As Baz Luhrman and Leonardo DiCaprio unveil their second collaborative effort, The Great Gatsby to general audiences this weekend, it’s easy to let the nostalgia take over. It is a beloved story that has been read by teenagers in high schools all across the country for decades and has found a place in all our hearts.

Just like The Great Gatsby, Leonardo DiCaprio has also wormed his way into our hearts throughout his 24-year career. In honor of this remarkable pairing, we thought it would be nice to take a look back at the Leonardo DiCaprio movies that turned the actor into the person we know and love today.

Dom Cobb in ‘Inception’

Leonardo DiCaprio inception

Inception, Chris Nolan’s smash hit from 2010, created one of DiCaprio fans’ favorite and one of the most important roles of his career. In his first film post-The Dark Knight, Nolan made an impression on general audiences, and choosing DiCaprio to lead the film was one of the smartest moves he could have made. Equal parts complicated and endearing, the heart at the center of Inception belongs to the struggle that Leo depicts so effectively as Cobb chooses his own reality.

Jack Dawson in ‘Titanic’

Leonardo DiCaprio HD photo Titanic Jack Dawson

In arguably his most well-known role to date, Leonardo DiCaprio shone through the wide-eyed innocence of Jack Dawson. This character gave life to an event that few people fully understood. History remembers the Titanic as an infamous tragedy, and due reverence is paid to its victims, but Jack Dawson became the face of the many unfortunate victims of unfortunate circumstances in this Oscar-winning film from James Cameron.

Calvin Candy in ‘Django Unchained’

1138856 - Django Unchained

If there’s one thing Tarantino does well, it’s write enchanting villains. Django Unchained was no different. It’s a shame that he didn’t get more recognition, but Calvin Candy is one sickeningly sweet bad guy. The twisted, stringy slaveowner in Tarantino’s spaghetti western is the perfect foil to Django’s hard-edged, street-wise freed slave. If there could be a better dichotomous duo, I would hang up my holster and saunter out of town…

Billy Costigan in ‘The Departed’

The Departed Leonardo DiCaprio Billy Costigan

When an actor lands a partnership with an estimable director like Martin Scorcese, and manages to make an impression enough to land leading roles in four more of his films, you just know that a true talent has found its match. In their third project together, The Departed, DiCaprio tackled the role of Billy Costigan, a young member of a revered mob family in South Boston that becomes a double agent, leaking precious secrets to the Boston police. Most notably, DiCaprio managed to master the tough accent of a South Boston native as well as that of a South African diamond aficionado in the same year. Impressive doesn’t even begin to cover it.

Frank Abagnale Jr. in ‘Catch Me If You Can’

Leonardo DiCaprio Catch Me if You Can

The imaginative tale of a con artist that managed to swindle millions of dollars by posing as a pilot, a doctor, and a legal authority gave Leo an opportunity to play on the light-hearted side of things. More often than not, his choices lean toward the dramatic, and while this role had no shortage of drama, it also demanded playfulness and fun.

Romeo Montague in ‘Romeo + Juliet’

Leonardo DiCaprio Romeo + Juliet

In the world of legendary romances, there is none more well-known than Romeo and Juliet. In their first film together, Baz Luhrman and Leonardo DiCaprio managed to spin this classic tale into one of the most successful re-imaginings of a Shakespeare tale to date. Placing the original dialogue in a modern setting breathed new life into the story without stripping it of its most valuable asset. Leo’s performance raised him to heartthrob status in the mid-late 90s; a distinction he held until his roles of the early 2000s propelled him to the epitome of Hollywood elite.

Jim Carroll in ‘The Basketball Diaries’

Leonardo DiCaprio Basketball Diaries

The Basketball Diaries provided a unique challenge to a young actor on the rise. In a departure from his otherwise squeaky clean image at the time, this horrific tale of a talented basketball player turned drug addict showed the range that DiCaprio could muster, and it proved to any nay-sayers (if there were any) that this fresh faced youngster was a talent to be reckoned with. We include it as a favorite because it’s hard not to be amazed at the talent such a young man can display, especially with such dark, gritty subject matter.

Arnie Grape in ‘What’s Eating Gilbert Grape’

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Perhaps the role that established his reputation as a legitimate young actor, Arnie Grape is equal parts charming, challenging, and engaging. It would have been easy to turn the character into a caricature of that level of mental illness, but Leo managed to balance respect and accuracy without falling too far in either direction, and to strike that balance at the rather young age of 19 is the sign of a true talent, and marked him as one to watch.

