Taylor Swift is back in the recording studio

9:30 am EDT, February 18, 2014

Seven time Grammy winner and international superstar, Taylor Swift, is currently in the process of writing and recording her still untitled fifth studio album, the follow-up to 2012’s multi-platinum blockbuster, Red.

After writing 2010’s Speak Now completely on her own, Swift decided to spread her wings on Red and reach out to various collaborators that she had always admired. These collaborators included music industry greats Dan Wilson, Max Martin, and Johan Shellback, amongst others.

Red marked a musical departure for Swift and the sixteen song set marked her most musically diverse album to date. Swift has made it known that she always wants to be reinventing herself lyrically and sonically from album to album and from what we know so far, she is assembling an all-star team of collaborators for her new project.

Swift posted a photo on her Instagram account on February 14, 2014 and proclaimed “It was a studio Valentines Day with Max and Johan!” The photo features the singer with monster hit makers Max Martin and Johan Shellback, who Swift collaborated with on her #1 hits “We Are Never Ever Getting Back Together,” “I Knew You Were Trouble,” and “22,” hanging out in a recording studio on Valentine’s Day. Swift has already stated that she will be doing “a lot more than three songs” with the hit making duo this time around after the huge success of the aforementioned tracks.

In an interview with Billboard.com (shared on YouTube), acclaimed songwriter Dianne Warren has confirmed that she has written a song with Taylor for the new record. Warren said that she is “excited about the song we did. It’s pretty cool.” Frontman of One Republic, Ryan Tedder, has also confirmed that he has done some recent work with Swift for her new album. He had this to say about working with her:

I did a little stuff with Taylor, who’s probably the fastest songwriter I ever met in my life. I can go on record saying that Taylor is genuinely the quickest songwriter I’ve ever – for anyone who doubts it she writes her own stuff. Any idea and you’re like “Yeah I don’t know if I like that lyric” and she’ll have three options, replaced within 10 seconds, she’s like bam bam bam. She’s bit of a prodigy, bit of a songwriting prodigy.

Swift is well known for her songwriting skills. She was a hired songwriter at the tender of age of fourteen (before she even signed her first record deal) with SONY/ATV Publishing. She has been awarded the Nashville Songwriter’s award six years in a row, recently set a record at the American Music Awards after winning Artist of the Year for the third time in November, and is the youngest person ever to win Album of the Year at the Grammy Awards (for Fearless in 2010). Her most recent effort, Red, was also nominated for Album of the Year at this year’s Grammy Awards.

Swift typically takes about two years in between albums, which she says allows her to live life and have a great pool of experiences to draw upon and write about. Swift recently told Billboard that “there are probably seven or eight songs that I know I want on the record. It’s already evolved into a new sound, and that’s all I wanted.”

Fans of the songstress will have to wait until sometime during the fourth quarter of 2014 to hear the new material that she has been working on — but don’t fret too much because it will surely be worth the wait.

When do you suspect we’ll hear Taylor Swift’s next album?

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

cogsworth-lumiere-live-action-beauty-and-the-beast

While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

live-action-beauty-and-the-beast-gaston

Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

human-beast-dan-stevens

We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

Read full article

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

borderlessmockup1

What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Read full article

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?