J.J. Abrams highly anticipated book triumphs through production values, but falls down over plot.

S is a bold creative project, conceived by Lost creator J.J. Abrams and written by Doug Dorst (Alive in Necropolis).

The story is told through a stolen library book, Ship of Theseus, authored by reclusive author V.M. Straka and translated by F.X. Caldeira. In the margins of the book, disgraced graduate student Eric attempts to solve the mystery of Straka’s real identity, and in doing so, beat his old academic mentor to the discovery of a lifetime.

Jen, a restless college senior, stumbles upon the book, and begins exchanging notes with Eric as they attempt to solve the mystery of Straka and Caldeira’s identities, and come to terms with their own struggles along the way.

The production value of the collection is incredibly high – it can really only be described as absolutely stunning. The hardcover has been cleverly packaged as the worn library book, with every page coloured to mimic its distressed nature. The book itself gives no hint that it is actually a work of fiction by Abrams and Dorst; only the box it comes in bears the authors’ names.

Between the pages of the book, readers will find photographs, postcards, letters, and even a graffitied napkin, all of which look and feel just like the real thing. The notes from Jen and Eric that feature throughout the novel are very clearly handwritten, and the pictures are drawn in – there is no cliched handwriting font here.

Yet the highly constructed nature of S also proves to be one of its greatest weaknesses. The additional materials make it difficult to physically read the book without them becoming dislodged. This would not pose such a problem if the various materials were not often directly linked to the notes on the adjacent pages.

The handwritten notes also ensure that the reading experience is more complicated than normal. Inevitably, the interactions between Jen and Eric are far more engaging that the text of Ship of Theseus, and it is difficult not to skip through simply to read their storyline.

The most disappointing aspect of S is that the very story that consumes the two would-be scholars is not all that engaging. Perhaps Dorst’s intent was for this story to move slowly and steadily, merely to provide a jumping off point for Jen and Eric. If this was this goal, Dorst has succeeded masterfully, yet the somewhat dull storyline does make it difficult to accept why so many people would be so concerned with Straka’s book. It also makes it difficult for readers of S to stay engaged with the multiple layers.

No fault can be found in the writing, and Jen and Eric’s voices are particularly enjoyable to read, as is the slow exploration of their own personal problems. The changes in their pen colours are used effectively to give the reader some indication of where in their relationship they are. While their correspondence does not demonstrate a linear progression of their relationship (they have obviously gone through the book multiple times, adding notes as they do), their interactions are not as difficult to follow as they initially appear.

S is far from perfect, but is worth reading for the experience alone. The book offers something entirely unique, and Abrams’ involvement may spark the increase in this type of product. Its strength lies in its production values, and while it is at times too slow or overly complicated, it offers readers a damn good first attempt at a completely immersive, multifaceted reading experience.

S by J.J. Abrams and Doug Dorst is available now through Mulholland Books and Allen & Unwin.

Images: Amazon

The Disneyland Resort’s California Adventure theme park debuted the world’s first Frozen musical on Friday, May 27, and video of the full show is now online.

Clocking in at nearly 70 minutes long, the new Frozen musical is easily one of longest shows ever at a Disney park. The previous musical at the Hyperion Theater at California Adventure, Aladdin, was “only” 45 minutes.

With only three shows scheduled for opening day, Fast Passes for the Frozen musical were out of stock only one hour after the park opened. The passes will only get tougher to come by as we enter the holiday weekend.

Luckily, fans managed to record the whole show and put it on YouTube. Your favorite characters, including Ana, Elsa, and Olaf, appear in the Frozen musical as they perform all the hit songs from the movie. As you can tell from the length of the show, much of the movie has made it into the theatrical adaptation. The show is quite extravagant, and naturally includes a show-stopping performance of “Let It Go.” Watch the full Frozen musical below:

Disney has already announced that a Broadway version of Frozen is currently in development, as is an animated sequel.

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Fox has moved the third and final Maze Runner movie to 2018.

The cast and crew were only a few days into filming The Death Cure in March when Dylan O’Brien suffered serious injuries on set, prompting the production to be put on a break so he could recover. When his recovery ended up taking longer than expected, the production was put on an indefinite hold.

Now, a plan to resume the shoot seems to be in place. Fox announced Friday The Death Cure will be hitting theaters January 12, 2018, which is nearly a year later than the original February 2017 date. The last Maze Runner movie, The Scorch Trials, opened last September.

Production on The Maze Runner: The Death Cure likely won’t resume until late this year or early next. Dylan O’Brien has already committed to another movie which is expected to shoot this summer.

Getting the rest of the cast and crew back together to shoot The Maze Runner finale may be a bit of a challenge since they may’ve committed to other projects that were supposed to be shooting after they finished The Maze Runner. However, the new Death Cure release date suggests Fox has found a time that’ll work for everyone.

Tom Cavanagh will return to The Flash in season 3 as a series regular, though which character he’ll be playing remains to be seen.

Cavanagh has had a unique acting challenge on The Flash, playing a different version of his character in each of the first two seasons — and now it looks like he’ll be doing it for a third season in a row, as EW confirms that he will be a series regular in season 3.

In season 1, Cavanagh played Eobard Thawne, aka the Reverse Flash, in Harrison Wells’ body. Thawne, after traveling back in time, killed the original Wells and took his form to expedite the development of the particle accelerator so he could return to his own time. Thawne was written out of existence in the season 1 finale, though, leaving fans curious about who Cavanagh would be playing in season 2.

This past season, Cavanagh played the Earth-2 version of Harrison Wells, nicknamed Harry, who was a significantly different character from the man we thought was Wells in season 1. However, in the season 2 finale, Harry and his daughter, Jesse, returned to Earth-2.

The Flash season 2, episode 6 recap Wells

So, who does that leave for Cavanagh to play in the third season?

My guess would be the Earth-1 version of Harrison Wells, who we only briefly met in a flashback in season 1. Why the original Wells? Because in the final moments of the season 2 finale, Barry traveled back in time and stopped Thawne from killing his mother. This means the timeline in which Thawne killed Wells and took his form no longer exists, so Earth-1 Wells would be the version left alive.

Assuming he does play the original version of the character, the one who was killed and had his identity stolen, it will be interesting to see Cavanagh inhabit yet another version of the character. While we already met Wells briefly in the flashback to his death, that was a small sample size. I look forward to seeing him differentiate another Wells from those he’s already played for entire seasons.

Are you excited to see more Tom Cavanagh on ‘The Flash’?