Neil Gaiman lets Whoians know what to expect in his second Doctor Who episode, “Nightmare in Sliver.”

This is definitely not just a rehash of the Cybermen whose constant stomping around can sound like an assembly-line plant that is mashing and forging out cars in Detroit. Neil Gaiman shared with the BBC that his approach was a bit more finessed.

“We’ve moved on a little bit, technologically, from the last round of Cybermen we saw, because we’re a bit further into the future. So instead of Cybermats, we’re now going to encounter Cybermites… We have to deal with various things we’ve had to deal with in the past, such as the Cybermen’s ability to take over people and transform them into Cybermen. And this time, it’s going to get very, very personal for the Doctor”

Gaiman has always had a talent for writing developed children characters. His children’s books Coraline and The Graveyard Book contain complex characters with a range of emotion. In fact, he won the Newbery Award for the latter. With “Nightmare in Silver,” we finally get to see the two children that Clara is the nanny to for an extended period of time in the episode. In the video below, it looks like Angie has some anger and control issues. We know that the Great Intelligence preys upon the minds of troubled children. Do you think that maybe Angie and her brother are potential victims?

In the last video you really wonder how Warwick Davis was going to finish his sentence. Does it give away too much of the plot?

Gaiman’s first foray into the Doctor Who universe was the wildly popular “The Doctor’s Wife,” where he explored who the TARDIS was to the Doctor, and personified her in the miss-mosh humanoid Idris. Now just because he was successful in that episode, is one of the most acclaimed sci-fi writers of all time, and is a fanatic Whovian doesn’t mean he’s interested in Steven Moffat’s job as showrunner.

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When the question of taking over Doctor Who down the road was put to him, Gaiman told SFX:

“…I tend to laugh when people say ‘Would you like to be the next showrunner after Moffat?’ I don’t even have time to write an episode! You want me to be showrunner? Nothing else will happen in my entire life!

It’s certainly refreshing to know that Gaiman isn’t trying to do everything. He seems to have a healthy perspective on what his limits are, and where his talent lies. A certain amount of criticism, justified or not, has been heaped upon the doorsteps of writers such as Steven Moffat and George R.R. Martin for taking on too much, and having their work suffer as the result. It doesn’t look like Gaiman, at least at this juncture, will suffer the same criticism.

When the news broke about X-Men: Supernova being adapted for film, the reactions were as predictable as they were extreme: “Yay!” from the fanboys and “Oy vey” from the general populace. And strange as it feels to me, I align with the casual moviegoers, despite being the guy who went to see the last two X-movies dressed as Mystique and Cyclops.

A quick word about my X-geek credentials: I’m not a comic book reader, but was obsessed with all the TV shows, and transferred that obsession to the film franchise. And I don’t hate The Last Stand as much as you want me to; I just thought it was meh.

I think rehashing the Dark Phoenix storyline is a bad idea both financially and creatively. Financially, it wouldn’t go over well with casual moviegoers. Anyone who knows enough to be excited about a Dark Phoenix movie would go see it anyway, and everyone else will wonder why they should bother seeing a story they just saw 12 years earlier. There’s a reason Amazing Spiderman made less than two-thirds the gross of the original Spiderman, despite 3D and a decade of inflation — why bother paying to see a film when you can just stream the last incarnation?

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When the news broke about X-Men: Supernova being adapted for film, the reactions were as predictable as they were extreme: “Yay!” from the fanboys and “Oy vey” from the general populace. And strange as it feels to me, I align with the casual moviegoers, despite being the guy who went to see the last two X-movies dressed as Mystique and Cyclops.

A quick word about my X-geek credentials: I’m not a comic book reader, but was obsessed with all the TV shows, and transferred that obsession to the film franchise. And I don’t hate The Last Stand as much as you want me to; I just thought it was meh.

I think rehashing the Dark Phoenix storyline is a bad idea both financially and creatively. Financially, it wouldn’t go over well with casual moviegoers. Anyone who knows enough to be excited about a Dark Phoenix movie would go see it anyway, and everyone else will wonder why they should bother seeing a story they just saw 12 years earlier. There’s a reason Amazing Spiderman made less than two-thirds the gross of the original Spiderman, despite 3D and a decade of inflation — why bother paying to see a film when you can just stream the last incarnation?

