Five months later, and we’re still not over the dramatic, traumatizing Merlin series finale. Read on to find out why we’re convinced BBC’s Merlin is damn near impossible to get over!

If you’re among the American fans who waited patiently for the end of Merlin’s fifth and final season to air stateside, we suspect you’re most likely still mourning over the loss of the series, and possibly some of your favorite characters.

Those of us who watched last December wish we could tell you the feels are a phase which will pass, but as we here at Hypable know first hand, that’s just not the case.

While Merlin was on the air, we thought it was a great show. Fun, historical, whimsical, tragic… what was not to love? Sure, it was silly at times, but no TV show is perfect.

But now that it’s over? Yeah, it pretty much ranks up there as one of the few works of fiction we’ll never, ever forget.

Almost six months later, we’re still waiting for that moment to come where we can put Merlin on the proverbial shelf in our minds along with all of our other beloved fandoms which have come to an end, but that moment seems as far away as ever.

We survived the end of Harry Potter, Lost, Battlestar Galactica, Buffy, Lord of the Rings, and all of the other timeless classics.

So why is Merlin, that fun little Saturday night family show on the BBC, so hard to get over? And it’s not just us! The entire Merlin fanbase, whether they loved or hated the finale, are still talking about it.

Our Merlin aficionados here at Hypable have put their heads together, and come up with 5 reasons why we’re still not over BBC’s hit fantasy series!

This post was written by Hypable writers Selina Wilken and Pamela Gocobachi.

 

1. The Memorable Characters

Merlin memorable characters

Everyone knows that you can tell the best story in the world, but that story is nothing without memorable characters needed to move it along.

Just like series that have come before it, BBC’s Merlin is full of irresistibly memorable characters we as the audience just couldn’t help but fall in love with.

But the funny part about Merlin was that Capps and Murphy weren’t exactly introducing us to new characters when they set out to create the show.

Instead, they found a way to reintroduce us to characters that some of us grew up hearing stories about when we were children.

So what is it about BBC’s Merlin that made us fall head over heels in love with characters like King Arthur and Guinevere and even Merlin himself?

As simple as it sounds, the reason is simply that the show runners behind Merlin managed to make the characters relatable to the audience.

Arthur didn’t start out the perfect heroic figure we know from the legends. He was young and flawed, and it was hard to see how the arrogant, conflicted young man we meet in season 1 could ever become the powerful, fair king we knew he had to grow into.

Similarly, aging Merlin down was probably one of the best decisions the show runners ever made.

By making Merlin younger, he ceased to be the untouchable enigma he becomes later in life. The Merlin of BBC isn’t otherworldly; he’s not yet powerful, and not yet legendary. Like Arthur, he is a flawed character, arguably has a tendency to put his foot in his mouth, and most notably, he doesn’t have all the answers and easy solutions we’d expect from the original Merlin.

When you strip it down, at the end of the day, Merlin is just a boy trying to figure out his place in the world. And who among us can’t relate to that?

 

2. The Merciless Tragedy of it All

Merlin finale tragedy

There’s a reason tragedies are usually more memorable than comedies: whenever you engage with a work of fiction you become invested in its set of characters, and you care about what happens to them.

And when those characters go through hell and back, but ultimately come out of it relatively unscathed? You can let out a sigh of relief and go back to your own life, content in the knowledge that your fictional friends are alive and well.

Tragic endings are much harder to shake off, because you carry all of the characters’ regrets and what ifs around with you. What if Romeo and Juliet had just talked to each other like normal people? What if Orpheus had resisted the urge to look back at Eurydice as he led her out of the Underworld? What if Rose had just shared that damn plank with Jack?

But even those endings are easier to get over than the ending of Merlin. Why? Because Merlin didn’t end.

