Glee’s season 4 finale was a doozy of an episode and received lots of mixed reactions from fans.

Our season 4 finale begins with Brittany being interviewed in a grand, wood-paneled office at MIT. The professors explain their interest in her, given her terrible grade point average and unusually high test scores, and how, when she took one of MIT’s own math tests, she scored zero on the actual given questions. They tell her that she has a lack of conscious understanding of even basic arithmetic, but it seems that her unconscious mind is a different story – the professors found scribbled patterns of numbers on the back of the paper that turned out to be some of the most complicated codes in mathematical history – numbers Brittany had “swirling around in her head.”

Brittany goes from skeptical to delighted when she realizes they’re not calling her stupid – they’re saying she’s potentially the greatest scientific mind since Einstein. The professors say they’re going to offer her an “unusual proposition,” the details of which we do not hear. I kind of suspect they’re going to pay her lots of money in exchange for doing experiments on her.

We quietly cut to a text graphic screen where Ryder is still worrying about the identity of his Catfish – imagining it as different people – Kitty, Unique, Blaine – and still demanding that “Katie” meet him. In the actual world, Schuester announces to the choir room that Regionals will be held at McKinley this year due to some technicality. He talks a bit about the competition – the Waffletoots – played by the famed a capella choir the Yale Whiffenpoofs, and the Hooiserdaddies, who Schue believes to be their main competition, due to their tiny powerhouse Frida Romero (American Idol’s Jessica Sanchez.) He starts to talk seriously about moments in life, as a performer, which completely define who you are, and how this is one such moment for them. I’m pretty sure it’s not – it’s a regional high school show choir competition – but we cut to someone for whom Mr. Schuester’s statement proves more truthful – Rachel.

She’s waiting for her final Funny Girl callback, and Schue knows this and asks the Glee Club to send her some good vibes. In New York, she demurely enters the audition room, introduces herself, and begins to sing Celine Dion’s “To Love You More,” which sounds incredibly powerful, emotional, and technically precise, but lacks any stage presence whatsoever.

Presumably, she has to do an acting bit as well, because she’s not getting cast in a musical based on that. She’s weeping a little at the end of the song, and the room is silent – some people seem blown away, but the main casting director gives her the standard “we’ll let you know,” and Rachel seems to take that as a negative. That’s the last we see of her this episode, and therefore, this season.

Back at McKinley, it seems Burt Hummel’s sensible logic has had zero effect on Blaine, as he’s still planning to propose to Kurt. He asks Sam for ideas on how to make it special, but Sam is also on Team Blaine Is Deluded. “We’re in high school,” says Sam, who got married in high school. Blaine calls this out, but Sam explains that was because he really thought the world was ending, and that when they’d realized it wasn’t, he’d known they were in trouble.

He also, by mentioning Adam (remember Adam? I miss Adam), comes close to what I feel is a major issue that Blaine’s ignoring – that he and Kurt aren’t actually together. You don’t just go around asking people you’re not going out with to marry you! Is this not something anyone is finding weird? Because Burt didn’t mention it either – surely he should have said something like, “Kurt said he didn’t want to be with you, and you need to respect that. He wants your friendship. Your pursuit of him to this degree is inappropriate.” Anyone? Nope? Okay.

New Directions reconvenes in the choir room to prepare for Regionals. Joe and Sugar are welcomed with mad applause as Schuester counts that they have the standard twelve competition members. Brittany is the last to arrive, and she proceeds to act like a complete psychopath, cutting everyone down.

When Sam tries to tell her she’s out of line, more concerned than anything, she dumps him on the spot – via text. She demands to be given all the solos, walks out of the Glee Club when Schue doesn’t comply, and goes after her next target – Coach Roz. She pulls a Martin Luther – and I don’t mean MLK Jr, I mean 16th century German monk Martin Luther – and nails her Ninety Five Theses – in crayon – to Roz’s door.

