‘Glee’ recap: 4×20 ‘Lights Out’

9:15 am EST, April 26, 2013

Miss last night’s new episode of Glee titled “Lights Out”? Check out our recap of what went down as well as some behind-the-scenes info you may have not even realized you missed!

This week’s episode opens with Ryder talking to Jake about how he has never felt so close to someone as he does with Katie. Jake, smartly, reminds him that this person may not even be a girl. Ryder, being the upstanding guy that he is, shrugs it off and basically says “I don’t care, I’m still attached.” Ryder then tells Jake that he opened up to Katie about his past, but after Jake prods for what it might be, Ryder replies with an “I can’t.” Blake Jenner continues to impress us with his amazing ability to juggle major character motifs, but we’ll get to more of that later.

Santana, being the responsible roommate that she is, arrives back at the loft with a torn, ragged (and most likely bed bug ridden) reclining chair that apparently Kurt and Rachel of all people will be delighted to accept in to their living room. It’s deja vu all over again when Rachel commands Santana to sit down because she and Kurt have to talk to her. They tell Santana that she’s throwing her life away, but Santana replies that being a cage dancer is something she loves and tries to dismiss the confrontation.

Back at McKinley, Sam implores everyone to get the hell off of Twitter and the Facebooks and start living life a little more. He begins singing a song that he only recently found out was playing the night his parents conceived him. A little awkward, but right up the Sam storyline alley. He proceeds to start “You’ve Lost That Lovin’ Feelin'” by The Righteous Brothers and is joined in by Ryder and New Directions throughout.

Kurt’s back at Vogue (oh yeah, remember that?) where Izzy (Yay, Sarah Jessica Parker is back!) asks how Kurt’s Dad is, yet again showing compassion and humanity, and yet again proving she is one of the more lovable guest stars in all of Glee. Kurt tells Izzy he thought he was getting fired for not being at Vogue in so long, but Izzy reminds him that she will never stop someone for going after their dreams. She does, however, ask Kurt to bring some friends to a ballet event to help wrangle talent. One little note from the author: internships, especially in New York City, and especially in the fashion industry, do not work on a come-as-you-please basis. If Kurt hadn’t showed up to Vogue in weeks and weeks, he would have simply been fired and replaced. Not to nit pick, but don’t aspire to be a come-as-you-please intern, kids. I digress.

Sue is back and reveals that she is a freelance champion as she writes in her journal saying that “life could not be better.” It’s interesting to hear this inner dialogue, the confessional of characters on Glee, and hear her clearly lying to herself. It’s clear that Sue misses what she truly believes is her passion. It turns out she’s a personal trainer as she is seen coaching an aerobics class with one Mr. Blaine Anderson attending in some very short shorts. Here are some screen shots we found from amazing people on tumblr:

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And yes, we will be pausing and rewinding when we replay this episode. Blaine also sees some guy smirking at him and is thoroughly unimpressed. Watch:

Sue mentions her trademark Sue90x, and Blaine tells Sue the Cheerios need her back and admits that he knows something went down when she left McKinley.

Artie, being the musical genius that he is (what?), tells Sam that when he ran over a plastic bottle, he thought a great idea for regionals would be to do a song entirely with “a water bottle, pencils, zippers” or whatever else they could come up with. Sam’s all like “okay,” and that’s the abrupt end of that scene – one of the many choppy sporadic segues throughout “Lights Out.”

Back in Bushwick, Kurt tells Rachel and Santana that they are invited to help wrangle talent at the ballet and after a couple of tugs, Santana agrees to go. We get to flashback to Rachel and Kurt in their ballet classes at a tender age of six. Kurt talks about how his mom enrolled him and is seen gallivanting around with a magic wand, and it’s definitely the cutest thing you’ve seen on TV. Santana knocks the daydreaming back to reality with “I skipped all that crap to study the timeless art of crunk.” Is that a GIF yet? While we wait for that to get made, here’s her reaction:

