Like any red-blooded Gryffindor, I’ve never failed to defend the honor of the Wizarding World against accusations that the books don’t make sense.

Why do folks use trains, floo powder, port keys, carriages pulled by griffins, thestrals, broomsticks, dragons, magical underwater pirate ships and the Knight Bus to get around when they can apparate? Why didn’t someone ever consider using a Time Turner to kill Voldemort or at least save some of his victims?

These types of questions have answers to greater or lesser degrees, but it’s certainly true that witches, wizards, and the world they inhabit are all rather strange. (150 points for catching the Snitch will never make sense.) If you look closely, however, these kinds of oddities are where J. K. Rowling’s genius for world-building really shines.

First: there just aren’t very many witches and wizards. Population estimates indicate that the world is at least 99.97% Muggle, and probably more so. (The basis for this, and other claims, can be found in my longer article.) Next: witches and wizards don’t have to work if they don’t want to. Slughorn got by comfortably filching from unsuspecting Muggles. With almost 1000 Muggles to every witch or wizard there is plenty to go around. Poverty exists, but not like in our world. The Weasleys had plenty of access to food, shelter, clothes, medical care, and even elite schooling, and the Gaunts only lived in squalor because they chose it out of pride.

By contrast, Muggle society is defined by constant struggle. We work hard, or we don’t eat. That constant pressure is the driving force for Muggle innovation. The Wizarding World doesn’t have that driving force, and as a result it has tended to ride along on the coat tails of Muggle society.

Consider the basic economy of the Wizarding World: other than specifically magical items, the Wizarding World doesn’t seem to produce anything. Who provides the food that the Hogwarts house elves use to make their feasts? Who provides the cloth to be made into school robes? Who mines the tin, copper, antimony, and bismuth that go into a cauldron (pewter, standard size 2)? All the basic materials for the Wizarding World probably come from Muggles.

There is also no independent Wizarding culture. Religion, language, music, and even the educational system all derive from the Muggle world. Sure, Hogwarts teaches you how to use magic, but who teaches you how to read and write? For Muggle-borns like Harry and Hermione, at least, you learn in Muggle schools.

Even the Wizarding World’s governments are derivative. In the UK, Her Majesty’s Government is led by the Prime Minister who then picks all the other Ministers. So when the witches and wizards of the UK call their head of government the “Minister for Magic” they’re inserting their top-level government into the Muggle system in a way that is at least dependent if not outright subordinate.

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Because the Wizarding World is not subject to the unceasing pressure to fight for survival, it has never really developed. It is a primitive society in modern trappings. Only the most ancient of human institutions exist—like universities and government—while all of the modern ones (like corporations and franchises) are absent. Everything from inefficient methods of travel to imitation banks (real ones do more than lock up money in boxes for you) makes perfect sense from this perspective.

So much for wizarding society, but what about the odd behavior of witches and wizards? Without doubt the strangest is the reckless disregard for human life, especially the lives of children. In the very first book, for example, Dumbledore relocates a ferocious, man-eating monster into a school for children as young as eleven years old. He warns the students not to enter the third floor corridor, but in a castle filled with moving staircases where the youngest kids are constantly getting lost, what kind of protection is that? Then he puts a lock on the door, but it’s the kind of lock that students learn to pick on practically their first day. Then there’s the danger of the Tri-Wizard Tournament. Or the hazards of playing full-contact sports a hundred feet in the air with an age range of 11-17 in the same league. And these are just the reckless decisions with kids before the outbreak of the Second Wizarding War!

Well, the same power that makes it easy for witches and wizards to live off of the work of Muggles also makes the Wizarding World very, very dangerous. In the Wizarding World, every child wanders around with potentially lethal power from a pretty young age. The resulting fatality rate is much higher than what Muggles are used to. Dumbledore and Grindelwald accidentally killed his little sister in a childhood fight, Luna’s mom blew herself up playing around with potions, and Quirrel is apparently on the run from an angry vampire. Any witch or wizard who wants to kill someone can do it with a single spell. It’s like living in a society where everyone carries a loaded bazooka everywhere they go. Then there are the dangerous creatures (Fluffy is only the second most dangerous creature in the castle after the basilisk) who apparently interact far more with witches and wizards than they do with Muggles. (And by “interact” I mean “try to eat”.)

