Years of televisions shows depict the backdoor deals, scheming, sneaking, and the less-than-ethical business that is politics. House of Cards is not new in this regard, but it is new in a myriad of other ways.

If you’re one of the some 27 million Netflix subscribers, you have access to the Netflix original television show House of Cards. In a world where most of us are forgoing cable in favor of the much cheaper alternatives – online streaming sites such as Netflix and HuluPlus – every show we’ve watched has still originated from television. However, that’s changing with the exponential growth of web series such as The Guild and The Lizzie Bennet Diaries.

What makes this show different than a web series is that it was produced more like a regular television show that would air on a premium channel, but with more wiggle room. All thirteen 50-something minute episodes were released at once, raising questions about the likelihood of binge-watching and the implications it could have for future Netflix original shows. The company was able to raise enough money at once for a second season, a 26 episode guarantee, and because it doesn’t have to deal with network and cable executives, there’s no worry about being canceled due to low viewership.

This show isn’t filmed in a green-screened studio. It is high production, valued at around $3 million an episode. It makes great use of multiple, intricate, detailed sets. Houses, offices, big galas and protests sets do not come cheap. The show makes full use of its location, though filmed in Baltimore (which makes this Marylander extremely happy), viewers are placed directly in the heart of Washington, D.C. – with constant references to being “on the hill” and being in close contact with the White House.

The show is tense and quiet, a political thriller in every sense of the word. Frank Underwood (Kevin Spacey, with a fantastic South Carolinian drawl) is enthrallingly devilish in his quest for more power in government. Passed over for Secretary of State in the pilot, he is faced with another term as House Majority Whip but with the help of his equally terrifying, strong wife Claire Underwood (Robin Wright), they take Washington, D.C. by storm

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Years of televisions shows depict the backdoor deals, scheming, sneaking, and the less-than-ethical business that is politics. House of Cards is not new in this regard, but it is new in a myriad of other ways.

If you’re one of the some 27 million Netflix subscribers, you have access to the Netflix original television show House of Cards. In a world where most of us are forgoing cable in favor of the much cheaper alternatives – online streaming sites such as Netflix and HuluPlus – every show we’ve watched has still originated from television. However, that’s changing with the exponential growth of web series such as The Guild and The Lizzie Bennet Diaries.

What makes this show different than a web series is that it was produced more like a regular television show that would air on a premium channel, but with more wiggle room. All thirteen 50-something minute episodes were released at once, raising questions about the likelihood of binge-watching and the implications it could have for future Netflix original shows. The company was able to raise enough money at once for a second season, a 26 episode guarantee, and because it doesn’t have to deal with network and cable executives, there’s no worry about being canceled due to low viewership.

This show isn’t filmed in a green-screened studio. It is high production, valued at around $3 million an episode. It makes great use of multiple, intricate, detailed sets. Houses, offices, big galas and protests sets do not come cheap. The show makes full use of its location, though filmed in Baltimore (which makes this Marylander extremely happy), viewers are placed directly in the heart of Washington, D.C. – with constant references to being “on the hill” and being in close contact with the White House.

The show is tense and quiet, a political thriller in every sense of the word. Frank Underwood (Kevin Spacey, with a fantastic South Carolinian drawl) is enthrallingly devilish in his quest for more power in government. Passed over for Secretary of State in the pilot, he is faced with another term as House Majority Whip but with the help of his equally terrifying, strong wife Claire Underwood (Robin Wright), they take Washington, D.C. by storm

You could watch one episode a week on your own time and try to uphold the facade of actually watching it on a television station, but if you’ve got the time, why not just watch a few in a row… Netflix’s auto-play makes it fast and convenient. By the time you’ve realized one episode’s ended, the next one’s already beginning.

Similar to premium channels HBO and Showtime, House of Cards doesn’t break for commercials, and some episodes feature nudity and foul language (though, much less than you find on even the tamest Girls). And unlike traditional television channels, no ratings are available the next day to give a less-than-accurate depiction of its viewership. Netflix has given no indication that it is worried about the show flopping. As long as you, the Netflix user, continue to shell out the $8 or whatever the cost of your membership per month, it doesn’t matter to them whether you watch it or not.

House of Cards could start a television revolution. Ties to advertisers for monetary support are slowly being cut. Television networks might start realizing they have to step up their game, now competing with online sites that are easier to access, for equally high quality content. Who knows where this type of programming will be in five years, but we do know something will change – it has to.

Will you give ‘House of Cards’ a chance?

This writer is on episode eight – yes, some binge-watching occurred this weekend – and is thoroughly enjoying the dramatic lives of the politicians that run this nation.

Legion M president Jeff Annison introduces the first fan-owned entertainment company

"Opening the gates to Hollywood" with fandom-powered entertainment production.

2:12 pm EDT, August 24, 2016

Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

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Hypable speaks to co-founder Jeff Annison about Legion M’s goals, fan engagement, and potential impact on the entertainment industry.

An exciting new project launched over the summer: Legion M, the world’s first fan-owned entertainment company.

At San Diego Comic-Con, Hype Podcast sat down with co-founder and company president Jeff Annison, in order to learn more about the ambitious startup that promises to give fans more creative control of entertainment production.

