Today at CinemaCon in Las Vegas, footage from Warner Brothers’ upcoming blockbusters The Hobbit and The Dark Knight Rises was screened for the first time.

Collider was one site present and tweeted out the following reviews. Interestingly, they didn’t seem too pleased with the new 48 fps frame rate on The Hobbit footage.

We’re sure additional information will come out of these screenings soon (we want to hear about specific scenes!) and will update you when those arrive.

Updated: We now have reports from various sources describing the footage that was shown. Enjoy!

From CinemaBlend (via CBM):

I understood every word that Bane said. It should be noted that the theater I was in featured some of the most advanced technology in the projection industry, so I don’t know if they changed the audio or if it was just the presentation, but it did raise my confidence in that aspect of the film.

Catwoman (Anne Hathaway) dressed as a maid before ripping off the white frills and revealing her black dress

James Gordon (Gary Oldman), as seen in the teaser trailer from last summer, lying in a hospital bed in bad shape

Bruce Wayne (Christian Bale) sitting in his Batcave, which still looks very much like a cave

Bruce Wayne and Lucius Fox together in Wayne Enterprises

A team of police officers in raid gear slowly touring through what appear to be subway tunnels

Batman’s new vehicle, The Bat, taking to the air and spinning twisting as it flies over Gotham

Catwoman, in her full costume, leaning down and stealing stuff from a safe

Miranda Tate (Marion Cotillard) and Bruce Wayne sharing an intimate kiss

Catwoman sitting on the Batpod and firing at a blocked tunnel in the distance

Miranda Tate saying, “You’ve given them everything,” and Bruce Wayne replying, “Not yet.”

Alfred (Michael Caine) talking about the difficulty of getting back into his old routine.

John Blake (Joseph Gordon-Levitt) the footage shown today once again didn’t give us any dialogue from the character, it did show quite a bit of him – and in some interesting situations.

In the scenes shown Blake flashes a badge and is quickly seen wielding a shotgun, but the most interesting cut featured a giant bridge crumbling in an explosion and then a reaction shot from Gordon-Levitt. Just as with trailers, it’s hard to know if that will actually be the cut in the final film or if it was done for dramatic effect, but it most definitely had the latter.

From IGN (via CBM):

We see lots of Anne Hathaway’s Selina Kyle here. We see her posing as a maid leaving Wayne Manor at night, as well as Catwoman breaking into a hidden wall safe. We see her kicking gunmen in the streets, firing the Batpod’s weapons, but most importantly a dialogue scene between her and Batman. Catwoman tells Batman, “You’ve given them everything!” Batman cryptically replies, “I haven’t given them everything. Not yet.” Oh, Gotham, will Batman pay the ultimate price for your sorry, corrupt ass?! That creeping sense of finality really is everywhere in the presentation of TDKR, from its “The Legend Ends” tagline to even Nolan himself stressing this as the conclusion of his trilogy and the final chapter of their story.

Other sweet stuff we spotted in the footage? Bruce working in his new Batcave, as well as a very “we were destined for this”/finding each other in the crowd showdown between Batman and Bane. It was like two mythic gunfighters meeting for the duel to decide who lives or dies. This town literally isn’t big enough for the both of them. We also get some nice Alfred moments here, a very intriguing shot of a mystery man at that stronghold in India they began filming at last year, as well as a hot and heavy shot of Bruce and Selina kissing.

 

 

 

 

 

 

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

Read full article

The upcoming 25th anniversary edition of Disney’s Beauty and the Beast includes a couple of first looks at next year’s live-action adaptation.

It’s hard to believe, but it’s been a quarter of a century since the animated Beauty and the Beast hit movie theaters. To celebrate the occasion Disney is putting out an anniversary edition, and its special features section includes a treat: Our first look at Cogsworth and Lumière in the live-action installment, as well as a glimpse of a scene within Gaston’s tavern.

As confirmed by producer Jack Morrissey on Facebook, this photo of Cogsworth (played by Ian McKellen) and Lumière (Ewan McGregor) is concept art, but it gives us a sense of the style that director Bill Condon is shooting for:

cogsworth-lumiere-live-action-beauty-and-the-beast

While it’s nice to finally see a glimpse of a couple of the characters, a big question remains unanswered: How will these objects look once they have faces on them? (Cogsworth’s face might be hinted at in the center of the clock.)

