‘The Voice’ recap: Top 12 vie for Top 10 spots

10:00 pm EST, November 12, 2012

The Top 12 took the stage vying for 10 spots, marking the first time this season that America’s votes will make all the decisions on The Voice now that the coaches’ saves are no more.

Monday night also marked the first time all contestants performed on the same night, showing viewers just how the artists compare to each other.

Top 12 Performances

Trevin Hunte

Twitter: @Tamor_11

For a second week in a row, Trevin took on a Michael Bolton song, this week with “When A Man Loves A Woman.” The song says, “when a man loves a woman, he can do no wrong.” Well, when Trevin sings, he can do no wrong.

Bryan Keith

Twitter: @Bryanpeeps

Taking on Amy Winehouse’s “Back to Black,” Bryan Keith showed his jazzy, Sinatra side. With a voice that can take on the Goo Goo Dolls, Sublime and Amy Winehouse, Keith had one of the best performances of the night.

Cassadee Pope

Twitter: @CassadeePope

The former Hey Monday lead introduced America to her skills on the guitar while slaying the vocals with her take on Kelly Clarkson’s “Behind These Hazel Eyes.” She spoke of a rocky relationship with her father in the recording bit before her performance and there was no doubting her emotions after hearing her sing.

Terry McDermott

Twitter: @TerryMacMusic

Singing Boston’s “More Than A Feeling,” the Scottish rocker continued to show his range and a beautiful falsetto. We’re waiting for him to whip out the Paul McCartney/Beatles any day now.

Sylvia Yacoub

Twitter: @SylvsYacoub

It takes guts to choose to sing Celine Dion’s “My Heart Will Go On,” but Sylvia Yacoub did it and did it well. It wasn’t perfect, but those runs at the end made the song her own and placed Sylvia among the best singers in the competition.

Amanda Brown

Twitter: @Amanda__Brown

Amanda Brown toned down the rock while showcasing her voice with “Spectrum” by Florence and the Machine and Calvin Harris. We’re partial to her take on “Dream On” but Amanda’s voice is so versatile, she’s hard not to love.

Dez Duron

Twitter: @DezDuron

The former Yale football player (a.k.a The Face) got soulful with the Lauren Hill version of “Can’t Take My Eyes Off Of You.” Walking down the steps a la Heath Ledger in 10 Things I Hate About You, it was hard not to swoon over his best performance to date.

Cody Belew

Twitter: @CodyBelew

The Arkansas singer continued to entertain, this week with Tina Turner’s “The Best.” Though it was missing the wow moments from last week’s “One More Try,” Cody never fails to command the stage even if he’s just strutting about. The coaches called him the last natural performer left in the competition.

Nicholas David

Twitter: @TheFeelin

Minnesota soul man Nicholas David sang “The Power of Love” by Huey Lewis. Levine called him “strange and beautiful,” which is very fitting for the unofficial face of No Shave November.

Melanie Martinez

Twitter: @MelanieLBBH

The indie-folk singer performed Young the Giant’s “Cough Syrup” by sitting on the stage floor. As always, the blonde brunette put her spin on the song with her soft, airy voice. But can her unique sound beat out the powerhouses?

Adriana Louise

Twitter: @Adriana_Louise

Singing Carrie Underwood’s “Good Girl,” Adriana Louise showed off her playful flirty side. Vocally it wasn’t perfect, but she rocked the stage, interacting with the guitarist and even got up close and personal with Adam Levine. Looks like Xtina was right when she saved Adriana last week.

Michaela Paige

Twitter: @FLASinger1

First out of the gate, Michaela Paige took on Pink’s “Blow Me (One Last Kiss)” minus her usual mohawk. Though it was a fitting song for the pop-rocker, it was too easy to compare the two, and Pink always wins. She had a better performance last week with “Everybody Talks” despite the praise the coaches gave her for her Pink cover.

Who will make it into the Top 10? There are no more coaches’ saves, so America’s votes will decide the final contestants. Vote on Facebook, NBC.com, by purchasing a contestant’s song on iTunes (if an artist’s song is in the top 10 on iTunes, his or her votes will be multiplied by 10) or by phone or text (Sprint users only) up until 10 a.m. ET to choose the artists to continue on to next week.

