It’s only November and yet it appears that Christmas has come early. Empire magazine’s feature on The Dark Knight Rises landed on doorsteps this morning and fans were quick to discover that it was jam-packed with interviews, pictures and enticing new bits of information concerning the long-awaited blockbuster.

Our copy of Empire is still in the mail (although we’re waiting patiently by our door for the mail person) so we thank the good folks at ComicBookMovie for their scans and transcriptions! We’ll have more pictures and page scans as they become available!

Check out the page scans in the gallery below. We’re using our old gallery for the scans so that the image will be large enough to read the text!
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And now for the photo spreads. Frankly, they look outstanding and offer our first real look at how the film is going to look.

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Lastly, in case you couldn’t read the text in the page scans above, CBM has transcribed a good portion of it! Take a look below!

Christopher Nolan on the prologue and the overall story:

“Our story picks up EIGHT years after The Dark Knight”.
In terms of finishing our story and increasing its scope, we were trying to craft an epic”
“It’s really all about finishing Batman and Bruce Wayne’s story. We left him in a very precarious place. Perhaps surprisingly for some people, our story picks up quite a bit later, eight years after The Dark Knight. So he’s an older Bruce Wayne; he’s not in a great state. With our choice of villain and with our choice of story we are testing Batman both physically as well as mentally. Also, in terms of finishing the our story and increasing its scope, we were trying to craft an epic so the physicality of the film became very important.”

Nolan On Bane:

“The Prologue is basically the first six, seven minutes of the film. It’s the introduction to Bane and a taste of the rest of the film. With Bane we are looking to give Batman a physical challenge that he hasn’t had before. He’s a great sort of movie monster, but with an incredible brain, and that was a side of him that hadn’t been taped before. Because the stories from the comics are very epic and very evocative—very much in the way that Bruce Wayne’s origin story is epic and evocative. We were looking to really parallel that with our choice of villain. So he’s a worthy adversary. I felt that if I could get somebody as talented as Tom to agree to hide himself in the character I would get something very special. What I really feel with a great actor is every movement, every hand gesture, every step, has performance in it. Tom completely got it. It’s an incredible challenge to remove motion of the face so that you can’t put things across in the usual way, and you just have the eyes and a bit of the scalp and the arms and legs. What I knew is that from Tom I would get something where you get a total character and everything has incredible thought applied to it. And a lot of what he’s doing is very counterintuitive. He has this incredible disjunct between the expressiveness of the voice and the stillness of the movement of his body. He’s found a way to play a character who is enormous and powerful with a sort of calm to it, but also is able to be incredibly fast at times. Unpredictable. He just has a raw threat to him that’s extraordinary. It’s a very powerful thing when you see it come together, beyond what I have ever imagined. That’s what you get from working with great actors.”

Nolan on continuing the series after The Dark Knight:

The world of Batman, indeed the world of all graphic novels, deals with archetypes,” he says, “And there’s a very real sense in which the Joker is an extreme and an absolute and Batman is an extreme and an absolute. So when you’re looking to continue the story – in this case finish Bruce Wayne and Batman’s story, as we see it – then you certainly don’t want a watered-down version of a character you’ve already done. You want a different archetype. What Bane represents in the comics is the ultimate physical villain.

It’s really all about finishing Batman’s and Bruce Wayne’s story. We left him in a very precarious place at the end of The Dark Knight. His reputation in tatters, on the run. And I think perhaps surprisingly for some people, our story picks up quite a bit later. He’s not in a great state. He’s frozen in time, he’s hit a brick wall. Batman Begins was very much about the explaining the logic of the suit, and how it belonged in the shadows, in a position of stealth where he’s able to intimidate people with it as his new entity. And then through The Dark Knight we would out him during the magic hour and we changed the suit accordingly so he withstood that kind of exposure. But also the character himself has the reputation now, so he’s able to expose himself more and still intimidate people. And with the third film we’re pushing that further…but plenty of it takes place in the dark too.”

Lindy Hemming Gives Details On Bane’s Mask:

THE BREATHING MECHINISM: “He was injured early in his story. Hes suffering from pain and he needs gas to survive. He cannot survive the pain without the mask. The pipes from the mask go back along his jawline and feed into the thing at the back where there are two cannisters of what ever it is..the anasthetic”

Tom Hardy on Bane:

“He’s brutal. Brutal. He’s a big dude who’s incredibly clinical, in the fact that he has a result-based and oriented fighting style. It’s not about fighting. It’s about carnage. The style is heavy-handed, heavy-footed, it’s nasty. Anything from small-joint manipulation to crushing skulls, crushing rib cages, stamping on shins and knees and necks and collarbones and snapping heads off and tearing his fists through chests, ripping out spinal columns. He is a terrorist in mentality as well as brutal action. He’s a smashing machine. He’s a wrecking ball. If we’re going to shoot somebody, shoot the pregnant woman or the old lady first. Make sure everybody stands up. He’s a terrorist in his mentality as well as brutal actions. He’s horrible piece of work.”