J. Edgar Hoover in ‘J. Edgar’

Leonardo DiCaprio J Edgar Hoover

While not a fan favorite of his films for sure, no one can deny the talent on display as DiCaprio portrays the man credited with bringing the Federal Bureau of Investigation to prominence during his 50 years of service, J. Edgar Hoover. He managed to bring vulnerability to an otherwise turgid, stodgy man, while also painting him as a strong leader, more than capable of handling the demands of his office.

Danny Archer in ‘Blood Diamond’

Leonardo DiCaprio Danny Archer Blood Diamond

The story surrounding Danny Archer and the controversial diamond business provided the perfect platform for DiCaprio to show off his prestigious talent. While some question the accent he affected to make the role as authentic as possible, even more praise the actor for having the guts to tackle such a momentous obstacle, not to mention also attempting a South Boston accent in a film released the same year. Blood Diamond beautifully displays the dedication that DiCaprio has to his craft.

What is your favorite Leonardo DiCaprio movie and character?

Glee alum Lea Michele has found a new comedy project, this time on ABC, which leaves her Scream Queens fate undecided.

Daveed Diggs will be producing the untitled project for ABC, which was written and created by Jeremy Bronson.

Deadline is now reporting that Lea Michele has joined the project, stating, “The role that she was offered originally was conceived as Valentina Flores, Courtney’s Chief of Staff and reliable foil.”

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Glee alum Lea Michele has found a new comedy project, this time on ABC, which leaves her Scream Queens fate undecided.

Daveed Diggs will be producing the untitled project for ABC, which was written and created by Jeremy Bronson.

Deadline is now reporting that Lea Michele has joined the project, stating, “The role that she was offered originally was conceived as Valentina Flores, Courtney’s Chief of Staff and reliable foil.”

Now, it sounds like ABC will be tailoring the character specifically to Michele and could even showcase her musical talents along the way.

As previously reported, the show is about “an outspoken, idealistic rapper [who] runs for office as a publicity stunt and actually gets elected, then surprising everyone, including himself, when he has a natural knack for the job and slowly transforms City Hall.”

Interestingly, Ryan Murphy has let Michele out of her contract for Scream Queens in order to join this project. Apparently a season 3 renewal is unlikely anyway, and this sounds like another nail in the coffin for the show. However, the series could live on without Michele’s character, so fans will certainly be keeping an eye out for any news.

Will you be tuning into Lea Michele’s latest project?

Experiencing Star Wars in its original, unaltered format has been a distant hope for most fans. But now, according to new rumors, it could be set to become reality.

Ask any Star Wars fan about their opinions over the Special Edition releases, and you’ll typically hear the same thing: That the changes implemented by George Lucas, on the whole, either altered the story and character development for the worse, or added unnecessary and cumbersome CGI elements out of step with the movies’ aesthetic.

And so, for as long as the Special Editions have existed, so too have the persistent rumors that the theatrical versions of the Original Trilogy would eventually be released. They wane in the years between significant milestones in the franchise’s lifespan, but become ever more abundant when an anniversary is on the horizon.

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Experiencing Star Wars in its original, unaltered format has been a distant hope for most fans. But now, according to new rumors, it could be set to become reality.

Ask any Star Wars fan about their opinions over the Special Edition releases, and you’ll typically hear the same thing: That the changes implemented by George Lucas, on the whole, either altered the story and character development for the worse, or added unnecessary and cumbersome CGI elements out of step with the movies’ aesthetic.

And so, for as long as the Special Editions have existed, so too have the persistent rumors that the theatrical versions of the Original Trilogy would eventually be released. They wane in the years between significant milestones in the franchise’s lifespan, but become ever more abundant when an anniversary is on the horizon.

With the 40th Anniversary of the release of A New Hope coming up in May of 2017, it was only a matter of time before the rumors surfaced once more — so, what makes them different this time around?

That would come down to the source. Making Star Wars boasts a pretty solid track record when it comes to reporting rumors. Not only that, but they typically don’t give much, if any, attention to the rumblings about a re-release of the theatrical versions of Star Wars.

Per their report, however, Making Star Wars’ Editor in Chief Jason Ward states that “over the last month the evidence and tips have been piling up that the unaltered original trilogy will be re-released this year for the 40th anniversary in various formats. Several sources have let us know it was coming and it appears to actually be on the way this time.”

And the timing couldn’t be more perfect, with a 40th Anniversary panel recently announced for the upcoming Star Wars Celebration — the opening panel of the convention, no less. Big things are, unsurprisingly, expected to arise from that panel and, for fans, nothing could be a bigger than a confirmation of this rumor.