Creatively, I want to see the film franchise take on a new story, instead of trying to do an old one better. Sony finally figured that out: no one wants to pay to see Peter Parker watch Uncle Ben get killed yet again, so just move on. Even from watching the cartoons and reading Wikipedia, I know that X-Men has some fantastic storylines to explore: Genosha, Legacy Virus, or House of M. When the films have given the fans a cinematic incarnation of an exciting new story, the results have been overwhelmingly positive: consider Days of Future Past, or the excitement for Old Man Logan.

Even if they redo Dark Phoenix, what are the odds it’ll be that much better? Sophie Turner is not a markedly better actress than Famke Janssen. It would be at the same studio, produced by a lot of the same people who did The Last Stand and Apocalypse. It may be time to just write off the Dark Phoenix saga as a lost cause for the film franchise. Fans will always have the original comics to return to, and two animated incarnations of it (‘90s X-Men and Wolverine and the X-Men).

It’s the same way I feel about the Harry Potter franchise: I wish we could get decent movie adaptations of the books, but I’m much more excited for new stories in Fantastic Beasts, and happy to ignore the movies in favor of rereading the books. Films are not the be-all-end-all creative expression of a story.

Of course, I’ll still go see X-Men: Supernova when it comes out, but I really hope the next X-Men film gives me something to be excited about. I am familiar with going in to see films and thinking, “God, I hope they don’t eff it up again.” That’s how I felt for the latter Harry Potter movies. I’d be happy if they did a film centered on Sophie Turner’s Jean Grey, because I thought she was one of the few highlights of X-Men Apocalypse, but I truly hope they just leave the Dark Phoenix storyline well enough alone.

Do you want to see a retread of Dark Phoenix, or are you over it?

Agents of S.H.I.E.L.D. showrunner Jed Whedon discusses those killer twists and writing fanfiction in the aftermath of the spring finale.

Jed Whedon wrote and directed Agents of S.H.I.E.L.D. 4×15, the episode that brought the current LMD storyline to an ostensible close. “Self Control” also completely changed the game for the rest of the season, sending Daisy into the ‘upside down’ of the world of the Framework to rescue the rest of the team.

But the Framework is a world where resolved regrets have appalling consequences — and that world is run by the likes of Jed Whedon and Maurissa Tancharoen. Whedon offered up his thoughts on upcoming themes, that crazy return, and the life and death stakes of Agents of S.H.I.E.L.D.: Hydra.

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Agents of S.H.I.E.L.D. showrunner Jed Whedon discusses those killer twists and writing fanfiction in the aftermath of the spring finale.

Jed Whedon wrote and directed Agents of S.H.I.E.L.D. 4×15, the episode that brought the current LMD storyline to an ostensible close. “Self Control” also completely changed the game for the rest of the season, sending Daisy into the ‘upside down’ of the world of the Framework to rescue the rest of the team.

But the Framework is a world where resolved regrets have appalling consequences — and that world is run by the likes of Jed Whedon and Maurissa Tancharoen. Whedon offered up his thoughts on upcoming themes, that crazy return, and the life and death stakes of Agents of S.H.I.E.L.D.: Hydra.

First, what’s it like being an evil genius, destroyer of fandoms?

Oh well, you know! I get a lot of love-hate tweets at me.

When did you first have the idea to go into this alternate timeline, and basically write fanfiction of your own story?

You know, we end every year with talking about what next year will be. So last year, we had a lot of different things on our plate that we wanted to get into the season, and I think you can see we packed a lot in. But there’s sort of three big ideas — Ghost Rider, LMDs, and some sort of alt-world where we could, as you say, write some fanfiction for our characters and explore new things.

You know, I think this is our eighty-first episode that just aired, and that’s a lot of stories. So it’s refreshing for everybody, in production, action, and writers, to flip the script for a little while and get to sort of shake it out and use a new muscle.

So that’s something we talked about doing, and then figuring out how to do it, and how to make all those stories sort of become one thing was the real puzzle. And that’s where the Darkhold came in, and the idea that, finding a way that the Darkhold could sort of get us new tech, and the tech could get us to Alt-World. And so it was sort of a year in the making, and then it’s just a question of, what do we want to do in there? What kind of fun do we want to have?

Speaking of that, can you clarify the parameters of the Framework? Is it really an ideal world, as Aida and Radcliffe seem to think?