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Back in the choir room, Ryder admits that he wants to “unplug” his feelings and let everyone know what’s going on with him. He sings the song “Everybody Hurts,” which Blake Jenner and company sang on the second season of The Glee Project during Vulnerability week. It was an impressive performance, but the acting that followed was even more impressive. Ryder admits, in front of the entire glee club (minus Joe, Brittany and Sugar…where are they again?) that he was molested by his babysitter when he was young. Sam and Artie don’t find this to be an issue at all and proclaim that this is every guy’s dream: to have a 17 year-old girl touching him in the shower. Will, being the mediocre educator that he is, somehow let’s this go on without interrupting or getting upset. In fact, he got more upset that Marley wrote her own song than two guys clowning around and poking fun at someone who has been sexually abused. Why? Ryder sarcastically high fives the guys and walks away, but Kitty clearly connected with Ryder’s vulnerability.

Kitty asks Ryder to dinner where she tells him that she not only has had trouble with guys in her life, but that she was also molested when she was younger. She retells the story of a sleepover and her best friend’s brother touching her in “places” and that she told her parents later on, but they thought the brother was too nice of a guy to do such a thing. She tells Ryder that she thought the easiest thing to do was to switch schools and so she did. She says that she understands what it feels like as a teary-eyed Ryder holds her hand and says “thank you.” Ryder is now juggling more interesting story lines than some of the veterans of this show ,and he’s doing it in style. It’s a hard argument to say that Blake Jenner isn’t one of the top 2 best things about Glee in season 4.

Back on stage, the glee club performs Queen’s “We Will Rock You” acoustically without any instruments. Meanwhile, Jake does some tap dancing and some of the most beautiful pirouettes you’ve ever seen a man do:

Sue, who has been fired from McKinley for causing a school panic with having a loaded gun in school, somehow manages to get back on school grounds and is illegally awkwardly watching Roz “coach” the Cheerios. Becky joins her and tells her that she misses her “so bad it hurts.” Sue’s over it and says “Becky, I’m sorry, honey, but I’ve moved on. I can’t go back to babysitting brats,” as she begins singing “Little Girls” from the Broadway musical Annie. This is fun because for those who don’t know, Jane Lynch will be starring in Annie on Broadway this summer!  Sue tells Becky that you couldn’t pay her to go back to coaching the Cheerios.

At the ballet, Izzy tells Rachel, Kurt, and Santana that they get to watch the ballet from the wings. Santana admits that she was in ballet when she was younger and that she felt safe, not different and a part of something there. All four of them then begin a long, beautiful performance of “At The Ballet” from the popular Broadway show A Chorus Line. At the end of the performance, Santana admits to Izzy that she doesn’t know what she wants to do in her life or how to get there. Izzy, again being the amazing person that she is, tells Santana to find “Something that you love. Something that feeds your soul.” Sarah Jessica Parker sounded amazing in this performance (it’s no “Turkey Lurkey Time/Let’s Have a Kiki” let’s put it that way).

Roz, who is sick of Becky (which really means impatient) brings her to Principal Figgins’ office for him to discipline her. Becky ends up telling Figgins that she’s got something she needs to tell him.

Back on the iMac in the library, Ryder is talking to Katie. And in a twist of events that probably no one say coming, Katie suggest that the phone that rang in the choir room may not have been hers. Yes, that’s possible, but how could you do that to us Glee!? Katie says she’ll be right back and right on cue Kitty appears next to Ryder, inviting him to lunch. When Ryder says he’d rather wait for Katie to return, Kitty gets pissed off. “How can you pick an online fantasy over an actual fantasy?” she yells. The moment Kitty walks off camera, Katie is back with a “hey babe.” The timing of this would lead one to believe that despite what you may be feeling, it looks like Katie isn’t Kitty.

Santana is late to her first dance class at NYADA extension. The dance teacher reminds everyone that being in this class doesn’t mean it increases your chances of becoming a full blown student. When asked what she’s doing there after a couple of snide remarks to the teacher, Santana says “I love to dance.” While Santana is doing plies at the bar, she sees the young version of herself in first position and a tutu, and it inspires her. Santana walks over as the young version of herself pleads, “don’t forget me again, okay?” Santana replies with “I won’t I promise.” To me, this was very American Horror Story for Ryan Murphy, but I buy into this sappy overarching metaphor about fighting self, so I was a bit weepy in this moment.

