Russell T Davies was one of the greatest, most important people in the history of Doctor Who. He brought the show back to life, gave it to an entirely new audience, and pretty much made the show what people love today. It’s undeniable that without him, Doctor Who would never have become what it is now, but, nonetheless, it’s also undeniable that RTD left behind problems that are taking years to fix.

Planets in the sky. You don’t forget that.

The first major problem with RTD’s era is how exposed humanity becomes to alien life. Of course, groups like UNIT and Torchwood have to know about aliens, and humans having some ideas about aliens is no problem, but when everybody on the planet completely and without question knows that aliens exist, then something is lost. The show has to connect to modern times, but, with the knowledge of aliens, the world has to be different. From that point, our world is no longer connected in any way to the world of the Whoniverse. We can’t pretend that it could all be real, which is one of the most fun parts of the whole show.

RTD has quite a big history of introducing aliens to humanity. First up, we have “Aliens of London,” which, while I’ve heard a few bad reviews, I personally loved. That wasn’t such a big problem. As we see in the end of the two-parter, humans can always come up with some excuse for this to not be true. Same applies to the “Christmas Invasion” and “Smith and Jones,” although to a slightly lesser extent. But “Doomsday”? Cybermen in every home? Daleks flying the skies? It’s undeniable now, isn’t it? Just in case there were any questions left, RTD then moves the entire planet to a completely different part of time and space, sticks a bunch of planets in the sky, and has the Daleks invade again. Of course, there are more examples, but just these few can show that there was definitely a good reason for sticking all of these events into the cracks. The world had changed too much from reality by this point, and that was unacceptable.

They always survive, while I lose everything.

Daleks. And Daleks. And more Daleks. The Time War killed all of the Daleks, supposedly, which is what made their first return so exciting. They were supposed to be dead, but they survived, and the Doctor’s reaction to this discovery was fantastic. But then Rose came along, and killed every Dalek in existence. They were gone, definitely gone. This worked pretty well, because I have to say the entrance of the Cult of Skaro in “Army of Ghosts” made for one of the best episode enders ever. Seriously, I could watch that scene over and over and never get tired.

But then those Daleks were defeated, too, thrown into the void. And then they came back. And then they were defeated. And then they came back. And it just started to feel like old news. The return of the Daleks got boring by “Daleks in Manhattan,” and when “The Stolen Earth” came around my thoughts were just “again?”

The Last of the Time Lords

This is probably, in my opinion at least, the biggest problem. The Time Lords are now all dead. The Doctor is the last. We know this without a doubt; even when the Master returns we know that the Doctor was only tricked because the Master was under the disguise of a human. We’ve had a lot of half-Time Lords, and not-quite-Time Lords, and, in the “End of Time,” we’ve even had the real Time Lords, but not for long, and with them we find that we can never bring the Time Lords back.

The problem that I’ve noticed more after listening to the Eighth Doctor Audio Plays is that the Time Lords are necessary to keep the Doctor under control. They may not be the nicest people in the universe, but they’re bigger than him, and he needs that. We’ve seen “The Parting of the Ways,” where the Doctor takes huge decisions of life and death upon himself. We’ve seen “Family of Blood,” and the “Last of the Time Lords,” and “Voyage of the Damned,” where the Doctor is insufferably full of himself, casually making incredibly weighty decisions. We’ve seen the Doctor make speeches to scare enemies away, in “Silence in the Library,” “The Eleventh Hour,” and the “Pandorica Opens.” Sure, not all of these episodes are written by RTD, but the problem comes because, after Gallifrey is lost, there’s nobody left to keep him under control.

So, what are your thoughts? Do you love what RTD did to the series, or do you loathe it?

DCOM marathon schedule: See full list of movies and when they air

The mega marathon begins Friday, May 27 and runs into June!

10:00 am EDT, May 27, 2016

The highly-anticipated Disney Channel Original Movie marathon began Friday, May 27 at 10 a.m. eastern and runs through the holiday weekend. See the complete DCOM marathon schedule here!