Yeah, I think that Radcliffe and Aida set out to duplicate the world, and with some of the info that Aida got from the Darkhold, they were able to do that. Now, the one change that they made was they plugged I think five people into it and repaired one regret for each of them, and that seems to have had a little bit of a ripple effect. We’ll get to learn more about the nature of that reality, but they were setting out to make our world. And it just seems when you change something, there’s a little bit of a butterfly effect.

So putting Jemma aside, who is decidedly her own case as she is apparently dead, which character’s new life do you think will be most surprising to fans?

Well, that’s a little bit of a wait and see question. But one thing I can say is that the themes we’re exploring are sort of, are you different if you’re in a different situation? Or are you inherently the same person? Obviously, we see May standing without much fear in a Hydra building, seemingly like she’s on top of the world. And so the question is, is she still her? Or have her new experiences changed her enough to be someone else?

Those are some of the themes that we’re going to explore. And you’ll get to see how each person is different and sort of judge for yourself who is the most different. But those are some of the themes we wanted to dig into. Is there a true you, or are you made up of your regrets — and what happens if you take those away?

And in terms of Jemma, you were very careful to obscure the date of her death on the tombstone. Is there any significance to that, or a mystery we should be keeping an eye out for?

In general in the Marvel Universe, dates are avoided. Because so much is connected… and I think that if you really asked, they would say that since the first Iron Man movie, like, two months has passed, or something insane! [laughs] You know, I think that we try to avoid them in general, but also it’s just so that you don’t know what’s happening, and we don’t have to answer all those questions, or stick super strictly to the exact timeline of when things would have occurred, so that we can have a little more wiggle room in terms of what stories we tell.

But yeah, we don’t know if it happened 20 years ago, or recently. We don’t know because we put a little flower over that!

But there’s a chance that we’ll see Jemma again?

There is a chance! And I’ll just say that we love Elizabeth [Henstridge] too much to have her go out off camera.

Okay, cool! So in terms of Ward, you definitely know how to keep the fandom churning! Is there a possibility that he will show up beyond the alternate universe, or is his role strictly in imaginary land?

Well, we’ll have to wait and see. But right now, there’s only five people in the Framework who actually have bodies in our world. [Ward] is a simulation, but he’s a simulation of exactly who he was. As Yo-Yo says, how do you populate a whole world? And Daisy very conveniently answers, “With the Darkhold.” It’s sort of our catch-all/fix-all solve this year, the Darkhold. It gave them this ability to sort of duplicate our world, so he is Grant Ward as we knew him.

Now, the world is different around him, and so whether or not he reacted the same to the changes in the world, we’ll see. But Grant Ward never enters the picture and makes things run smoother!

That’s for sure. So if you were to boil down what we can expect from Agents of S.H.I.E.L.D.: Hydra, what would you say?

Nightmares and dreams coming true.

…Oh boy.

Agents of S.H.I.E.L.D. 4×16, “What If…” will air on Tuesday, April 4 at 10:00 p.m. on ABC.

Instagram has launched a new feature which’ll decrease the amount of stress you may feel when creating a post.

Sometimes you want to share multiple pictures or videos from one experience, but you may want to avoid clogging your friends’ feeds with multiple posts in a row. Or, you just can’t decide which photo you want to share to brag about your night.

One solution has been to stick multiple images into a single frame — a trick that became so popular, Instagram made their own app for it called Layouts. But stress no more! On February 22, Instagram released a new feature which lets you upload multiple photos to a single post.

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Instagram has launched a new feature which’ll decrease the amount of stress you may feel when creating a post.

Sometimes you want to share multiple pictures or videos from one experience, but you may want to avoid clogging your friends’ feeds with multiple posts in a row. Or, you just can’t decide which photo you want to share to brag about your night.

One solution has been to stick multiple images into a single frame — a trick that became so popular, Instagram made their own app for it called Layouts. But stress no more! On February 22, Instagram released a new feature which lets you upload multiple photos to a single post.

Multi-image Instagram posts are limited to the square format and only use one caption, but each image can receive their own filter. To view all the images, your followers swipe left or right. Up to 10 images can be placed in a single post.

In a way, the new feature lets you create a Snapchat or Instagram-like story that lives forever. It’s a welcome addition — previously only available to advertisers — and should streamline each user’s feed.

Now it’s Snapchat’s turn to copy off of Insta. Is it only a matter of time until Snap lets you permanently keep photos, videos, and stories accessible to the public in some sort of profile?

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