In Romeo & Juliet, both characters die. It’s tragic, but they’re dead, the story is over. In Titanic, Rose is left on her own to grieve Jack’s death, but let’s get real, she knew him for like a week. And ultimately knowing him gave her the strength she needed to break out of the golden cage she’d probably have been trapped in all her life, if not for the events of the story.

Storytellers usually can’t help but leave their readers/viewers one small silver lining, just enough to allow them to make their peace with an otherwise tragic ending.

But in Merlin, there is no silver lining. Nothing good came of Arthur’s death, and Merlin was allowed no possible way out of his grief and regret – not even death, as the final scene strongly hinted that he’d indeed been waiting for all this time.

We spent five years watching these characters grow and change and become the characters we knew from legend. Gwen went from servant to queen, Arthur went from inexperienced prince to competent king, Morgana went from philanthropic princess to queen of darkness, and even Mordred got to transform from loyal friend to reluctant enemy.

But not Merlin. It was ultimately very symbolic (whether the writers intended it that way or not) that Merlin was the only character who never got to take his rightful place at the Round Table.

Everyone else had their Golden Age (although most of it happened during the gap between seasons 4 and 5), but Merlin only came into his power at the very end, when Arthur’s reign was over. So while he technically fulfilled his destiny, his storyline did not come full circle like the others’ did.

Merlin, our protagonist, never got his reward for all those years of hardship. While he never wanted reward or recognition for what he did, that didn’t mean he didn’t deserve it – that the audience wasn’t expecting that payoff after having to watch him carry his secret for all these years.

And after Arthur died, Merlin didn’t even get to walk away. He didn’t get to move on. Because the dragon’s final words, while meant to bring him hope, basically thwarted any hope of closure for Merlin.

He knew that one day Arthur would return, which meant that whatever else he did, he always had to keep on waiting – seemingly forever, as the flash forward indicated. The writers practically left their main character in a state of suspense, in a torturous purgatory, where he could never find true peace because his watch had not yet ended.

And if our main character – our window into the universe of the series – never got to move on, then how can we be expected to?

 

3. Like Merlin, we are all still waiting

Merlin still waiting

As if it isn’t painful enough to know that Merlin has been waiting for Arthur for 2,000+ years already (and we really hope he found himself a hobby!), that final shot was the nail in our collective coffin of doom: after all this time, Arthur has still not returned. And it doesn’t look like he’s about to.

Not even after thousands of years do the writers take pity on Merlin and set him free. That final shot was like a punch in the gut to the audience, because for all the dragon’s promises, Arthur still did not return.

If Arthur had returned in that final scene, or if there had been one single hint that Merlin’s wait was over, that would have been enough. But by establishing that Merlin is still out there, is still waiting, the writers made sure that we would never stop waiting either.

Those clever, cruel, masterful writers, who recognised that hope (even such a feeble, depressing one) is harder to let go of than grief, and who knew exactly how to leave their viewers at their maximum level of devastation. On Christmas Eve, no less. This is, in our opinion, ultimate proof that the BBC is run by a cult of evil geniuses.

The last shot of the show established that Merlin is still waiting. Merlin will always be waiting. And so we, the audience, who see the world through Merlin’s eyes, will never be able to fully make our peace with the ending. It will never be okay. Even now, when we’ve technically moved on, every time we think of Merlin, it will be with that twist in our gut reminding us that Merlin’s story didn’t end happily – it didn’t end at all.

 

4. The Unanswered Questions

Merlin finale Gwen on the throne

The length of Merlin’s wait was far from the only question which the finale left unanswered. The very final shot (before the flash forward) showed us Guinevere being crowned as Queen of Camelot, with Leon standing by her side and Percival and Gaius in the crowd.

There was no sign of Merlin.

Ever since the finale, the fandom has been debating whether he would have returned to Camelot after Arthur’s death – some fans believe it would be too painful for him to go back now that Arthur (arguably the person he had made the focus of his existence) was gone, while others argue that he’d obviously go back for Gaius and Gwen. But they deliberately left that up to interpretation in the show.

