‘Glee’ Recap: 4×06 ‘Glease’

1:15 pm EDT, November 16, 2012

This week on Glee… don’t say it, don’t say it… “Glease”… is the word. Damn, couldn’t help it. McKinley High stages Grease, and our New York posse comes to see the show, on a trip that ends badly for pretty much everyone involved. Other McKinley grads have a nicer return to Lima, and in case you haven’t noticed, Kitty is a psychopath. Read our full Glee recap below.

This week we open in the choir room where Will is making some bad life choices. Wow, must be Thursday. In this case, he drops the bomb about leaving for Washington and about Finn taking his McKinley position. Apparently it’s the first the club has heard of any of it – he didn’t cat-on-the-roof them at all. The older club members freak out – Tina, particularly, starts angrily shouting, and Artie objects saying “but Mr Schue, glee club is your life” in a not particularly complimentary way, which is the truth, while the newer members exchange looks of ‘what the hell is wrong with these people,’ “I mean, it’s not like we know him that well or anything,” Unique mutters to Marley and Jake. Tina continues to dress down Finn as the ex-captain tries to keep calm and convince the club that he will be competent, when they’re interrupted by Sue demanding Will and Finn’s presence in the principal’s office.

Sue, due to the fact she’s bugged the choir room’s portrait of Lillian Adler, has discovered Finn’s appointment as the new glee coach and she’s just a fraction more upset about it than Tina. “This is just another one of your ill-conceived, bizarrely sentimental schemes that displays absolutely no forethought and appears immediately ridiculous to everyone in America… except you,’ she says, but she actually makes some good points about why the plan is unreasonable. Figgins, however, points out again that glee is an extracurricular, so that teaching rules don’t apply, though his support of the situation may stem from the fact that Finn – the most level-headed one in the conversation – is apparently taking on this role without payment. When Sue’s objections are shot down on all fronts, she loses her cool, stating that if Finn is appointed, her shaky peace with the glee club will be over, and she storms out, overturning desks and bludgeoning students in the hallway, in a good old-fashioned Sue rage black-out. I guess Glee ran out of ideas of things for Sue to do, because it seems we have our season 1 antagonist back. Cool. Or something.

There are cameras in my eyes!
 

In the lovely NYADA dance studios, Cassandra July has called in some of her upperclassmen to partner the freshmen and help them improve. Brody makes a beeline for Rachel and as they jete across the floor they catch up on all the gossip, stuff like Rachel’s breakup, and Rachel’s first off-Broadway audition, and Brody’s forearms. Cassandra listens in on every word, tells Rachel that she’s not ready to work with the tough and crazy director, whom she herself has auditioned for before. Rachel non-abrasively says that she can manage it, but manages to insult Cassandra when suggesting that she should audition as well, for one of the older roles. Cassandra then pulls Brody aside and asks him to pledge his life and every waking minute to her as her new toy boy, I mean TA. Brody jumps at the chance, though requests some time off over the weekend to help Rachel prepare for her audition.

Backstage on the Grease set, Tina – who’s apparently still wardrobe bitch as well as playing a bit part, despite being promised the spotlight in her senior year – is fitting Marley for her costume, which just isn’t fitting. “Maybe it’s stress bloating,” Tina ungraciously offers, but we soon find out the real reason – when Kitty wanders over to berate Marley about her weight gain and genetics – “I usually don’t believe in the lame-stream media’s definition of ‘science,’ but it just makes sense that your metabolism is grinding to a halt. You’re getting the body you were destined to have,” – we see a flashback to Kitty sneaking in at night and altering Marley’s costume. Kitty does try to play a friend to the other girls, though, and talks about accepting who you are, the way she has accepted the fact that she’s a loner because everyone assumes that due to her popularity, she’s too busy. She claims she joined Grease to attempt to make some real friends, and invites Marley and the other girls – including, with reluctance, Unique – to a Grease-style sleepover at her house.

Look, on one hand, I like Marley’s mom, I do, but when Marley goes to her after this in order to debrief and ask when she could expect her own genetics to kick in, I’m not sure the advice of not being a quitter, taking control of her body and going on a diet is the best example of support. I get that Mrs Rose doesn’t want Marley to face the same unhappiness she did, but my first response would have been to say “You’re beautiful,” not “You’re thin and beautiful,” to say “you don’t look any different to yesterday, let’s weigh and measure you because something weird might be going on,” and to say “you just be you, don’t worry what people think.” Mrs Rose seems to have a very set idea of what will make Marley happy, and what’s important for her to achieve, and at this point I’m just not sure that the same things are important to Marley and she only feels like they are because other people make such a big deal of them.

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‘Galavant’ cast thank fans for #MoreGalavant campaign

"So just dance, dance, dance."

