Note to leakers: If you’re going to release a ton of secret information, do it when no one at the company you leaked it from is working.

That’s exactly what one website has done concerning The Wizarding World’s upcoming expansion and the new Gringotts ride.

A writer at Theme Park Insider got to see plans for Orlando’s Diagon Alley park, and he shared them online in GREAT detail.

Right off the bat he confirmed that the main attraction WILL be a Gringotts ride and it will be created where Jaws currently resides in Universal Studios.

Then he describes each area of the Gringotts ride. We’re pasting a good chunk of it here in case it’s taken down from the source site:

It looks like we can expect another elaborately themed walk-through queue tour, along the lines of what we got with Hogwarts Castle in the original Wizarding World of Harry Potter. From the “Entry Hall,” the queue appears to leave the building into shaded, then covered, areas before re-entering into the large “Bankers Hall.” The next room in the queue is “Vault Display,” then the “Reading Room.” From there it’s into what’s labelled “Office Hallway” before we reach “Bill Weasley’s Office.” The next feature is labelled “Elevators,” which take us up a level in order to cross over the ride tracks to access the center load island.

There are two load channels for the ride, with loading on the center island, and unloading off to the outsides. The ride vehicles are twin, 12-person, open-air cars, arranged in three rows of four. Each row is placed slightly higher than the row in front of it, in a “stadium seating” effect. The look of the cars is very Victorian, with individual lap bars and six Dolby speakers per seat for on-ride audio.

After the load platform, the two load channels merge to the south, then bearing to the left and entering Scene 1: “Turntable.” In this scene, you’ll face a brick wall, with two tunnel entrances, to the left and right. But before you proceed, the track below the first of the twin cars will drop from underneath that car. The track will come to rest at a 40-degree angle. Then, the track under the trailing car will begin to rise, matching the 40-degree angle of the leading car.

At that point, the two cars will drop in tandem into a third tunnel, below the tunnel on the right. Basically, we’ve just ridden a teeter-totter-like vertical track switch, attaching to the roller coaster track for our initial drop.

From there, we drop into Scene 2: “Dark Tunnel,” a kinetic ride section with a small bunny hop and a hard right turn before we hit a block brake in preparation for Scene 3: “Ledge.”

The Gringotts ride won’t be a traditional roller coaster. It appears to be a hybrid roller coaster and motion-base ride, a la Spider-Man and Transformers. There are 3D projection screens throughout the ride, embedded in the rockwork of the tunnel walls, creating an illusion of open space, within which we’ll watch battles taking place.

The first is in the Ledge scene, where some concept art shows a battle with wizards and giant-like creatures. The plans detail a shaker table under the track, and there’s a waterfall effect at the end of the scene, including a fogscreen and water spritzers.

There’s a slight free drop and turn to the left as we proceed through the waterfall, leading us into Scene 4: “Thief’s Downfall.” There are wind and heat effects in this scene, along with our first look at a dragon. Meanwhile, the ride’s making a chicane-type turn to the left, then the right.

That leads us immediately into Scene 5: “Sirius Black’s Vault.” We hit a fog blast before entering the vault, where we see illuminated treasure ahead. The car makes a turn to the right, where the physical show scenery opens up a bit, with a large vault area with a flat 3D projection screen along the far wall. We then bear to the left, turning into Scene 6: “Ruins.”

We’re curving to the right through the rubble of what looks like a collapsed tunnel in this scene, which leads us into Scene 7: “Chasm.” We’re inside a large projection cone for this scene, which appears to involve Harry, Ron, Hermoine and… could it be? Voldemort? (The concept art I saw wasn’t clear – it almost never is.) I do see a heat curtain and cold-air blast noted in this scene, though. (Shades of Revenge of the Mummy?)

From there, we launch into another dark tunnel (Scene 8), which banks up and around to the left, taking us into Scene 9: “Passage,” our finale, where Harry and company bid us farewell before we return to the load/unload platform.

And yes, we do exit through a retail shop.

You can read more and see alleged art depicting the ride cars right here (until it’s taken down – which we’d guess is very likely).