As for Gwen, at least we can make up a happy ending for her. She may have lost the love of her life (both, actually, since Lancelot died as well), but hey, she still had Leon! We have fully embraced the theory that she and Leon eventually got married and had dozens of babies, because you know what? Someone had to have a happy ending!

But whatever happened at Camelot, we know that eventually, the golden age had to end, and the kingdom had to fall apart. But how did the fall of Camelot come about? Was that during Gwen’s rule, or after she died?

If Merlin ever went back, where did he go after all his friends had passed on? Did he make new friends? Did he find love? Could he ever attach himself to people, knowing that he would only lose them like he’d lost everyone else he’d ever loved?

And did he age? In the final scene, we saw him as an old man, but the final episode established that he was now able to change into his Dragoon form at will. We choose to believe that, like Nimueh, Merlin could still maintain his youthful appearance if he wanted to. Because, after all, he promised Arthur that he wouldn’t ever change. And when (damn it) Arthur returns, the world will be different – surely Arthur will need at least one thing to have remained as he remembers it.

Unless we get answers to these questions from Capps and Murphy themselves, we’ll always be haunted by the what ifs. But we almost don’t want to know– we don’t think we could take any more heartbreak!

 

5. The Finale Feels Keep on Changing

Merlin finale feelings

As with all conclusions to beloved series, some fans accepted Merlin’s finale for what it was while others flat out hated it right from the get-go. But we suspect if you’re anything like us, you might have gone through a few different feelings before settling on the restless one we can only describe as ‘still not over it’.

If you’ve listened to our reaction episodes on Hypable’s Merlin podcast, Talks of Camelot, you’ll know that our initial reaction episode (which we recorded right after experiencing the finale for the first time) was drastically different from the much more structured episode we released a few weeks later after we’d had time to settle down and process exactly what it was the writers and showrunners had left us with.

We suspect that our initial elated feelings of love for the finale itself had much more to do with the adrenaline caused by knowing that the final episode of Merlin didn’t turn out to be the complete and utter train wreck it could have been. And okay, we’re not going to lie, we were probably a bit blinded by the fact that at the end of the day, what the writers gave us in that final episode was one last epic journey with Merlin and Arthur by each other’s sides. And really, who isn’t a sucker for that?

But after the adrenaline faded, after we got past the wonderful moments of friendship between our two leading men and began to process what the finale left us without? Well, that’s when we realized that while being tragically beautiful in every sense of the phrase, Merlin’s finale was just downright heartbreaking. Because at the end of the day, Merlin is still waiting for Arthur, and we as the audience have no way of knowing if his wait will ever end.

The way our feelings toward the finale changed was kind of similar to the 5 Stages of Loss and Grief, only instead of reaching the fifth and final step of acceptance, we’re kind of stuck somewhere in limbo between anger and depression. Perhaps someday we’ll figure out a way to get to that final step, but until then, we suspect we’ll continue to be hung up on Merlin – similar to the way one would be hung up on an ex after a breakup.

However, we still maintain that the finale was tragically beautiful, and we love the show for daring to end on such a deeply emotional note.

One of the key reasons why the finale will stay with us forever is because of how deeply it moved us. (If it hadn’t, we wouldn’t have cared enough to write this article in the first place.)

A neatly wrapped up ending would have satisfied us for a day. This utter heartbreak will leave us miserable for years.

And we can’t say we blame the writers for wanting to leave a lasting impression.

Why do you think the Merlin series finale is so hard to get over? Let us know in the comments below!

Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

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Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

Kristen Stewart

Charlize Theron

Madonna

Nick Offerman

Sir Ian McKellen

Candice King, Julie Plec and Kayla Ewell

Mindy Kaling

A photo posted by Mindy Kaling (@mindykaling) on

Darren Criss and Nick Lang

Melissa Benoist

💪#womensmarchonwashington

A photo posted by Melissa Benoist (@melissabenoist) on

Misha Collins

#womansmarch Jacksonville, FL. Fight on!

