Stick to what you are good at. The team working on SSX should have heeded this advice during the development of the game. While SSX does a lot of things right, and it can be seriously fun, it also stumbles on itself by putting too much focus on parts of the game that are not.

SSX marks Electronic Art’s return to franchise of the same name as well as the action-sports genre that began to lose popularity roughly a decade ago.

The game is at its best when it is continuing the legacy of previous entries in the series, namely, allowing players to control gravity-defying, ridiculous maneuvers in Trick It mode.

There are few games that offer the thrill of performing six complete rotations all while spinning the board in your hand and adding a backflip for good measure before sticking the landing only to hear RUN DMC let you know you have reached Uber Tricky mode. SSX combines moments like this from its predecessors with the physics and a polish only available in modern games.

You’ll have no problem pulling off these huge maneuvers either as SSX controls like a dream, giving you the choice between a classic, face button arrangement or the new analog controlled system. I personally opted for the analog controls, which made me feel more in control. Responsive controls are a necessity for this reboot because it is light years faster than previous entries. The speed of the game is both a blessing and a curse.

While a drop in frame rate would be a negative, sometimes I almost found myself wishing for a slow down so I could both appreciate the wonderful visual style of the game as well get my bearings and better control of my character. The majority of the courses are beautifully designed, feel organic and are a lot of fun to play.

The curse of speed is especially evident in the new Survive It mode in which you are tasked to make it through a course with a special set of necessities. For example a wing-suit to make it over wide crevices or a solar-powered suit to keep you from freezing to death in the middle of your run. Survive mode seemed out of place in the game, like the developers felt like they had to keep it in as a holdover from the early days in development when the game had a more serious tone. In this mode, especially, you’ll want to control your speed as much as possible to just get through the challenge and on to the next Trick it section. In other words, they just weren’t very fun.

Speaking of not being fun, unnecessary punishment of the player in SSX makes the game more frustrating than it needs to be. Case in point is the rewind function. In Trick It, the rewind function can be used as many times as necessary with the only consequence being points taken away from the player, which is fine because landing that failed trick will most likely net the player those points right back. While Survive rewinds are limited, courses can usually be accomplished relatively easy. Race It, however, seems to go far in punishing the player. Rewinding in Race It can make it very difficult to get back in the race as opponents speed ahead while you move backwards. The frustration only amplifies  in later courses when racing is combined surviving and the courses become much more challenging. If you’re going to have a rewind function in your game, it should help the player, not unnecessarily punish and frustrate.

While there is no head-to-head multiplayer functionality in SSX, the title boasts one of the deepest asynchronous online multiplayer ever, dubbed RiderNet. Taking cues from Need For Speed: Hot Pursuit‘s Autolog, the system keeps the high score rivalry between you and your friends in your face at all times, goading you to play just one more run to try and beat them.

SSX is a lot fun when it is doing what it does best. It does a good job of balancing the old series with new game development. While the game has its low points, the highs are worth it all.

Grade: B-

Major changes coming to ‘Sense8’ season 2

And I'm excited about what happens next.

11:00 am EDT, May 30, 2016

Sense8 is currently in production for their second season, and they’ve gotten pretty far. Here are some important things you need to know about what’s to come for your favorite cluster!

Ever since Sense8 debuted on Netflix a year ago I’ve been obsessed. Not only because it was such a fantastic premise of connecting eight people, but because it was so immensely diverse and represented so many people from all over the world. Now that we’ve got a season 2, it’s about time to start learning what it’ll be about.

There’s some major things about Sense8 season 2 that are going to be dramatically different, and we’ve gotten an update on what our favorite characters will be up to this season thanks to BuzzFeed.

There’s only 1 Wachowski left

One of the biggest draws of Sense8 was the fact that it was a Wachowski sister production. These sisters have brought us The Matrix and Cloud Atlas so we knew when we heard that last name that this was going to be an epic series.

This year, only Lana Wachowski is staying on to direct the show. Lilly Wachowski is taking the much-deserved time off after having just come out as transgender in March, and is using the time to focus on herself. Should the show return to Netflix for a third season then she’ll probably return.

The return of only one sister isn’t something that should affect the show too much, and I’m sure if it does then any changes will be welcome and give the show a fresh vibe — not that it needs it.

Sense8 Nomi Amanita

Capheus has been re-cast

For those who enjoyed Capheus’ story in Kenya the most prepare yourselves for a major change. Due to disagreements between Lana and Aml Ameen, who portrays Capheus in season 1, Ameen left the show before production began.

Capheus’ story isn’t one you can just replace and end so suddenly, so instead of writing him out Wachowski opted instead to re-cast him. Toby Onwumere will now play the part.

For those of you concerned with any disagreement between Ameen and Wachowski being over her being transgender, Jamie Clayton, who plays Nomi, was adamant about stopping that rumor.


The good news is that Onwumere has been completely welcomed by the cast and he felt immediately connected to them upon meeting them at dinner for the first time. This makes me more confident that his chemistry with the actors will show on screen, which is one of the reasons I love Sense8 so much – the chemistry has been fantastic in every episode with all 8 actors.

But these changes can be amazing!

