The Doctor Who Christmas Special just finished airing in the UK. It was our first look at Jenna-Louise Coleman playing the new companion, Clara? So what did you think of the episode and of Jenna-Louise Coleman’s debut? ***BEWARE OF SPOILERS***

The episode opened with the setting as Christmas 1842 on a snowy day with a lonely boy named Walter making a snowman (voice of Ian McKellen) that suddenly talks to him. Flash-forward fifty years and Walter is the evil Dr. Simeon in league with the voice of the snowman to take over the world with an army of snow and ice creatures.

Simeon has founded created the GI institute, which stands for Greater Intelligence. It is here that he conducts experiments on the snow with human victims.

We then meet Clara for the first time as a barmaid in the famous Rose and Crown pub. She walks outside and sees a snowman that has just appeared out of nowhere and mentions this to a man (The Doctor) who happens to be passing by. The two have instant chemistry and playful back and forth banter. The Doctor finally leaves Clara saying , “those were the days” wistfully under his breath.

The Doctor enters his carriage and proceeds to speak to Madame Vastra on a steampunk communications horn. Vastra mentions to him that Clara could be the one, and that it always starts with the same two words. The Doctor states that it’s impossible that she doesn’t even have the right words, only to be surprised when Clara pops in the roof of the coach to ask, “Doctor Who?”

We then discover that Dr. Simeon is unusually interested in a pond where a governess drowned and was then frozen in the ice a year ago. He is shortly thereafter confronted by Vastra and Jenny. We learn that Vastra is the basis for Arthur Conan Doyle’s Sherlock Holmes character. Simeon reveals to Vastra and Jenny that he is going to take over the world and there is nothing they can do about it.

The Doctor has stopped his coach and is examining the snow with Strax, his driver. They have left Clara locked in the coach. It is revealed the that snow is alien and new and contains a telepathic field. The Doctor is still declining to get involved no matter what the snow really is. He thinks the universe doesn’t care one way or the other if he is involved.

The Doctor intends to wipe out Clara’s memory with a memory worm. Strax begins to fumble around under the coach looking for the worm that was accidentally ejected. The worm is dangerous. If you touch it, you lose an hour of memory, but if it bites you, decades of memory are lost. After Clara helps find the gloves needed to safely retrieve the worm, more playful banter happens with the Doctor.

Clara’s thoughts conjure more snowmen. After the Doctor tells her to imagine them melting, they disappear. Rather than wipe her memory (because if he does she’ll have no defense against more snowmen), the Doctor just decides to let her go home and asks Strax to take her.

Clara instead evades Strax and follows the Doctor. She climbs a hidden stair that goes up into the clouds and eventually lands at the TARDIS. She runs around it and knocks on the door, but runs away before meeting the Doctor. The Doctor however knows that is is Clara that found him because she leaves behind a scarf.

We then learn that Clara has been leading a double life. She is a barmaid, but also the sometime governess to the children whose previous governess drowned in the pond. In speaking with the children she learns they are having bad dreams of their governess coming back to hurt them on Christmas Day. Clara realizes this must all be related to the attack snowmen and seeks out the Doctor. She returns to where the invisible stair was and starts shouting for the Doctor. This attracts Jenny’s attention, and Jenny brings her to Vastra.

Vastra plays a game of words with Clara stating that lies are many words but the truth is able to be told in single words. Clara is incredibly clever and honest and convinces Vastra to contact the Doctor. When The Doctor says to Vastra that Clara could not have passed the one word test. He asks what one word did Clara say that she thinks will get his attention. The word is “pond”, and the Doctor leaps into action.

The Doctor proceeds to Simeon’s lair attired as Sherlock Holmes and proceeds to question Simeon. The Doctor states the snow is more like Moriarty plotting and planning. The Doctor realizes that the snow and the governess in the pond are connected and investigates. Clara, who has been watching the Doctor, proceeds to tell the children a story about a Doctor on a cloud who saves children. Before she can finish her story the ice governess enters the room and begins to attack.

Clara and the children run and eventually are in a room with the Doctor where he melts the ice creature. Vastra, Jenny, and Strax all enter the house stating Simeon has more snowmen coming. Jenny traps the resurrected ice governess. The Doctor sends the family and Strax into a secure room for safety. He and Clara run past the ice warrior getting her to follow them to the TARDIS. Between brief kisses with Clara, discovering he is wearing a bowtie, and loving the adventure, the Doctor is realizing that he is getting interested in traveling again, and having Clara (to whom he hands a TARDIS key) be his companion. He tells her “I never know why, I only know who.” Clara, upon entering the TARDIS, unlike other companions, states “It’s smaller on the outside.”

