The Avengers 2 director Joss Whedon discusses The Avengers sequel, deleted scenes and the S.H.I.E.L.D. TV show that he’ll be involved with.

Avengers director Joss Whedon recently sat down with Kyle Buchanan from Vulture and discussed at length his reasoning behind cutting specific scenes in The Avengers, his involvement in the new S.H.I.E.L.D. TV show and how his newfound fame has (or hasn’t) affected his lifestyle.

Whedon was asked about why The Avengers alternate opening sequence that we reported on wasn’t included in the final cut:

Two factors. One: The movie was three hours long. Two: Audiences didn’t respond to it as well in the movie as I think they would as a DVD extra. Most of them didn’t know who this character was or what the context was, and they were like, Uhhh, I don’t know why I’m supposed to be personally involved in this character I don’t know. The rollout to the Avengers getting to Loki was so gradual that people were getting restless. I thought Cobie nailed it, and the reason I thought it was necessary is because I was trying to make a war movie and I wanted to give context that something bad had happened in the past. In a war movie, you don’t know who’s going to live or die, but you do know that this war happened and that [the characters] are going to be in a dire circumstance, and I wanted to create that atmosphere.

Joss goes on to discuss how difficult it can be to cut footage, especially when it means removing backstory that can be beneficial for the audience to connect with characters from the film:

I was able to get what I needed without doing that. It was tough. I hated cutting it. I hated cutting the Captain America stuff with the waitress. At least I was able to call Ashley Johnson [who plays the waitress] and tell her that all her stuff was still in Much Ado About Nothing, since she had been cut out of Dollhouse, she had been cut out of The Avengers: “I swear you’re still in the Shakespeare movie!” You know, those bits had seemed very personal to me, and part of doing Much Ado was that I could go back to The Avengers and say, “Oh, it’s not about me. Even though its my film, it’s about the Avengers. I am less important than the needs of the film.”

When asked about how the success of The Avengers has weighed on him, Whedon says he hasn’t let it get to him, mostly because he grew up wanting to make superhero movies:

It never really has, but when it does, I’m going to become such an enormous dick. [Laughs.] I’m going to have a personal dog polisher and the biggest posse ever. I’m going to be insufferable — well, I mean more insufferable than I already am. You know, at some point, the numbers become meaningless. They’re large, and you can’t really count that high. I felt like I had a particular mission in making what I felt was a slightly old-fashioned movie, because I grew up wanting to make summer movies and wanting to make superhero movies, and I got to do both at once. I felt like summer movies haven’t been what I remember them to be, so I felt like I would love to evoke something that’s less hip and ironic and more heartfelt and character-driven, and apparently, other people cared about that in a large way.

Whedon explains that it’s gratifying to know that people enjoyed the film and went back for more, despite feeling like he could have improved upon The Avengers:

I don’t think it’s a perfect movie. I don’t even think it’s a great movie. I think it’s a great time, and I’m proud of it, but for me, what was exciting is that people don’t go to see a movie that many times unless it’s pulling on something from within, unless there’s a need there. That’s very gratifying.

Whedon was then asked about why he seemed to be “on the fence” about returning for The Avengers 2:

It was part of what made it attractive to me. I loved the idea of being a consigliere. Every writer loves the idea of being able to go in and fix a problem and then leave without obligation. It’s fun! I also love these characters and the Marvel universe, and I grew up reading the books, and I’ve been going back and reading the old books and realizing that they shaped my storytelling way more than I give them credit for. Now I’m starting up a TV show, which is something I really wanted to do, but I thought it wasn’t going to be a part of my life for the next several years. It’s like a tapas menus of projects that excite me, in addition to the Avengers sequel, which I’m excited for because I’m incredibly excited about the next story that I’m going to tell. For me, it’s a huge win.

Vulture then went on to ask Joss how it felt to finally know that a TV show that he was working on (S.H.I.E.L.D.) would be given the promotional push that it deserves (Concerning the cancellation of his previous shows Firefly/Dollhouse):

[Laughs.] You know, I can’t guarantee that any of that will happen! But so far, it feels just fine. The important thing to me is that we know what the show is. We love what it is. It came together very organically, so when we went in to pitch [to Marvel], it wasn’t like, “We’re trying to find this because you want a TV show,” it was, “Check this out.” And that’s a good way to walk in a room.

Good support is wonderful, but it’s not a hill of beans, because they may give us all this support and then decide, “Eh. Yeah, it’s Friday.” They might give us all the support and then not do that, but then audiences might go, “Yeahhh … no.” You just can’t be sure. What I do know is that it’s the show it should be, and we’ve got some really dope notions. It’s going to work very well for people who either love the Marvel universe or for people who’ve never dipped a toe in the Marvel universe.

It’s great to see Joss Whedon open up like this, as he appears to have acclimated to the fame and attention that The Avengers‘ success has brought him. We’re very excited about The Avengers 2 and it should be interesting to watch his TV show S.H.I.E.L.D. as it is developed.