Photo Credit: Tyler Golden/NBC

The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

Favreau tweeted the news Friday evening:

According to a statement from Disney, The Lion King “will build on the groundbreaking technology used in The Jungle Book to bring the story of Simba to photorealistic life.”

A release date for the film hasn’t been set. Favreau also helmed the live-action Jungle Book for the studio.

So far casting is off to a great start!

What Disney can learn from the 2009 Chinese live-action ‘Mulan’

Here's what 'Hua Mulan' got right

4:30 pm EST, February 17, 2017

Disney seems to have a long-term plan to churn out live-action versions of its most popular animations, and Mulan is the latest of its projects. The live-action version of the Chinese legend is already getting us excited, but many people don’t know that an excellent live-action Mulan movie already exists, made by a Chinese studio.

Hua Mulan (sometimes translated as Mulan: Rise of a Warrior) is a 2009 film by director Jingle Ma. It tells the story of Hua Mulan, a young woman who goes to war instead of her aging father, and rises in the army’s ranks. It won many awards in China, and stars Wei Zhao as Mulan.

Disney’s Mulan wasn’t favorably received in China when it was released, with audiences saying it was too different from the original legend, and too Westernized. Now would be a good time for the studio to make the film as globally appealing as it can be — and Hua Mulan is a perfect example of how to do our favorite female warrior justice.

Read full article

Disney seems to have a long-term plan to churn out live-action versions of its most popular animations, and Mulan is the latest of its projects. The live-action version of the Chinese legend is already getting us excited, but many people don’t know that an excellent live-action Mulan movie already exists, made by a Chinese studio.

Hua Mulan (sometimes translated as Mulan: Rise of a Warrior) is a 2009 film by director Jingle Ma. It tells the story of Hua Mulan, a young woman who goes to war instead of her aging father, and rises in the army’s ranks. It won many awards in China, and stars Wei Zhao as Mulan.

Disney’s Mulan wasn’t favorably received in China when it was released, with audiences saying it was too different from the original legend, and too Westernized. Now would be a good time for the studio to make the film as globally appealing as it can be — and Hua Mulan is a perfect example of how to do our favorite female warrior justice.

Here are some things Hua Mulan got right that Disney would do well to learn from.

hua mulan decision

Bringing more realism to the legend

Hua Mulan follows a plot that is more loyal to the original legend of Mulan, which states that she was a warrior for the Chinese army for over a decade. In the film, she even becomes a General, and retires with the nation’s respect, even after her identity as a woman is revealed.

Seeing Mulan lead thousands of men in Hua Mulan is a rare and empowering experience. Her struggles as a woman in a position of power, and the various dilemmas that come with commanding such a large number of people, are what bring intensity and meaning to the story. Mulan itself explored the concept of honor and femininity as well, but we only got a very small glimpse at the power that the legendary Mulan is said to have actually wielded.

While Disney may not want to make a movie that ventures too far from a family friendly atmosphere by portraying a Mulan who goes to war too realistically (as in, showing her killing enemies), it would be great to see her rise in the ranks and revolutionize such a male-dominated space the way she is said to have done.

hua mulan warrior

Not shying away from the grit — but not making it too grim, either

Hua Mulan does an excellent job of skirting the line between grim tragedy and friendly comedy. With thousands of extras, the battle scenes are as breathtaking and inspiring as they are horrifying. There’s a scene where Mulan counts the dog tags of all the fallen soldiers, and a considerable amount of time is spent exploring her despair and responsibility as the army’s struggle becomes more desperate. The emotional rawness of the story creates a very real, very flawed, yet very lovable Mulan — and takes audiences on an exploration of heroism, perseverance, and honor.

Of course, we can’t expect Disney to go all out with blood and grit — they’re bound to bring out Mushu, after all — but Disney prides itself on epic battles and fantastic special effects, and they’ll want to serve us war scenes as breathtaking and realistic as possible.