More playful banter ensues between the Doctor and Clara. Including Clara asking about a kitchen because she likes to make souffles. This instantly rings a bell with the Doctor. It’s obvious they are attracted to each other. Before too much conversation can happen, the ice governess grabs Clara and the two crash to earth mortally wounding Clara. The Doctor materializes the TARDIS around Clara and then brings them both into the house. As Clara lays dying, the Doctor repeats to her that she is going to live because he never knows how, he just knows who, and asks her formally to be his companion.

The Doctor and Vastra confront Simeon. The Doctor and finally destroys the snow and ice monsters, or so he thinks, by using the memory worm on Simeon. Unfortunately, the body of Simeon now springs back to life almost killing the Doctor. Without warning the snow mysteriously melts and all the snow turns to rain. We learn that the tears of an entire family crying on Christmas Eve is what has done this, and the snow tapped into their strong telepathic field.

The Doctor returns to the house to discover Clara is moments from death. He tells Clara they saved the world, and Clara asks if he is going back to his cloud. As the clock chimes midnight, Clara’s final words echo those of Oswin Oswald, “Run, run you clever boy, and remember.” At Clara’s burial, the Doctor looks at Simeon’s business card and the title of his company Great Intelligence, and states the name rings a bell but he can’t place it. When they bury Clara, the Doctor finally sees her full name on the tombstone: Clara Oswin Oswald. He realizes there most be a connection, they are in fact, according to The Doctor, the same woman.

The Doctor then tells Vastra and Jenny that he isn’t coming back and he is off to find the impossible, to find Clara. He enters the TARDIS and seems to use the words “Clara Oswin Oswald” as a setting. In the present, we see a modern day Clara/Oswin visiting Clara’s tombstone at a run down graveyard with a friend. Clara/Oswin tells the friend the graveyard isn’t creepy because she doesn’t believe in ghosts.

The episode ends with the Doctor saying, “Watch me run!”

So, now that the episode is over, what were your favorite parts? How do you think it ranks among previous Christmas episodes? What are your first impressions of Clara?

On May 2, 2016, J.K. Rowling commemorated the anniversary of the Battle of Hogwarts by apologizing for killing Lupin, and telling us that the Grim Reaper almost chose Arthur instead.

Father figures have always been an important aspect of the Harry Potter series, and Rowling always knew that a few of them (RIP Sirius, Dumbledore, Lupin) would have to be killed during the Chosen One’s 7-year journey. Interestingly, Rowling revealed this week that Lupin could’ve been alive today if it weren’t for the fact that Arthur Weasley made it through Order of the Phoenix. As the author explains it:

This is a hard pill to swallow, and the first time we’re explicitly hearing that Arthur living meant Lupin dying. So, we thought we should debate this topic. Did J.K. Rowling make the right choice when she chose to kill Remus Lupin over Arthur Weasley? We asked two of our writers to each defend a position.

Selina: Yes, killing Lupin was the right choice


Let’s journey back in time. The year is 2003, and you’ve been up for 72 hours straight, ploughing through the overwhelmingly long Harry Potter and the Order of the Phoenix. It’s been a bumpy ride, Harry’s fifth year being decidedly unpleasant, and you’re emotionally exhausted. Then you get to the Department of Mysteries, and here we are: Sirius is dead. Just like that, the man who could have been Harry’s adoptive father, his way out of the hellish Dursley household, is gone.

Now imagine you going through all that, except Arthur Weasley had also died in the middle of the book. You wouldn’t have been able to take it.

Ultimately we might argue that J.K. Rowling should just have kept them both alive, but at the end of the day, it was important for her to kill off one of the series’ two fathers, to achieve the symmetry of leaving a child without its parent(s) like Harry had been.

Not only did killing both Lupin and Tonks leave baby Teddy an orphan, perfectly mirroring Harry’s own experience, but it was also — arguably — an act of mercy to kill Lupin rather than Arthur. Teddy Lupin would still get to grow up with people who loved him, knowing that his parents died heroes, while Harry and the Weasleys (who’d already lost Fred) would get to keep their family intact. Considering the lengths J.K. Rowling went to to effectively end Harry’s childhood (killing Sirius, Dumbledore, and Hedwig), leaving both Weasley parents alive allowed us to end the series on a hopeful note. The parents don’t always have to die in order for the children to grow up.

