patricia Rozema came up with an interesting solution. She used the story of Mansfield Park as a guideline, and then inserted pieces from Austen’s early writings and her actual life. Instead of a preachy and moralistic Fanny that no one likes, the result is a charming, young women trying to discover where she fits in a world of unrequited love and unfeeling relatives. Jonny Lee Miller of current Elementary fame plays Fanny’s unrequited love, Edmund.

Best Scene: Edmund and Fanny after Fanny discovers something she is not supposed to late one night

2. ‘Persuasion’ (1995)

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Along with Mansfield Park, Persuasion doesn’t get nearly enough love from adaptations. Anne Elliot was persuaded not to marry the love of her life, Frederick Wentworth, because at the time, he was a man of inferior prospects. Now, ten years later, the tables are turned. Anne is considered to be an “old-maid” and her family’s fortune is endangered. When chance throws Anne and Frederick together, can their romance be rekindled, or will they each be persuaded again not to follow their hearts? Ciarán Hinds plays the dashing Captain Frederick Wentworth.

Best Scene: Anne reading a very key letter

1. ‘Emma’ (1996)

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Matchmakers have been around since the beginning of time. Nothing seems to be able to stop them from their meddling. They don’t even seem to learn their lessons when one disaster strikes after the next. Gwyneth Paltrow plays the charming Emma who keeps trying to get Harriett, played by Toni Colette, a match. Predictably, it doesn’t work. Jeremy Northam plays George Kinghtly, the neighbor who Emma has always considered an older brother, but who now might be something more.

Best Scene: Emma having a meltdown in the garden

Which Jane Austen project interests you the most?

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Barnes & Noble has announced that Harry Potter and the Cursed Child is already a gigantic hit. In fact, it’s the most pre-ordered book since Deathly Hallows.

It’s been 9 years since J.K. Rowling publsihed Deathly Hallows in the summer of 2007, but Harry Potter fans are evidently still eager for more stories from the Wizarding World. In a press release on Monday, the biggest book chain in the United States revealed that they haven’t seen pre-orders this huge since the last Harry Potter book.

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“Harry Potter and the Cursed Child is Barnes & Noble’s most pre-ordered book since Harry Potter and the Deathly Hallows, and we expect it to be our biggest selling book of the year,” said Mary Amicucci, Chief Merchandising Officer at Barnes & Noble in a press release. “To guarantee that our customers get the new Harry Potter book as quickly as possible, Barnes & Noble is the only national retailer that’s guaranteeing delivery of the book on August 1, for both online and ship-to-home pre-orders placed by noon ET on Friday, July 29. Our booksellers are also preparing to host big crowds for our signature Midnight Magic parties on July 30.”

If you’ve passed by a brick and mortar Barnes & Noble in the past few months you’ve probably seen the heavy promotion they’ve been doing. Headers that state “HARRY POTTER IS BACK” will clearly entice people to pre-order.


HARRY POTTER IS BACK! (Spotted at a Barnes & Noble) #harrypotterforever #harrypotter

A photo posted by Hypable.com (@hypable) on

In a report from the Wall Street Journal earlier this month we learned that Scholastic was printing 4.5 million copies of “the eighth story” for the United States and Canada. This is a far cry from the 12 million printed for Deathly Hallows, but still a very large print run for a book in modern times. (Also worth noting: Many readers have switched to eBooks in the years since Deathly Hallows.)

It’s nice to see that Harry Potter fans haven’t lost their interest in the series. Perhaps the success will inspire J.K. Rowling to continue writing within Harry’s world?

The book has also been a huge success on Amazon. The Cursed Child has sat at the top of the online retailer’s bestseller list for months.

Hypable will have lots of coverage surrounding The Cursed Child once it’s released this weekend. Stay tuned! AHHHH!

Sherlock finally made it to Hall H at Comic-Con and the creative team brought a few surprises. Steven Moffatt, Sue Vertue, Mark Gatiss, Amanda Abbington, and Benedict Cumberbatch were on hand to the thrill of fans.

