It’s the black sheep of the fandom family. The distant, embarrassing cousin we don’t talk about at parties. Its name is slash shipping and guess what, it’s time to let it out of the closet and acknowledge its existence.

Something is happening in the Supernatural fandom right now. I won’t fault you for not having heard about it, because except for within select circles (read: Tumblr), no one is talking about it. Because it has to do with slash shipping.

I bet a lot of you just winced when you read those words.

Look, sometimes being a fan is hard. As I have explored in a previous column, society at large has decided that spending all your time watching episodes of Buffy and Star Trek ranks you lower in the social hierarchy than watching college basketball playoffs.

But we prevail and we persist, because we have it on good authority that being a geek is just about to get cool. (Right? That’s still happening? I’ll never give up hope.)

Sadly, fandom isn’t always the big happy family we pretend it is, and like any other subculture, there’s plenty of hating and trolling and flaming and shaming to go around for everyone, both online and off.

Shipping 101

Slash ship Kirk Spock Star Trek

For those not initiated, shipping is the shorthand term used to describe the act of wanting two (usually fictional) characters to get together romantically.

Contrary to popular belief, shipping did not start with Harry Potter and Twilight, but has been around practically since the beginning of literature itself.

Shipping is essentially the reason for the enduring popularity of classic love triangles like Arthur/Guinevere/Lancelot (Arthurian legends), Darcy/Elizabeth/Wickham (Pride and Prejudice), Linton/Catherine/Heathcliff (Wuthering Heights), and Rhett/Scarlett/Ashley (Gone With the Wind).

These stories would not work if the readers didn’t care about the romantic outcomes, and as we tend to identify with the main characters of the stories we read, their romantic choices in some cases come to equivocate whether or not we see their ending as a happy one. And we want them to have a happy ending, of course, because they’re us.

Nevertheless, being a shipper is still a tough label to carry, even in fandom circles where your general geekiness has already been accepted. Shippers are often viewed as sex-obsessed, immature, simpering girls who are unable to look past the pretty boys and girls to the “really important” subtext underneath.

It’s all subjective though, and ultimately, “mythology fans” are just as obsessive and geeky as shippers, only in a different way – and who’s to say you can’t be both? Kate’s choice turned out to be as important as the origin of the Smoke Monster, Lost fans, so let’s move on.

The “other” kind of shipping

Slash ship Xena Gabrielle

In this article, I want to talk about slash shipping, and the problematic assumption that it is somehow more shameful than “normal” shipping.

Note the problematic use of the word normal in this context.

“Slash shipping” is a label used to differentiate (for whatever reason it needs to be differentiated) the supporters of male/male or female/female relationships from those whose ships are of the male/female variety.

While of course used to describe the supporters of actual gay fictional relationships – like Kurt/Blaine (Glee) – most of the time, slash shippers read homosexual subtext into the interactions between supposedly straight characters.

See Kirk/Spock (Star Trek), Draco/Harry (Harry Potter), Xena/Gabrielle (Xena), Stiles/Derek (Teen Wolf), Emma/Regina (Once Upon a Time), and Merlin/Arthur (Merlin). Or the millions of other examples that spring to mind.

A common misconception is that the discomfort surrounding slash shipping has to do with homophobia. Sure, this is sometimes the case, but in my experience, the dislike of slash shippers by fandom at large has more to do with the perceived notion that slash shippers equate to 13-year-old girls writing smut fanfiction about what a man and a man (or woman and woman) do when they love each other.

And hey, I’m sure that happens. But no one likes a sweeping generalization. Especially when it causes a group of people to feel bullied, marginalized, and shamed.

Fandom’s dirty little secret

Slash ship Dean Castiel Destiel

What happened this weekend at the Supernatural convention in New Jersey brings up the question of where to draw the line – if a line needs to be drawn at all – between where it is acceptable to talk about slash shipping, and where it isn’t.

There is a wonderful in-depth article by Aja Romano at The Daily Dot which examines the events in great detail, and I highly recommend that you read it for intelligent analysis (but note that, like this on, it is a column article which will express the personal views of the writer).