I’m not glad that Lupin died. But if the choice was between him and Arthur, I think Jo made the right call. Knowing that Harry and his friends could still visit the Burrow after the Battle of Hogwarts — and that even if the place was a lot less bright without Fred, it still felt like a safe, loving home — is a great comfort, especially knowing how much Harry valued the Weasleys and the surrogate family they formed around him.

Laura: Killing Lupin was wrong, she sacrificed the last of the Marauders and the keys to the past


Let’s revise the top of this article, shall we? His name is Remus Lupin, not just Lupin, the best Defense Against the Dark Arts teacher that Harry and company ever had. Without Remus Lupin the trio would have been dead: no Expecto Patronum, no recognizing Bogarts, no practical experience with Grindylows, Red Caps, or Hinkypunks. Harry and every student in his year was left with a substandard skill set thanks to Quirrell and Lockhart. Without question, Remus Lupin laid the groundwork for the success that was later achieved by Dumbledore’s Army. He made up for lost time, in a positive and uplifting manner, and was the friendly guidance the students needed.

This week is National Teacher Appreciation Week, and what better fictional teacher to appreciate than Remus Lupin. He never underestimated his students, he challenged them to do more than they ever thought possible. He didn’t just spend time with shining stars like Hermione, but he made time for people that no one else cared to. Would Neville Longbottom have ever had the confidence to succeed leading Hogwarts without Harry, Ron, and Hermione without Remus Lupin having taken a personal interest? Every other teacher wrote Neville off as either incompetent, a fool, or both.

The one thing Remus Lupin provided to Harry that Arthur Wesley couldn’t was insight into Harry’s past. Don’t get me wrong, I’m not hating on Arthur, but it’s not a role Arthur could ever fill. Remus Lupin could talk about James and Lily from first-hand experience: funny stories, hopes, sadness, all of it. Harry was left with no one to fill that role. There is an irreplaceable void in Harry’s life thanks to Remus’ death. Harry needed Remus.

Had Arthur died it would have been tragic, but his tightly bonded family would have had each other. His children were well grounded, knew who they were, and were ready to face the world. Arthur had done an amazing job raising them along with Molly. Remus didn’t have the chance to reach his fullest potential. Had Remus lived, he and Harry would have been new parents at relatively the same time. They would have progressed from a teacher/student relationship to just being friends. They would have watched their boys grow up together and been there for each other as parents in the post-war world.

Now it’s your turn! Vote in our poll and hit the comments to debate it

UnREAL season 2 is gonna be amazing, if this trailer is anything to go by.

We were blown away by the first season of UnREAL, the Lifetime drama tracking the inner workings of a The Bachelor-style reality show.

Full of awful people doing awful things, UnREAL had it all: Romance, intrigue, betrayal, death, and love. It unravels the mysticism of reality show culture (tl;dr: It’s all made up for ratings), while telling pretty compelling stories about selfish people.

In season 2, Rachel (Shiri Appleby) and Quinn (Constance Zimmer) are back for Everlasting‘s new season, with new bachelor Darius Hill (Agents of S.H.I.E.L.D.‘s B.J. Britt) ready to win the hearts of the female contestants.

And if this trailer is any indication, this season is gonna be even wilder than the last:

Refreshingly, UnREAL doesn’t shy away from contentious, real-world issues. Having a black contestant is something The Bachelor itself has not yet managed to do, and of course, the reactions to that on the show are going to reflect both the good and bad parts of humanity.

Related: Why we need UnREAL‘s complicated feminism (opinion)

We’re hugely excited to see how UnREAL handles that, and of course to find out what exactly happened to Rachel after the season 1 finale — where, if you remember her scorned ex-lover Jeremy liaised with her mother to get her back on the medication which Rachel claimed ruined her life.

On the topic of life-ruiners, another returning player this year is last season’s bachelor Adam Cromwell (Freddie Stroma), whose whirlwind relationship with Rachel almost destroyed the lives of everyone involved with the reality show’s production.

Creators Marti Noxon and Sarah Gertrude Shapiro have said there is some unfinished business between the pair, but we can’t exactly imagine them riding off into the sunset together!

‘UnREAL’ season 2 premieres Monday, June 6 on Lifetime

The Tony Award nominations were announced early this morning by actors Nikki M. James and Andrew Rannells. Who has a chance to take home the coveted award next month? Well, Hamilton and a bunch of other people.