Martin Luther’s Theses explained his problems with the current state of the Catholic Church and began the Reformation. Brittany’s explain her reasons for quitting the Cheerios – some of which expose the cruel and unethical practices that Sue was a part of. She also ceremoniously lights her Cheerios uniform on fire in Roz’s trash can.

Her attitude throughout the entire thing with both the Glee Club and Roz is so arrogant, so calculated, and so thorough, that it makes me wonder if she had let MIT do something to her brain – something that healed her inability to make basic connections, and fully able to tap into her mind-power, and that this is her actual personality with the veil of constant confusion taken away.

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It’s arguably the biggest day for Hamilton fans since the release of the original Broadway recording: The Hamilton Mixtape has arrived!

Following years of development, the Hamilton Mixtape was released around the world on Friday, December 2. Mixtape features, well, remixes of Lin-Manuel Miranda’s Hamilton hits, sung by artists both big and small from various genres.

To celebrate the album’s release, a special #Ham4Ham was hosted at the Richard Rodgers Theater on Thursday night, where names like Ashanti, Ja Rule, Regina Spektor, and Andra Day performed their songs from Mixtape:

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It’s arguably the biggest day for Hamilton fans since the release of the original Broadway recording: The Hamilton Mixtape has arrived!

Following years of development, the Hamilton Mixtape was released around the world on Friday, December 2. Mixtape features, well, remixes of Lin-Manuel Miranda’s Hamilton hits, sung by artists both big and small from various genres.

To celebrate the album’s release, a special #Ham4Ham was hosted at the Richard Rodgers Theater on Thursday night, where names like Ashanti, Ja Rule, Regina Spektor, and Andra Day performed their songs from Mixtape:

Stream ‘The Hamilton Mixtape’:

Spotify users can easily stream The Hamilton Mixtape below. You can also listen here via Apple Music.:

And you can purchase a physical copy from Amazon here (you know all the Hamilton fans in your life will want a physical copy):

Hamilton Mixtape tracklist

1. No John Trumbull (Intro) – The Roots
2. My Shot (feat. Busta Rhymes, Joell Ortiz & Nate Ruess) [Rise Up Remix] – The Roots
3. Wrote My Way Out – Nas, Dave East, Lin-Manuel Miranda & Aloe Blacc
4. Wait For It – Usher
5. An Open Letter (feat. Shockwave) [Interlude] – Watsky
6. Satisfied (feat. Miguel & Queen Latifah) – Sia
7. Dear Theodosia (feat. Ben Folds) – Regina Spektor
8. Valley Forge (Demo) – Lin-Manuel Miranda
9. It’s Quiet Uptown – Kelly Clarkson
10. That Would Be Enough – Alicia Keys
11. Immigrants (We Get The Job Done) – K’naan, Snow Tha Product, Riz MC, Residente
12. You’ll Be Back – Jimmy Fallon & The Roots
13. Helpless (feat. Ja Rule) – Ashanti
14. Take A Break (Interlude) – !llmind
15. Say Yes To This – Jill Scott
16. Congratulations – Dessa
17. Burn – Andra Day
18. Stay Alive (Interlude) – J.PERIOD & Stro Elliot
19. Slavery Battle (Demo) – Lin-Manuel Miranda
20. Washington’s By Your Side – Wiz Khalifa
21. History Has Its Eyes On You – John Legend
22. Who Tells Your Story (feat. Common & Ingrid Michaelson) – The Roots
23. Dear Theodosia (Reprise) – Chance The Rapper & Francis and The Lights

What are our favorite performances on ‘The Hamilton Mixtape’?

Chris Pratt is currently on a press tour for Passengers. Jennifer Lawrence may or may not be there too.

Passengers, the new sci-fi epic starring Chris Pratt and Jennifer Lawrence, comes out later this month. The promo tour has kicked off in Europe, with the two stars on hand to answer all our questions.

To entertain himself (and his fans!), Chris Pratt has been updating his Instagram with funny photos and captions from the tour.