The Avengers DVD/Blu-ray hits stores September 25 and The Avengers 2 will hit theaters May 1, 2015. So far the TV show S.H.I.E.L.D. has no official dates, but we know that Whedon will be working closely with his brother Jed on the show and may even do some directing.

Earlier today we also found out that The Avengers will be re-released in theaters for Labor Day weekend, so be sure to check if your theaters will be showing the film from August 31 – September 6.

Check out the rest of this interview at Vulture.

Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

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Moviegoers may be getting the Spidey we’ve all been hoping for! A new report reveals that Sony’s animated Spider-Man movie, set to hit theaters in 2018, will focus on the Miles Morales Spidey.

Update (January 18, 2017): Sony Animation confirmed on Wednesday, January 18 that their animated Spider-Man movie will star Miles Morales!

Original story (May 2016): Heroic Hollywood, who has a good record of breaking superhero news, is the source behind the exciting development. As was previously announced, the animated Spider-Man movie will be produced by LEGO Movie helmers Phil Lord and Chris Miller. The duo are also set to direct the Star Wars Han Solo spinoff for Lucasfilm.

Who is Miles Morales? As we wrote in a lengthy tell-all about the character last year:

Miles Morales is the current Spider-Man in Marvel’s Ultimate Comics series. Introduced in 2011, Miles is a black-hispanic young man who, like Peter Parker, is a talented scientist and self-proclaimed nerd. However, unlike his predecessor, Morales steps into the superhero’s shoes at the surprisingly young age of 13.

Raised in Brooklyn, Miles was born into a family plagued by criminal activity. Before settling down with his wife Rio, Miles’s father Jefferson used to be crime partners with his brother Aaron (Miles’s uncle). However, where Jefferson tried to shrink away from the lifestyle, Aaron continues to embrace it — assuming the role of classic Marvel villain the Prowler. After pulling off a heist on Oscorp, Aaron unknowingly takes a genetically modified spider home with him. It is at Aaron’s house that Miles is bit by the spider and starts the transformation into Spider-Man.

Where Peter Parker relished the opportunity to become spidey, Miles is reluctant to enter the world of vigilantism. What’s more, his family’s criminal history causes him to question whether or not he can ever be a hero, or if evil is hardwired into him.

Oh, and one other cool thing about him: The guy is immortal, unlike the Peter Parker version of Spider-Man.

Related: Who is Miles Morales? We explain everything

The rumor mill was alive with chatter about the MCU’s Spidey being the Miles Morales version last year, but obviously those reports never panned out. The Peter Parker version of Spider-Man was introduced in Captain America: Civil War, played by Tom Holland. He’s getting his own spinoff film, Spider-Man: Homecoming, next year.

Telling the Miles Morales story on screen may be just the thing the animated Spider-Man movie needs in order for it to draw people into the theaters in December 2018. We’ve had enough Peter Parker stories!

2018 will be a great year for super hero diversity: Marvel’s Black Panther starring Chadwick Boseman will be released a few months earlier.

‘The Space Between Us’ set report: What if a human was born on Mars?

Hypable visited the set and spoke to the film's stars.

12:00 pm EST, January 17, 2017

Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

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Could a human be born on a distant planet and later survive on earth?

It’s not only a premise that the upcoming science fiction tale The Space Between Us asks, but a real question and concern that people at NASA have considered as well.

Inspired by his son’s obsession with Mars, and the kernel of an idea from another writer he works with, film producer Richard Lewis picked up the phone and posed the question to members of NASA.

He never would’ve guessed what was going to happen when he spoke to them.

“I called a group of NASA scientists and said, ‘So what would happen if an astronaut turned out to be pregnant on a flight to Mars?’ and there was just silence on the other end of the call. And they said, ‘Are you listening to our phone calls?’ I said, ‘No, I’ve never spoken to you in my life.’ And they said, ‘It’s going to happen, and we don’t know what to do.'”

That was when he teamed up with screenwriter Allan Loeb and started fleshing out an answer. “I thought, wow, that’s the beginning of an interesting story.” Lewis even worked with his father, a heart specialist, to examine how that muscle would develop differently on Mars, and aspects of this research became a big part of the story.

The Space Between Us is an interplanetary adventure following a human boy named Gardner Elliot (Asa Butterfield) born on the distant red planet. His mother, an astronaut, only realized she was pregnant with Gardner after leaving on her mission to colonize Mars.

Once Gardner reaches his teenage years he becomes interested in leaving East Texas (yep, on Mars) and returning to the home of his species. Not only is he curious about Earth, but Gardner has also fallen for a girl named Tulsa who’s literally tens of millions of miles away in the state of Colorado. The two met online and can relate over their outsider perspectives.

There’s just one problem: Tulsa doesn’t realize that Gardner is literally living on Mars.

Hypable visited the Albuquerque, New Mexico set of The Space Between Us starring Butterfield, Robertson, and Gary Oldman in late October 2015. On the day we visited, Asa, Britt, and crew were at the tail end of their 37-day shooting schedule which took them through New Mexico, Las Vegas, and Malibu.

It was Day 31, and indoor and outdoor shoots were taking place at Highland High School located in the southeast quadrant of Albuquerque. Since it was a weekday, real classes were in session as Asa and Britt shot outdoor scenes.