To summarize what happened: a convention-goer went to the panel with the main stars (Jared Padalecki and Jensen Ackles) and began her question: “I love your character becoming more comfortable with himself this season. I’m bisexual and I’ve noticed some possible subtext–”

That was as far as she got before she was cut off, both by the audience groaning and booing, and by the stars’ bodyguard, who stepped in to remove her from the microphone stand. Supposedly because they were assuming she was about to ask a question about “Destiel,” the relationship between Ackles’ character Dean and the angel Castiel (although it later turned out that she actually wasn’t).

A lot of the discussion (to put it nicely) happening on Tumblr right now is talking about whether or not Ackles’ reaction (saying, “Don’t ruin it for everybody now,” though we can’t conclude whether he said it to the girl or the crowd, and therefore shouldn’t make assumptions) was homophobic, but in an article about slash shipping, that is neither here nor there. Ackles’ opinion is irrelevant – or, at least, it should be. Right?

After all, romantic subtext is just one area – and arguably a prevalent one – of Supernatural canon, and while some fans seem to believe that the banning of all shipping questions at conventions (a rumour which later proved false) makes sense, I want to take a moment and ask: why?

Don’t ask, don’t tell

Slash ship Emma Regina Once

What is so horrible about slash shipping, and asking the actors about it? Why should asking Ackles about whether Dean might possibly have feelings for Castiel be more taboo than asking him about Dean/Lisa, or whether he thinks Dean should die at the end of the series, or what his favourite moment filming season 8 was?

For those who claim that they’ve been asked about slash shipping a million times and that it just makes everyone uncomfortable: this might be the case, sure, but these guys do like 20 conventions a year. Do you really think that there is one single question which you could possibly ask them which they haven’t had to answer at least a dozen times before?

The difference seems to be that some fans believe it is harassment to force the actors to confront the possibility that their characters might be homosexual.

I’ll just leave that statement right there.

Of course, no one wants to see the actors harassed. No one wants to see hysterical fans desperately throwing themselves at the cast, demanding that they acknowledge the deep love between X and Y character and/or themselves, because actors are people too and should be treated with respect.

But in this writer’s personal opinion, there’s a difference between harassing, and asking the creators of these characters you love and identify with to acknowledge you and your interpretation – whether that interpretation is about a character’s love of a brother, a friend, or a potential lover of either gender.

Do the actors have to agree with it? No, of course not. They’re actors, they are there to act. They go to conventions to feed the fandom, to make fans feel like they have a personal connection with the show, to give loyal viewers a chance to get up close with the stars and go home with happy memories and memorabilia (for a price).

I’m sure each actor has to deal with a number of questions that make them internally roll their eyes and think, Not this crap again. These fans are crazy! I’m sure a lot of topics make them embarrassed or uncomfortable.

So singling out slash shipping (or shipping in general), when there is so much more that might be awkward for the actors to be confronted with? That is problematic. Whether you’re an actor, a creator, or a fan, I have to question the logic that “slash shipping is cool as long as we don’t talk about it.” Don’t ask, don’t tell? Really, fandom?

Bringing slash shipping out of the closet

Slash ship Merlin Arthur Merthur

This is a debate we should be having. This is something we should be talking about. Especially now, today, when fandom is beginning to become more mainstream and fans are taking their online obsessions out into this elusive place called “the real world” we’ve heard so much about.

Whether or not you believe that slash shipping should be acknowledged or kept hidden like a dirty little secret, that’s your prerogative, but I personally would like to know why.

In my experience, people shout the loudest and they fight the hardest when they have something to fight for. Before jumping to the conclusion that slashers are delusional and militant, think about why they lash out so strongly.

Sometimes, yes, it’s all about the smut and NC-17 fanfiction. But sometimes, it’s not about the ship at all, but about what that relationship stands for. Acceptance by the writers that homosexual relationships are worth writing about and exploring. Acknowledgment that the love the shippers see is real, that the type of love they see is real.

We all know that shipping can get crazy, but can’t fandom in general get crazy? Can’t the world get crazy? Hell, football fans have riots, people die. This doesn’t happen in online fan communities.

But sometimes, people get hurt. Sometimes, a girl is booed off the stage for announcing that she is bisexual – for daring to bring the topic of Dean’s sexuality up in front of the stars.

