On November 1, Team StarKid released Apocalyptour: Live in Los Angeles, a live DVD showcasing one of the three LA dates on the troupe’s national concert tour which took place in May and June of this year.

For Apocalyptour, StarKid released a physical DVD and a digital download of the content simultaneously – a first for any of their productions – meaning that the fans who had to wait days or weeks for the shipping of their SPACE Tour DVDs can access this show immediately upon purchasing. Thanks to this development, you can read our take on the new StarKid DVD below.

It’s still a bit of a jolt to see the faces of Team StarKid in high definition DVD quality, performing on a huge stage in front of a packed house. It feels confusing somehow, almost a little wrong, to see them in a glossier and more professional medium than their homemade videos or admittedly increasingly no-longer-so-grainy YouTube footage taped in small dark theatres, and you start to wonder at the enormity of it all, asking, “Who let them do that? How did this happen? When did StarKid go from this to THIS?”

When something exists primarily on the Internet, it can be difficult to grasp how large a scale it may be affecting, how far it truly reaches. For many people, being a StarKid fan is still quite a small and underground thing, something that isn’t fed to them through filters of PR, advertising, marketing and record labels. But the reality of the situation is that this merry troupe spent the early summer crossing America, selling out venues that most contemporary musicians would be lucky to fill, and being met at each stop with a fan fervour that the stars of Broadway would rarely be met with at any stage door, unless they’re hosting an extra-special celebrity. They may not be household names, but the Internet is bigger than any household, and Team StarKid have grown to become the Internet’s biggest rock stars.

Apocalyptour: Live in Los Angeles differs structurally from 2011’s SPACE Tour DVD in that it presents the Apocalyptour concert in full, from start to finish, as opposed to cutting between musical numbers with talking heads and behind-the-scenes moments. On one hand, the lack of backstage footage is somewhat disappointing. For many fans, the individual personalities in Team StarKid are as big a draw-card as the songs, and when the group goes on tour, fans desire as much personal content as possible – exposure to the antics of their favorite StarKids unguarded in their natural habitat. However, Apocalyptour supplies what SPACE does not in presenting fans with a full run-through of the performance, from curtain up to curtain down, so fans at home may experience the entire set as if they were there in the audience of the Los Angeles House of Blues.

Unlike SPACE, Apocalyptour features a scripted story – written by Brian Holden, Nick Lang and Matt Lang – in which the StarKids have decided to give up singing and dancing to become travelling archaeologists. They uncover an Apocalyptic prophecy and when they accidentally activate it, they are faced with Margaret, the Mayan god of chaos and death. Margaret (played excruciatingly hilariously by a straight-faced and be-skirted Jim Povolo) also happens to be the god of musical theatre, so the StarKids are forced to go back to their singing and dancing ways, performing to save their lives – and the world – from destruction. In the end, the crisis is averted and Margaret herself joins Team StarKid.

The concept is rescued from being cheesy by how self-aware the script is. It’s nowhere near as tight as one of their musicals, because here, the story merely serves as a fuzzy backdrop to get from number to number in a set-list made up of songs created for other musicals, but the humour is full of lamp-shading and self-deprecation. Not a single person could have missed the joke about how an absent StarKid being “consumed by a giant, greedy Fox” was one of the signs of the impending Apocalypse. When a performance from Brian Rosenthal as Joey Richter’s Heart is praised by the others, Joey quips that “he used to be a lot better but then he got cast in a non-Equity production of Young Frankenstein,” referencing A.J. Holmes, the originator of the Heart role in Me and My Dick. When asked by Margaret if the StarKids were criminals, Dylan Saunders offers that he likes stealing from Whole Foods, and Joey pipes up again saying, “and I appeared on the Disney show Jessie, Fridays at 8 p.m.,” before the others clap hands over his mouth and drag him off. Later, when Margaret fails to be impressed by the group, she calls their performance “skimpy and lyrically uninspired,” direct quotes from critical reviews of Starship, by Time Out and the Chicago Reader respectively.

And in classic StarKid style, they never go for the obvious joke. These are people who have a habit of, first and foremost, doing things that they themselves find funny, including playing tricks on the audience. When they perform the title number to Me and My Dick, the group censors themselves, cutting one another off coyly to avoid saying the “D” word. Someone unfamiliar with their wickedness – a parent, perhaps – would pick up the obvious missing rhyme and make the leap that StarKid was attempting to make the show family-friendly, due to the large number of young fans the group has accrued despite the adult material of some of their musicals. It’s a fair assumption. That’s what StarKid want you to think. But the joke is a double-cross, as they end the entire set with a reprise of the “Me and My Dick” chorus, dragging it out to the last minute when they use the actual lyric, in a matter of fact and self-satisfied way.

