‘Glee’ Recap: 4×03 ‘Makeover’

12:45 pm EST, September 28, 2012

Last night’s episode of Glee included a student council election, a new job for Kurt, a new look for Rachel, and a whole heap of set-up for what looks to be a very dramatic mini-finale next week. Also, we got our first look at Sarah Jessica Parker in her guest role on the show. Read our full Glee recap below:

Congratulations, Blaine Warbler. You may have been dominating Glee’s iTunes sales for coming up on two years, a McKinley regular for one, and the absolute, undeniable fan favorite, but to me, you’re not a real Glee lead character until you’ve had an inner monologue, and today, son, is your day. Our boy strolls through the school halls, speaking in voice-over about how it’s time for him to step forward and be involved in life at McKinley. We see him signing up for a multitude of clubs, and then we cut to the auditorium where Blaine begins to perform “Everybody Wants To Rule The World” by Tears for Fears. This song soundtracks the following scenes, as we cut between the performance and Blaine getting involved in these clubs, including the Superhero Sidekick Appreciation Society – which explains the Robin twitpic – and a live-action role playing Dungeons and Dragons group where he is the group’s wizard (oh, ha ha). The performance pauses as Blaine’s inner monologue continues. He admits that part of the reason for taking up the extracurriculars is to fill his days now that Kurt is gone – they’re in as much contact as they can be. “The only time we’re really in sync is when we’re hate-watching Treme together,” which is a scene we then witness as Blaine offers Kurt – via Skype – some of his popcorn, pretending they’re together. The number ends with all his new be-costumed club friends dancing around him on the auditorium stage, and in the hallway Blaine eyes one last sign-up sheet – the student council elections. He adds his name to the only other candidate on the list – Brittany S. Pierce.

In New York, Blaine’s worse half is prepping for an interview he’s somehow scored for an internship at Vogue.com. Kurt’s meeting is with Isabelle Wright (Sarah Jessica Parker), the new senior editor of the website and a cutting edge fashion designer in her own right. Kurt is terrified – yet very stylish – as he enters her office, but Isabelle is instantly warm and disarming to Kurt, revealing that she is from Columbus, Ohio, nearby to Lima. She is impressed with the online resume Kurt submitted, particularly the gallery of his own outfits (see www.hirehummel.com) and asks him where he got his wardrobe. Answering ten thousand nit-picking fans’ questions about how Kurt has been able to afford the things he wears, (which have been tracked down IRL and revealed to be thousands of dollars worth of designer couture), Kurt admits that he made most of them, copying designs he liked, and searched the internet for bargain pieces. Isabelle proceeds to interview Kurt about his ideas and experience, and he tells her his plans of NYADA and Broadway. Isabelle offers Kurt encouragement, saying New York is the place for people like him – dreamers starting out – and her – people needing to re-invent themselves. She hires him on the spot – “Anyone who can pull off a hippo brooch deserves to be here.” Kurt throws himself on her in a hug, and proceeds to stab his new boss with the hippo. “That should come with a warning!” she says, tapping the brooch. “Oh, it did,” Kurt replies.

Brittany approaches Artie at school and asks him to run with her as her Vice President. “Did you know that Franklin Roosevelt was part robot too, and he’s on Mount Rushmore?” “No he’s isn’t,” Artie replies, “and I’m just gonna say it again, I’m not part robot.” He’s reluctant at first, but when Brittany admits that if she wins she plans to do nothing – again – and let him make all the decisions, Artie is intrigued by this plan – because women love power, apparently, and he’d like to date someone for more than a couple of weeks. “Don’t take that personally,” he tells her. “Why would I take that personally?” “We dated.” “We did?” Oh, Glee, you are learning to play to your strengths again and make fun of the moments of your own epic fail! Well done! Artie agrees to be Brittany’s running-mate – the Cheney to her Bush, though she’d prefer to be “Landing Strip.” Thanks for that one, Glee.

