It’s amazing we’re now halfway through 2012, a year that has offered plenty in the way of both blockbuster films and the smaller, more intimate indie fare. Taking that into account, it seems only fitting to offer up something a long the lines of a best of/worst of post for the first half of 2012.

Worst Of

Unfortunately, as is the case typically with both Hollywood and the early months of any year, 2012 has been chock-full of some, well, crap. It’s the unfortunate by-product of an industry that can often be maddeningly indifferent to its artform. Perhaps selfishly, I managed to avoid some films which seemed to be universally despised. But I did my best to bare the burden of terrible movies to better inform the public (read: the few readers who actually take me seriously) on what to avoid.

That being said, I have certainly not seen everything. In fact, I’ve only seen 40 new releases in 2012 so far, which is by no means all of them, but probably enough to have a decent idea of what’s out there.

But let’s get to it; the lowest of the low. The worst ten films of the first half of 2012:

#10. Brave

Brave definitely takes the cake for the most disappointing film of the year. That being said, it’s not on the level of “complete trash” as some other films are farther down the list. But by no means is Brave a good movie, on the contrary I found it to be shockingly bad. The “least-Pixar” Pixar has ever been, Cars and Cars 2 included. The only saving grace here was the expert animation, which saved the film from being your run-of-the-mill direct-to-DVD Disney flick. Oh yeah, and the $185 million budget.

#9. Man on a Ledge

Man on a Ledge gets the edge above Safe House as it takes its self slightly less seriously. The grit and general tone of this one lends itself more to “popcorn fun,” but that doesn’t really mean much when you have a movie this preposterous and bad.

The truly maddening part here is that Man on a Ledge has flashes of what is actually a decent thriller, but those are so few and far between you’ll be pulling your hair out at the sheer stupidity of this film. When it comes down to it, there aren’t really any redeeming qualities here. [review]

#8. Red Tails

What is it about World War II fighter plane movies that makes it impossible to tell a good story about them? This was the case with James Franco’s Flyboys, and, to a lesser extent, with the George Lucas-produced Red Tails. There is clearly a story here worth telling – the first all African American fighter pilot squadron. Yet, the film opts to feature spectacle over character, drama or really any significant substance. What a pity. [review]

#7. Safe House

What a complete mess. Safe House is everything an action thriller shouldn’t be. Uninteresting, choppy, excessively unwatchable. Oh yeah, did I mention the “twist” can be seen coming from a mile away? It’s sad, considering Denzel Washington is in a role that should make a film interesting on its own merits.

What Safe House succeeds at is confirming that choppy grit does not mean style, particularly when there is nothing of real substance here. What a disappointment this film was when you take into account the talent involved. [review]

#6. Dark Shadows

Here’s a movie that could have been fun. A Tim Burton and Johnny Depp take on the tired vampire genre could have been something special, but oh what a mess it was. This felt so much to me like the filmmakers was just being strange because they could, not for any specific reason.

While showing signs of promise early on (like in the first fifteen minutes), and featuring a whole host of capable actors, Dark Shadows was derailed fast and by the time the terrible final act came around, I was completely checked out. What a waste of a movie! [review]

#5. Contraband

Contraband is essentially akin to Safe House, but without Tobin Frost and the exotic locations, hence the slightly lower rating. It does suffer from the same pitfalls, however. An overly gritty and dark film with a mind-numbingly stupid plot and twists, plus no real characters or intrigue completely ruins this thriller. [review]

#4. The Vow

I’ll admit, I saw this film at a dark time. It was in the midst of a series of truly terrible movie releases and I was fed up. That being said, my perhaps overly-critical review wasn’t far off. The Vow is a pretty horrendous film.

From the top-down, The Vow fails on basically every narrative level. The characters are unlikable, and uninteresting as they operate in cliches and archetypes. The only saving grace here is that Rachel McAdams seems to always be able to pull the audience onto her side. But even my boy C-Tates can’t save this piece of melodramatic trash. [review]

#3. This Means War

Now this movie is what I like to call “lousy.” Apart from a tad bit of chemistry between Chris Pine and Tom Hardy, This Means War is an absolute nightmare. Terrible plot, characters, execution, jokes, action…er, everything. [review]

#2. The Lucky One

Here we have what is essentially akin to The Vow, but without Rachel McAdams and a plot-line that includes some truly appalling storytelling decisions which raise the stupidity over the top. This is not to say that I’ll automatically hate a chick-flick, because clearly they can be done right. But c’mon, some of the stuff here is just preposterous and actively aggravates me. The Lucky One really is a Terrible, terrible film. [review]

#1. Act of Valor

Here we come to the cream of the – er, “scum” of the crop. Act of Valor a movie that is not only terribly executed, but the fact that it exists deserves my wrath. In my review, I likened watching this to watching your friend play Call of Duty, but with a worse story.