Christian Bale on Bane:

“I wasn’t familiar with Bane. Although I vaguely remembered just a crazy “roid-looking” guy with a mask. You know what I mean? I remember him less actually on screen, and more people telling me that, and wincing just like you did. I just trust and have faith in Chris I know he wasn’t gonna mess around with making poor decision on who the bloody villain was! It does harken back to that notion that this guy is originated from great pain and he has to address that–but at what point does it become indulgence? The question is how long do you allow pain to dominate your life? He has to try and answer that and move on.”

Wow! That sure is a whole lot to learn in a few minutes! The important bits stick out however, the prologue we plan to catch before Mission Impossible: Ghost Protocol will feature Bane (possibly his prison escape?) and the film will officially take place eight years after the close of The Dark Knight It’s impressive to hear about Bane’s brutality, exactly how much carnage should we expect from The Dark Knight Rises?

Stay tuned, we’ll have more news, scans and pictures as they become available!

Here are the 2017 Oscars winners and losers

8:25 pm EST, February 26, 2017

The 2017 Oscars took place Sunday night in Hollywood and found La La Land cleaning up with six wins. Here are the Academy Award winners!

ABC’s Jimmy Kimmel hosted the 2017 Oscars, which took place at the Dolby Theater. The event featured live performances of all five Oscar-nominated songs.

2017 Oscar winners list

Read full article

The 2017 Oscars took place Sunday night in Hollywood and found La La Land cleaning up with six wins. Here are the Academy Award winners!

ABC’s Jimmy Kimmel hosted the 2017 Oscars, which took place at the Dolby Theater. The event featured live performances of all five Oscar-nominated songs.

2017 Oscar winners list

Related: We asked our parents to describe the 2017 Oscar nominees

Below is a complete list of Oscar winner and losers.

2017 Oscar winner list

Note: The final winner of the night was originally announced to be La La Land, but the announcement was actually an error — Moonlight won Best Picture. Awkward.

Best Picture:
Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land

Lion
Manchester By the Sea
Moonlight

Best Actress:
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land
Meryl Streep – Florence Foster Jenkins

Best Actor:
Casey Affleck – Manchester By the Sea
Andrew Garfield – Hacksaw Ridge
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

Best Director:
Damien Chazelle – La La Land
Mel Gibson – Hacksaw Ridge
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival

Best Adapted Screenplay:
Arrival – Eric Heisserer
Fences – August Wilson
Hidden Figures – Allison Schroeder, Theodore Melfi
Lion – Luke Davies
Moonlight – Barry Jenkins

Best Original Screenplay:
20th Century Women – Mike Mills
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos, Efthymis Filippou
Manchester By the Sea – Kenneth Lonergan

Best Original Song:
“Audition” – La La Land
“Can’t Stop the Feeling” – Trolls
“City of Stars” – La La Land
“The Empty Chair” – Jim: The James Foley Story
“How Far I’ll Go” – Moana

Best Score:
Jackie
La La Land
Lion
Moonlight
Passengers

Best Cinematography:
Bradford Young – Arrival
Linus Sandgren – La La Land
Grieg Fraser – Lion
James Laxton – Moonlight
Rodrigo Prieto – Silence

Best Live Action Short Film
Timecode
Sing
Silent Nights
Ennemis Interieurs
La Femme et le TGV

Best Documentary, Short Subject:
4.1 Miles
Extremis
Joe’s Violin
Watani: My Homeland
The White Helmets

Best Editing:
Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

Best Visual Effects:
Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best Production Design:
Arrival
Hail, Caesar!
La La Land
Passengers
Fantastic Beasts and Where to Find Them

Best Animated Feature:
Kubo and the Two Strings
Moana
My Life as a Zucchini
The Red Turtle
Zootopia

Best Animated Short:
Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl
Piper

Best Foreign Language Film:
Land of Mine, Denmark
The Salesman, Iran
A Man Called Ove, Sweden
Tanna, Australia
Toni Erdmann, Germany

Best Supporting Actress:
Viola Davis – Fences
Naomie Harris – Moonlight
Nicole Kidman – Lion
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea

Best Sound Mixing:
Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours

Best Sound Editing:
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Documentary Feature:
Fire at Sea
I Am Not Your Negro
Life Animated
O.J.: Made in America
13th

Best Costume Design:
Allied
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Makeup and Hairstyling
Star Trek Beyond
Suicide Squad
A Man Called Ove

Best Supporting Actor:
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester by the Sea
Dev Patel – Lion
Michael Shannon – Nocturnal Animals

Tags: 2017 Oscars

Lightning McQueen’s biggest enemy is himself in the new Cars 3 trailer.

