The Lizzie Bennet Diaries Youtube web-series is an adaptation of Jane Austen’s Pride and Prejudice that has expanded the world of Austen so effectively that we have fallen head-over-heels with the newly developed characters.

You won’t find any hate against the Pride and Prejudice source material here, we adore Jane Austen’s novel (not to mention Mr Darcy). But what The Lizzie Bennet Diaries has managed to do is improve on those supporting characters who Austen just didn’t have the space to develop in her original novel. We believe this in-universe expansion is only a good thing.

Given the choice between added scenes involving zombie hunting, added sex scenes, and expanded character development – we’ll take the third option. It’s not about “fixing” Austen, it’s about bringing this 200 year old story to a modern audience. These reinventions have been so effective by the team behind The Lizzie Bennet Diaries that there are four supporting characters who have been standouts in the web-series in a way that would have been impossible in Austen’s original novel.

Charlotte Lu

While the diverse casting is wonderful, the most interesting thing about Charlotte is not how her surname has changed, but the ways her character has. For the first time, we can actually see that Lizzie and Charlotte’s friendship was based on more than mere proximity. Portrayed by the wonderful Julia Cho, we see Charlotte standing up to Lizzie at various points in the series, making their friendship both more interesting and more believable.

The Lizzie Bennet Diaries have also striven to show Charlotte as a character in her own right. She is a successful woman in her new job, which is the modern twist on the Collins proposal. And Charlotte is also forced to take responsibility for the way she convinces Collins to offer her the job, an aspect which is usually left unaddressed. Their reunion is the better for these changes, and their relationship provides a grounding to the show and to Lizzie herself.

Lydia Bennet

The development of Lydia has been the most dramatic (and often controversial) reinvention. Lydia’s actions provide the impetus for the entire final section of the novel, but usually we are only told that Lydia is the bad guy, shaming her family and being a general nuisance. We haven’t see the reasoning behind Lydia’s decisions, the hurt she feels after being left out by her older sisters, or the real attraction she has to Wickham – not until now.

The Lizzie Bennet Diaries has not diminished Lydia. Instead, through some spectacular acting by Mary Kate Wiles, we see her slowly falling for Wickham and becoming alienated from her family. So can we blame her for her actions? In past adaptations (and the novel) the audience has been just as judgemental of Lydia as Elizabeth is. How refreshing to see an adaptation that makes Lydia’s journey just as important as Lizzie’s.

Caroline Lee

Caroline was an unlikely candidate for development, given her relative unimportance in the grand scheme of Pride and Prejudice. But suddenly in The Lizzie Bennet Diaries, we understand the way in which Caroline subtly manipulates everyone around her, as shown wonderfully by Jessica Jade Andres. The decision to make Caroline and Lizzie friends has allowed Caroline to be a more powerful personality, using Lizzie’s own prejudices against her.

Making Caroline aware of the videos (while Bing and Darcy remained in the dark) gave her the trump card. Her faux friendship with Lizzie allowed Caroline to push her own agenda (spoiler: she wants Darcy), by being sneaky, pushy, overbearing and underhand. And she was surprisingly effective. Interestingly, one of the best episodes to date was “C vs. C”, which featured two generally ignored supporting characters – Charlotte and Caroline.

George Wickham

How do you approach a character who an audience is destined to dislike? After all, if fans weren’t aware that he would be the downfall of poor Lydia, it’s unlikely that his portrayal on The Lizzie Bennet Diaries would have been met with such vitriol. We know we aren’t supposed to like him, and we know (or we think we know) how his story will end up, so why bother with the pretence of innocence? He’s the bad guy, after all. Well – not quite.

The Lizzie Bennet Diaries (and spin-off The Lydia Bennet) have gone to great lengths to demonstrate that there are two sides to each story, even to Wickham and Darcy’s. Wickham may be manipulating Lydia to some extent, but do we know that he does not care about her? The fact that we are even prompted to have these conversations is a testament to the work by the LBD writing team, and some superb acting by Wes Aderhold.

And everyone else

These four may have received the largest rewrites, but we believe that every character has benefited greatly from the close attention of the production team. Every character is treated empathetically, becoming much more than simply the props in Lizzie and Darcy’s drama.

Fitz Williams (Craig Frank) has become an unashamed ‘Dizzie’ shipper. Jane (Laura Spencer) has become a measure of self-awareness for the other characters. Gigi Darcy (Allison Paige) is not just the sidekick to Wickham’s story, but a wonderful character in her own right who is still being developed (now with her own spinoff on the Pemberley Digital channel).