But why are the theatrical releases of the Original Trilogy such an important commodity for fans of the franchise?

The complicated history of Star Wars and the Special Editions

Whether you love, hate or are indifferent to Star Wars on the whole, there’s certainly no denying the significant cultural impact the franchise has had on the world. A New Hope — or just Star Wars, as it was known back in 1977 — won several Academy Awards, including Best Visual Effects, Production Design and Original Music Score.

It left its mark on the film industry in pretty spectacular style, and influenced movies in its wake, but there was no knowing then that the version of Star Wars so decorated by the Academy, and beloved by fans and critics alike, would be unceremoniously hidden away from the world — as though it was George Lucas’ secret shame.

Many fans of Star Wars have never experienced a version of the film where Han really did shoot first, where John Williams’ score isn’t drowned out by sound effects, and Luke and Obi-Wan’s arrival at Mos Eisley isn’t obscured by CGI creatures.

George Lucas has spoken out in defense of these changes, which debuted in a re-release of the Original Trilogy in 1997, saying that the Special Editions are the films as they were “meant to be.”

That Lucas could return to the trilogy years after its release, with more advanced technologies at his fingertips, in order to complete the film with his original vision in mind is something that most of us — as creators — would yearn to do. There is, as Lucas mentioned in his interview, always more you feel that you could have done. Nothing ever truly feels perfect, or complete.

But, in returning to the films to “correct” his mistakes, Lucas did more than alter them to more closely fit his ideal vision — he erased an important part of film history.

Setting aside the complicated feelings most fans have with the significant adjustments to the story and visuals, the 1997 release of A New Hope stripped the film of every aspect that it had won its Academy Awards for. Gone were the incredible sound effects and mixing, replaced with more cumbersome versions. So too were the costume and production design, overwritten by CGI creatures. And John Williams’ beautiful score was drowned out by the rush of X-Wings.

Each year, the American National Film Registry, a branch of the Library of Congress, archives 25 American films to preserve them. Star Wars, the 1977 release, was one of the first films chosen for preservation — but Lucasfilm refused to deliver the original archival print.

The 1997 release of A New Hope has been offered in its stead, but legislation dictates that the first published must be archived, so the Registry had no choice but to refuse to accept it.

Preserving the original version of Star Wars became a hugely important project for many fans, who felt as though future generations deserved to experience the film as they had. And so, with each subsequent release, and re-release, of Star Wars, several restoration attempts have been made.

The scope of these fan projects is nothing short of breathtaking, and the results in themselves are incredible, particularly with Harmy’s Despecialized Editions. They painstakingly restored the sound balance, breathing life back into John Williams’ score, and corrected the coloring, removed the additional scenes and CGI, and ensured the original sound effects were in place.

There is no denying that these projects are a labor of love. It is a true respect for the cultural impact of Star Wars and its part in film history that continues to drive fans to restore the trilogy to its original state.

But now, perhaps, those versions of the film will no longer need to be hidden in the shadows, skirting around the edge of legality under fair-use.

With the potential of an official release of the theatrical editions of the Original Trilogy, at a level of quality that Star Wars truly deserves, perhaps it can finally take its rightful place as a documented part of American film history.

Legion is FX’s mysterious new show loosely set in the X-Men universe that begs plenty of questions, one of which is who is Sydney Barrett?

Sydney Barrett is one of the more interesting characters on Legion, and that is certainly saying something. The show is nothing if not intriguing, but Syd stands out as a character who poses as many questions as our hero, David.

Sydney was first introduced at Clockworks Mental Hospital, the psychiatric institution where David was being treated for schizophrenia. The first thing we learn about her is that she doesn’t like to be touched. She’s a bit distant (physically and emotionally), speaks her mind, and immediately agrees to be David’s girlfriend. And let’s not forget she’s named after the founding member of Pink Floyd, who is rumored to have suffered from schizophrenia himself.

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Legion is FX’s mysterious new show loosely set in the X-Men universe that begs plenty of questions, one of which is who is Sydney Barrett?

Sydney Barrett is one of the more interesting characters on Legion, and that is certainly saying something. The show is nothing if not intriguing, but Syd stands out as a character who poses as many questions as our hero, David.

Sydney was first introduced at Clockworks Mental Hospital, the psychiatric institution where David was being treated for schizophrenia. The first thing we learn about her is that she doesn’t like to be touched. She’s a bit distant (physically and emotionally), speaks her mind, and immediately agrees to be David’s girlfriend. And let’s not forget she’s named after the founding member of Pink Floyd, who is rumored to have suffered from schizophrenia himself.