In the final scene of the episode, the New Directions sing “The Longest Time” by Billy Joel on stage.

After the episode was over, the two actors who portrayed victims of sexual abuse, Becca Tobin and Blake Jenner, gave a PSA on sexual abuse and urged those who may have been victims to seek help at www.rainn.org.

What were your thoughts about “Lights Out?” Did you notice that Cory Monteith and some scenes with Blaine and Sam were meant to be in the episode but weren’t? You can read all about the differences in tonight’s episode from what we were expecting right here!

Though this episode was good, it didn’t leave us begging for more. Our reaction is best brought to you in GIF form from Rachel Berry:

It’s arguably the biggest day for Hamilton fans since the release of the original Broadway recording: The Hamilton Mixtape has arrived!

Following years of development, the Hamilton Mixtape was released around the world on Friday, December 2. Mixtape features, well, remixes of Lin-Manuel Miranda’s Hamilton hits, sung by artists both big and small from various genres.

To celebrate the album’s release, a special #Ham4Ham was hosted at the Richard Rodgers Theater on Thursday night, where names like Ashanti, Ja Rule, Regina Spektor, and Andra Day performed their songs from Mixtape:

Read full article

It’s arguably the biggest day for Hamilton fans since the release of the original Broadway recording: The Hamilton Mixtape has arrived!

Following years of development, the Hamilton Mixtape was released around the world on Friday, December 2. Mixtape features, well, remixes of Lin-Manuel Miranda’s Hamilton hits, sung by artists both big and small from various genres.

To celebrate the album’s release, a special #Ham4Ham was hosted at the Richard Rodgers Theater on Thursday night, where names like Ashanti, Ja Rule, Regina Spektor, and Andra Day performed their songs from Mixtape:

Stream ‘The Hamilton Mixtape’:

Spotify users can easily stream The Hamilton Mixtape below. You can also listen here via Apple Music.:

And you can purchase a physical copy from Amazon here (you know all the Hamilton fans in your life will want a physical copy):

Hamilton Mixtape tracklist

1. No John Trumbull (Intro) – The Roots
2. My Shot (feat. Busta Rhymes, Joell Ortiz & Nate Ruess) [Rise Up Remix] – The Roots
3. Wrote My Way Out – Nas, Dave East, Lin-Manuel Miranda & Aloe Blacc
4. Wait For It – Usher
5. An Open Letter (feat. Shockwave) [Interlude] – Watsky
6. Satisfied (feat. Miguel & Queen Latifah) – Sia
7. Dear Theodosia (feat. Ben Folds) – Regina Spektor
8. Valley Forge (Demo) – Lin-Manuel Miranda
9. It’s Quiet Uptown – Kelly Clarkson
10. That Would Be Enough – Alicia Keys
11. Immigrants (We Get The Job Done) – K’naan, Snow Tha Product, Riz MC, Residente
12. You’ll Be Back – Jimmy Fallon & The Roots
13. Helpless (feat. Ja Rule) – Ashanti
14. Take A Break (Interlude) – !llmind
15. Say Yes To This – Jill Scott
16. Congratulations – Dessa
17. Burn – Andra Day
18. Stay Alive (Interlude) – J.PERIOD & Stro Elliot
19. Slavery Battle (Demo) – Lin-Manuel Miranda
20. Washington’s By Your Side – Wiz Khalifa
21. History Has Its Eyes On You – John Legend
22. Who Tells Your Story (feat. Common & Ingrid Michaelson) – The Roots
23. Dear Theodosia (Reprise) – Chance The Rapper & Francis and The Lights

What are our favorite performances on ‘The Hamilton Mixtape’?

Chris Pratt is currently on a press tour for Passengers. Jennifer Lawrence may or may not be there too.

Passengers, the new sci-fi epic starring Chris Pratt and Jennifer Lawrence, comes out later this month. The promo tour has kicked off in Europe, with the two stars on hand to answer all our questions.

To entertain himself (and his fans!), Chris Pratt has been updating his Instagram with funny photos and captions from the tour.

