Teen Wolf season 3, episode 13, “Anchors,” just finished airing. Read our recap and discuss the episode with fellow fans!

Teen Wolf season 3, episode 13, titled “Anchors,” begins with Stiles in bed having a nightmare, repeatedly mumbling “don’t let them in.” We’re thrown into his dream, which lands us in Beacon Hills High School. The Nemeton is featured right away, and comes alive as Stiles tries to touch it.

Every Stydia shipper’s heart then skips a beat as Stiles wakes up and we realize Lydia is beside him in bed. Stiles explains to her that he had a dream within a dream, and then pauses to ask why she’s there. He gets out of bed to shut his door, worried that “they” might get in. The only problem is that when he walks out, he comes upon the Nemeton once more.

Again, it was only a dream.

The next day at school, Stiles is talking to Scott, telling him about sleep paralysis and his nightmares. “You know what scares me the most?” Stiles asks. “I’m not even sure this is real.” And in that moment, Stiles wakes up screaming, finally in the real world.

Is this Teen Wolf, or Inception!?

The next morning we see Scott experiencing some difficulty with his powers right before he has a tense conversation with Isaac about his feelings for Allison, which gets Isaac thrown against the wall.

Their relationship is…complicated.

Allison finds herself in a hallucination where she’s made her way to the morgue. When she looks inside a cold chamber bearing her aunt’s name, Kate makes her way up the chamber, and we’re certain we’re going to have nightmares for a month.

Scott, Stiles, and Allison continue to struggle through their day while Lydia, for her part, takes great pleasure in the fact that she’s not the crazy one anymore.

We also get our first glimpse of Kira as she gets an embarrassing introduction by her father, the new history teacher at Beacon Hills.

Teen Wolf Anchors Kira

Scott begins to transform in the middle of the hallway, and Stiles must rush him off to an empty classroom. Scott finds a way to stop the change, and Stiles realizes that not all of this is in their heads — it actually is happening to them.

Sheriff Stilinski, meanwhile, is working through some old files now that he’s a bit more enlightened to some of the circumstances that probably took place during those times.

Eight years ago, Papa Stilinski had to tell a man that his wife and two daughters were killed in a car crash. The youngest daughter, Malia, was seemingly dragged from the wreckage by coyotes and was never found. And since the accident happened on a full moon, the Sheriff thinks werewolves could have been involved.

As the group discusses what could be going on with them, Kira walks over and offers a possible explanation. It’s called Bardo, she says, which is a Tibetan word for an in between state, something that’s caught between life and death. There are several stages of Bardo, which include hallucinations and even being visited by deities. And the final stage of Bardo is death.

Of course it is.

Scott and Stiles head over to the one person they can usually trust to have some of the answers: Deaton. He explains that their subconscious is trying to communicate with them, and even translates the sign language Stiles saw when he was hallucinating. The meaning of the phrase is, “When is a door not a door?” And the answer, as Scott points out, is when it’s a jar (“ajar”).

So not only do Scott and Co. have to deal with their usual level of craziness, but they also have to deal with the fact that a door into their minds has now been opened. When exactly are they supposed to get their homework done?

Teen Wolf Anchors Stiles

As the boys are leaving Deaton’s, Papa Stilinski shows up to ask Scott for help in finding Malia’s body. So, as the sheriff interviews Malia’s father about the accident, Stiles and Scott sneak in upstairs to try to get a lock on the girl’s scent, but all Scott can smell is the family pet. The sheriff feels pretty bad about bringing up old memories for Mr. Tate, and that’s when the truth comes out: He’s doing all of this because Scott’s father is reviewing his ability to solve cases, and it might get him fired.

Scott is so angry that he nearly transforms in front of his dad, but his mom pulls him out of the room just in time. Scott has trouble stopping the transformation because Allison was his anchor, and he no longer has Allison. “Then be your own anchor,” she says.

Scott rushes over to Stiles’ house in the middle of the night, and the two of them plan to find Malia’s body on their own. Anyone else getting flashbacks to season 1?

Isaac and Allison are in bed together during a pretty steamy scene, though Allison is clearly still thinking about Scott and how he might feel about all of this. That’s when we realize this is all a dream, as Kate pops up out of nowhere and kills Isaac.

Stiles and Scott stumble upon the wreckage from eight years ago, and they quickly realize they’re not alone out in the woods. Scott chases after a coyote, and when he catches up to it, he realizes that it’s actually Malia. And her eyes are blue!

In the final scene, we see Derek and Peter tied up to a chain link fence, getting tortured. The only glimpse we see of their assailant is of a man’s hand holding a knife.

Our favorite ‘Teen Wolf’ season 3, episode 13 ‘Anchors’ quotes

“Pain makes you human.” – Scott

“Stilinski, stop reminding me why I drink. Every night.” – Coach Finstock

“No, wait a sec, I know that look. That’s the ‘we know exactly what’s wrong with you and have no way to fix it’ look.” – Stiles

“Be your own anchor.” – Melissa McCall

“You and me, we’re going to go out and find a body. A dead body.” – Scott

‘Galavant’ cast thank fans for #MoreGalavant campaign

"So just dance, dance, dance."

