Joel and Ethan Coen are an anomaly among filmmakers. Rarely can a creative team make so many acclaimed films that share so many similar parts but can be so different from one another.

While they have a shortlist of people who seem to be in every one of their movies (John Goodman, Frances McDormand, John Turturro, Steve Buscemi), they’ve also shown that they are adept at switching styles and genres at the blink of an eye, whether it be black comedy (Fargo, Burn After Reading), Crime (Blood Simple, Miller’s Crossing), or Western (No Country For Old Men, True Grit).

Their art is complete yet concise, with all but one of their films clocking in at under two hours (No Country being the exception). Inside Llewyn Davis finds them in a different, somber mindset, however. It’s still unmistakably a Coen Brothers film (Hi, John Goodman), but it’s melancholy, visually striking, and eminently likable and relatable due to its lead.

The movie takes place during a one week period of the life of Llewyn Davis (Oscar Issac), a folk singer in the 1960s Greenwich Village. Judging by that description, it’s easy to imagine what his life is probably like, which is to say, an unfulfilled mess. He drifts from apartment to apartment playing in dimly lit clubs while dealing with the suicide of his partner and unintentionally giving everyone around him new reasons to hate him. His ex-girlfriend Jean (Carey Mulligan) is apparently pregnant with his child, and he’s also stuck with one of his friends cats, since he can never find an opportune time to return it.

In his journey, he collaborates with Jean’s boyfriend Jim (Justin Timberlake) on a song, and joins two musicians (John Goodman and Garrett Hedlund) on their way to Chicago. But the film actually has the supporting cast take a major backseat for a change, with many of them only appearing for a short time. Rightfully so, as it is Llewyn’s story, which is where the strength of the film lies.

Llewyn is relatable to everyone, artist or not, because everyone has at one point felt his struggle. A character like this has the potential to be rather unlikable, but Issac’s performance keeps him within the audience’s sympathy. His life is a constant downward spiral, but apart from a few specific scenes, he keeps himself together in a dark, sardonic way. He’s an artist who is actually in it for the art, and the reason he hasn’t seen success is because he isn’t willing to sell out like his peers have, a fact exemplified by the scene where Llewyn and Jim record the song “Please, Mr. Kennedy,” a protest song about the space program, of all things, meant as just a quick cash for which he sacrifices his integrity just so he can survive.

Visually, the film is striking. Much of the color is taken away to create an almost sepia tone, which fits the bleak, melancholy atmosphere of the movie. It’s a lot like Nebraska, another beautiful, visually striking but hard to read film from 2013. The morals of Nebraska, however, might have been intentional due to the setting and the characters, but Llewyn’s seems slightly more complex due to the subtlety of the visuals, characters, and the ending, which basically accomplishes nothing.

Being a Coen Brothers film, the soundtrack deserves some praise. It finds them collaborating with producer T-Bone Burnett once again, who helped them make one of the most successful soundtracks of all time with O Brother, Where Art Thou? Much like O Brother, folk music is prevalent through the soundtrack, featuring a mix of re-recorded folk classics and original material, including “Please, Mr. Kennedy,” as mentioned above. And of course no modern day folk record would be complete without a dash of Mumford. Marcus Mumford (who happens to married to Carey Mulligan) is featured on a couple songs and is also the singing voice of Llewyn’s deceased partner, adding serious folk credibility to the experience.

Inside Llewyn Davis would be nothing without its lead and atmosphere, which contribute so much to having us feel what Llewyn is going through. The Coens, in their usual sardonic way, tell a tale of how disappointingly bad, and against all odds, things happen to good people.

Cassandra Clare keeps expanding the Shadowhunters’ universe, with the first adult books of the chronicles just announced!

Clare announced via press release this morning that she’ll publish a trilogy about Magnus Bane, the fan-favorite warlock who’s appeared in every single one of her books and already received a collection of eleven spin-off novellas all about him (The Bane Chronicles). There is no word yet on whether the new books will tie in with the stories told in The Bane Chronicles.

Interestingly, this trilogy will be Clare’s first foray into adult literature, after writing extensively in the YA realm. She always pushed the boundaries of YA, though, with the inclusion of “Dirty Sexy Balcony Scenes” and the like. The first Shadowhunter book, City of Bones, was published in 2007, and the teens who picked it up back then will feel right at home in the adult section of a bookstore today.