Also on the Beauty and the Beast 25th Anniversary Edition is a shot from the the “Gaston” musical number. From left to right we see Alexis Loizon as Stanley, Josh Gad as LeFou (just over Gaston’s shoulder), and Luke Evans (with his back to the camera) as Gaston.

live-action-beauty-and-the-beast-gaston

Update: And here’s another look at the movie, courtesy of this person on Twitter — this time we get to see Dan Stevens as human Beast!

human-beast-dan-stevens

We’ll be curious to get our hands on the anniversary edition in September, because we expect we’ll see more from the new movie than the two stills above.

Disney released the first trailer for the live-action Beauty and the Beast in May. It was very much a teaser trailer, as it didn’t provide any looks at the characters — except Belle (Emma Watson), appearing through the glass casing protecting the film’s iconic rose.

In fact, the trailer’s first looks at the various settings (Namely the Beast’s castle) fell in line with the visual style we see in the above concept art.

Beauty and the Beast starring Emma Watson and Dan Stevens hit theaters March 17, 2017.

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

Read full article

Apple — always one to push the boundaries by simplifying their products as much as possible — is reportedly looking to remove the all-important Home button in next year’s new iPhone.

Apple loves making their products as simple as possible. The iPod was a success because of how clean it looked compared to other MP3 players. With Apple TV, Steve Jobs bragged about how few buttons the device’s remote had.

But since 2007, every new iPhone has had the same number of physical buttons, switches, and ports: A ringer switch, a lock button, volume up/down buttons, a USB port, and a headphone jack.

That changes next month, when Apple is expected to announce that the iPhone 7 will be lacking a headphone jack. Instead, users will be listening to music via the Lightning port (which you currently use to charge and sync your iPhone).

And for 2017, Apple will reportedly go one step further by removing the Home button.

Ah, the Home button. It’s always been there for us — it’s our captain for navigating the iPhone. We use it to switch between apps, we use it to get to our Home screen, we use it to summon Siri, and we use it to read our finger print. Back in the “old days,” we used it to force quit apps when they froze on us.

In a new report, Bloomberg says Apple is planning to remove the Home button for the 2017 iPhone, which will presumably be called iPhone 7s. It’s billed as a “major redesign of the iPhone for 2017 that focuses more heavily on the display.”

Previous rumor mill reports have suggested that Apple will ditch the Home button in order to decrease the size of the top top and bottom bezels, thereby making the phone not as tall, or using the freed up space to add more screen.

Here’s a mock up of what that could look like, via TapSmart:

borderlessmockup1

What remains unclear is how users will be able to unlock and navigate their iPhone without the Home button. Reports have suggested that the whole screen will serve as a TouchID surface and a Home button (using the 3D Touch feature Apple launched last year).

Interestingly, next month’s release of iOS 10 will introduce a new way to unlock your iPhone: You’ll have to press down on the Home button to activate an unlocking. Previously, all you had to do was rest your finger on the Home button while your lock screen was awake.

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Read full article

Disney is making another live-action movie, and this time it’s James and the Giant Peach, to be developed by Director Sam Mendes.

To refresh your memory, James and the Giant Peach is the terrifying delightful children’s movie directed by Henry Selick and based off of the Roald Dahl story. It features nightmare-inducing adorable stop-motion animated bugs that helped James float away from his mean aunts in a — you guessed it — giant peach.

The original film was an interesting mix of live-action characters in the beginning and at the end, with stop-motion animated sequences throughout the middle.

Now, according to Deadline, Disney is developing an all-live-action remake of the film. Nick Hornby will write the script, while Joe Roth is in negotiations to sign on as a producer.

If Mendes’ name sounds familiar, it’s because he directed the last two James Bond features, both Skyfall and Spectre, as well as 1999’s American Beauty.

You can check out the trailer for the horrifying original film below:

As of late, Disney has been announcing live-action versions of its properties left and right, including The Nutcracker (which has a huge cast of well-known actors), The Little Mermaid (with Lin-Manuel Miranda attached to help write the music), Beauty and the Beast (starring Emma Watson), and Cruella (starring Emma Stone), among others.

With the amount of remakes — especially in the live-action department — it’s no wonder James and the giant Peach is the latest to be announced.

Do you want to see a live-action ‘James and the Giant Peach’ movie?