There is something inherently intriguing and entertaining about watching people do foolish, and yet exciting, things in the movies. There is something, dare I say, magical about watching characters do the unthinkable, about watching situations slowly spiral out of control. This all applies to Project X, a ridiculously over-the-top party movie which, while far from artistic, succeeds through its commitment not to the usual narrative beats, but through its absolute insanity.

Directed by Nima Nourizadeh from a screenplay by Matt Drake and Michael Bacall (who co-wrote Scott Pilgrim vs. the World), Project X is a curiously executed found footage film, which at times seems to completely abandon this premise, but at the same time isn’t afraid to embrace its potentials. (Much of the proceedings are filmed by the group’s mysterious friend, Dax.) The film follows high-school friends Thomas (Thomas Mann), Costa (Oliver Cooper), and JB (Jonathan Daniel Brown) as they throw a birthday bash for Thomas, whose parents (played by Caitlin Dulany and Peter Mackenzie) go out of town for the weekend.

Costa is gleefully crass and unapologetic in his insistence on throwing the largest bash imaginable – despite Thomas’ parents insistence not too – and proceeds to invite seemingly all Pasadena to what he is advertising as the most epic party of all-time. Now Thomas, Costa, and JB won’t exactly win popularity contests, so they’re not all that surprised when evening rolls around and nobody has showed up – save for Thomas’ friend and inevitable love interest, Kirby (Kirby Bliss-Blanton) – yet just as they are about to give up hope, the crowds begin to arrive.

Thomas is extremely (and justifiably) worried; the crowds continue to roll in, as Thomas’ backyard begins to fill. A party bus even arrives carrying Miles (played by the hilarious Miles Teller), who is apparently an ex-baseball star at their high school. The alcohol begin to flow, the music begins thump, and the party is officially out of control. The trio even hire two young neighborhood kids as security to keep Thomas’ house out of ruins, and of course be on the lookout for neighbors and cops. Yes, the premise and execution are completely ridiculous, but its the fact that the filmmakers embrace this so much that the film succeeds. With an excessive amount of lewd behavior, partying that never stops, and the gleeful way in which the party slowly spirals out of control, Project X is everything you’d fear could go wrong during a party – and it’s entertaining as hell.

From an angry drug-dealer seeking revenge, to an abusive little person (Martin Klebba), and even an angry and violent neighbor attempting to shut down the party, there is never a slow moment. Project X moves at a frantic pace, capturing every aspect of this party through the documentation of Dax and other present cameras. Soon the party generates an unstoppable life of its own – how did the party get so big? “It’s plus one.” – as nobody, not even law enforcement, can put a stop to it.

At the center of this movie is it’s use of music. It would be hard to think of a movie released in recent months that uses its soundtrack so much to its advantage. The soundtrack, which includes tracks from Kid Cudi, Tyler the Creator, Yeah Yeah Yeahs, Nas, and more, masterfully dictates the pace and rhythm of each scene. When coupled with the sleek camerawork, which incorporates an impressive amount of slow-motion and interesting angles, the soundtrack breathes all life into the movie.

While “found footage” is usually used to ground a movie in reality, the climax eschews so far from it that the gimmick at times feels entirely useless. Like a continuous Jackass stunt gone-wrong, Project X never ceases to entertain as a party-movie on steroids, taking the good and the bad from such a premise and spitting out an absolutely insane 90 minutes of cinema.

Grade: B

Rated: R (for crude and sexual content throughout, nudity, drugs, drinking, pervasive language, reckless behavior and mayhem – all involving teens.)

Project X opens nationwide on March 2nd.

Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

Read full article

Some awesome celebrities turned out today to support the Women’s March on Washington movement, in order to send a strong message to the Trump administration that women’s rights are human rights!

Massive crowds all over the world today are taking part in the Women’s March to send a message about women’s rights. Here at Hypable we give a big shout out to all of those taking a stand today. To show that you’re not alone in this fight, here’s a look at some of the celebrities who were among the estimated four million marchers who showed up to support you in D.C. and all over the world.

Emma Watson and Bonnie Wright

Kristen Stewart

Charlize Theron

Madonna

Nick Offerman

Sir Ian McKellen

Candice King, Julie Plec and Kayla Ewell

Mindy Kaling

A photo posted by Mindy Kaling (@mindykaling) on

Darren Criss and Nick Lang

Melissa Benoist

💪#womensmarchonwashington

A photo posted by Melissa Benoist (@melissabenoist) on

Misha Collins

#womansmarch Jacksonville, FL. Fight on!