When Disney Channel says they’re running a DCOM marathon, they mean it. The network will be airing 51 DCOMs from Friday to Monday ahead of this summer’s release of their 100th DCOM, Adventures in Babysitting (debuting June 24). Who needs Memorial Day festivities when you can sit inside and enjoy Disney Channel classics all weekend?!

After Monday they’ll continue to air a couple more movies every night until they eventually air all 100 DCOMs. That’s right! Every single one of ’em is returning to television between now and late June.

Below is the complete list of DCOMs airing from Friday, May 27 into the middle of June. Since many are airing in the overnight hours, you’ll probably want to set up your DVR. Or in case you want to watch them again. And again.

DCOM Marathon Schedule

Friday, May 27

10:00AM Kim Possible Movie: So the Drama
11:20AM Read It and Weep
12:55PM Wendy Wu: Homecoming Warrior
2:40PM Jump In!
4:15PM Lemonade Mouth
6:15PM Zapped
8:00PM High School Musical 2
9:55PM The Cheetah Girls 2
11:45PM Zenon the Zequel
1:25AM Halloweentown II: Kalabar’s Revenge
2:55AM Twitches Too
4:25AM Alley Cats Strike!

Saturday, May 28

6:25AM You Wish!
8:05AM The Proud Family Movie
9:50AM Quints
11:25AM Horse Sense
1:10PM Cow Belles
2:50PM Twitches
4:30PM The Even Stevens Movie
6:15PM Wizards of Waverly Place The Movie
8:00PM Camp Rock 2: The Final Jam
9:50PM Princess Protection Program
11:30PM The Cheetah Girls: One World
1:05AM Zenon: Z3
2:40AM Halloweentown High
4:20AM The Thirteenth Year

Netflix DCOMs High School Musical

Sunday, May 29

6:00AM Right On Track
7:45AM Full-Court Miracle
9:35AM Eddie’s Million Dollar Cook-Off
11:20AM Brink!
1:10PM Double Teamed
2:55PM Rip Girls
4:35PM Motocrossed
6:20PM Cloud 9
8:00PM Teen Beach 2
9:55PM Bad Hair Day
11:40PM How to Build a Better Boy
1:20AM Pixel Perfect
2:55AM The Other Me
4:30AM Genius

Monday, May 30

10:00AM Stuck in the Suburbs
11:30AM Halloweentown
1:05PM Zenon, Girl of the 21st Century
2:55PM Smart House
4:25PM High School Musical
6:15PM Camp Rock
8:00PM Descendants
10:05PM Teen Beach Movie
11:55PM Cadet Kelly
1:50AM The Cheetah Girls
3:35AM Johnny Tsunami

Camp Rock DCOM

After Memorial Day Weekend, Disney Channel will air two more DCOMs each night. Here’s the schedule so far (again, set your DVRs because these air late!)

Wednesday, June 1
12:00AM Return to Halloweentown
1:40AM Can of Worms

Thursday, June 2
12:00AM Going to the Mat
1:40AM Miracle in Lane 2

Friday, June 3
12:00AM The Suite Life Movie
1:40AM Ring of Endless Light

Saturday, June 4
12:00AM Invisible Sister
1:40AM Now You See It…

Sunday, June 5
12:00AM Girl vs. Monster
1:40AM Phantom of Megaplex

Monday, June 6
12:00AM Tru Confessions
1:40AM Tiger Cruise

Tuesday, June 7
12:00AM Mom’s Got a Date with a Vampire
1:40AM Under Wraps

Wednesday, June 8
12:00AM Den Brother
1:40AM Go Figure

Thursday, June 9
12:00AM Avalon High
1:40AM Jett Jackson: The Movie

Friday, June 10 and beyond
As of right now Disney Channel hasn’t released the schedule beyond June 10.

Which DCOMs do you plan to watch during the Disney Channel Marathon?