Also of note, the series will be co-written with Wesley Chu (author of The Lives of Tao). Clare seems to like having co-writers when dealing with Magnus Bane; The Bane Chronicles are the only other Shadowhunter books that have other authors attached.

The first Magnus Bane book is expected to be published in November 2017. This means that Cassandra Clare will have three Shadowhunters series being published concurrently… The Dark Artifices, The Last Hours, and this Magnus Bane series.

If various sources are to be believed, all three will have an installment published in 2017. The second Dark Artifices book, Lord of Shadows, is expected in April. The Magnus Bane book, as mentioned above, is due in November. And the official site of the Shadowhunter Chronicles still says that the first Last Hours book, Chain of Thorns, is expected in 2017. Clare has a sixth series planned after getting some of these finished, The Wicked Powers, so there’ll be more Shadowhunters coming to a bookstore near you at least through the early 2020s.

Perhaps the decision to publish the Magnus Bane trilogy was based on the character’s success on the Shadowhunters TV show, where the fan favorite is portrayed by Harry Shum Jr. Shadowhunters was renewed for a second season by ABC Family, and it looks like they may have many seasons ahead of them.

Clare said, “Over the years writing the Shadowhunter books, Magnus Bane has emerged as one of the most fun and fascinating characters for me to bring to life… There are so many things we don’t know about Magnus, from the story of his first love to the secrets of his parentage, to the beginning of his relationship with Alec. All those are things I was able to touch on in The Bane Chronicles, but I’m excited to dig in even more deeply in these three volumes devoted to Magnus, his past, his future, and his present.”

Are you excited for three books all about Magnus Bane, or is this Shadowhunter overkill?

Arrested Development‘s fourth season aired three years ago today. To celebrate its legacy (and to try to forget how much we’re missing it right now), let’s rank the best recurring Arrested Development jokes!

It’s really no secret that Arrested Development has some of the best recurring jokes and gags of all time. Even people who don’t watch the show are familiar with things like “There’s always money in the banana stand” and “I’ve made a huge mistake.” The jokes in this show are just so understated and catchy that it would’ve been crazy had they not have caught on. Thanks to Arrested Development‘s recurring jokes, pop culture has never been quite the same.

To celebrate our undying love for Arrested Development, we decided to forgo the banner (sorry, everyone) and instead put together a list of all of the gags and jokes that we think are the best ones the show’s ever done. Not only that, but we’re leaving it up to you to rank them!

How to play: Love a certain joke and think that it should be at the top of the list? Upvote it. Really hate another joke and don’t understand how it got on the list in the first place? Hit that little downward-facing arrow. Don’t care either way for some of these gags? Then you can just leave them untouched. It’s all good! We just want to know what YOU think! With everyone participating we’ll be able to build a definitive list of the best Arrested Development jokes!

So, grab your denim cut-offs and hot ham water, and maybe even do a little chicken dance to get yourself pumped up (but not with the hot ham water in your hand, please). If you’re an Arrested Development fan, you’re sure to love ranking these jokes.

(Just be careful about which arrow you hit. You don’t want to hit the wrong one and find yourself saying “I’ve made a huge mistake.”)

Are there any ‘Arrested Development’ jokes missing from the list? Add them below!

Related: Arrested Development season 4 drinking game

Marvel fans aren’t pleased with the twist in Captain America: Steve Rogers #1.

By now you know that Steve Rogers is revealed to be a Hydra agent in the first issue of the new Captain America: Steve Rogers series (Read our in-depth analysis of the new issue here). Naturally this news — that ultimate do-gooder Cap would be so evil — has not sat well with fans.

The general consensus is that this shit is unacceptable…

… And the only thing to do is ignore it:

Others think Marvel need a taste of their own medicine:

And/or need to fire their lame-o writers:

Then there are beautiful Photoshops like this one of Chris Evans’ Captain America ripping up a tree the comic:

Some people are Photoshopping the comic to make him say things that are just as outrageous as him being a HYDRA agent:

While others are giving him a different revelation — one concerning Bucky. This is the twist that SHOULD be in the new Captain America series

Marvel, please write yourself out of this one as quickly as possible.

… Before you start coming up with other outrageous revelations