A photo posted by Misha Collins (@misha) on

Aja Naomi King and Alfred Enoch

Resistance. Respect. #womensmarch 👊🏾

A photo posted by Aja King (@ajanaomi_king) on

Lin-Manuel Miranda

Joss Whedon

Edgar Wright

Miley Cyrus

Ariana Grande

today filled my heart with so much hope !! got to meet many beautiful, passionate people and march alongside my loved ones. the sun came out for us. we are so much stronger and louder than hatred, ignorance, sexism, racism, agism, homophobia, transphobia, body shaming, slut shaming, prejudice, discrimination of all kinds, patriarchal conditioning and the backwards expectations of what a woman should be! I'm so proud of / inspired by everyone who marched today and thankful that there are so many people on this planet currently celebrating how brilliant and magical women truly are! let's keep our voices loud, passionate & peaceful! let's continue being strong for each other and to build each other up! let us stay connected to our divinity. 🌸♡🌌

A photo posted by Ariana Grande (@arianagrande) on

John Legend

#WomensMarch

A photo posted by John Legend (@johnlegend) on

Chrissy Teigen and America Ferrara

Dame Helen Mirren

Gillian Anderson

Bryan Fuller

Neil Gaiman

Kerry Washington with Natalie Portman

… and with Laverne Cox

Ben Barnes

Amy Schumer and Uzo Aduba

A photo posted by @amyschumer on

Gina Rodriguez

Carlos Valdes, Arthur Darvill, Danielle Panabaker, Caity Lotz and Keiynan Lonsdale

Maggie and Jake Gyllenhaal

Kevin McHale

Chris Colfer

Scarlett Johansson

Blake Lively

Yoko Ono and Whoopi Goldberg

Jessica Chastain

Alicia Keys and Janelle Monae

Katy Perry

Zendaya

That's right…

A photo posted by Zendaya (@zendaya) on

Troye Sivan

Willow Smith

Mark Ruffalo

Yip. Well said. Borrowed sign from @dorisfullgrabe design by @dirtybandits #womensmarch Nyc

A photo posted by Mark Ruffalo (@markruffalo) on

Paul Bettany

Eddie Izzard

Stephen Colbert

Did you turn out to support the Women’s March?

Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

Read full article

Even though we’re halfway through Lucifer season 2, God has only ever been mentioned by name, so we haven’t seen what he looks like — yet.

God has been a major player in Lucifer since the pilot episode, but we’ve never seen his face. Despite what a huge influence he’s had on all of Lucifer’s existence, the show has understandably continued to keep him a mystery (though we did wonder when we’d be seeing him).

But now, according to EW, Timothy Omundson (Psych, Galavant) has been cast in the role of God Johnson.

They don’t specifically say Omundson will be playing the God, but EW reports he is “a patient in a psychiatric hospital, who is charming, enigmatic, and oh yeah, he thinks he’s the one and only God Almighty.”

Lucifer will certainly take issue with someone impersonating any divine being, let alone his father.

However, EW also says, “As Lucifer (Tom Ellis) tries to prove him a phony, he comes to find that ‘God Johnson’ seems to know things that only Lucifer’s true Father would know. Could he really be the Big Guy Upstairs?”

The trick will be to figure out if God Johnson is the real deal or if someone else is feeding him information to lure Lucifer out. At this point, it could be just about anybody — Charlotte, Amenadiel, the man in the hat, or a player we’ve yet to meet.

Omundson has been signed on for only one episode, but that doesn’t necessarily mean we’ll never see him again.

Are you excited Timothy Omundson has been added to ‘Lucifer‘?

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

Read full article

At a time when the divide between the generations has arguably never been greater, The 100 encapsulates the struggle of millennials more than any other current show.

This article was submitted by Hypable reader Stephanie Farnsworth.

The media churns out article after article about the laziness of millennials, and then complains about how we work too hard. Millennials are branded “snowflakes” even as we struggle to pay rent and bear the consequences of the economic fall-out that we didn’t cause.

The CW drama The 100, which is entering its fourth season in February, rather bluntly captures that sense of young people paying the price of previous generations; at the beginning of the series, a council of adult politicians literally sent teenagers to a radiation-soaked earth to try to save their own society.