Let’s get the lede out of the way: Hamilton was nominated for a whopping 16 awards. The former record stood at 15 nominations, held by both Billy Elliot and The Producers. The latter then went on to win 12 of those nominations, can Hamilton do the same?

James Corden will host the Tony Awards, to be held at Radio City Music Hall, next month. If his prior attendance at the Tony’s was any indication (he won Best Actor in a Play in 2012 for One Man, Two Guvnors) then it is sure to be an entertaining evening.

Check out the below list of Tony Award nominations for a variety of categories in both the musical and play sections. If you want to look at the full list, you can do so on the Tony’s website.

Check out the nominations for the 2016 Tony Awards for musicals:

Best Musical
Bright Star
School of Rock – The Musical
Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Revival of a Musical
The Color Purple
Fiddler on the Roof
She Loves Me
Spring Awakening

Best Book of a Musical
Bright Star
School of Rock – The Musical
Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Original Score
Steve Martin, Edie Brickell, Bright Star
Lin-Manuel Miranda, Hamilton
Glenn Sltater, Andrew Lloyd Webber School of Rock
Sara Bareilles, Waitress

Best Performance by an Actor in a Leading Role in a Musical
Alex Brightman, School of Rock – The Musical
Danny Burnstein, Fiddler on the Roof
Zachary Levi, She Loves Me
Lin-Manuel Miranda, Hamilton
Leslie Odom, Jr., Hamilton

Best Performance by an Actress in a Leading Role in a Musical
Laura Benanti, She Loves Me
Carmen Cusack, Bright Star
Cynthia Erivo The Color Purple
Phillipa Soo, Hamilton
Jessie Muller, Waitress

Best Performance by an Actor in a Featured Role in a Musical
Daveed Diggs, Hamilton
Brandon Victor Dixon, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed
Christopher Fitzgerald, Waitress
Jonathan Groff, Hamilton
Christopher Jackson, Hamilton

Best Performance by an Actress in a Featured Role in a Musical
Danielle Brooks, The Color Purple
Renée Elise Goldsberry, Hamilton
Jane Krakowski, She Loves Me
Jennifer Simard, Disaster!
Adrienne Warren, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Direction of a Musical
Michael Arden, Spring Awakening
John Doyle, The Color Purple
Scott Ellis, She Loves Me
Thomas Kail, Hamilton
George C. Wolfe, Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed

Best Choreography
Shuffle Along
Fiddler on the Roof
Dames at Sea
On Your Feet: The Story of Emilio and Gloria Estefan

Check out the nominations for the 2016 Tony Awards for plays:

Best Play
The Father
The Humans
King Charles III

Best Revival of a Play
Arthur Miller’s The Crucible
Arthur Miller’s A View From the Bridge
Long Day’s Journey Into Night
Noises Off

Best Performance by an Actor in a Leading Role in a Play
Gabriel Byrne, Long Day’s Journey Into Night
Jeff Daniels, Blackbird
Frank Langella, The Father
Tim Pigott-Smith, King Charles III
Mark Strong, Arthur Miller’s A View from the Bridge

Best Performance by an Actress in a Leading Role in a Play
Jessica Lange, Long Day’s Journey Into Night
Laurie Metcalf, Misery
Lupita Nyong’o, Eclipsed
Sophie Okonedo, Arthur Miller’s The Crucible
Michelle Williams, Blackbird

Best Performance by an Actor in a Featured Role in a Play
Reed Birney, The Humans
Bill Camp, Arthur Miller’s The Crucible
David Furr, Noises Off
Richard Goulding, King Charles III
Michael Shannon, Long Day’s Journey Into Night

Best Performance by an Actress in a Featured Role in a Play
Pascale Armand, Eclipsed
Megan Hilty, Noises Off
Jayne Houdyshell, The Humans
Andrea Martin, Noises Off
Saycon Sengbloh, Eclipsed

Best Direction of a Play
Rupert Goold, King Charles III
Jonathan Kent, Long Day’s Journey Into Night
Joe Mantello, The Humans
Liesl Tommy, Eclipsed
Ivo Van Hove, Arthur Miller’s A View from the Bridge

The 69th Annual Tony Awards will be held on Sunday, June 12 at 8 p.m. ET on CBS

This article is a part of Hypable’s inaugural Broadway Week in celebration of the 2016 Tony nominations.