In the choir room, Will announces that as the Nationals champions, McKinley will be hosting the annual Show Choir rules committee meeting. This is met with a brilliant outburst: “Please tell me you’re going to ask what ‘one-third’ vintage meant last year?” Tina asks, laughing. “Or like, why some teams could sing six songs and others only do one?” Sam demands indignantly. It seems like New Directions themselves have been just as confused and disgruntled by the bizarre competition process as fandom has been, but this is another flawless moment of Glee lampshading its own past indiscrepancies and it’s making me love the show so much right now. And shouldn’t the club already be preparing ideas for competition, Jake inquires, to which Schue gives a cagey answer about not wanting to give anything away yet. As he continues to talk to the club, his voice-over starts, admitting that he has no ideas – that he’s all tapped out with where to take the club from here. Will, it’s not that hard. Find songs, make kids sing songs, the end.

Brittany interrupts what Will’s saying to the class in order to ask the glee club if anyone can prove that Blaine was born in the United States, and also to announce Artie as her running mate, which is met with general approval – except by her new blonde BFF Sam, who looks somewhat hurt. She points out that the election is pretty much over because between her and Artie, they will cover enough demographics to get all the votes – though she does consider the demographics to be humans and robots – and Blaine, my optimistic baby boy, objects with his fixed grin that’s more of a grimace, “Brittany, that’s not fair, it’s not a popularity contest. It’s about who’s got the best ideas, it’s about believing you can make a change… Right?” The others start to make fun of Blaine’s objection – Artie calls it ‘sour grapes,’ as class is dismissed and Sam stares poignantly and obviously after Brittany as the group leaves.

In the staff room Will is struggling to come up with a theme for Sectionals and vents his frustration to Sue. “I can’t decide between ‘Classic TV Themes’ or ‘A Salute To Autumn’.” Sue calls these out as the craptastic ideas they are, and Will shakes his head in defeat, saying he doesn’t know what happened to all his good ideas. “Don’t kid yourself, you never had any good ideas. You just didn’t notice because you were too busy chasing your bizarre childhood dream of a glee club national championship.” Preach it, Sue. She says that now Will has achieved his dream, he’s waking up to the boring monotony of being a normal high school teacher and that he should probably get out now, before becoming an alcoholic or morbidly obese, and explore other job opportunities. “Your lack of adult friends means you’re well on your way to a career as a pedophile birthday clown.” In seriousness, she does give him the advice – “You had a dream. You achieved it. Move on.” Will sighs, clearly not wanting to admit that she may be right.

Expectedly, Sam quizzes Brittany about why she didn’t pick him, her new bestie, as her running-mate. She says that she didn’t want to ruin their friendship – citing Sarah Palin and her ‘grandfather’ (John McCain) no longer being on speaking terms, but she does think Sam would make a good VP, so she ‘introduces’ Sam to Blaine (“Um, we’ve actually met.. several times…”) and offers him up as Blaine’s Vice President candidate. Blaine turns them down at first, saying he will be picking his own running-mate, but Sam sells himself to Blaine on the strength of the demographics he covers – “My family’s on food stamps, so that will get you the sympathy vote. I’m not gay, so that’ll help with the not-gay vote.” Blaine sizes Sam up, throws caution into the wind and agrees to take Sam as his running partner. Brittany is pleased by this and gives them their first order of business – she challenges the pair to a debate with herself and Artie. “What’s a debate?” the newly-stupidified Sam asks Blaine, who I’m sure is instantly regretting his decision.

In the Vogue offices, Isabelle is chairing a meeting at which Kurt serves drinks. She has voiced the idea of a feature on leather to her team, who come up with some truly excruciating ideas, though Isabelle is encouraging towards them. Every time someone pitches another awful idea, Kurt nearly physically recoils in disgust and disdain, which does not go without Isabelle’s notice. Isabelle dismisses the meeting and calls Kurt into her office, asking him what he thought of what he’d heard. He reluctantly admits that he had hated the staff’s ideas, and Isabelle wholeheartedly agrees with him, but she feels trapped into the piece due to promising the receptionist – whose cat had just died – that she would use her idea of ‘trends in animal hide,’ and now she’s stuck with this leather theme. Kurt tries to calm her, saying there are a million good ideas out there that could be used, such as a music video featuring fashion, and Isabelle admits that she’d also given the go-ahead to another staff member’s awful idea featuring “spankles” (Spanx for cankles). Isabelle begins to have a minor breakdown and admits to Kurt that – coming from being an independent creative designer – she finds the management aspect of her job difficult, she can’t say no to people. She feels like she’s lost touch with what a good idea is and what’s plain crazy, and that she’s lucked into a job she doesn’t deserve. She starts to become a little hysterical, fearing failure in this role and that she will lose the job, then her apartment, and will become homeless. Kurt comforts her. “You are not going to be homeless, alright? You can always come stay with me and my roommate in Bushwick.” Isabelle looks like she’d rather take the homelessness.