The loose plot uses throwaway lines to lead into musical numbers. Brian Holden, having a moment of insecurity about their situation, is told by the others to man up and shut up, which prompts his rendition of “Guys Like Potter,” A Very Potter Sequel‘s song about Snape getting bullied. Other songs are grouped thematically, such as a collection of scheming villain songs from several StarKid productions, and a section of the set dedicated to various duets. Given that only nine of the thirty-something people involved in Team StarKid appeared onstage at the Apocalyptour, the songs were all rearranged for different soloists and groups by StarKid’s musical director, Clark Baxtresser. Some, such as Joe Walker and Brian Rosenthal’s Voldemort/Quirrell duet “Different As Can Be,” remain almost identical to their original performance, but the award for most creative new arrangement would have to be a tie between the jazzed up, up-tempo redesign of “Guys Like Potter,” and the duet between Dylan Saunders and Jaime Lyn Beatty on a mash-up of “Sami” from Little White Lie and “Harry” from A Very Potter Musical. Originally the same song, written by Darren Criss, it was transferred from one production to another before StarKid had any audience to speak of.

Other musical highlights include the beautiful harmonies on Starship‘s “The Way I Do,” some of Criss’ finest work as a composer; Joey Richter and Lauren Lopez on “Granger Danger,” which was genius the first time we saw it and still holds up – in fact somehow keeps improving – after three and a half years; the build-up from solo to group number on Holy Musical B@man’s “Dark, Sad, Lonely Knight,” and the impossibly infectious “Super Friends” from the same production. StarKid also seemed to draw inspiration from their prodigal son, as their rendition of A Very Potter Musical‘s “Not Alone” – also a Darren Criss trademark solo number – features a strong solo by Jaime Lyn Beatty and gospel choir-style backing vocals, an arrangement that seems to echo Criss’ performance of the number at the 2010 Trevor Project Live event. “Not Alone” is also the only performance on the DVD where the sounds of the crowd singing along are turned up in the audio mix, and the effect is haunting.

All in all, Apocalyptour: Live In Los Angeles is an enjoyable watch for any StarKid fan. Despite the caricature of slap-dash mediocrity Team StarKid humorously paint of themselves, the performances are skilled and solid, and the entire production demonstrates the growth of this group of people – who, never forget, basically fell into this – both as artists and as businesspeople. The desire to keep improving and produce professional quality work for an audience initially drawn in and made loyal by the grassroots, DIY dynamics of your operation must be a delicate balance to maintain; yet maintain it StarKid do, and in doing so, they continue to create something that the world has never quite seen the likes of before.

Apocalyptour: Live in Los Angeles is available now at Team StarKid’s web-store. For those still craving behind-the-scenes content, the physical Apocalyptour DVD features an exclusive video diary chronicling the day leading up to the tour’s final show in New York City. Apocalyptour: Live In Los Angeles includes performances by Dylan Saunders, Joey Richter, Joe Walker, Brian Holden, Brian Rosenthal, Jim Povolo, Meredith Stepien, Lauren Lopez and Jaime Lyn Beatty. Apocalyptour featured songs by A.J. Holmes, Carlos Valdes, Darren Criss, Mark Swiderski, Nick Gage and Scott Lamps, music direction by Clark Baxtresser, tour direction by Julia Albain, and was filmed by Liam White.

Jessica Jones introduced us to Marvel’s live-action Luke Cage (Mike Colter), who has his own show debuting on Friday. Here’s everything you need to know ahead of time.

The mythology of the Marvel Cinematic Universe is rich and complicated. Not only do you have to remember what’s happened from episode to episode and season to season, it’s also important to keep in mind what’s happened in other shows and movies.

But that’s why we’re here. Looking forward to Luke Cage premiering on September 30? Us too. Having a little trouble remembering what happened in Jessica Jones and not feeling up to rewatching the show from start to finish? No problem.

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Jessica Jones introduced us to Marvel’s live-action Luke Cage (Mike Colter), who has his own show debuting on Friday. Here’s everything you need to know ahead of time.

The mythology of the Marvel Cinematic Universe is rich and complicated. Not only do you have to remember what’s happened from episode to episode and season to season, it’s also important to keep in mind what’s happened in other shows and movies.

But that’s why we’re here. Looking forward to Luke Cage premiering on September 30? Us too. Having a little trouble remembering what happened in Jessica Jones and not feeling up to rewatching the show from start to finish? No problem.

Everything you need to know about ‘Luke Cage’

The man

luke cage premiere date

We first met Luke in the series premiere of Jessica Jones and he was in the majority of the episodes for the season. He owned a bar in Hell’s Kitchen and made it a priority to stay away from complications. Too bad Jessica Jones is the definition of complicated. Sweet Christmas.