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Chris Pratt is currently on a press tour for Passengers. Jennifer Lawrence may or may not be there too.

Passengers, the new sci-fi epic starring Chris Pratt and Jennifer Lawrence, comes out later this month. The promo tour has kicked off in Europe, with the two stars on hand to answer all our questions.

To entertain himself (and his fans!), Chris Pratt has been updating his Instagram with funny photos and captions from the tour.

There’s some real gold in there, but the best part is when he realizes that fans really want to see some pictures of Jennifer Lawrence — who doesn’t have her own social media accounts — and proceeds to very decidedly not include her!

Update: He did it again.


See some of the hilarious posts from Chris Pratt below:

Finally got that selfie with Jen y'all wanted. #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Just hanging with my bestie Jen. #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Here Jen and I pose with @elrubiuswtf

A photo posted by chris pratt (@prattprattpratt) on

Here's an extremely artistic and meaningful video I made in which Jen is heavily featured. #passengersmovie

A video posted by chris pratt (@prattprattpratt) on

Another day down with me and my best buddy Jen. #London #passengersmovie

A photo posted by chris pratt (@prattprattpratt) on

Not going to lie — we’re almost as excited for the press interview videos as we are for the movie itself!

‘Passengers’ hits cinemas on December 21

J.K. Rowling and the producers of Harry Potter and the Cursed Child have just announced that the play is coming to the United States.

Harry Potter and the Cursed Child will open on Broadway in Spring 2018 at The Lyric Theatre, which is currently home to Cirque Du Soleil’s Paramour show.

An exact Cursed Child Broadway opening date has not been set, but theater owner ATG “plans a multi-million dollar renovation to completely transform, remodel and reconfigure the 1,900 seat theatre and turn it into a scaled down, more intimate playhouse, with approximately 1,500 seats.”

Read full article

J.K. Rowling and the producers of Harry Potter and the Cursed Child have just announced that the play is coming to the United States.

Harry Potter and the Cursed Child will open on Broadway in Spring 2018 at The Lyric Theatre, which is currently home to Cirque Du Soleil’s Paramour show.

An exact Cursed Child Broadway opening date has not been set, but theater owner ATG “plans a multi-million dollar renovation to completely transform, remodel and reconfigure the 1,900 seat theatre and turn it into a scaled down, more intimate playhouse, with approximately 1,500 seats.”

While the script book hasn’t been well-received by fans, attendees of The Cursed Child show in London (including this writer) have adored the two-part event. The magic, characters, humor, and special effects are all remarkable and definitely worth seeing live.

The story follows Harry, Ron, Hermione, and their children 19 years after the events of Deathly Hallows as dark forces return to the Wizarding World.

Here’s the inside of ‘The Cursed Child’s’ Broadway theater

Harry Potter Cursed Child Broadway opening date

Said producers Sonia Friedman and Colin Callender said in a press release, “We are thrilled about ATG’s ambitious plans which will provide a once in a lifetime opportunity to create a unique theatre space tailored to the specific needs of the production over the play’s two parts.”

“The remodeled Lyric will include a smaller auditorium redesigned to the specifications of the Harry Potter and the Cursed Child team, as well as an adapted proscenium and stage that can house designer Christine Jones’ glorious set without swamping or compromising director John Tiffany’s brilliant staging. The spacious front of house environment will also be transformed to optimize the atmosphere and audience experience.

“But above all, ATG’s plans will provide Harry Potter and the Cursed Child with a bespoke home that will be intimate enough for a drama, yet big enough for us to deliver on our commitment to provide audiences with access to low priced tickets throughout the auditorium.”

J.K. Rowling added, “I’m delighted we are one step closer in bringing Harry Potter and the Cursed Child to Broadway and very excited by the proposed plans.”

‘Cursed Child’ Broadway ticket on sale date.

The Cursed Child Broadway ticket on sale date was not announced today. In the U.K. tickets went on sale roughly eight months in advance, so maybe they’ll be on sale by this time in 2017.

The West End production put 60,000 tickets on sale in early November, keeping the show running through February 2018.