The real students who walked by the production had mixed reactions. Some watched and Snapchatted the excitement, while others passed by as if a Hollywood production wasn’t filming right before their eyes. Later in the day, after the real students went home, production moved inside the school to shoot a scene where Gardner and Tulsa meet in person for the first time. It’s one of the more touching moments in the movie.

Earlier, Asa walked into our press tent carrying a drone in tow. He had recently purchased it to try and capture aerial footage for fun, and was learning how to operate it in between filming his scenes.

Both the aerial device and Gardner struggle to deal with Earth’s gravity.

When asked how he handles playing a character who has never been on Earth before, Asa describes it as a very unique experience. “It’s hard to put yourself in that kind of position because we [as humans] are so experienced in the world, and to completely strip all that back and be absolutely in awe at everything you see — a tree, a doorman — everything’s interesting,” he says.

space-between-us-asa-britt

Tulsa (Britt Robertson) experiences zero gravity with Gardner (Asa Butterfield).

Living on Mars your whole life doesn’t mean you’re missing hormones, so girls are also of interest in Gardner. On the relationship between his character and Tulsa, Asa tells us, “They both have this longing desire for being somewhere. Belonging somewhere. Tulsa’s been jumping around through various foster homes, she’s never really settled anywhere. Gardner spends his life on Mars. No one knows he exists. They’re kind of united by this experience.”

“He’s an alien, and she’s an alien, and this is the journey of the story,” Lewis tells us. “Watching these two characters connect, and the disconnects, the misunderstandings, and then ultimately they have a connection.”

Those good and bad connections were present in the scene we observed, which finds Gardner surprising Tulsa in her school hallway. As someone who is tough and reserved, Tulsa is understandably frustrated by Gardner’s sudden appearance. The two still haven’t communicated well with one another — Adorably, Tulsa is unaware that when he says he’s from “East Texas” he means the establishment on Mars.

With Gardner now on earth, the two begin to form a close bond as the Mars-born boy tries to discover his roots.

Co-starring in the movie is Gary Oldman, whose character originally organized the trip to Mars. He wasn’t on set the day we visited, but the actor has a very important role in the movie.

The Space Between Us opens in theaters February 3, 2017.

‘Rogue One’s’ best scene doesn’t involve the heroes

It's a nameless character who saves the day.

8:15 am EST, January 17, 2017

Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

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Among the many exceptional scenes in Rogue One: A Star Wars Story, one of the most poignant ones doesn’t even involve any of the main heroes.

Rogue One  is full of memorable moments, some breathtaking, some endearing in the way we’ve come to expect from Star Wars, and all full of an epic sense of the lengths people will go to in the name of hope. It also stands out because of its representation, with a female main character and a diverse cast of supporting characters. But it’s the scene almost at the very end that makes its story truly unique.

It takes place after Jyn Erso and her band of rebels have already completed their mission, and the Death Star plans that they have given their lives to procure are being physically carried through the Profundity by a single individual, while the ship is under attack. Close at his heels is Darth Vader, finally revealed in all his lightsaber-wielding, terrifying glory, killing rebel soldiers left and right. The door jams in front of the man holding the plans, with only a slight gap left open – just enough for him to fit an arm through and frantically get the device to one of the fleeing rebels on the other side, knowing fully that this is the last action he’ll ever carry out.

This character has no name, and we know nothing about him beyond this scene. But faced by the most fearsome threat and terrible odds, he abandons fighting and uses his dying moments to get the plans across the doomed ship, and to Princess Leia.

It’s not common to see a scene like this one – scenes that convey the power of the collective action of many people across different areas – done so skillfully, especially in movies that are so character-driven.

In Star Wars, we’ve always focused on Luke and Leia and Han, and more recently on Rey, Finn and Poe. Although we knew that the Rebellion was the fruit of the efforts of many, we never had such a clear look into just how many lives were involved.

Rogue One the Rebellion

This final scene brings it all together, tying together the various storylines we know in an epic finale, and finally connecting them to Episode IV in a perfect mix of excitement and nostalgia. Without this character, driven by desperate hope rather than fear of his imminent death, Rogue One’s mission would not have ended successfully, Leia would have never received the plans… and none of the story we already know would have taken place.

For once, it was a character whose face we didn’t even see properly, dressed just like everyone else, fulfilling his own small role in a much bigger mission, who saved the day.

This ending, maybe even more meaningfully than the stories of the heroes we know and love, shows us the very essence of the Rebellion: a movement of dedication and sacrifice, full of people like the ones that died on Scarif, that put themselves between the plans and Vader, that drove the mission to success in their dying moments – and that stopped the race to save their own lives in favor of securing the mission’s objective.

We, as the audience, can find ourselves in the nameless rebel soldier and his sacrifice – a realistic and emotional portrayal of what makes any movement for change possible: the sacrifices of a vast number of people whose names and faces we may never know, whose stories may never be recorded, but whose lives were spent in search of a better future for the generations that follow.

What scene in ‘Rogue One’ impacted you the most?