Although some things, like the time turners, really don’t make sense, for the most part the more you dig into the books of Harry Potter the more impressive Rowling’s world-building prowess becomes. The idiosyncrasies of the Wizarding World and its denizens turn out to be not just imaginative flourishes, but a pretty keen statement on human nature. Without constant, omnipresent struggle our society would tend to atrophy.

The really interesting question that remains is this: what would the Wizarding World look like if it couldn’t depend on Muggles for all its basic needs?

Bonnie remains one of very few non-blood suckers on The Vampire Diaries, but she has still made her way through the supernatural catalog. We’re taking a look at her best, and worst, supernatural identities.

You may think that one of the Salvatore brothers has the most diverse life experiences amongst The Vampire Diaries characters, since they’re each older than the rest of the characters combined, but you’d be wrong! It’s actually the mortal Bonnie Bennett that is really getting the full look at what this life (and death) has to offer. From human, to witch, to anchor, to more than her fair share of deaths, she’s tried on almost every supernatural hat available.

No matter what supernatural box she’s checking on her driver’s license at any given time, Bonnie is an integral part of the Mystic Falls crew, and has saved the lives of our other heroes countless times! She is a great friend, and girlfriend, and can usually be counted on for a witty remark. That being said, she has definitely gone through her ups and downs, and some of her supernatural titles have fit her way better than others. We’ve ranked all of Bonnie’s supernatural identities, from the ones she could stick with, to the ones that she should never, ever go back to.

1. Witch — season 1 to early season 4, mid season 6 to late season 7

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Of course, Bonnie’s best role is the one she was born to play. Ever since she learned she was a witch, she has only grown stronger in her powers and better at wielding them. Salvatore and co. truly would be nowhere without her magic, which is evidenced by the number of times “Call Bonnie!” is yelled at the TV screen when the gang is in trouble on The Vampire Diaries (it can’t just be me).

Bonnie is at her strongest and happiest when she is a witch, but that’s not the only reason we’ve chosen this as her best supernatural identity. Bonnie Bennett’s witchiness has always been one of the coolest parts of The Vampire Diaries mythology, and has led to some of the most exciting and entertaining storylines on the show.

2. Human — her life before ‘The Vampire Diaries’

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When we first met the young Bonnie Bennett, she was just beginning her deep dive into the magical realm. She had discovered that her ancestors were from Salem, and that the women in her family were supposedly witches, but she still thought she was just some sort of psychic.

Before she had even heard of a Bennett witch, she was just a normal, happy, high school student, whose only concern was figuring out who the new cute boy in school was! Her powers definitely helped her come into a strength that she hadn’t known before, and gave her endless opportunities to save the people that she loves, but they’ve also led her into a lot of darkness. Just because we imagine her as being much less burdened as a human, we’ve ranked this one pretty high!

3. The Anchor — mid to late season 5

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The anchor to the other side was perhaps Bonnie’s strangest supernatural title, and that’s really saying something. Bonnie had to endure a lot of pain during her time as the anchor, but after an extended period of being dead, she was just happy to talk to people that weren’t Jeremy again (we’d get sick of all that teen angst, too).

Her ability to interact with the dead supernatural beings allowed us some amazing glimpses of characters that we had loved and lost, and it was also interesting to explore Bonnie’s character without her magical abilities. Even though we’re still angry that she didn’t realize earlier that Katherine wasn’t dead, we’re putting this one among the best of Bonnie’s supernatural identities for its uniqueness.

4. The Huntress — late season 7 to undetermined

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This one goes in the middle because we’re still not quite sure what to expect from it, but we’re really excited for it! Rayna got a bad reputation because she was trying to kill everyone we cared about on The Vampire Diaries, but her mythology was interesting and it’ll be cool to see Bonnie try to figure it out.

Her relationships with literally everyone she knows will surely be tested when she attempts to kill them, but it’s nothing Miss Bennett can’t work through. On top of all the cool huntress stuff that we saw in Rayna, Bonnie will be bringing her magic to the table as well, which will make things even more entertaining.

5. Dead — late season 4 to mid season 5

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You may think this one should be at the bottom of the list, but in our opinion, Bonnie has faced some things that were much darker than death. That’s especially true because Bonnie looked pretty damn good for a corpse, as evidenced by the above picture of her in this state. We still got to see Bonnie on The Vampire Diaries through Jeremy’s eyes, since he gained the power of seeing ghosts the first time Bonnie brought him back to life. You know what they say: the couple that resurrects together, stays together.