With chemistry pretty much off the charts, it didn’t take long for Luke and Jessica to start hooking up. Unfortunately, between Kilgrave’s manipulations and Jessica’s lies, the situation came to a head and Luke found out it was Jessica who was responsible for his wife’s death way back when Kilgrave was livin’ large with Jessica at his side.

Luke left after that, but not before he ran into Kilgrave with the intention of killing the man. Instead, Kilgrave used his power of mind control to plant Luke back into Jessica’s life and keep an eye on her until it was time for Kilgrave to use his trump card. He even forced Luke to blow up his own bar.

In a final confrontation, where Kilgrave once again played with Jessica’s emotions, Luke said he didn’t forgive her for killing his wife and, under Kilgrave’s power, attacked her until she was forced to put a shotgun to his head and pull the trigger.

Thanks to Luke’s powers, he survived, but that didn’t mean there wasn’t some damage. Luke was unconscious, and Jessica was forced to bring him to the hospital where Claire used her position as a nurse to sneak him back to Jessica’s apartment and keep an eye on him.

By the end of the series, once Kilgrave was killed and Jessica was arrested, Luke recovered from his injuries and left Jessica’s apartment when Claire wasn’t looking.

The myth

luke cage mike colter

Luke Cage’s powers are not unlike Jessica’s, though where they both share a similar level of strength, Luke has the added benefit of unbreakable skin. The experiments he was subjected to didn’t make him completely impervious to injury, as seen when the shotgun blast rattled his brain so much it did some internal damage. Areas like his eyes are also open to injury, if Claire sticking that needle through the socket is any indication.

Luke is also just, you know, a big guy. Is intimidation a supernatural ability? Because if so, this guy has got it in spades. He’s a good fighter and obviously used to dealing with the seedier side of the city, so even without his powers, he’d be good to have in a fight.

Luke Cage from the comics isn’t much different, though his interactions with other superheroes have given him an additional leg up. For instance, Iron Fist has taught Luke Cage additional fighting techniques, but we haven’t seen that in the MCU since Iron Fist has yet to debut on Netflix and it’s uncertain what their interactions will be like.

Apparently Luke also has a sweet jacket that’s as impervious as his skin. Given all the clothes we see him go through in the trailers for the upcoming season, perhaps we’ll see him gain a useful item like this in the upcoming freshman run.

The legend

luke cage clip

Luke Cage is already making a name for himself by the end of Jessica Jones, and it’s clear that season 1 of his own show is only going to further his story as a legendary hero. If you want to avoid spoilers at all costs, skip this section. If you’d like to get familiar with some of the show’s upcoming new characters, read on.

In Luke Cage season 1, it’s clear that Cornell Stokes/Cottonmouth will be to Luke as Wilson Fisk/The Kingpin was to Matt Murdock’s Daredevil. This is the guy who wears the crown around Harlem (where Luke has recently moved following his interactions with Jessica), and it’s pretty clear Stokes took no time in pissing off Luke.

Mariah Dillard will be an enemy of a different variety, as she’s a powerful local politician who also happens to be Stokes’ cousin. From the trailers it looks like the two are in business together, but the relationship is contentious at best. Alvarez/Shades, an associate of Cottonmouth, is also going to cause some problems for Luke.

On the other side of the line you have Misty Knight, a police detective who has Luke Cage on her radar. She might also be causing some problems for our hero, but she’s definitely one of the good guys. Her partner is Rafael Scarfe.

Claire will also be returning, this time in a starring role, so the hope is we’ll be seeing plenty of the nurse who is heroic in her own way. She might not have supernatural abilities, but she heals who she can, despite their various complications. She’s also there to light a fire up under the asses of heroes who might be losing their way — and she’s very good at her job.

Everyone’s favorite crook, Turk, will also be showing up in Luke Cage, as will Claire’s mother, Soledad. You can also expect Willis Stryker/Diamondback to play a part this season. He’s tied up with Cottonmouth and Shades and definitely has something against Luke. In the comics, they go way back, and Stryker even had a thing for Luke’s wife, Reva.

Here’s the latest trailer for ‘Luke Cage’ season 1

‘Luke Cage’ season 1 will be exclusively available to stream on Netflix come September 30

Once Upon a Time season 6 will see Sean Maguire’s Robin Hood at least one more time! Come on, is anyone ever really gone for good on this show?

Remember when Hook died, but he really didn’t? Remember when Neal died, but we got see him again in limbo between reality and the Underworld? Well, Robin Hood is following a similar Once Upon a Time narrative arc as EW confirms that the outlaw will return in season 6.

Adam Horowitz and Eddie Kitsis confirmed the news saying, “We’re thrilled to have Sean back for this story arc and are excited for the audience to see what we have planned, which in the wake of his character’s heartbreaking demise, is something we hope is unexpected and surprising.”