Right from the start, something is different about Sydney. She challenges the idea that they’re all crazy. Just because David hears voices doesn’t mean he’s insane. Since we know these two things don’t have to be mutually exclusive, this immediately sends up a red flag. What does Sydney know that David doesn’t?

For one, she knows more about her powers than he does. Despite their emotional intimacy, there can never be any physical touching. Sydney knows what will happen if there is, but David does not. On the day she is set to leave Clockworks, David rushes over to kiss her, and we find out for the first time what exactly Sydney can do.

Her ability is to switch bodies with whomever she touches with her bare skin. David ends up as Sydney, confused and more than a little concerned he now has breasts, and Sydney ends up as David, distraught, afraid, and unable to control his immense power. She destroys Clockworks and kills Lenny (Aubrey Plaza). Eventually, David ends up in Division’s hands, while Sydney joins Melanie Bird’s team of fellow mutants.

It’s at this point where I’d like to pause and emphasize how unreliable of a narrator David truly is. Yes, he really does have powers, but if you have any knowledge about the comics, you’ll know that he’s also mentally ill (he even continues to question his own sanity in episode 3 despite now knowing about his powers). David has a variety of abilities, which are traditionally associated with each one of his personalities.

At least five times an episode I question whether or not Sydney is real. As of this writing, I’m convinced that she is, but that could change next week. Since David is so powerful, we really don’t know what he’s able to do, and it’s clear that he and Sydney have a surprising and mysterious connection.

Sydney is often seen alone with David. She’ll find him in a room or down by the docks. When they’re in a room with other people, she stands off the the side. She doesn’t always participate in the activities. This last point isn’t too surprising, however, because we know that even being close to people makes her skin crawl. She avoids direct contact with most individuals because she doesn’t want to risk triggering her powers.

The lack of interaction does make you scratch your head, but it’s important to note that the other characters can see and talk with Sydney. In this episode in particular, we watch Kerry track Sydney as she leaves the room before David is to be tested. We also see her go into and come out of David’s mindscape, and then interact with other characters while he’s unconscious. If she were a figment of his imagination, she would have little to no impact on the real world, but she does.

Lenny, on the other hand, is just in David’s head. The real Lenny is definitely dead, and so every time we see her pop up on our screens, we know she’s not really there. The interesting part of this is that David’s speech center is working even when he’s not outwardly talking to her (just inwardly having a conversation with his friend). No one else can see Lenny and no one else can hear him talk to her, but she’s real enough to David that she causes his brain to function as if she were there.

People with schizophrenia or Dissociative Identity Disorder assume what they see and hear is real, and therefore they (and their bodies) interact with their hallucinations as if they are corporeal. But what happens when you have someone with these disorders who also happens to be an extremely powerful mutant? Would they be able to manifest one of their personalities into the real world?

We cannot deny that David and Sydney have a strong connection. In episode 3, David talks about still being able to feel her from the time they switched bodies. His center of gravity is sometimes off and he feels as though he has to brush her long hair out of his face. This could absolutely be a side effect of Sydney’s powers, but what if it’s something more significant?

After all, no one but David and Sydney can see the yellow-eyed demon. When the demon attacked, Melanie and Ptonomy couldn’t see him, nor could they see the way he ripped apart the world in David’s mindscape.

But guess who could see the yellow-eyed demon? Sydney saw him when she was in David’s body back at Clockworks, but she could also see him when inside David’s mind. Again, this could be some sort of residual ability left over from sharing David’s mind, but it’s still worth pointing out that out of everyone, Sydney is the one who can back up David’s claims that the creature in his mind is real.

Legion is meant to test you mentally, and so far they are doing an incredible job at just that. Sydney’s existence continues to baffle me, and I hope we don’t get an easy answer here. I would love if David were somehow able to manifest one of his personalities (though this story line would be a bit narcissistic, no?), or, on the flip-side, if he were able to absorb her mind into his thanks to Sydney’s unique abilities, providing them with a connection unlike anything David has experienced before.

If neither one of these options is the case, I’d love for Sydney to be the one person to truly begin to understand how David’s mind operates. Melanie is at a loss, and considering she seems like the most experienced mutant at their facility, that is certainly disconcerting.

Whether or not Sydney is real, I hope she’s able to help David understand what he can do.

How are you enjoying ‘Legion‘ so far?