Next week we’ll be launching a fun new game here on Hypable where we’ll seek your help in ranking every single DCOM in the history of DCOMs. It’s probably a good idea to watch as many of these as possible so you can brush up on your knowledge base and rank them accurately!

James Cameron’s Battle Angel adaptation has found its lead in Maze Runner standout Rosa Salazar.

According to Collider, Salazar has been officially confirmed as the lead in Alita: Battle Angel, beating out Maika Monroe and Zendaya for the titular role. The manga adaptation was developed by James Cameron, and will be directed by Robert Rodriguez.

Battle Angel Alita is a manga series by Yukito Kishiro, which takes place in the 26th century and follows a cyborg girl with amnesia. Designed with spectacular martial arts skills, Battle Angel becomes a bounty hunter, who makes a living tracking down violent criminals.

As Brenda in Maze Runner: The Scorch Trials and Lynn in Insurgent, Rosa Salazar is already well-known in dystopian YA circles. She’s also had recurring roles in Parenthood and American Horror Story, and you can currently catch her in FXX’s Man Seeking Woman.


James Cameron has been tinkering with this project for a while, but his extensive and all-consuming work on the Avatar sequels led him to hand over directorial duties to Robert Rodriguez last year. Rodriguez previously served as showrunner on From Dusk Till Dawn (after directing the movie of the same name in 1996), and his versatile directorial resumé includes Sin City, Spy Kids and The Faculty.

When Cameron picked Rodriguez as Battle Angel director, he said in a statement, “Robert and I have been looking for a film to do together for years, so I was pumped when he said he wanted to do Battle Angel. He’s very collaborative and we’re already like two kids building a go-kart, just having fun riffing creatively and technically.

“This project is near and dear to me, and there’s nobody I trust more than Robert, with his technical virtuosity and rebel style, to take over the directing reins. We’re looking forward to learning a lot from each other while we make a kick-ass epic.”

Alita: Battle Angel has no release date yet, but we’ll keep you posted. Here’s the official synopsis from IMDb:

“Alita is a creation from an age of despair. Found by the mysterious Dr. Ido while trolling for cyborg parts, Alita becomes a lethal, dangerous being. She cannot remember who she is, or where she came from. But to Dr. Ido, the truth is all too clear. She is the one being who can break the cycle of death and destruction left behind from Tiphares. But to accomplish her true purpose, she must fight and kill. And that is where Alita’s true significance comes to bear. She is an angel from heaven. She is an angel of death.”

Harry Potter and the Cursed Child is set to continue Harry, Ron and Hermione’s story. Downside: The characters that survived Deathly Hallows are suddenly no longer safe!

Details about Cursed Child, the Harry Potter play opening in London next month, are being kept tightly under wraps.

But one teaser J.K. Rowling did let slip? It’s designed to make you cry.

Answering the Twitter question, “Will the Cursed Child make me cry?” Rowling strongly implied that the answer is yes — “or we’ll be checking your vital signs.”

Bombarded with worried follow-up questions, Rowling (randomly) chose to answer “why are you like this” by reminding fans of what she believes her primary responsibility is as an author: To make us feel things.

Of course there’s no reason to assume the “OMG RON IS DEFINITELY DYING AKSDJFSHFJ” position (even if that is the first instinct of this writer), but it is an indisputable fact that for many authors — Rowling included — evocative storytelling is synonymous with, “I’m going to make you love something, and then I’m gonna kill it.”

Cursed Child takes place 19 years after the conclusion of the Harry Potter saga. Not only are there many elderly characters we might reasonably fear for (including McGonagall, Hagrid, and Molly and Arthur Weasley), but J.K. Rowling’s Potter series has set a strong precedent for killing off parental figures to usher in a new generation of characters.

Related: England’s biggest bookstore announces first Cursed Child midnight release party

On the other hand, we could just be traumatized by the original Potter series, and everything is actually gonna be fine. Maybe J.K. Rowling simply expects us to cry tears of happiness because we get to return to the fantastic, magical world she has created.

What do you think? Is someone we love dying in Cursed Child, or will the plot make us emotional in other ways?