One of the longest running issues fans have had with the Harry Potter films is how they’ve been adapted from J.K. Rowling’s books.

In this fascinating bit from Rowling and Dan Radcliffe’s one-on-one conversation found on the Deathly Hallows – Part 2 DVD/Blu-ray, the pair discuss adaptation and why it would never be perfect. Rowling also reveals a couple of times she put her foot down when she read a script, including a conversation with producer David Heyman about Harry’s green eyes.

Radcliffe: What was lovely for us, and I think I speak for everyone on set. You were around a lot at the beginning and early on. And as you kind of saw that we weren’t going massively off script you backed off. Was that hard?

Rowling: It was easy and a relief. I was around a lot early on. I wanted the Great Hall to look right, I wanted Diagon Alley to look right. There were details that I saw so clearly in my mind. I knew I could help. I knew I could genuinely help and make it right for the readers. I felt a huge protectiveness and loyalty to the readership. Once I knew it was running, it was fine.

I have to say, inevitably you have to depart from the strict storyline of the books. The books are simply too long to make into very faithful films. I could think of many places it works just beautifully.

It didn’t have to be a word for word transcription.

Radcliffe: I do sometimes think, if we did make a 6 hour Harry Potter film there would be an audience.

Rowling: And they’d still be complaining that things were wrong. And they’d still want the directors cut. So let’s not even go down that route.

Radcliffe: Is there anything – talking about things being cut out – is there anything we’ve cut that you were upset about? And is there anything we put in that weren’t in the book that you thought were great? Because I remember with Alfonso and the Dementors..

Rowling: No, I remember exactly what it was with Alfonso. First of all, on the Dementor point I thought he did those beautifully. I loved the fact that they created the visceral dislike for the Dementors. I love what he did for the Dementors. What it was, there was something in the script. Alfonso really wanted to get music into the film. He put the choir in, which I loved. But at one point he had this bizarre scene where Flitwick was conducting and there were miniature people in an orchestra inside something. And I just, you see, this is my geekiness, I said to him, “But why?” I know it’s visually exciting, but part of what fans enjoyed about the literary world is there was a logic that underpinned it. There was always logic to the magic no matter however strange it became. I know it’s intriguing to go through the mouth of whatever it was and see these little people, but why? Why have they done it? For you to film it! That’s just what it feels like. You know, normally with the magic there’s a point. So we had a bit of a discussion about that.

Sometimes I’d dig my heels in about the funniest things. I’d say, “Yeah change the costume. Yeah it can happen in that city instead of that city. And all of a sudden, I’d say, ‘But they wouldn’t do that spell. Why would they do that there? So I think sometimes I confused people. But I also remember, right back at the beginning when you were cast I remember David Heyman calling me up and saying, “We’ve tried green contact lenses. We can digitally alter his eye color in post production. How important is it that his eyes are green?”

Radcliffe: That I will thank you for.

Rowling: And I said, um, “The only really important thing is that his eyes look like his mother’s eyes. So if you’re casting Lily, there needs to be a resemblance, but they don’t absolutely have to be green.” “Oh thank Christ,” he said. Were the lenses that awful?

Radcliffe: There is a very small percentage of people apparently who have a very extreme reaction to contact lenses. And I was one of them.

Rowling: You poor thing. I feel really bad.

Radcliffe: No, don’t worry! It was 10 years ago. It was really fine.

Yesterday we shared a part of the conversation where Rowling thought Radcliffe, Rupert Grint, and Emma Watson were too attractive for the roles.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

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Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?

Legion M president Jeff Annison introduces the first fan-owned entertainment company

"Opening the gates to Hollywood" with fandom-powered entertainment production.

2:12 pm EDT, August 24, 2016

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

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Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

The full interview is available to download here or via iTunes, or you can stream it below:

In the interview, Annison explains the mission of Legion M, which is to bring fans directly into the production process. Says Annison, “For the first time in history, we are architected to be built from the ground up to be owned by fans.”

With a ‘Legion’ of fan investors behind them, Annison believes that Legion M’s approach to selecting and developing projects will be very different from anything else we’ve seen in Hollywood.

Where usually creators will struggle to make their content stand out from the crowd, “bringing the audience into the process [of creating entertainment], we’ve already got a built-in audience,” Annison explains. “If you can have the audience of content be invested in content, it gives that content a competitive advantage.”

One of the key ways in which Legion M hopes to influence the creative industry is by opening the door for more diverse projects.

As Hollywood is so revenue-driven, oftentimes the ‘risk’ of letting a movie’s lead character be a woman, a person of color and/or a member of the LGBT community is simply considered too great. But Legion M, being owned by fans, has the opportunity to tip the scales. Because if the investors want more diversity and new kinds of stories, that’s exactly what they’re going to get.

“The reason that there are so many superhero movies and reboots and remakes… Hollywood’s figured out the formula. You pick something with an established fanbase, and if you make the movie you know it’s less risky because you know those people are gonna come see the next Superman movie,” says Annison. “Whereas if it’s an unknown story, you just don’t know. So we believe when you make the audience part of the process, these fans that are part of our studio … if you’ve got an audience that’s baked into it, that gives you so much more creative leeway.”

In practice, this means that Legion M, “could come up with a completely new and novel story that’s never been tried before, and know that it’s gonna have some success” — which means that it’d actually get produced, unlike many original ideas that come to Hollywood to die.

Further, fan owners of Legion M can experience unprecedented involvement with the creative process. Not only are they involved with selecting and developing projects, but, “our promise to our investors is that we’re gonna take you along for the ride. When we film a movie, we wanna live-stream from the set. When we have project opportunities, we wanna put them in front of you. We give the Legion a voice.”

To start with, Legion M is partnering with Seth Green and Matthew Senreich’s Stoopid Buddy Stoodios, which created Robot Chicken. Annison explains that they still have “dozens” of projects that networks have rejected, and Legion M is working on bringing some of them to life.

In terms of representation, Legion M doesn’t necessarily want to commit to a quota of diversity. Instead, where they expect to be able to influence Hollywood is at the “table” where these decisions are made — and, “because we’re owned by such a broad, diverse group of people, we’ve got a better shot than anybody else at being able to affect that change.”

As Annison explains: “Fans have the ultimate power. Our money is what makes this whole thing spin around. When we combine and come together, we’ve got all the power.”

Read more about Legion M and how to get involved on their website.

As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

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As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

Watch below:

The movie’s airport scene was easily one of the most delightful moments of the film, so we’re loving this extra dose of Stucky brilliance.

Need more? The Captain America Blu-ray, with a release date set for September 13, includes the following special features:

  1. United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
  2. Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
  3. Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
  4. Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
  5. Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of Captain America: Civil War.
  6. Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
  7. Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

The Digital HD version of Civil War will be released on September 2.