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Once Upon a Time season 6 will see Sean Maguire’s Robin Hood at least one more time! Come on, is anyone ever really gone for good on this show?

Remember when Hook died, but he really didn’t? Remember when Neal died, but we got see him again in limbo between reality and the Underworld? Well, Robin Hood is following a similar Once Upon a Time narrative arc as EW confirms that the outlaw will return in season 6.

Adam Horowitz and Eddie Kitsis confirmed the news saying, “We’re thrilled to have Sean back for this story arc and are excited for the audience to see what we have planned, which in the wake of his character’s heartbreaking demise, is something we hope is unexpected and surprising.”

Bringing back characters is one of the major reasons why characters on this show can never have closure. In the aftermath of season 5’s most remarkable death, Once Upon a Time took the necessary steps to give Regina closure. In Neal’s apartment (once again, reviving Neal’s presence for Emma), Regina began to process the reality of her life through a letter from Robin.

Once Upon a Time season 5 regina robin

Kitsis makes note that Regina’s course of action this season will deal with processing her grief. “I can tell you that a lot of this year is about Regina dealing with loss and moving on, because I think Regina has the most unfair luck of anybody, but that’s what makes her Regina,” says Kitsis.

We already caught some of that in the season 6 opener where Regina talks with Snow White about her character’s story and its various interpretations. If the feather floating away from Regina on the bench was a nod to her finding the strength to let go even a little bit, what will Robin’s return mean for her mentally? Regina needs all her faculties to face the most terrifying adversary this season– herself.

What will Robin’s return look like?

Maybe he will appear Jiminy Cricket style and remind her of her best qualities as she faces the Evil Queen. Or perhaps he will appear to save his daughter through some kind of intrinsic bond that exists between them? Maybe that feather actually means a bit more than we give it credit for!

Once Upon a Time season 5 episode 100 review regina robin henry

Kitsis and Horowitz note that Sean Maguire will have “an arc” meaning it is likely that he will appear in more than one episode.

What are some of your theories for Robin’s involvement in season 6? Let us know in comments!

Once Upon a Time season 6, episode 2, “A Bitter Draught,” airs Sunday, October 2 at 8:00 p.m. ET on ABC.

Netflix’s The Crown chronicles the early years of Queen Elizabeth II, starring Claire Foy and Matt Smith as the queen and consort. Watch a new trailer now!

We’ve already got Doctor Who companion Jenna Coleman playing Queen Victoria on ITV, and now the Eleventh Doctor, Matt Smith, is playing her great-great graddaughter’s husband. Wibbly wobbly, timey-wimey.

Netflix’s original drama series The Crown stars Claire Foy as a young Queen Elizabeth II, and tells the inside story of her early years as monarch. Watch the new trailer below:

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Netflix’s The Crown chronicles the early years of Queen Elizabeth II, starring Claire Foy and Matt Smith as the queen and consort. Watch a new trailer now!

We’ve already got Doctor Who companion Jenna Coleman playing Queen Victoria on ITV, and now the Eleventh Doctor, Matt Smith, is playing her great-great graddaughter’s husband. Wibbly wobbly, timey-wimey.

Netflix’s original drama series The Crown stars Claire Foy as a young Queen Elizabeth II, and tells the inside story of her early years as monarch. Watch the new trailer below:

The trailer offers an overview of the story we know — Elizabeth’s coronation, her wedding, her celebratory rides through joyous crowds — and reveals glimpses of the story we don’t.

The Crown claims to tell the inside story of Queen Elizabeth’s early reign, offering an intimate look into the fraught relationship between Elizabeth and Prince Philip.

Showrunner Peter Morgan previously wrote the script for The Queen, which starred Helen Mirren and explored the events surrounding Princess Diana’s death.

The series is based on the award-winning play The Audience, and also stars John Lithgow as Sir Winston Churchill, Victoria Hamilton as the Queen Mother, Jared Harris as King George VI, Vanessa Kirby as Princess Margaret and Dame Eileen Atkins as Queen Mary.

The official Netflix synopsis reads:

“A Netflix original series, The Crown focuses on Queen Elizabeth II as a 25-year-old newlywed faced with the daunting prospect of leading the world’s most famous monarchy while forging a relationship with legendary Prime Minister, Sir Winston Churchill. The British Empire is in decline, the political world is in disarray, and a young woman takes the throne….a new era is dawning. Peter Morgan’s masterfully researched scripts reveal the Queen’s private journey behind the public facade with daring frankness. Prepare to be welcomed into the coveted world of power and privilege and behind locked doors in Westminster and Buckingham Palace….the leaders of an empire await.”

‘The Crown’ lands on Netflix on Friday, November 4

Here are the poster and promotional images released for the series:

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The Crown

The Crown

The Crown

The Crown

The Crown

The Crown