Editor’s Note: This is the latest in a series of reviews Hypable will be running from the 2012 Cannes Film Festival, currently taking place in France – On the Road. Special thanks to our friend and critic, Marco Cerritos for the reviews.

For decades, many filmmakers have courageously tried to bring Jack Kerouac’s literary adventure On the Road to the silver screen. Along the way, some noble attempts have been made while others crashed and burned on the spot. Adapting such rich, dense material from one medium to another is without a doubt a very tough challenge so it brings me no satisfaction to proclaim Walter Salles’ latest stab another failed experiment.

Salles is a gifted filmmaker who is best known to American audiences for making The Motorcycle Diaries. That film was another adaptation of prior source material but the breath and life of the former is completely missing in the latter. And what a shame that is since On the Road reads as a non-stop thrill ride through 1940’s America. There are wild parties, wild sex and enough crazy ideas to make your head spin. The cinematic version has most of that but completely devoid of fun and meaning. It is a limp and pedestrian representation of what Kerouac’s words represent.

This isn’t to say On the Road as a film is a complete waste of everyone’s time. The leads are what most threaten to bring this film to life every few minutes (to no avail but at least they give it a shot). Sal (Sam Riley) is our guide through this story of debauchery with wildman Dean Moriarty (Garrett Hedlund), a guy who is always up for a dangerously good time. Moriarty is the badboy who has no problem juggling women (Kristen Stewart and Kirsten Dunst among others) and being an all-around bad influence for our storyteller. Drugs, sex and booze are all on the menu but they collide with schizophrenic narration and bizarre editing choices that threaten to bring the entire film down the drain.

Again, adapting any novel (let alone this Beat milestone) is tough, so my hat is off to Walter Salles and company for giving it their best shot. You have to be extremely confident or crazy to attempt such a feat in the first place since the source material is practically impossible to film. There are intermittent flashes of life in On the Road that hint at a possible translation that not only makes sense but is also entertaining. These are the sparks that threaten to justify this ill-advised cinematic attempt but they are too few and far between. In the end, On the Road hits the right notes but without any passion or flavor, a dull copycat of its towering predecessor.

Marco Cerritos is a fifteen-year veteran of the film critic scene in the Bay Area. When not arguing with friends over trivial movie plot points he spends his time traveling to film festivals and figuring out why Dubstep is so popular.

Grade: C

Rated: NR

On the Road is scheduled to be released in 2012.

To read the latest news and reviews from Cannes, click here!

It. Is. Here. The long-awaited first trailer for Disney’s live-action Beauty and the Beast starring Dan Stevens and Emma Watson is available to watch now!

Disney invites us to be their guest in this first tantalizing teaser for Beauty and the Beast, one of the most highly anticipated live-action remakes on their slate:

Anticipation has been high for Disney’s live-action retelling of their animated classic, and by all accounts the trailer suggests that the new Beauty and the Beast, hitting theaters in 2017, won’t disappoint.

The trailer does a lot to up the excitement factor, playing on our existing knowledge of the classic story, and teasing the arrival of Emma Watson’s Belle (damn you Disney, you know what we want!).

It opens with the castle (very Hogwarts-looking, no?), as we see iconic imagery from the Disney movie. We hear the voices of Ian McKellen and Ewan McGregor (Cogsworth and Lumiere), see the portrait of the prince, and finally, the rose — and Belle, barely visible, watching it in nervous anticipation. It looks like it still has all its petals, so we’d guess that this might be the first time she sees it.

We imagine the full reveal of Belle in the dress will be huge — we’ll keep you posted, as we’re sure that bombshell is dropping soon.

Beauty and the Beast opens March 2017 and stars Emma Watson as Belle, Dan Stevens as the Beast, Luke Evans as Gaston, Josh Gad as LeFou, Emma Thompson as Mrs Potts, Gugu Mbatha-Raw as Plumette, Kevin Kline as Maurice, Audra McDonald as the Wardrobe, Ewan McGregor as Lumiere, and Sir Ian McKellen as Cogsworth.

What did you think about our first look at the Beauty and the Beast live-action movie? Did it live up to your expectations?! Or was there just not enough Belle? Share your thoughts in the comments!

‘Adventures of Supergirl’ #9: The Facet mystery deepens

And Kara hates mysteries.

2:00 pm EDT, May 22, 2016

Adventures of Supergirl #9 gives us our first look at Facet but inspires more questions than gives answers.