A photo posted by Misha Collins (@misha) on

Aja Naomi King and Alfred Enoch

Resistance. Respect. #womensmarch 👊🏾

A photo posted by Aja King (@ajanaomi_king) on

Lin-Manuel Miranda

Joss Whedon

Edgar Wright

Miley Cyrus

Ariana Grande

today filled my heart with so much hope !! got to meet many beautiful, passionate people and march alongside my loved ones. the sun came out for us. we are so much stronger and louder than hatred, ignorance, sexism, racism, agism, homophobia, transphobia, body shaming, slut shaming, prejudice, discrimination of all kinds, patriarchal conditioning and the backwards expectations of what a woman should be! I'm so proud of / inspired by everyone who marched today and thankful that there are so many people on this planet currently celebrating how brilliant and magical women truly are! let's keep our voices loud, passionate & peaceful! let's continue being strong for each other and to build each other up! let us stay connected to our divinity. 🌸♡🌌

A photo posted by Ariana Grande (@arianagrande) on

John Legend

#WomensMarch

A photo posted by John Legend (@johnlegend) on

Chrissy Teigen and America Ferrara

Dame Helen Mirren

Gillian Anderson

Bryan Fuller

Neil Gaiman

Kerry Washington with Natalie Portman

… and with Laverne Cox

Ben Barnes

Amy Schumer and Uzo Aduba

A photo posted by @amyschumer on

Gina Rodriguez

Carlos Valdes, Arthur Darvill, Danielle Panabaker, Caity Lotz and Keiynan Lonsdale

Maggie and Jake Gyllenhaal

Kevin McHale

Chris Colfer

Scarlett Johansson

Blake Lively

Yoko Ono and Whoopi Goldberg

Jessica Chastain

Alicia Keys and Janelle Monae

Katy Perry

Zendaya

That's right…

A photo posted by Zendaya (@zendaya) on

Troye Sivan

Willow Smith

Mark Ruffalo

Yip. Well said. Borrowed sign from @dorisfullgrabe design by @dirtybandits #womensmarch Nyc

A photo posted by Mark Ruffalo (@markruffalo) on

Paul Bettany

Eddie Izzard

Stephen Colbert

Did you turn out to support the Women’s March?

Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

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Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

They don’t specifically say Omundson will be playing the God, but EW reports he is “a patient in a psychiatric hospital, who is charming, enigmatic, and oh yeah, he thinks he’s the one and only God Almighty.”

Lucifer will certainly take issue with someone impersonating any divine being, let alone his father.

However, EW also says, “As Lucifer (Tom Ellis) tries to prove him a phony, he comes to find that ‘God Johnson’ seems to know things that only Lucifer’s true Father would know. Could he really be the Big Guy Upstairs?”

The trick will be to figure out if God Johnson is the real deal or if someone else is feeding him information to lure Lucifer out. At this point, it could be just about anybody — Charlotte, Amenadiel, the man in the hat, or a player we’ve yet to meet.

Omundson has been signed on for only one episode, but that doesn’t necessarily mean we’ll never see him again.

Are you excited Timothy Omundson has been added to ‘Lucifer‘?

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

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At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

The CW drama The 100, which is entering its fourth season in February, rather bluntly captures that sense of young people paying the price of previous generations; at the beginning of the series, a council of adult politicians literally sent teenagers to a radiation-soaked earth to try to save their own society.

The 100 season 1 Jaha

The pilot episode revealed the extent of the power imbalance between the generations that reflects our society today: Chancellor Jaha presented the project of ‘the hundred’ as a way for young delinquents to fulfil their duty and gain redemption, even if it cost them their lives. They were even expected to be grateful, because they’d been judged as criminals and would have been executed anyway, even for relatively petty crimes.