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Chris Pratt is currently on a press tour for Passengers. Jennifer Lawrence may or may not be there too.

Passengers, the new sci-fi epic starring Chris Pratt and Jennifer Lawrence, comes out later this month. The promo tour has kicked off in Europe, with the two stars on hand to answer all our questions.

To entertain himself (and his fans!), Chris Pratt has been updating his Instagram with funny photos and captions from the tour.

There’s some real gold in there, but the best part is when he realizes that fans really want to see some pictures of Jennifer Lawrence — who doesn’t have her own social media accounts — and proceeds to very decidedly not include her!

Update: He did it again.


See some of the hilarious posts from Chris Pratt below:

Finally got that selfie with Jen y'all wanted. #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Just hanging with my bestie Jen. #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Here Jen and I pose with @elrubiuswtf

A photo posted by chris pratt (@prattprattpratt) on

Here's an extremely artistic and meaningful video I made in which Jen is heavily featured. #passengersmovie

A video posted by chris pratt (@prattprattpratt) on

Another day down with me and my best buddy Jen. #London #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Not going to lie — we’re almost as excited for the press interview videos as we are for the movie itself!

‘Passengers’ hits cinemas on December 21

J.K. Rowling and the producers of Harry Potter and the Cursed Child have just announced that the play is coming to the United States.

Harry Potter and the Cursed Child will open on Broadway in Spring 2018 at The Lyric Theatre, which is currently home to Cirque Du Soleil’s Paramour show.

An exact Cursed Child Broadway opening date has not been set, but theater owner ATG “plans a multi-million dollar renovation to completely transform, remodel and reconfigure the 1,900 seat theatre and turn it into a scaled down, more intimate playhouse, with approximately 1,500 seats.”

Read full article

J.K. Rowling and the producers of Harry Potter and the Cursed Child have just announced that the play is coming to the United States.

Harry Potter and the Cursed Child will open on Broadway in Spring 2018 at The Lyric Theatre, which is currently home to Cirque Du Soleil’s Paramour show.

An exact Cursed Child Broadway opening date has not been set, but theater owner ATG “plans a multi-million dollar renovation to completely transform, remodel and reconfigure the 1,900 seat theatre and turn it into a scaled down, more intimate playhouse, with approximately 1,500 seats.”

While the script book hasn’t been well-received by fans, attendees of The Cursed Child show in London (including this writer) have adored the two-part event. The magic, characters, humor, and special effects are all remarkable and definitely worth seeing live.

The story follows Harry, Ron, Hermione, and their children 19 years after the events of Deathly Hallows as dark forces return to the Wizarding World.

Here’s the inside of ‘The Cursed Child’s’ Broadway theater

Harry Potter Cursed Child Broadway opening date

Said producers Sonia Friedman and Colin Callender said in a press release, “We are thrilled about ATG’s ambitious plans which will provide a once in a lifetime opportunity to create a unique theatre space tailored to the specific needs of the production over the play’s two parts.”

“The remodeled Lyric will include a smaller auditorium redesigned to the specifications of the Harry Potter and the Cursed Child team, as well as an adapted proscenium and stage that can house designer Christine Jones’ glorious set without swamping or compromising director John Tiffany’s brilliant staging. The spacious front of house environment will also be transformed to optimize the atmosphere and audience experience.

“But above all, ATG’s plans will provide Harry Potter and the Cursed Child with a bespoke home that will be intimate enough for a drama, yet big enough for us to deliver on our commitment to provide audiences with access to low priced tickets throughout the auditorium.”

J.K. Rowling added, “I’m delighted we are one step closer in bringing Harry Potter and the Cursed Child to Broadway and very excited by the proposed plans.”

‘Cursed Child’ Broadway ticket on sale date.

The Cursed Child Broadway ticket on sale date was not announced today. In the U.K. tickets went on sale roughly eight months in advance, so maybe they’ll be on sale by this time in 2017.

The West End production put 60,000 tickets on sale in early November, keeping the show running through February 2018.