Strangely, Bonnie’s awkward dead phase wasn’t the most hopeless that we’ve seen her. She died for something that she believed in, and mostly remained optimistic that she would get to come back, somehow. Also, Bonnie’s death was kept from the bottom of the list because we got Bonnie’s funeral during this time, which is still one of the most beautiful scenes ever on The Vampire Diaries.

6. Expressionist — season 4

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This is the term we’re using for the time that Bonnie was under the influence of the magic known as “expression.” When creepy Professor Shane helped/forced her to tap into this magic after she had lost her powers, Bonnie made some of the worst decisions that she ever has on The Vampire Diaries.

If anybody is a moral compass on the show, it’s Bonnie. She is always trying to help her friends, and do the right thing, even if it leads to her death (and it seems like it usually does). She made many questionable choices and participated in some very dark events during her time using expression.

7. Citizen of 1994, population: 3 — early to mid season 6

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So yes, technically, she was dead in 1994, too, but it was such a different death experience that we thought it deserved a separate category. Sure, it was all fun and vampire pancakes when Damon was there, but things got pretty depressing for BonBon after he returned to the land of the living.

We thought things were bad for her when she was being used by the sadistic siphon, Kai, but things got much worse when the extreme loneliness and hopelessness set in. The days leading up to Bonnie’s eventual rescue were by far her darkest on the series, and it was extremely difficult to watch her go through that much pain.

What was Bonnie’s best supernatural identity on ‘The Vampire Diaries’?

The movie adaptation of Kendare Blake’s Anna Dressed in Blood, under Twilight author Stephenie Meyer’s production company Fickle Fish Films, has found its lead stars.

The Anna Dressed in Blood movie has cast Cameron Monaghan (Showtime’s Shameless) as Cas Lowood, and Maddie Hasson (ABC Family’s Twisted) will play Anna. Anna Dressed in Blood will be directed by Step Up: All In and OK Go’s “Here it Goes Again” director Trish Sie.

“Finding the right actors has been top priority,” said Sie in a press release. “It’s critical we achieve just the right tone and identify the magical combination of people that brings crackling electricity to these characters and their story.”

Added Stephenie Meyer, “We literally searched the world for over a year to find the perfect actors to bring this genre-spanning story to life. Cameron and Maddie, both so talented individually, together have that rare and extraordinary chemistry that lights up the screen. Trish Sie has the perfect background to visually translate Kendare Blake’s compelling story in a way that speaks to the modern viewer.”

A synopsis for the film sets up the premise: Cas Lowood (Monaghan) has inherited an unusual vocation: He kills the dead. So did his father, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father’s mysterious and deadly dagger, Cas travels America with his mother and their spirit-sniffing cat. They follow legends and local lore, destroy the angry dead, and keep pesky things like plans for the future and friends at bay. Searching for a ghost the locals call ‘Anna Dressed in Blood’, Cas finds a girl entangled in curses and rage, a ghost like he’s never faced before. Since her death, Anna (Hasson) has killed each and every person who has dared to step into the deserted Victorian house she used to call home, yet there is something about Cas that compels her to spare his life. For reasons neither can explain, the two begin to realize that in their opposite, they may have finally found the one person who can help them unravel their complicated pasts, and survive their complicated present.

Fickle Fish Films is also responsible for Austenland in 2013, and has optioned the rights to Down a Dark Hall and Not a Drop to Drink.

Your number is up. It’s time you started watching Person of Interest.

Person of Interest season 5, the show’s final season, premieres tonight at 10:00 p.m. on CBS. It’s hard to imagine why CBS, a network with a flare for running procedurals well into double digit seasons, is not paying attention to Person of Interest. First, the episode order was cut, then months of radio silence on when the show would fit into CBS’s calendar. Finally, word emerged that the show’s final season would air two episodes per week and disappear from CBS’s lineup as quickly as possible. The behind the scenes network drama should not deter from Person of Interest’s growth from standard case-of-the-week procedural to serialized ASI war drama that, at its core, asks a particularly pertinent question, “How okay are we with being watched?”