And as The 100 season 4 approaches, the adults’ attitudes towards the kids haven’t changed that much from the show’s premiere.

Related: Previewing The 100 season 4: What to expect when you’re expecting an apocalypse

Generational conflict and tension has remained at the heart of the show throughout the series. The generational focus has not been diluted even as the world has expanded to reveal far more of the culture of the Grounders; in fact, this has only given rise to more conflict as the older members of Skaikru have struggled to accept not only the Grounders’ belief system, but the young age of their Commanders.

As the figurehead for all of the delinquents, lead character Clarke has been undermined and derided at every turn. In season 2, her own mother scoffed at the idea that Clarke and Lexa could lead their people to safety, mocking the Grounder Commander’s age and commenting, “They’re being led by a child.” It was up to Kane to point out that Skaikru were, too, because none of the adults had managed to think of a solution, and it was up to Clarke to save them.

Both Abby and Kane’s attitudes play into the infantilising of the millennial generation. Neither Clarke nor Lexa were children. They were young adults, and they were working towards making a better society where all of their people could survive while the adults were focused on internal power plays. Jaha was ready to leave the young adults in Mount Weather to die, but that’s no surprise; he’d made that decision before.

Abby couldn’t bear losing power to her own daughter, to the extent that it culminated in a scene where she assaulted Raven. The young mechanic was cool and composed in her response, pointing out that Clarke stopped being a child when Abby signed off on her daughter being sent to Earth to die.

Raven’s positioning was clear: Although not condemned by any crimes (even if she had committed the crime that Finn was convicted of), she chose to align herself with the hundred and was the one who chose to come to Earth simply to help. The younger generation, in short, pulled together, and when the older generation landed they brought down their old rules and oppression.

The consequences were overwhelming for the younger characters. They were tasked with saving everyone at the expense of any peace to their own souls. Clarke demonstrated this more than any other character and she ended up fleeing her people, unable to carry the burden of expectation they all had for her. It’s something she wrestled with throughout season 3, and with Earth facing a nuclear apocalypse again, Clarke will have to make peace — not with herself, but with how everyone else sees her if she is to survive.

The 100 season 4 Bellamy

Bellamy, too, will have to find his own identity. Last season, he effectively turned his back on the hundred to win the praise of Pike, and Bellamy upheld and supported his bigotry.

His part in slaughtering the Ark survivors’ 300 Grounder allies will not be easily forgotten. Bellamy wanted to be the hero. He wanted to protect people (specifically the women in his life) who never asked for that, and he wanted to be a part of the establishment.

If The 100 presents a metaphor for the real-life relationship between millennials and Gen X, Bellamy is the one wearing the rose-tinted glasses that younger people are supposed to wear when viewing an establishment that has been willing to regularly criticise later generations.

He had longed to be part of the Guard since he was a boy, and he saw a way to fulfil that old dream and become part of an order that had caused his entire family so much suffering. Bellamy was never quite the hundred: He was older, and his sole concern initially had been protecting his sister. It was easier for him to flit between the different groups within Skaikru than it was for any of the rest of the hundred.

After the events of last season, however, Bellamy now knows the pain he’s caused by his choices. And in season 4, he will have to choose exactly who to put his faith in: Clarke or the old order?

But maybe, in light of the external threat that now threatens humanity’s survival, the two generations will finally be able to pull together. There have been many hints that Clarke and Jaha will find some common ground this season due to the pressures they are facing, and Jaha knows well the cost of leading. Through Clarke, we will see whether lessons can be learned from the mistakes of the generation before.

Octavia once accused Clarke of being just like the council by deciding who was worthy of life. Clarke now must show whether she will follow that path or whether she can be better. The millennial dream of whether we can learn from the repression and conservatism of the past will be on trial in The 100 season 4, as we see just how Clarke plans to lead her friends into this new battle.

The 100‘ season 4 premieres February 1 at 9/8c on The CW