Charlotte’s little sister Maria (Janice Lee) was instrumental in bringing Charlotte and Lizzie back together. Ricky Collins (Maxwell Glick) isn’t ridiculous, he is merely passionate about his work. Mary (Briana Cuoco) becomes a cousin who refuses to be Lydia’s last resort. And finally, while we haven’t yet seen a huge amount of Bing Lee (Christopher Sean), but we have big hopes that the closing arch of the novel will focus on his development as well.

And what about the big two? The developments made in the characterisations of Darcy and Lizzie warrant their own article, but it is safe to say that neither have suffered from the empathy shown to their surrounding cast. In a show that has taken pains to help us understand even the most minor of characters, Lizzie and Darcy both appear in the most accurate representations of Austen’s original characters that we have ever seen.

So thank you Lizzie Bennet Diaries, for reminding us why we love Pride and Prejudice so much. You have breathed new life into a story which didn’t need it, but has benefited greatly from it all the same.

Who is your favourite ‘Lizzie Bennet Diaries’ supporting character?

Harry Potter and the Cursed Child reviews from theater critics are glowing, so when the hell can Americans get a chance to see the play in New York?

With just days to go until The Cursed Child script book is released around the world, The New York Post’s theater reporter has spoken to sources who say the play will be coming to Broadway sooner rather than later. Producers are currently holding discussions to bring the play to NY as early as 2017.

They haven’t yet announced a Broadway engagement for “Harry Potter and the Cursed Child,” but New York theater people say it’s only a matter of time. Word is that Friedman and Callender are in negotiations for a Shubert theater possibly for next season. They may hit Toronto first, however.

The idea of The Cursed Child hitting Broadway so soon (“next season” could mean around May 2017) will come as a relief to American Harry Potter fans who would rather not travel overseas to see “the eighth story” (though it’s a little more affordable to do so right now thanks to #Brexit). It also speaks to this important fact: It’s important to see The Cursed Child rather than reading it.

If the show does go to Toronto first as The New York Post suggests it might, a trip to Canada would also be easier for Americans. Sorry, people who don’t live in North America.

This writer saw the play in June and absolutely loved the characters and magic happening on stage. But the story is… not the best. I’m very eager to see what fans, myself included, think of the story after reading the script book this weekend.

For her part, Rowling has promised that fans around the world will get to see the play. Only time will tell if she’s hinting at a movie or a world tour:

If ‘Cursed Child’ comes to Broadway next year, will you try to see it ASAP?

The West End production currently has dates running into May 2017, but additional dates are expected to go on sale in early August.

Barnes & Noble has announced that Harry Potter and the Cursed Child is already a gigantic hit. In fact, it’s the most pre-ordered book since Deathly Hallows.

It’s been 9 years since J.K. Rowling publsihed Deathly Hallows in the summer of 2007, but Harry Potter fans are evidently still eager for more stories from the Wizarding World. In a press release on Monday, the biggest book chain in the United States revealed that they haven’t seen pre-orders this huge since the last Harry Potter book.


“Harry Potter and the Cursed Child is Barnes & Noble’s most pre-ordered book since Harry Potter and the Deathly Hallows, and we expect it to be our biggest selling book of the year,” said Mary Amicucci, Chief Merchandising Officer at Barnes & Noble in a press release. “To guarantee that our customers get the new Harry Potter book as quickly as possible, Barnes & Noble is the only national retailer that’s guaranteeing delivery of the book on August 1, for both online and ship-to-home pre-orders placed by noon ET on Friday, July 29. Our booksellers are also preparing to host big crowds for our signature Midnight Magic parties on July 30.”

If you’ve passed by a brick and mortar Barnes & Noble in the past few months you’ve probably seen the heavy promotion they’ve been doing. Headers that state “HARRY POTTER IS BACK” will clearly entice people to pre-order.

HARRY POTTER IS BACK! (Spotted at a Barnes & Noble) #harrypotterforever #harrypotter

A photo posted by (@hypable) on

In a report from the Wall Street Journal earlier this month we learned that Scholastic was printing 4.5 million copies of “the eighth story” for the United States and Canada. This is a far cry from the 12 million printed for Deathly Hallows, but still a very large print run for a book in modern times. (Also worth noting: Many readers have switched to eBooks in the years since Deathly Hallows.)