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Tags: 4x03, Glee, makeover, Recap

Here are the 2017 Oscars winners and losers

8:25 pm EST, February 26, 2017

The 2017 Oscars took place Sunday night in Hollywood and found La La Land cleaning up with six wins. Here are the Academy Award winners!

ABC’s Jimmy Kimmel hosted the 2017 Oscars, which took place at the Dolby Theater. The event featured live performances of all five Oscar-nominated songs.

2017 Oscar winners list

Read full article

The 2017 Oscars took place Sunday night in Hollywood and found La La Land cleaning up with six wins. Here are the Academy Award winners!

ABC’s Jimmy Kimmel hosted the 2017 Oscars, which took place at the Dolby Theater. The event featured live performances of all five Oscar-nominated songs.

2017 Oscar winners list

Related: We asked our parents to describe the 2017 Oscar nominees

Below is a complete list of Oscar winner and losers.

2017 Oscar winner list

Note: The final winner of the night was originally announced to be La La Land, but the announcement was actually an error — Moonlight won Best Picture. Awkward.

Best Picture:
Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land

Lion
Manchester By the Sea
Moonlight

Best Actress:
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land
Meryl Streep – Florence Foster Jenkins

Best Actor:
Casey Affleck – Manchester By the Sea
Andrew Garfield – Hacksaw Ridge
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences

Best Director:
Damien Chazelle – La La Land
Mel Gibson – Hacksaw Ridge
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival

Best Adapted Screenplay:
Arrival – Eric Heisserer
Fences – August Wilson
Hidden Figures – Allison Schroeder, Theodore Melfi
Lion – Luke Davies
Moonlight – Barry Jenkins

Best Original Screenplay:
20th Century Women – Mike Mills
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos, Efthymis Filippou
Manchester By the Sea – Kenneth Lonergan

Best Original Song:
“Audition” – La La Land
“Can’t Stop the Feeling” – Trolls
“City of Stars” – La La Land
“The Empty Chair” – Jim: The James Foley Story
“How Far I’ll Go” – Moana

Best Score:
Jackie
La La Land
Lion
Moonlight
Passengers

Best Cinematography:
Bradford Young – Arrival
Linus Sandgren – La La Land
Grieg Fraser – Lion
James Laxton – Moonlight
Rodrigo Prieto – Silence

Best Live Action Short Film
Timecode
Sing
Silent Nights
Ennemis Interieurs
La Femme et le TGV

Best Documentary, Short Subject:
4.1 Miles
Extremis
Joe’s Violin
Watani: My Homeland
The White Helmets

Best Editing:
Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

Best Visual Effects:
Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

Best Production Design:
Arrival
Hail, Caesar!
La La Land
Passengers
Fantastic Beasts and Where to Find Them

Best Animated Feature:
Kubo and the Two Strings
Moana
My Life as a Zucchini
The Red Turtle
Zootopia

Best Animated Short:
Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl
Piper

Best Foreign Language Film:
Land of Mine, Denmark
The Salesman, Iran
A Man Called Ove, Sweden
Tanna, Australia
Toni Erdmann, Germany

Best Supporting Actress:
Viola Davis – Fences
Naomie Harris – Moonlight
Nicole Kidman – Lion
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea

Best Sound Mixing:
Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours

Best Sound Editing:
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Documentary Feature:
Fire at Sea
I Am Not Your Negro
Life Animated
O.J.: Made in America
13th

Best Costume Design:
Allied
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Makeup and Hairstyling
Star Trek Beyond
Suicide Squad
A Man Called Ove

Best Supporting Actor:
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester by the Sea
Dev Patel – Lion
Michael Shannon – Nocturnal Animals

Tags: 2017 Oscars

Lightning McQueen’s biggest enemy is himself in the new Cars 3 trailer.

