It turns out NBC might not have been joking about holding back Community to better promote it. Merely a day after news broke of the show’s sudden hibernation, NBC dispatched new showrunners Moses Port and David Guarascio to several media outlets like the two horseman of the PR crisis aversion apocalypse.

Port and Guarascio spoke at great length with Vulture, TV Guide and of course, Papa Bear Sepinwall at Hitfix about the direction they’ll be taking the show. It’s probably the most illuminating information we’ve received yet about the two new showrunners, their vision for Community an their relationship with Dan Harmon. Every interview is definitely worth a peak but here are the highlights.

On their communication with Harmon:

Guarascio: We e-mailed back and forth. That was us saying, “You’ve created an amazing show, and hope we do right by it.”  He was very gracious and said, “I’m rooting for you, best of luck.” There were never any hard feelings between us and him. At the same time, the easiest thing for him is to step away from the blackjack table and let someone else play the hand now. He was either going to be all in or all out, which made total sense. But that’s as much as the communication has been.

On their direction for the show:

Guarascio: We’re staying true to where show ended at the end of last year, with the emotional arcs for the characters, and we’re picking up there. It’s a year of change. College is like a biodome, where the rest of the world falls away, and when you get to your last year, you realize this doesn’t last forever. And also, in a meta sort of way, the show has always done a good job of acknowledging how it exists in the outside world, there’s been a big change behind the scenes. So that gets reflected in how we approach the first episode.

Port: I don’t think we came in here being like, ‘We need to put our stamp on it.’ When we came in, we made the conscious decision that we’re going to check our ego at the door. We love this show and want to do what’s best for the show. That meant coming in and doing a lot of catch up about how things were done. We weren’t coming in and saying, ‘This is a new show right now.’ We had long discussions with the writers who had been here before us about the way they write stories, the way they held stories, and we wanted to continue in that tradition.

On their favorite episodes of Community:

Port: Obviously, that paintball episode was the first thing. I remember seeing Troy’s 21st birthday and the pen episode, and just being struck by how many different ways you can do the show and it can still feel like a “Community” episode.

Guarascio: I often refer to the Dungeons and Dragons episode. There are so many distinct aspects to the show, and you’re always able to find this unexpected drama and deep complicated stories and character arcs within the vein of this comedy that can be larger than life. That episode hit some of those dramatic points really beautifully, and felt like a hallmark of the show, as a fan.

For a show that NBC supposedly isn’t all that crazy about, they sure do end up putting a lot of energy into creating headlines for it. First the season 3 hiatus, then the move to Fridays, followed by Harmon’s firing, then most recently the doubling back from the move to Fridays and now they’ve sent the new showrunners on a mini media tour as a clear preemptive strike against the potential backlash of its most recent decision.

Port and Guarascio both seem to have had little warning that their interviews would eventually be damage control, but they manage to say all the right things anyway. It really sounds like they’re going to stay true to Harmon’s vision of the show, which at the end of the day may be the most meta trick Community could have ever pulled.

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

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The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

cogsworth-lumiere-live-action-beauty-and-the-beast

While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

live-action-beauty-and-the-beast-gaston

Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

human-beast-dan-stevens

We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

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Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

borderlessmockup1

What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?