Universal announced earlier this month that they will be expanding Wizarding World Orlando. We had heard previously that the ride would take over the Jaws area at Universal Studios and be connected to the original Wizarding World via Hogwarts Express.

Thanks to our friends at Inside The Magic for the tip.

Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

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Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

Free will and humanity. Sacrifice and love. The nature of reality — and even of life itself. Beneath the plot, surprises, and pain, that’s what’s really going on in the Agents of S.H.I.E.L.D. spring finale.

That, and the characters who get caught in the middle.

Jed Whedon is Not. Playing. Around.

Executive producer and showrunner Jed Whedon is the man behind the pen and the camera in “Self Control,” and he’s there for a reason. Whedon’s first try at the director’s chair on Agents of S.H.I.E.L.D. is operatic, incisive, and perpetually gut-clenching.

Yes, there are lovely and disturbing vistas, an artistry that comes from a deliberate and careful eye. But more important is the unshakable Whedon impulse that animates Agents of S.H.I.E.L.D. 4×15, that builds through the episode like a cresting tide.

You know that unmistakable sense that someone is laughing behind the scenes? Yeah. That’s why Jed Whedon is here.

What’s next?

Well, that’s a very good question. “Self Control” leaves us with a few razor-like possibilities, all of which lead down spiky corridors of questions. Agents of S.H.I.E.L.D. 4×15 is here to leave us thirsty for the season’s final seven episodes, and that’s exactly what it does.

Oh, and to answer your next question…

Cliffhanger?

Uh, yes. Cliffhanger.

Oh boy, cliffhanger.

Agents of S.H.I.E.L.D. 4×15, “Self Control,” airs Tuesday, Feb. 21 at 10:00 p.m. on ABC.

What are your top theories for ‘Agents of S.H.I.E.L.D.’ 4×15?

Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

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Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

‘Liberty’s Kids’


Liberty’s Kids aired in the early 2000s on PBS. Liberty’s Kids follows three teenagers from varying backgrounds throughout the American Revolution, mentored by Benjamin Franklin. It is geared for children but is still pretty enjoyable for adults. In each episode, the teenagers encounter a significant person or event from the revolution, giving a concise and entertaining history lesson. The show features many important figures throughout the revolution, showing even more presidents than in Hamilton. As one can imagine, Washington is among these.

‘Lincoln’


Lincoln is a 2012, Oscar nominated movie, directed by Steven Spielberg based on Doris Kearns Goodwin’s biography of Abraham Lincoln, Team of Rivals. Instead of a biopic of Lincoln’s entire life, Lincoln is specifically about his passing of the 13th amendment. Essentially directed between each of his science fiction blockbusters, Spielberg also made many significant historical movies, Lincoln among them. Lincoln not only shows his power as a president, but also humanizes him through an Oscar winning performance by Daniel Day-Lewis.

‘1776’


Hamilton is not the first musical about American history. Thankfully, though, because this way there are other options, one of which is 1776. Even more conveniently, the musical 1776 was adapted into a movie in the early 1970s. Heavily implied by its name, 1776 is about the signing of the Declaration of Independence. 1776 definitely has a more classical musical theater vibe than Hamilton. The strange combination of American history and musical theater allows for a humorous yet educational experience. However, as reflective of the history of the signing of the Declaration of Independence, Washington is not a character in the musical; yet, it obviously includes many other significant historical figures.

‘The West Wing’ or ‘The American President’


Unlike the other items on this list, these two are about fictional presidents. But it would be nice if they were real. Of the many politically charged movies and television shows by Aaron Sorkin, these two are specifically about presidents. If you have the day off and want to attempt to binge watch seven seasons, then you may want to check out The West Wing. The West Wing follows President Bartlet and his staff and advisors during their time in the White House. If you want a movie to help you transition between Valentine’s Day and President’s Day then The American President is worth watching. It is a romantic comedy about President Shepherd, who falls in love with a lobbyist.

How else will you celebrate President’s Day?

The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

Favreau tweeted the news Friday evening:

According to a statement from Disney, The Lion King “will build on the groundbreaking technology used in The Jungle Book to bring the story of Simba to photorealistic life.”

A release date for the film hasn’t been set. Favreau also helmed the live-action Jungle Book for the studio.

So far casting is off to a great start!