The second major preview premiered during the Daytona 500 on Sunday afternoon, where voice actor Owen Wilson served as grand marshal.

The new Cars 3 trailer finds Lightning pushing himself to compete with high tech cars that are engineered to win. The character suffers a serious accident during a race and finds himself back at square one, having to work himself back up to what he once was.

Read full article

Lightning McQueen’s biggest enemy is himself in the new Cars 3 trailer.

The second major preview premiered during the Daytona 500 on Sunday afternoon, where voice actor Owen Wilson served as grand marshal.

The new Cars 3 trailer finds Lightning pushing himself to compete with high tech cars that are engineered to win. The character suffers a serious accident during a race and finds himself back at square one, having to work himself back up to what he once was.

While Cars 3’s main setting is unclear, we do see Lightning at least briefly returning to Radiator Springs (Gotta keep Cars Land at Disneyland relevant)!. This appears to be the I-need-to-rediscover-myself-by-remembering-my-origins scene.

Cars 3 looks dramatic, emotional, and possibly targeting kids and adults? We’ll race into theaters for this installment when Pixar’s latest opens this summer.

A synopsis from Pixar reads: “Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!”

Tags: cars 3

We asked our parents to describe the 2017 Oscar nominees

It's because we love them that we use them for our amusement.

10:30 am EST, February 26, 2017

When your friends and family don’t know about the films of the 2017 Oscars, you just have to take advantage of their ignorance and laugh.

The title of a movie (usually) makes obvious sense when you know what that movie is about. But titles can be so vague, and when you have no prior knowledge of the movie, the plot isn’t typically easy to decipher. How fun would it be then, to ask our friends and family to guess the plots of the nominees for the 2017 Oscars?

The task was simple for us. We gave our friends and family a movie title from the 2017 Oscars, and asked them to guess what the movie is about. It’s not, however, such a simple task for them. They weren’t allowed to look it up. No cheating allowed! As you can imagine, we got some interesting responses.

Read full article

When your friends and family don’t know about the films of the 2017 Oscars, you just have to take advantage of their ignorance and laugh.

The title of a movie (usually) makes obvious sense when you know what that movie is about. But titles can be so vague, and when you have no prior knowledge of the movie, the plot isn’t typically easy to decipher. How fun would it be then, to ask our friends and family to guess the plots of the nominees for the 2017 Oscars?

The task was simple for us. We gave our friends and family a movie title from the 2017 Oscars, and asked them to guess what the movie is about. It’s not, however, such a simple task for them. They weren’t allowed to look it up. No cheating allowed! As you can imagine, we got some interesting responses.

Be sure to check out the ridiculous responses we got for the 2016 Oscars too!

Time to let her rip tater chip.

‘Lion’

Our participants start out on a high note. Well, they at least know who’s in the movie.

‘Arrival’

Success continues with Arrival, as they have the vague idea it’s about space aliens (although it’s possible one of them is confused with Passengers).

‘Fences’

There was a common general premise our friends and family had of Fences.

‘Moonlight’

They did well with Moonlight…until they didn’t.

‘La La Land’

Maybe La La Land will be better! Everyone knows La La Land! Right…?

‘Hacksaw Ridge’

Oh no, we’re starting to lose them!

‘Hidden Figures’

No lie though, I’d watch that.

‘Captain Fantastic’

We’ve officially lost them.

‘Hell or High Water’

Could these plots be any more varied?

‘Nocturnal Animals’

It might have been a good idea for Nocturnal Animals to change its name.

‘Silence’

They’re really losing it now. They’ve had enough!

‘Manchester by the Sea’

Someone needs to turn these ideas into full screenplays, they are gold.

‘The Lobster’

What did they expect people would think when they named it The Lobster?

Thanks to Ariella, Brandi, Donya, Karen, Kendra, Kyle, Matthew, Pamela, Selina, and the friends and family they may or may not have annoyed all week.

Which 2017 Oscars movie do you think has the most misleading title?