However, we’re all tired of grittiness for grittiness’ sake. Despite the heaviness of the more emotional scenes of Hua Mulan, there is sweetness and humor. The friendships in the army, much like those of Disney’s version, can be laugh-out-loud funny, and the scenes of Mulan’s struggle to preserve her male appearance are equally fun to watch.

Related: Disney’s live action Mulan lands female director

After all, audiences won’t be going to see Mulan to see war and sadness — the animated version was fun and adventurous, and although it had somber moments, it still managed to keep things just lighthearted enough for us to not get too sad. With animation, that lightheartedness is an easier task; portraying war with real actors could prove a more difficult challenge.

Establishing more depth in the main relationship

In Hua Mulan, Mulan and Wentai’s relationship is beautiful, but it builds over a long period of time, and strengthens through their mutual respect as they both struggle to lead an army. Their love is based on that combination of trust built over time, and shared responsibility.

Shang and Mulan have what is possibly one of the best relationships Disney has ever come up with. Among the Disney ‘princesses,’ Mulan and Shang probably have the greatest chemistry and story of all, and scenes from the animated film continue to be shipping fuel. Presumably, they’ll want to replicate this relationship in the new live-action version.

However, the animated film was sadly limited to only a few glimpses of the developing relationship. It would be amazing if we could see more of the friendship between Shang and Mulan (as Ping) and how it becomes something more. It’s rare in a ‘princess’ movie to see romance begin with sincere friendship, and it’ll be interesting to see how they deal with the confusion regarding Mulan’s gender in both a funny and profound way.

Giving it a more realistic conclusion

There are some scenes that could do with a makeover, especially at the very end. Mulan’s final trick to kill Shan Yu — by dressing three soldiers in drag and having them attempt to distract him — is hilarious in the animation, but would come off as strange and unrealistic in a live-action movie, and perhaps even a little offensive.

Hua Mulan’s approach to defeating the enemy is a much more powerful one. Although it equals Mulan in stealth and cleverness, it involves realistic strategy and power dynamics, and finally involves her making a deal that saves China through negotiation, rather than war — and making a terribly painful personal sacrifice.

Disney has a penchant for epic final battle scenes, but that isn’t what happens in either Mulan or Hua Mulan. In both cases, it’s Mulan’s cleverness that saves the day. It would be great to see that cleverness translated into a realistic solution, in the same way it does in Hua Mulan.

It’s not like Disney hasn’t subverted its own canon, after all. In Maleficient, it isn’t the prince’s kiss that lifts the spell. Disney could certainly benefit from giving Mulan a more epic finale, and perhaps one that does her legendary character justice.

Immersing us in historically-accurate China

Besides perhaps The Jungle Book, we’ve yet to see a live-action adaptation that takes place in a non-European culture. In fact, this would be the first film to employ solely actors of color. What Disney decides to do here will be particularly interesting; since Aladdin will be getting its own adaptation soon, and Pocahontas could also follow in the live-action trend, the decisions taken here will likely set a precedent for what will be done with those films.

There were rumors earlier of Mulan having a white love interest, which now seem to be crushed, thankfully. We want to see a film with an entirely Asian cast — hopefully at least mostly Chinese — and get a chance to explore the scenery, sets and props of ancient China.

Although, it’s only fair to say that Hua Mulan also has its own white character — a Russian singer called Vitas, who inexplicably pops up now and again. That’s another tip for Disney: don’t just insert white guys into the story for no reason.

Hua Mulan’s shots of rural China are beautiful and unique, and it would be amazing to see what Disney can do if they choose to show much of what they did in animation, with real sets and locations. Hopefully, Disney gets a chance to actually film in China itself.

All this doesn’t go to say that we want a copy of Hua Mulan. Not at all. Hua Mulan is an excellent film in its own right, but it’s considerably more adult than Disney would ever dare make an adaptation. The realism of its wars and of the toll duty takes on Mulan and her companions is nothing like the fun, if occasionally emotional, adventure Disney took us on with Mulan.

Disney’s version is a movie to be excited about, and the additions the animated film made to the legend are what makes it a classic. It would be amazing to see Mushu, Shang, the ancestors, and maybe even the cricket, on screen, as well as the songs, of course! “Make a Man Out of You” with real actors will definitely be one of the biggest highlights.

