The Wolverine after-credits scene is getting some massive buzz this week, as the film starring Hugh Jackman officially hits theaters today. The film’s director, James Mangold, reveals some details about the after-credits scene, while attempting to not give away the entire sequence.

the wolverine after credits scene xavierJames Mangold sat down this week to discuss Hugh Jackman’s latest film, The Wolverine, which hit theaters today.

While he discussed the film at the length, what fans may be most interested in hearing about is the after-credits scene which links The Wolverine to X-Men: Days of Future Past.

Mangold says, “I had finished the movie and Future Past had started shooting, a couple months ago, and we had been talking about what to do, if anything, in the tail credits of this movie.”

He then said that it was something he and the film’s producer, Simon Kinberg, had been discussing with X-Men: Days of Future Past’s director, Bryan Singer.

The director felt that The Wolverine’s after-credits scene shouldn’t be “tongue-in-cheek,” and that he felt like a lot of the bonus scenes we’ve been greeted by in recent films “make the film into a joke, and that wasn’t interesting to me.”

He continued, saying, “I thought it would be more interesting to say something and give people a piece of a story.” Which is that Logan will be meeting up with his fellow mutants Professor Xavier and Magneto.

If you’d like to enjoy The Wolverine’s after-credits scene in the theater this weekend in its entirety, feel free to stop reading now or check out Hypable’s review of The Wolverine.

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James Mangold says that the after-credits sequence was “built around the shot where we’d unveil Patrick (Professor Xavier).” Then Mangold said he created the shot so that Xavier is weaving through all of these “frozen airport patrons” and that Patrick Stewart with a joystick and electric wheelchair was great.

He continues, explaining that it’s not easy to film a shot like that, as Xavier is having to do “a kind of Olympic slalom through all these extras and uh, he’s a badass on that thing.”

When Digital Spy asked Mangold if he was glad it was up to X-Men Days of Future Past director, Bryan Singer, to explain how Charles Xavier was alive after his death in The Last Stand, Mangold revealed, “Yes, it is his job and I know they have one, so I’ll leave it to them to unveil.”

While we’re getting quite used to comic book films using after-credits scenes as a way of linking to future films, The Wolverine after-credits scene is definitely an interesting new twist and a great way to link Hugh Jackman’s character to Bryan Singer’s X-Men Days of Future Past.

If you plan on seeing The Wolverine this weekend, make sure to stay for the after-credits scene (technically mid-credits). It’s definitely worth the wait, and be sure to yell at as many people as you can so they stick around for the additional sequence.

Starz has decided that their original programming can compete with the other hot shows airing on Sunday nights.

Network CEO Chris Albrecht has told THR that they are planning on moving all of their original shows including Outlander, Ash Vs Evil Dead, and Black Sails — which currently air on Saturdays — to Sundays. The move will begin July 17 with the Starz series Power. Outlander will likely not move to Sundays until next season.

“Sundays are a prestige night and we feel our shows are definitely going to be very competitive, not just in viewership but in the attention-getting business on Sundays,” Albrecht said to THR, “So it made sense to move.”

Outlander and Starz’s other original series will be going up against tough competition, including AMC’s The Walking Dead and HBO’s Game of Thrones. Albrecht says part of the reason he wanted to move the shows was to make sure they were part of the watercooler talk on Monday mornings.

THR notes that Showtime’s original series typically get DVR’d, “growing 214 percent [in viewership] during the course of a week.” This would suggest that a lot of people aren’t sitting in front of a TV on Saturdays and want to watch the shows on a different day of the week. So, moving their programming to Sundays may not impact overall viewership numbers much.

Starz recently overtook Showtime as the second-most subscribed to cable channel. HBO still sits at number one, though all three are facing tough competition from Netflix.

Disney has set its sights on another live-action retelling of an animated classic: The Little Mermaid.

Deadline reports that the studio “recently heard a new take and are currently evaluating whether to proceed with the idea,” and “discussions have also taken place with some major producers, including some with a strong connection to the studio.”

That’s all we know for now. A “new take” makes it sound like they could be contemplating an alternate story than the one we saw in the 1989 animated classic, but I’d personally prefer a direct adaptation. I want to see live-action Ariel sing some of the Disney classics! Jon Favreau’s The Jungle Book has spoiled me.

Like Beauty and the Beast, The Little Mermaid is one of Disney’s most beloved animated movies, so expectations for a live-action adaptation will immediately be set very high. With their recent adaptation of The Jungle Book hitting theaters to very positive reviews and the first trailer for their live-action Beauty and the Beast being very well received, it wouldn’t be shocking to see Disney start to look at other potential animated properties for source material. (But you would’ve expected to hear about a live-action Lion King before Little Mermaid after The Jungle Book’s success, wouldn’t you?)

The Little Mermaid is the latest in a long line of animated-to-live action projects in the works at Disney. Others include an Aladdin spinoff looking at the Genie’s origins, The Jungle Cruise starring Dwayne Johnson, Dumbo with director Tim Burton, Mary Poppins with Lin-Manuel Miranda and Emily Blunt, and Tinker Bell with Reese Witherspoon. And then there are sequels to the adaptations like Maleficent 2 and The Jungle Book 2.

Be sure to cross The Little Mermaid off your animated-to-live-action bingo card.

Do you think Disney can pull off a live-action ‘Little Mermaid’?

With Donald Trump’s presidency looking less and less like a joke, these high-profile authors and writers believe the time for silence is over.

Over 400 authors have signed a petition to keep Donald Trump out of the White House.

The petition, titled “An open letter to the American people,” was written by Andrew Altschul and Mark Slouka. It unequivocally states that Trump must not become President of the United States, and explains why writers in particular are worried about the power of his empty words and fear-mongering rhetoric.

Signed by the likes of Stephen King, Junot Diaz, Daniel Handler (Lemony Snicket), Cheryl Strayed, Colm Tóibín and Jennifer Egan, the open letter lays out reasons for openly opposing Trump’s candidacy, which they believe “appeals to the basest and most violent elements in society.”

The letter states:

“Because, as writers, we are particularly aware of the many ways that language can be abused in the name of power;

Because we believe that any democracy worthy of the name rests on pluralism, welcomes principled disagreement, and achieves consensus through reasoned debate;

Because American history, despite periods of nativism and bigotry, has from the first been a grand experiment in bringing people of different backgrounds together, not pitting them against one another;

Because the history of dictatorship is the history of manipulation and division, demagoguery and lies;

Because the search for justice is predicated on a respect for the truth;

Because we believe that knowledge, experience, flexibility, and historical awareness are indispensable in a leader;

Because neither wealth nor celebrity qualifies anyone to speak for the United States, to lead its military, to maintain its alliances, or to represent its people;

Because the rise of a political candidate who deliberately appeals to the basest and most violent elements in society, who encourages aggression among his followers, shouts down opponents, intimidates dissenters, and denigrates women and minorities, demands, from each of us, an immediate and forceful response;

For all these reasons, we, the undersigned, as a matter of conscience, oppose, unequivocally, the candidacy of Donald J. Trump for the Presidency of the United States.”

While there are plenty of arguments for why Trump should not receive as much media coverage as he gets, we have to acknowledge the seriousness of the situation when some of the country’s most respected artists take such a powerful stance as this.

The petition has been signed by over 7,000 people so far, and you can add your name to the list right here.

You can find out more about the group of writers who oppose Trump on Twitter, at @WritersOnTrump.