The second major preview premiered during the Daytona 500 on Sunday afternoon, where voice actor Owen Wilson served as grand marshal.

The new Cars 3 trailer finds Lightning pushing himself to compete with high tech cars that are engineered to win. The character suffers a serious accident during a race and finds himself back at square one, having to work himself back up to what he once was.

Read full article

Lightning McQueen’s biggest enemy is himself in the new Cars 3 trailer.

The second major preview premiered during the Daytona 500 on Sunday afternoon, where voice actor Owen Wilson served as grand marshal.

The new Cars 3 trailer finds Lightning pushing himself to compete with high tech cars that are engineered to win. The character suffers a serious accident during a race and finds himself back at square one, having to work himself back up to what he once was.

While Cars 3’s main setting is unclear, we do see Lightning at least briefly returning to Radiator Springs (Gotta keep Cars Land at Disneyland relevant)!. This appears to be the I-need-to-rediscover-myself-by-remembering-my-origins scene.

Cars 3 looks dramatic, emotional, and possibly targeting kids and adults? We’ll race into theaters for this installment when Pixar’s latest opens this summer.

A synopsis from Pixar reads: “Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!”

Tags: cars 3

We asked our parents to describe the 2017 Oscar nominees

It's because we love them that we use them for our amusement.

10:30 am EST, February 26, 2017

When your friends and family don’t know about the films of the 2017 Oscars, you just have to take advantage of their ignorance and laugh.

The title of a movie (usually) makes obvious sense when you know what that movie is about. But titles can be so vague, and when you have no prior knowledge of the movie, the plot isn’t typically easy to decipher. How fun would it be then, to ask our friends and family to guess the plots of the nominees for the 2017 Oscars?

The task was simple for us. We gave our friends and family a movie title from the 2017 Oscars, and asked them to guess what the movie is about. It’s not, however, such a simple task for them. They weren’t allowed to look it up. No cheating allowed! As you can imagine, we got some interesting responses.

Read full article

When your friends and family don’t know about the films of the 2017 Oscars, you just have to take advantage of their ignorance and laugh.

The title of a movie (usually) makes obvious sense when you know what that movie is about. But titles can be so vague, and when you have no prior knowledge of the movie, the plot isn’t typically easy to decipher. How fun would it be then, to ask our friends and family to guess the plots of the nominees for the 2017 Oscars?

The task was simple for us. We gave our friends and family a movie title from the 2017 Oscars, and asked them to guess what the movie is about. It’s not, however, such a simple task for them. They weren’t allowed to look it up. No cheating allowed! As you can imagine, we got some interesting responses.

Be sure to check out the ridiculous responses we got for the 2016 Oscars too!

Time to let her rip tater chip.

‘Lion’

Our participants start out on a high note. Well, they at least know who’s in the movie.

‘Arrival’

Success continues with Arrival, as they have the vague idea it’s about space aliens (although it’s possible one of them is confused with Passengers).

‘Fences’

There was a common general premise our friends and family had of Fences.

‘Moonlight’

They did well with Moonlight…until they didn’t.

‘La La Land’

Maybe La La Land will be better! Everyone knows La La Land! Right…?

‘Hacksaw Ridge’

Oh no, we’re starting to lose them!

‘Hidden Figures’

No lie though, I’d watch that.

‘Captain Fantastic’

We’ve officially lost them.

‘Hell or High Water’

Could these plots be any more varied?

‘Nocturnal Animals’

It might have been a good idea for Nocturnal Animals to change its name.

‘Silence’

They’re really losing it now. They’ve had enough!

‘Manchester by the Sea’

Someone needs to turn these ideas into full screenplays, they are gold.

‘The Lobster’

What did they expect people would think when they named it The Lobster?

Thanks to Ariella, Brandi, Donya, Karen, Kendra, Kyle, Matthew, Pamela, Selina, and the friends and family they may or may not have annoyed all week.

Which 2017 Oscars movie do you think has the most misleading title?