Adventures of Supergirl #9 keeps its creative team and picks up where the previous issue left off, with Kara and Alex underground and facing off against bots from Fort Rozz. While the sisters fight off attacks, Kara muses about hating mysteries. She reflects that Clark likes them because they taught him to reveal the hidden truths about others while Kara doesn’t like them because she wants things — and people — to be straightforward.

The mystery is, of course, who is behind everything that has led Kara to this moment. The mastermind? Facet. While Kara and Alex are fighting, Alex is grabbed to serve as bait, bringing Kara face to face with Facet. Though Facet speaks a language Kara doesn’t understand, she does recognize Facet’s uniform as belonging to a guard on Fort Rozz.

Adventures of Supergirl #9 page 1

Kara attacks Facet but breaks her hand. Uh oh. She tries to use her heat vision, but Facet deflects it. Kara is overwhelmed by Facet’s counterattacks, and Facet has the bots grab Kara. When Facet removes her mask, she reveals a reflective silver face and says she wants to begin Kara’s training to make her Krypton’s finest, like Facet herself. Facet tells Kara to ask her mother about her, but the conversation is interrupted when Alex sets off an explosion.

In the chaos, Kara grabs Alex and flees. They reach the surface, mostly still in tact, and Kara says they should go speak to Alura, so I assume she’s going to speak to the Alura AI at the DEO. The mystery that Kara hates has come around to not only encompass Facet but also her mother, which frustrates Kara to no end.

A good portion of this issue is action, as Kara and Alex fight the Fort Rozz robots and Kara faces off against Facet. Both Kara and Alex are left the worse for wear after the encounter. While we know there won’t be anything too serious happening to our main characters since the comic ties into the television series, the action sequences were still quite engaging, particularly in terms of the art.

Adventures of Supergirl #9 page 2

As with the previous issue, we see a fair amount of Kryptonian as the Fort Rozz robots and Facet speak. However, Facet also speaks a language that Kara didn’t recognize that was represented by squiggly lines. This only enhances Kara’s frustration with the mystery that underlies the entire issue — and the comic as a whole, as we learn that everything ties together after all.

With four issues left, I assume Kara will get some answers from the Alura AI about Facet. This new villain tying into the life of Alura makes a lot of sense considering the television series spent quite a lot of time exploring the consequences of Alura’s actions on Krypton. As her daughter, Kara has had to face many who held grudges against Alura for sentencing them to Fort Rozz so thematically, this issue of Adventures of Supergirl ties in nicely with the series in that way.

Reading Adventures of Supergirl every other week is like catching up with a good friend you only see every now and then — especially now that Supergirl is on break for the summer. I look forward to seeing where the story goes from here and finding out just who Facet is and why she’s taken such an interest in Kara.

Adventures of Supergirl #10 will be released on Monday, May 30.

Fred Armisen hosted the season 41 finale of SNL with musical guest Courtney Barnett. He also brought along a couple of familiar friends as well.

SNL kicked off its season finale with a bang using Kate McKinnon and Larry David as Hillary Clinton and Bernie Sanders. In what was maybe the best cold open of the season, Hillary and Bernie bickered back and forth about Hillary’s insurmountable delegate lead in the Democratic primary race. The sketch was particularly enjoyable as the two of them danced through the halls of Studio 8H before throwing to the credits with the entire cast.

Fred Armisen’s opening monologue was also one of the best opening monologues of the season. Fred performed a part of his fictional one-man show, and exaggerated just about every single thing you could imagine. The monologue was not only hilarious but one of the most unique monologues ever given on SNL.

The first sketch of the night featured a couple of breaks of character as Cecily Strong, Fred Armisen and Kyle Mooney played Native American explorers who take things a little bit too far.

To the delight of the audience, SNL brought back a Digital Sketch with none other than Andy Samberg himself. Samberg is set to star in the new movie Popstar: Never Stop Never Stopping.

Maya Rudolph, who has an upcoming variety show with Martin Short, stopped by Weekend Update to play the recent ousted President of Brazil. Maya can do no wrong, and this sketch was yet another example of her many hilarious accents.

The funniest sketch of the night had to go to Fred Armisen’s character Regine. Regine and her boyfriend played by SNL alum Jason Sudeikis are outlandish, rude and inconsiderate: the perfect recipe for tons of character breaks. This is a must-see sketch!

SNL will return for its 42nd season this fall. There is no word yet as of which cast members may be leaving the show. Details around casting usually happens throughout the summer months as the show gears up for its fall premiere.

What did you think of Fred Armisen hosting SNL?