The full interview is available to download here or via iTunes, or you can stream it below:

In the interview, Annison explains the mission of Legion M, which is to bring fans directly into the production process. Says Annison, “For the first time in history, we are architected to be built from the ground up to be owned by fans.”

With a ‘Legion’ of fan investors behind them, Annison believes that Legion M’s approach to selecting and developing projects will be very different from anything else we’ve seen in Hollywood.

Where usually creators will struggle to make their content stand out from the crowd, “bringing the audience into the process [of creating entertainment], we’ve already got a built-in audience,” Annison explains. “If you can have the audience of content be invested in content, it gives that content a competitive advantage.”

One of the key ways in which Legion M hopes to influence the creative industry is by opening the door for more diverse projects.

As Hollywood is so revenue-driven, oftentimes the ‘risk’ of letting a movie’s lead character be a woman, a person of color and/or a member of the LGBT community is simply considered too great. But Legion M, being owned by fans, has the opportunity to tip the scales. Because if the investors want more diversity and new kinds of stories, that’s exactly what they’re going to get.

“The reason that there are so many superhero movies and reboots and remakes… Hollywood’s figured out the formula. You pick something with an established fanbase, and if you make the movie you know it’s less risky because you know those people are gonna come see the next Superman movie,” says Annison. “Whereas if it’s an unknown story, you just don’t know. So we believe when you make the audience part of the process, these fans that are part of our studio … if you’ve got an audience that’s baked into it, that gives you so much more creative leeway.”

In practice, this means that Legion M, “could come up with a completely new and novel story that’s never been tried before, and know that it’s gonna have some success” — which means that it’d actually get produced, unlike many original ideas that come to Hollywood to die.

Further, fan owners of Legion M can experience unprecedented involvement with the creative process. Not only are they involved with selecting and developing projects, but, “our promise to our investors is that we’re gonna take you along for the ride. When we film a movie, we wanna live-stream from the set. When we have project opportunities, we wanna put them in front of you. We give the Legion a voice.”

To start with, Legion M is partnering with Seth Green and Matthew Senreich’s Stoopid Buddy Stoodios, which created Robot Chicken. Annison explains that they still have “dozens” of projects that networks have rejected, and Legion M is working on bringing some of them to life.

In terms of representation, Legion M doesn’t necessarily want to commit to a quota of diversity. Instead, where they expect to be able to influence Hollywood is at the “table” where these decisions are made — and, “because we’re owned by such a broad, diverse group of people, we’ve got a better shot than anybody else at being able to affect that change.”

As Annison explains: “Fans have the ultimate power. Our money is what makes this whole thing spin around. When we combine and come together, we’ve got all the power.”

Read more about Legion M and how to get involved on their website.

As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

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As we approach the Captain America: Civil War Blu-Ray release date, a new deleted scene from the film has been released.

And it’s a Civil War deleted scene that is sure to please Stucky fans.

In the clip, Bucky quickly comes to the defense of bae (a.k.a. Cap) when War Machine briefly takes him down. Bucky gets back at Rhodey by throwing Cap’s iconic shield at him, and as the shield boomerangs back, Steve Rogers catches it. Take THAT, War Machine! #TeamCap

Watch below:

The movie’s airport scene was easily one of the most delightful moments of the film, so we’re loving this extra dose of Stucky brilliance.

Need more? The Captain America Blu-ray, with a release date set for September 13, includes the following special features:

  1. United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.
  2. Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.
  3. Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.
  4. Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.
  5. Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of Captain America: Civil War.
  6. Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.
  7. Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

The Digital HD version of Civil War will be released on September 2.

Director James Gunn confirms the name of a Guardians of the Galaxy Vol. 2 creature with the release of some concept art from the film.

The Guardians of the Galaxy have been pretty busy lately while they gear up for Vol. 2. On Friday we learned that they’ll be showing up in Avengers: Infinity War, and tonight we got a sneak peek of a creature the team will be taking on in the GotG sequel.

Taking to Twitter, Gunn showed off a piece of concept art created by Andy Park.

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Director James Gunn confirms the name of a Guardians of the Galaxy Vol. 2 creature with the release of some concept art from the film.

The Guardians of the Galaxy have been pretty busy lately while they gear up for Vol. 2. On Friday we learned that they’ll be showing up in Avengers: Infinity War, and tonight we got a sneak peek of a creature the team will be taking on in the GotG sequel.

Taking to Twitter, Gunn showed off a piece of concept art created by Andy Park.

guardians-of-the-galaxy-2-concept-art

In his replies, he names the creature and states that, no, they aren’t fighting in space.

Then taking to Facebook, Gunn replied to fans who had questions about the image.

An updated synopsis for Guardians of the Galaxy Vol. 2 reads:

“Set to the backdrop of ‘Awesome Mixtape #2,’ Marvel’s Guardians of the Galaxy Vol. 2 continues the team’s adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand.”

So it looks like for those who were lucky enough to see GotG 2 footage at San Diego Comic-Con this year, you’ve already seen this guy in action.

‘Guardians of the Galaxy Vol. 2’ lands in theatres on May 5, 2017