4:30 pm EDT, May 25, 2016

Galavant may have been axed over on ABC, but the fans refuse to stop the beat — and the cast are getting down to it!

There’s nothing worse than seeing your favorite show cut off in its prime, but if there’s one thing that fans do best in moments of crushing adversity, that’s come together and use their voices in a cacophony. And Galavant fans? They want a third season of their little show that could and are campaigning for it to return.

That campaign has not escaped the notice of the cast, who came together to thank the fans in a video that you can’t help but move your feet to — and the rest of your body.

“It warms the cockles of my heart to see everything you’re doing to save our beautiful little show,” Timothy Odmunson says, at the top of the video — right before it launches into Justin Timberlake’s newest hit, “Can’t Stop The Feeling,” and we’re treated to a montage of familiar and brand-new footage from Galavant’s stars.

#MoreGalavant "Can't Stop The Feeling" from #MoreGalavant on Vimeo.

Karen David (Princess Isabella), who has also been vocal on social media about the #MoreGalavant campaign, leads the charge — and has printed out everyone’s contributions so far. But don’t worry, she planted a tree to make up for all the paper that was used. Also shaking their tush is Genevieve Allenbury, who played the Queen of Valencia throughout Galavant’s two season run.

Other familiar faces from the cast include Robert Lindsay, Ben Presley, Mallory Jansen, Vinnie Jones, and Muzz Khan. Not to mention the titular hero, Joshua Sasse.

Of course, it wouldn’t be Galavant without some cameos — and this thank you video is no exception to that. Making their debut are Billy Boyd (of Lord of the Rings fame), holding a sign that proclaims, “You can’t eat this Hobbit!” and Luke Skywalker himself, Mark Hamill, with his own “Galavanterrific” sign.

And, what better way to close out the video than with an appearance from Weird Al. “Well, that should definitely do it,” he proclaims. “I can’t imagine any network not picking up this show now that it’s a hashtag campaign. Feel the power of the hashtag!”

So, Galavant fans, get signing and start dancing. And here’s hoping Tad Cooper breathes fire again — be it on the stage, or screen.

This week’s twist on Game of Thrones was one for the show’s history books, and now the fans and creators are acting on their emotions.

Sunday’s Game of Thrones found Hodor dying (dammit Bran) as he held back the army of wights by holding the door. A significant death like this one naturally became a big topic of conversation online, with fans coming up with adorable yet depressing tributes to Hodor.

For example, viewers have been creating Hodor doorstoppers:

http://dingoutback.tumblr.com/post/144816075382/in-loving-memory

http://blamethejunglr.tumblr.com/post/144886498478/i-got-a-new-doorstop-i-use-humor-to-hide-how

http://goldbloodedbabe.tumblr.com/post/144872654401

http://2ndperiod.tumblr.com/post/144838798471/brb-crying

Interestingly, we couldn’t find any Hodor doorstoppers for sale on Etsy. Get on that, people!

Others have added Hodor to the ‘hold door’ button in their local elevator

http://elvenanomaly.tumblr.com/post/144878433573/too-soon-man-too-soon

http://evilregal1203.tumblr.com/post/144864651270/this-just-happened-on-the-elevator-at-work-no

http://bbcmuggle.tumblr.com/post/144871947631/someone-put-this-on-the-elevator-at-work-today

https://deadpools-girlfriend.tumblr.com/post/144865560259

On last night’s ‘Jimmy Kimmel Live,’ showrunners DB Weiss and David Benioff ‘apologized’ for killing Hodor — but not for the reason you think:

Related: After Hodor, who will die next on ‘Thrones’?

Starz has decided that their original programming can compete with the other hot shows airing on Sunday nights.

Network CEO Chris Albrecht has told THR that they are planning on moving all of their original shows including Outlander, Ash Vs Evil Dead, and Black Sails — which currently air on Saturdays — to Sundays. The move will begin July 17 with the Starz series Power. Outlander will likely not move to Sundays until next season.

“Sundays are a prestige night and we feel our shows are definitely going to be very competitive, not just in viewership but in the attention-getting business on Sundays,” Albrecht said to THR, “So it made sense to move.”

Outlander and Starz’s other original series will be going up against tough competition, including AMC’s The Walking Dead and HBO’s Game of Thrones. Albrecht says part of the reason he wanted to move the shows was to make sure they were part of the watercooler talk on Monday mornings.

THR notes that Showtime’s original series typically get DVR’d, “growing 214 percent [in viewership] during the course of a week.” This would suggest that a lot of people aren’t sitting in front of a TV on Saturdays and want to watch the shows on a different day of the week. So, moving their programming to Sundays may not impact overall viewership numbers much.

Starz recently overtook Showtime as the second-most subscribed to cable channel. HBO still sits at number one, though all three are facing tough competition from Netflix.