I forgot to mention that at least there you’re with your friend, possibly having a good time. Here there are no redeeming qualities. I’m going to finish this sentence and hopefully never think about this movie again. Done. [review]

There you have it. The ten worst movies (I’ve seen) from the first half of 2012. Now for the fun part: follow the jump to the next page for a glimpse at the ten best films of the first half of 2012. There are some good ones in there, I promise.

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The film adaptation of Wicked is currently in production and Stephen Schwartz revealed at Comic Con that the film will feature plenty of new songs!

Warm up those vocal pipes and get your best “Defying Gravity” cape dry cleaned, the Wicked film is gearing up for production at long last! The Broadway hit, currently in its 13th year, has had audiences clamoring for a filmed production since Idina Menzel Kristin Chenoweth brought Elphba and Glinda to life. Now, that dream is becoming a reality, but probably not with the original cast.

At the CW3PR’s 8th Annual Behind-The-Music: Crime, Death and Resurrection Panel at Comic Con, Stephen Schwartz the man behind the music of Wicked appeared to announce that the film will feature songs both old and new. The “old” of course includes songs from the stage production such as “Defying Gravity,” “Popular,” and most likely, “One Fine Day.” But it also includes songs that were written and cut from the production before its Broadway opening.

Winnie Holzman will be writing the screenplay as she also wrote the book to the stage show based on Gregory Maguire’s novel. Stephen Daldry (Billy Elliot) is attached to direct.

You can watch Schwartz’s announcement from the panel below!

Now its time to start some casting speculations! It is my hope that the casting director sticks with strong Broadway talent to carry the roles. The musical has enough of a following to garner a strong viewership, but it also wouldn’t hurt to throw Menzel and Chenoweth in for a cameo or two!

Wicked is expected to hit theaters in December 2019.

U! S! A! U! S! A! A new Fantastic Beasts poster debuting at San Diego Comic-Con has American pride peppered into the design, giving us a hint at the film’s plot.

The film’s official social media channels unveiled Fantastic Beasts’ SDCC poster on Friday morning, just a day before the movie hosts a panel at the conference with the cast and crew. Presumably these posters will be handed out on the show floor, and/or at the Fantastic Beasts event.


There’s a lot to unpack in this poster, which features Newt and a brightly lit “Fantastic Beasts and Where to Find Them” sign.

Newt is looking over his shoulder in the middle, holding a wand in one hand and a suitcase (with a beast trying to get out!) in the other. Supporting characters Graves, Jacob, Queenie, and Tina appear in the wings. Also here: Our very first looks at two female characters. We believe the one in the bottom left is Mary Lou, played by Samantha Morton. The guy on the right is Credence played by Ezra Miller.

So what’s with the American flags? They’re not only to remind fans that the movie is set in New York — We believe they’re teasing an election of some sort. The last Fantastic Beasts trailer briefly depicted a political event (See a screenshot below). We’re guessing an election will be taking place over the course of the movie with possible ramifications for the well-being of the North American Wizarding World.


Fantastic Beasts opens this November. Return to Hypable on Saturday to check out our coverage of everything that happens during the movie’s panel!

Have a round, or two, with Lin-Manuel Miranda when he steps in to tell the story of Alexander Hamilton on Drunk History.

Comedy Central is keeping Lin-Manuel Miranda connected to Hamilton for a little while longer by setting the scribe up on the next season of Drunk History to spin another verse about the founding father. The show will concentrate on the rivalry between Aaron Burr and Alexander Hamilton duel that resulted in SPOILER Hamilton’s death.

Hamilton was the first subject that the series took on in season one. With the rising success of the Broadway hit, fans clamored for Lin-Manuel Miranda to give Alexander Hamilton a reprise on the series.

Miranda is not throwing away his shot at telling another version of Hamilton’s decision to throw away his on the shores of New Jersey in 1804. Even though Miranda stepped away from the show on July 9, we expect to see him sticking close to the production for quite a while, especially as the show begins performances across the nation.

Miranda was not the only guest announced for Drunk History‘s fourth season. Joining him will be Aubrey Plaza, Ben Folds, Billie Joe Armstrong, Busy Phillips, Dave Grohl, Ed Helms, Elizabeth Olsen, Josh Charles, Mae Whitman, Michael Cera, Rachel Bilson, and Tony Hale, to name a few.

Raise a glass!


Drunk History returns for its fourth season on Tuesday, Sept. 27 at 10:30 p.m. ET on Comedy Central.