And whether or not the audience members were booing her or the question, the conclusion we can draw from this is clear: slash shipping isn’t something we’re supposed to be talking about. But maybe we should be.

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Present day Han Solo may’ve left the main Star Wars series after the events of The Force Awakens, but the character’s time in movie theaters is far from over.

The new Han Solo film from Lucasfilm — scheduled to hit theaters in May 2018 — might turn into a trilogy for the reluctant hero, according to the New York Daily News.

The paper reports that star Alden Ehrenreich has signed a three-picture deal, suggesting that the studio intends to expand the Han Solo spinoff into a trilogy. “They feel that his character has the right potential to become a central figure in several movies,” a source told NY Daily News. “They’re keeping things under wraps at the moment, but the deal is that he has signed for at least three movies.”

This makes a lot of sense given the popularity of the character coupled with his absence in Episode 8 and beyond. We also know that Lucasfilm and Disney have many, many grand plans for Star Wars in the years ahead: The very first Star Wars theatrical spinoff, Rogue One, opens later this year. Episode 8 then hits theaters a year later (2017), followed by Han Solo’s own movie (2018). Next comes Episode 9 in 2019, followed by yet another spinoff reportedly focused on Boba Fett in 2020.

As for 2021 and beyond? Only time will tell, but we expect more movies set in the worlds of The Force Awakens, Rogue One, and now Han Solo.

The Han Solo spinoff will be directed by LEGO Movie helmers Phil Lord and Christopher Miller. They’re currently deep into pre-production, as this tweet from Lord this morning shows:

“This is the first film we’ve worked on that seems like a good idea to begin with,” the directors said last July. “We promise to take risks, to give the audience a fresh experience, and we pledge ourselves to be faithful stewards of these characters who mean so much to us. This is a dream come true for us. And not the kind of dream where you’re late for work and all your clothes are made of pudding, but the kind of dream where you get to make a film with some of the greatest characters ever, in a film franchise you’ve loved since before you can remember having dreams at all.”

Barnes & Noble has announced that Harry Potter and the Cursed Child is already a gigantic hit. In fact, it’s the most pre-ordered book since Deathly Hallows.

It’s been 9 years since J.K. Rowling publsihed Deathly Hallows in the summer of 2007, but Harry Potter fans are evidently still eager for more stories from the Wizarding World. In a press release on Monday, the biggest book chain in the United States revealed that they haven’t seen pre-orders this huge since the last Harry Potter book.

deathly-hallows-book-cover

“Harry Potter and the Cursed Child is Barnes & Noble’s most pre-ordered book since Harry Potter and the Deathly Hallows, and we expect it to be our biggest selling book of the year,” said Mary Amicucci, Chief Merchandising Officer at Barnes & Noble in a press release. “To guarantee that our customers get the new Harry Potter book as quickly as possible, Barnes & Noble is the only national retailer that’s guaranteeing delivery of the book on August 1, for both online and ship-to-home pre-orders placed by noon ET on Friday, July 29. Our booksellers are also preparing to host big crowds for our signature Midnight Magic parties on July 30.”

If you’ve passed by a brick and mortar Barnes & Noble in the past few months you’ve probably seen the heavy promotion they’ve been doing. Headers that state “HARRY POTTER IS BACK” will clearly entice people to pre-order.


HARRY POTTER IS BACK! (Spotted at a Barnes & Noble) #harrypotterforever #harrypotter

A photo posted by Hypable.com (@hypable) on

In a report from the Wall Street Journal earlier this month we learned that Scholastic was printing 4.5 million copies of “the eighth story” for the United States and Canada. This is a far cry from the 12 million printed for Deathly Hallows, but still a very large print run for a book in modern times. (Also worth noting: Many readers have switched to eBooks in the years since Deathly Hallows.)

It’s nice to see that Harry Potter fans haven’t lost their interest in the series. Perhaps the success will inspire J.K. Rowling to continue writing within Harry’s world?

The book has also been a huge success on Amazon. The Cursed Child has sat at the top of the online retailer’s bestseller list for months.

Hypable will have lots of coverage surrounding The Cursed Child once it’s released this weekend. Stay tuned! AHHHH!