The 100 season 1 Jaha

The pilot episode revealed the extent of the power imbalance between the generations that reflects our society today: Chancellor Jaha presented the project of ‘the hundred’ as a way for young delinquents to fulfil their duty and gain redemption, even if it cost them their lives. They were even expected to be grateful, because they’d been judged as criminals and would have been executed anyway, even for relatively petty crimes.

And as The 100 season 4 approaches, the adults’ attitudes towards the kids haven’t changed that much from the show’s premiere.

Related: Previewing The 100 season 4: What to expect when you’re expecting an apocalypse

Generational conflict and tension has remained at the heart of the show throughout the series. The generational focus has not been diluted even as the world has expanded to reveal far more of the culture of the Grounders; in fact, this has only given rise to more conflict as the older members of Skaikru have struggled to accept not only the Grounders’ belief system, but the young age of their Commanders.

As the figurehead for all of the delinquents, lead character Clarke has been undermined and derided at every turn. In season 2, her own mother scoffed at the idea that Clarke and Lexa could lead their people to safety, mocking the Grounder Commander’s age and commenting, “They’re being led by a child.” It was up to Kane to point out that Skaikru were, too, because none of the adults had managed to think of a solution, and it was up to Clarke to save them.

Both Abby and Kane’s attitudes play into the infantilising of the millennial generation. Neither Clarke nor Lexa were children. They were young adults, and they were working towards making a better society where all of their people could survive while the adults were focused on internal power plays. Jaha was ready to leave the young adults in Mount Weather to die, but that’s no surprise; he’d made that decision before.

Abby couldn’t bear losing power to her own daughter, to the extent that it culminated in a scene where she assaulted Raven. The young mechanic was cool and composed in her response, pointing out that Clarke stopped being a child when Abby signed off on her daughter being sent to Earth to die.

Raven’s positioning was clear: Although not condemned by any crimes (even if she had committed the crime that Finn was convicted of), she chose to align herself with the hundred and was the one who chose to come to Earth simply to help. The younger generation, in short, pulled together, and when the older generation landed they brought down their old rules and oppression.

The consequences were overwhelming for the younger characters. They were tasked with saving everyone at the expense of any peace to their own souls. Clarke demonstrated this more than any other character and she ended up fleeing her people, unable to carry the burden of expectation they all had for her. It’s something she wrestled with throughout season 3, and with Earth facing a nuclear apocalypse again, Clarke will have to make peace — not with herself, but with how everyone else sees her if she is to survive.

The 100 season 4 Bellamy

Bellamy, too, will have to find his own identity. Last season, he effectively turned his back on the hundred to win the praise of Pike, and Bellamy upheld and supported his bigotry.

His part in slaughtering the Ark survivors’ 300 Grounder allies will not be easily forgotten. Bellamy wanted to be the hero. He wanted to protect people (specifically the women in his life) who never asked for that, and he wanted to be a part of the establishment.

If The 100 presents a metaphor for the real-life relationship between millennials and Gen X, Bellamy is the one wearing the rose-tinted glasses that younger people are supposed to wear when viewing an establishment that has been willing to regularly criticise later generations.

He had longed to be part of the Guard since he was a boy, and he saw a way to fulfil that old dream and become part of an order that had caused his entire family so much suffering. Bellamy was never quite the hundred: He was older, and his sole concern initially had been protecting his sister. It was easier for him to flit between the different groups within Skaikru than it was for any of the rest of the hundred.

After the events of last season, however, Bellamy now knows the pain he’s caused by his choices. And in season 4, he will have to choose exactly who to put his faith in: Clarke or the old order?

But maybe, in light of the external threat that now threatens humanity’s survival, the two generations will finally be able to pull together. There have been many hints that Clarke and Jaha will find some common ground this season due to the pressures they are facing, and Jaha knows well the cost of leading. Through Clarke, we will see whether lessons can be learned from the mistakes of the generation before.

Octavia once accused Clarke of being just like the council by deciding who was worthy of life. Clarke now must show whether she will follow that path or whether she can be better. The millennial dream of whether we can learn from the repression and conservatism of the past will be on trial in The 100 season 4, as we see just how Clarke plans to lead her friends into this new battle.

The 100‘ season 4 premieres February 1 at 9/8c on The CW