Person of Interest premiered pre-Snowden. Why is that important? For those unfamiliar with the show, the opening title sequence begins with, “You are being watched. The government has a secret system, a machine that spies on you every hour of everyday.” Coming into the show today a new viewer would think, “Uh, duh!” But at the time of Person of Interest’s premiere the idea that the government was making use of the nation’s surveillance systems and listening in on calls to prevent terrorist acts was a cloudy idea. Something that might be happening, but probably would not affect our lives. Enter Person of Interest to unpack the “what if” scenario with the tale of ASI, or artificial super intelligence, and what that technology could be capable of placed in the right hands.

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The ASI, or as its creator Harold Finch (Lost‘s Michael Emerson) prefers to refer to it, The Machine, is a super system that learns patterns in people’s behaviors. Its objective is to seek out potential danger and identify the perpetrators to the authorities. Finch, way back in 2006, sold the machine to the government to do just that. But when he learned that the government would assess and deploy prevention tactics only to stop major crimes and acts of terror, Finch created a back door and took the cases considered “irrelevant” into his own hands. Enter John Reese, a former CIA operative. Finch works with the brains of the operations, Reese provides the muscle.

Say hello to the perfect procedural ingredients. Each week The Machine would provide a new number (the social security number of a person who was either in danger or about to cause harm to someone else), Reese and Finch work to identify the person through surveillance and electronic records, the NYPD contacts provide assistance in acquiring case histories and diverting police vehicles, and bing, bang, boom by episode’s end the photo pinned on the wall would be taken down. That is, however, until season 3. Lurking in the background of seasons 1 and 2 were the big mob bosses of the five boroughs. They provided assistance or disruption time and again with Carl Elias heading up the organized crime unit steering the ship and contributed to the long form stories Person of Interest wove into the mix.

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But by season 3, when a rival ASI began to take on a life of its own, so did the long form story. Numbers, belonging to victims and perpetrators still trickled out here and there, but a larger war began pushing them out of the limelight. And honestly, the show became better for it. Other procedurals across the networks tend to operate in the same way season 1 and 2 unfolded. Elementary reserves their B storyline for planting seeds across a season in order to open up three episodes at the end to a serialized story. NCIS and all its spinoffs, also tell narratives across episodes, typically focusing on one or two characters. Person of Interest decidedly turned the show on its head, even changing the opening credits to reflect a greater power taking over their world. Another being inside the show was here to shake things up and the only way to tell its story was to let Samaritan win for a while.

Samaritan, the rival AI built from the scraps of work Harold Finch previously discarded, brought with it a new method of storytelling. In season 3 Person of Interest slowly shifted to a more serialized show, ending a season-long battle against an organization known as Vigilance. Fighting for the right to electronic privacy, Vigilance’s visual leader, played brilliantly by pre-Hamilton superstar Leslie Odom Jr., took the show from Number of the Week into uncharted territory, a serialized drama sci-fi that tackles a war between the underdog ASI – The Machine – against the Super Intelligence and big bad – Samaritan. And that is where season 4 subsequently continued. Once Samaritan went live, there was no kill switch.

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So, why should you watch Person of Interest now? Even though CBS sees Person of Interest as an Irrelevant, I see it as being one of the most “Relevant” shows on television. Across the seasons there are episodes that I feel comfortable enough calling some of the best I’ve seen on TV. Not only is the topic eerily relevant to the current technological climate, but the show has some of the strongest actors and performances week in and week out. “The Devil’s Share,” is one of the best explorations of grief and revenge. Watch the cold open to the episode below, but be warned that it does reveal a major character’s death. The slow burn of the more personal stories and skeletons lurking in Reese, Finch, Shaw, and Root’s closet makes for some of the most compelling narratives on TV.

Seeing as the premiere picks up moments after the conclusion of the season 4 finale, I highly recommended that you load up “YHWY” on Netflix before heading into “B.S.O.D.” Person of Interest is certainly worth adding to your TV lexicon, but if you do not have time for every single case, there is an incredible guide that will catch you up without watching all 90 episodes.

The first few episodes of this season (I have seen four) maintain the feel of the previous seasons while also kicking off the final chapter in Person of Interest‘s story.

Watch Person of Interest season 5, episode 1, “B.S.O.D.” tonight at 10:00 p.m. ET on CBS.