It’s nice to see that Harry Potter fans haven’t lost their interest in the series. Perhaps the success will inspire J.K. Rowling to continue writing within Harry’s world?

The book has also been a huge success on Amazon. The Cursed Child has sat at the top of the online retailer’s bestseller list for months.

Hypable will have lots of coverage surrounding The Cursed Child once it’s released this weekend. Stay tuned! AHHHH!

Sherlock finally made it to Hall H at Comic-Con and the creative team brought a few surprises. Steven Moffatt, Sue Vertue, Mark Gatiss, Amanda Abbington, and Benedict Cumberbatch were on hand to the thrill of fans.

Benedict Cumberbatch and crew definitely know how to work a crowd. Here are the top highlights of the panel that played to a crowd of thousands.

1. Season 4

They are currently two weeks from finishing Sherlock season 4. Cumberbatch said that “a lot comes home to roost this season… it’s ballsy.”

They have 26 pages to film this Tuesday. Cumberbatch states that the monologues are very challenging and take a lot of work.

As for actors’ favorite lines this season:

Gatiss: “Sherlock.”

Abington: Not a line but a beckoning gesture.

Cumberbatch: Can’t say.

Key names for next season (change from doing key words):

  • Moffat: Smith
  • Gatiss: Thatcher
  • Vertue: Sherinford

2. Keeping the show fresh

By not making as many episodes, the creators feel they actually keep the quality. They joked that under normal standards they’ve actually made about half a season of a standard TV show, or 13 episodes.

There are no plans for any other Victorian Era shows. Moffat feels that it would be less interesting if the mind palace returned there.

3. Learning curves and drugs

Gatiss stated that with 90-minute episodes you “really have to put [Sherlock and Watson] through the ringer.” Moffat added that because of this, Watson has to evolve. Watson can’t keep being amazed by Sherlock. As for Sherlock, “he can’t be the weird scary amoral man we met in the first episode… geniuses learn… he has to learn.”

Sherlock’s drug addiction comes back when he is not working. It’s hinted that the addiction will be a bigger issue this season than in the past.

4. The coat and the hair

There is apparently a big debate every year over changing the iconic coat. Sue Vertue wants to change it, and Steven Moffat wants to keep it. Benedict Cumberbatch dove into the debate stating, “I’m quite hung up on the coat…. but sometimes it has to come off.” The audience reaction was predictable.

Cumberbatch joked that he loved playing Sherlock in the Victorian era because of the slicked back hair. In the modern era it takes forever for his hair to get done. On a serious note, he loved the more straight-laced, clipped version of Sherlock.

5. First ‘Sherlock’ season 4 trailer

The teaser trailer featured this phrase over and over: “Something’s coming. It may be Moriarity, maybe not.” Literally every character we know and love looks like they are scared, angry, or worried on an epic scale.

One of the best moments is Mrs. Hudson saying with supreme venom to Mycroft, “Get out of my house you reptile.” Watch below:

6. Improv and family

There is actually, according to Cumberbatch, very little improvisation on set. It’s about how to do what’s there, and not messing with the script. He firmly believes that what is there is what is needed for the show.

Cumberbatch genuinely loves having his mom and dad play his TV mom and dad. Every now and then he can see his mother struggle to call him “Sherlock” and not “Ben.”

7. Mary in the know

Abbington didn’t know she was an assassin until well into the last season. When she found out, she told partner Martin Freeman, “My God, [the fans] are going to hate me.” Despite this, she loves the flawed characters of the series.

8. When will the series return?

No date was given for either the BBC release date or the PBS release date. We only know that it will premiere in 2017.

9. The dog photo

According to Cumberbatch the dog (depicted above) was a nightmare. “The dog wouldn’t fucking move,” he said. The companion was supposed to drag Sherlock all over London, but the dog didn’t like people, concrete, crowds… really anything about an urban setting.

Moffat and Gatiss resorted to writing a new scene on the spot to account for the lack of the dog’s interest in roaming. According to Gatiss all it did was drool on the concrete.

10. Future seasons?

Touching on the future of the series, Moffat stated, “Why is everybody assuming they survive season 4?” Gatiss joked, “We’re skipping season 5 and doing season 6.”

Moffat clarified that — contrary to recent reports — he never said that this season would be the last one (He’s right: All he said was the schedules of Cumberbatch and Freeman are only getting more difficult to work with). Gatiss added that they want to do more seasons, and they hope that they are able to.

Sherlock will be back in 2017. What do you think of the first season 4 trailer?