So far, we know that Mulan’s director will be Niki Caro. Although she isn’t Chinese, a matter that raises a lot of questions about representation, it’s still encouraging to see a female director chosen — and if Caro’s powerful film Whale Rider is any indication, she’s rather good at telling empowering stories with female leads. Hopefully, the rest of the team can be filled with talented Chinese filmmakers that deserve to have a hand in rendering such a culturally significant story properly.

After all, Mulan is primarily a Chinese legend, and her story spans a history much longer than the 18 years since Disney’s animation came out.

In the meantime, go check out Hua Mulan, which is a fascinating film (although a considerably more adult one; you’ve been warned)!

What are you expecting from ‘Mulan’?

There’s a new drama coming to HBO this Sunday and you can’t miss it. Big Little Lies is a delicious trip through the small, rich, and scandalous town of Monterey, California.

Featuring an all-star cast — Alexander Skarsgård, Laura Dern, Adam Scott, Nicole Kidman, Zoë Kravitz, Reese Witherspoon, and Shailene Woodley — HBO’s book to TV adaptation of Liane Moriarty’s wildly popular novel should please both book readers and newbies (I’m the latter) thanks to the soapy drama and lack of censorship.

‘Big Little Lies’ review: Come for the cast, stay for the story

Big Little Lies takes elements of True Detective, Real Housewives, and Gone Girl, and mixes them into one lovely, hate-filled cocktail. Set in the beautiful coastal town of Monterey, the secrets and connections between characters run deep.

Read full article

There’s a new drama coming to HBO this Sunday and you can’t miss it. Big Little Lies is a delicious trip through the small, rich, and scandalous town of Monterey, California.

Featuring an all-star cast — Alexander Skarsgård, Laura Dern, Adam Scott, Nicole Kidman, Zoë Kravitz, Reese Witherspoon, and Shailene Woodley — HBO’s book to TV adaptation of Liane Moriarty’s wildly popular novel should please both book readers and newbies (I’m the latter) thanks to the soapy drama and lack of censorship.

‘Big Little Lies’ review: Come for the cast, stay for the story

Big Little Lies takes elements of True Detective, Real Housewives, and Gone Girl, and mixes them into one lovely, hate-filled cocktail. Set in the beautiful coastal town of Monterey, the secrets and connections between characters run deep.

Reese Witherspoon’s Madeline is the ringmaster. She’s the typical Helicopter Parent trying as best she can to keep Monterey’s relationships and extracurricular activities together. Bringing her down is her ego and never-ending animosity toward a couple of characters, including her ex-husband’s new bae Bonnie (Zoe Kravitz, below). Together, Bonnie and Madeline’s new hubby Ed (Adam Scott) want to keep the peace between their two partners, but they’re the only two who seem capable of keeping tempers in check.

Meanwhile, Perry (Skarsgård) and Celeste (Kidman) have serious marriage issues that seem impossible to resolve. Of the leading ladies, Celeste seems to be the most level-headed despite her shitty husband. Then there’s Laura Dern’s Renata (below), who hates Madeline with all of her heart. Some of the best scenes are between these two ladies.

Not helping the Renata/Madeline relationship is the latter’s new friend Jane (Woodley). She’s just moved to town with her son Ziggy, who might’ve caused serious trouble on his first day of school.

It’s this event that initiates the show’s biggest mystery: A murder. Who did it? Who’s dead? The answer is not revealed in the first four episodes despite flash forward sequences in which we see an investigation taking place. As you continue to watch, it becomes increasingly clear that any of the characters could be be the victim or murderer. (This writer hasn’t read the book, so please don’t spoil me.)

Big Little Lies is the perfect show to cuddle up with on Sunday evenings for the next two months. While some have called this show corny, I find it to be a delight. I just have one suggestion for every viewer: Bring a glass of alcohol to the party. While screening the episodes, I very much enjoyed watching the drama unfold with a drink in hand.

The only problem? It’s just seven episodes long. Here’s hoping for more seasons or more adaptations of Moriarty’s books at HBO.

Big Little Lies premieres Sunday, February 19 on HBO.