Even though they’re major changes from how the show operated last year, I feel like the new single director and the new actor is going to bring a welcome fresh take for the new season.

Every show can use something new in each season they come back just to keep it interesting and unique every year. I feel like, thanks to these changes made to the cast and crew, the story isn’t going to have to change too drastically just for the sake of change. Obviously it’s going to probably take to places we don’t expect, but that will be because the story is naturally progressing, instead of them trying to change actors and plots already set.

Are you excited for season 2 of ‘Sense8’

Hollywood reacts to ‘Begin Again’ director’s candid criticism of Keira Knightley’s acting skills

Should the trust between actors and directors ever be broken?

10:33 am EDT, May 30, 2016

After Begin Again director John Carney’s candid comments about Keira Knightley’s acting went viral, Hollywood has taken to Twitter to defend the British actress.

In case you’ve somehow not heard the story, here’s the sitch:

Over the weekend, The Independent released an interview with Irish director John Carney, in which he had some harsh words for former colleague Keira Knightley.

The pair worked together on the 2013 musical rom-com Begin Again, where Knightley starred opposite Mark Ruffalo as a promising young folk singer recovering from a broken heart.

Carney evidently wasn’t satisfied with Knightley’s performance, claiming she “always has an entourage that follow her everywhere so it’s very hard to get any real work done.”

Related: Exclusive: Keira Knightley, Joe Wright talk Anna Karenina and the choice to set it in the world of theater

Going on to praise both Ruffalo and Maroon 5 frontman Adam Levine’s performances, Carney said, “I think that that’s what you need as an actor; you need to not be afraid to find out who you really are when the camera’s rolling. Keira’s thing is to hide who you are and I don’t think you can be an actor and do that.”

“I like to work with curious, proper film actors as opposed to movie stars,” he continued. “I don’t want to rubbish Keira, but you know it’s hard being a film actor and it requires a certain level of honesty and self-analysis that I don’t think she’s ready for yet and I certainly don’t think she was ready for on that film.”

Carney concluded, “I learned that I’ll never make a film with supermodels again.”

Now, Carney clearly had a frustrating experience working with Knightley on this film, and his distinction between ‘proper film actors’ and ‘movie stars’ may be legitimate in theory. Begin Again certainly wasn’t the great critical hit that Carney’s Once had been, and at the time of the movie’s release, Keira Knightley herself admitted that she struggled with the material, not being a singer-songwriter herself and having no great appreciation for music.

“It’s terrible. I know nothing about music whatsoever,” she told The Guardian. “I was always more into reading and drama. I was such a geek. … There’s often a huge link between music and memory. And I’ve got such a bad memory.”

But the issue Hollywood professionals have with Carney’s comments seem to have less to do with Knightley’s specific performance, and more about the fact that Carney made these comments at all.

Ava DuVernay certainly makes a great point about why Carney should have stayed silent:

Both industry professionals and notable journalists have joined DuVernay in speaking out against Carney. Here are some of their reactions:

All the same, there are some that find Carney’s candidness refreshing.

What do you think? Should John Carney have held back his criticism of Keira Knightley out of professional courtesy? Or was he right to share his negative experience?

John Carney rose to international fame with Once in 2007, and this year he’s coming out with a musical drama titled Sing Street.

Spectre director Sam Mendes is officially not returning for more James Bond movies.

While we wait for (almost certain) confirmation that Daniel Craig won’t reprise his role as 007 in the next James Bond film, we can at least contend with the knowledge that Sam Mendes will not direct Bond 25.

The two-time James Bond director came on board the franchise for the wildly successful Skyfall, but his follow-up Spectre was not considered as great of a success.

Even before Spectre‘s release, Mendes was talking about quitting the all-consuming franchise, saying at the time, “I don’t think I could go down that road again. You do have to put everything else on hold.” But it was only during a Welsh literature festival that he finally confirmed his departure.

Related: Quantico’s Priyanka Chopra doesn’t want to be a Bond Girl, she wants to be Bond

“It was an incredible adventure. I loved every second of it, but I think it’s time for somebody else [to direct],” said Mendes, as quoted via The Sydney Morning Herald. “I’m a storyteller. And at the end of the day, I want to make stories with new characters.”

Bond 25 is likely to be completely new chapter of the franchise, with Daniel Craig set to follow Mendes’ lead and officially announce his departure soon. Everyone’s been expecting him to bow out ever since his controversial promotional campaign for Spectre, and it’s even more likely now that his two-time collaborator has called it quits.

On the speculation about who might replace Craig, Mendes says, “I can guarantee that whatever happens next it will not be what you expect.”

“[Bond producer] Barbara Broccoli chooses who is going to be the next Bond, end of story. And without that there would have been no Daniel Craig because public support for Daniel was zero. It was her saying: ‘That man over there, he’s going to change the whole tenor, I’m going to cast him.’ That turned the whole thing on its head,” says Mendes.

Rumor has it that Tom Hiddleston is in talks to be the next James Bond, but until we learn more, we can speculate away as we wish! It’s also time to start making those Bond 25 director wishlists. Anyone know if Ava DuVernay is available?