4:30 pm EDT, May 25, 2016

Galavant may have been axed over on ABC, but the fans refuse to stop the beat — and the cast are getting down to it!

There’s nothing worse than seeing your favorite show cut off in its prime, but if there’s one thing that fans do best in moments of crushing adversity, that’s come together and use their voices in a cacophony. And Galavant fans? They want a third season of their little show that could and are campaigning for it to return.

That campaign has not escaped the notice of the cast, who came together to thank the fans in a video that you can’t help but move your feet to — and the rest of your body.

“It warms the cockles of my heart to see everything you’re doing to save our beautiful little show,” Timothy Odmunson says, at the top of the video — right before it launches into Justin Timberlake’s newest hit, “Can’t Stop The Feeling,” and we’re treated to a montage of familiar and brand-new footage from Galavant’s stars.

#MoreGalavant "Can't Stop The Feeling" from #MoreGalavant on Vimeo.

Karen David (Princess Isabella), who has also been vocal on social media about the #MoreGalavant campaign, leads the charge — and has printed out everyone’s contributions so far. But don’t worry, she planted a tree to make up for all the paper that was used. Also shaking their tush is Genevieve Allenbury, who played the Queen of Valencia throughout Galavant’s two season run.

Other familiar faces from the cast include Robert Lindsay, Ben Presley, Mallory Jansen, Vinnie Jones, and Muzz Khan. Not to mention the titular hero, Joshua Sasse.

Of course, it wouldn’t be Galavant without some cameos — and this thank you video is no exception to that. Making their debut are Billy Boyd (of Lord of the Rings fame), holding a sign that proclaims, “You can’t eat this Hobbit!” and Luke Skywalker himself, Mark Hamill, with his own “Galavanterrific” sign.

And, what better way to close out the video than with an appearance from Weird Al. “Well, that should definitely do it,” he proclaims. “I can’t imagine any network not picking up this show now that it’s a hashtag campaign. Feel the power of the hashtag!”

So, Galavant fans, get signing and start dancing. And here’s hoping Tad Cooper breathes fire again — be it on the stage, or screen.

This week’s twist on Game of Thrones was one for the show’s history books, and now the fans and creators are acting on their emotions.

Sunday’s Game of Thrones found Hodor dying (dammit Bran) as he held back the army of wights by holding the door. A significant death like this one naturally became a big topic of conversation online, with fans coming up with adorable yet depressing tributes to Hodor.

For example, viewers have been creating Hodor doorstoppers:

http://dingoutback.tumblr.com/post/144816075382/in-loving-memory

http://blamethejunglr.tumblr.com/post/144886498478/i-got-a-new-doorstop-i-use-humor-to-hide-how

http://goldbloodedbabe.tumblr.com/post/144872654401

http://2ndperiod.tumblr.com/post/144838798471/brb-crying

Interestingly, we couldn’t find any Hodor doorstoppers for sale on Etsy. Get on that, people!

Others have added Hodor to the ‘hold door’ button in their local elevator

http://elvenanomaly.tumblr.com/post/144878433573/too-soon-man-too-soon

http://evilregal1203.tumblr.com/post/144864651270/this-just-happened-on-the-elevator-at-work-no

http://bbcmuggle.tumblr.com/post/144871947631/someone-put-this-on-the-elevator-at-work-today

https://deadpools-girlfriend.tumblr.com/post/144865560259

On last night’s ‘Jimmy Kimmel Live,’ showrunners DB Weiss and David Benioff ‘apologized’ for killing Hodor — but not for the reason you think:

Related: After Hodor, who will die next on ‘Thrones’?

Starz has decided that their original programming can compete with the other hot shows airing on Sunday nights.

Network CEO Chris Albrecht has told THR that they are planning on moving all of their original shows including Outlander, Ash Vs Evil Dead, and Black Sails — which currently air on Saturdays — to Sundays. The move will begin July 17 with the Starz series Power. Outlander will likely not move to Sundays until next season.

“Sundays are a prestige night and we feel our shows are definitely going to be very competitive, not just in viewership but in the attention-getting business on Sundays,” Albrecht said to THR, “So it made sense to move.”

Outlander and Starz’s other original series will be going up against tough competition, including AMC’s The Walking Dead and HBO’s Game of Thrones. Albrecht says part of the reason he wanted to move the shows was to make sure they were part of the watercooler talk on Monday mornings.

THR notes that Showtime’s original series typically get DVR’d, “growing 214 percent [in viewership] during the course of a week.” This would suggest that a lot of people aren’t sitting in front of a TV on Saturdays and want to watch the shows on a different day of the week. So, moving their programming to Sundays may not impact overall viewership numbers much.

Starz recently overtook Showtime as the second-most subscribed to cable channel. HBO still sits at number one, though all three are facing tough competition from Netflix.