Benedict Cumberbatch and crew definitely know how to work a crowd. Here are the top highlights of the panel that played to a crowd of thousands.

1. Season 4

They are currently two weeks from finishing Sherlock season 4. Cumberbatch said that “a lot comes home to roost this season… it’s ballsy.”

They have 26 pages to film this Tuesday. Cumberbatch states that the monologues are very challenging and take a lot of work.

As for actors’ favorite lines this season:

Gatiss: “Sherlock.”

Abington: Not a line but a beckoning gesture.

Cumberbatch: Can’t say.

Key names for next season (change from doing key words):

  • Moffat: Smith
  • Gatiss: Thatcher
  • Vertue: Sherinford

2. Keeping the show fresh

By not making as many episodes, the creators feel they actually keep the quality. They joked that under normal standards they’ve actually made about half a season of a standard TV show, or 13 episodes.

There are no plans for any other Victorian Era shows. Moffat feels that it would be less interesting if the mind palace returned there.

3. Learning curves and drugs

Gatiss stated that with 90-minute episodes you “really have to put [Sherlock and Watson] through the ringer.” Moffat added that because of this, Watson has to evolve. Watson can’t keep being amazed by Sherlock. As for Sherlock, “he can’t be the weird scary amoral man we met in the first episode… geniuses learn… he has to learn.”

Sherlock’s drug addiction comes back when he is not working. It’s hinted that the addiction will be a bigger issue this season than in the past.

4. The coat and the hair

There is apparently a big debate every year over changing the iconic coat. Sue Vertue wants to change it, and Steven Moffat wants to keep it. Benedict Cumberbatch dove into the debate stating, “I’m quite hung up on the coat…. but sometimes it has to come off.” The audience reaction was predictable.

Cumberbatch joked that he loved playing Sherlock in the Victorian era because of the slicked back hair. In the modern era it takes forever for his hair to get done. On a serious note, he loved the more straight-laced, clipped version of Sherlock.

5. First ‘Sherlock’ season 4 trailer

The teaser trailer featured this phrase over and over: “Something’s coming. It may be Moriarity, maybe not.” Literally every character we know and love looks like they are scared, angry, or worried on an epic scale.

One of the best moments is Mrs. Hudson saying with supreme venom to Mycroft, “Get out of my house you reptile.” Watch below:

6. Improv and family

There is actually, according to Cumberbatch, very little improvisation on set. It’s about how to do what’s there, and not messing with the script. He firmly believes that what is there is what is needed for the show.

Cumberbatch genuinely loves having his mom and dad play his TV mom and dad. Every now and then he can see his mother struggle to call him “Sherlock” and not “Ben.”

7. Mary in the know

Abbington didn’t know she was an assassin until well into the last season. When she found out, she told partner Martin Freeman, “My God, [the fans] are going to hate me.” Despite this, she loves the flawed characters of the series.

8. When will the series return?

No date was given for either the BBC release date or the PBS release date. We only know that it will premiere in 2017.

9. The dog photo

According to Cumberbatch the dog (depicted above) was a nightmare. “The dog wouldn’t fucking move,” he said. The companion was supposed to drag Sherlock all over London, but the dog didn’t like people, concrete, crowds… really anything about an urban setting.

Moffat and Gatiss resorted to writing a new scene on the spot to account for the lack of the dog’s interest in roaming. According to Gatiss all it did was drool on the concrete.

10. Future seasons?

Touching on the future of the series, Moffat stated, “Why is everybody assuming they survive season 4?” Gatiss joked, “We’re skipping season 5 and doing season 6.”

Moffat clarified that — contrary to recent reports — he never said that this season would be the last one (He’s right: All he said was the schedules of Cumberbatch and Freeman are only getting more difficult to work with). Gatiss added that they want to do more seasons, and they hope that they are able to.

Sherlock will be back in 2017. What do you think of the first season 4 trailer?