Hypable TIFF Movie Review: ‘Dredd’

12:45 pm EST, September 7, 2012

We’ve been hearing a lot of people lately comparing the trailer for Dredd to that of The Raid: Redemption, and rightfully so. The trailer for Dredd really played up aspects of the film that resembled The Raid almost to a tee, but what one has to realize is it’s not the filmmaker who makes the trailer, it’s some dude in marketing who’s like, “People like The Raid? Do that.”

Anyway, Dredd is not the The Raid. The only similarities is it takes place in a locked down building and the villain is at the top. Otherwise, the two should remain seperate. Dredd is a bizarre, funny, action-packed piece of work that hits all the right points.

In a bleak future, cities have been erected from the old world, incorporating new technology and structural architecture in with the basic slums of today’s world. Mega-City One stretches from Boston to Washington D.C, and is overrun by crime and chaos. The only remaining form of law enforcement are judges. Judges have the power of judge, jury, and executioner and use it in spades. Judge Dredd (Karl Urban) is a judge of a certain rank that is never really discussed in the film, but one can imagine he has been on the force long enough to gain status.

At the start of the film, he is called in from a routine homicide/insane shooting spree to meet Rookie Anderson (Olivia Thirlby), a trainee who narrowly failed her judge training but is still being considered due to certain abilities of a psychic nature that I will not discuss further.

Dredd takes Anderson out on a training mission to the 200 story Peach Trees building, an apartment/living area for thousands of unemployed and depressing people (and for skateboarding hooligans who have a half pipe built in to the outside of the 78th floor, for some crazy reason).

Needless to say, a homicide investigation at Peach Trees goes awry, and Ma Ma (a fantastic Lena Headey), the leader of a gang of absurdly violent criminals who are also manufacturing and distributing a new drug called Slo Mo (AKA an excuse for awesome imagery), try to kill our two judges.

The plot is simple, but the inventiveness with which the story is told is what sets it apart from other schlock. That and its fantastically droll script, written by 28 Days Later scribe Alex Garland. That being said, it’s a movie written for a specific audience. It’s very, very graphic, very profane, and full of “He totally just said that” lines (his catchphrase: “I am the law.”) The midnight fanboy crowd watched it were drooling all over it, and the people who made it seemed genuinely happy to be a part of something so amusing, which is refreshing.

In final and complete summation, Dredd is simple, delightful, comic fun for a crowd that wants it.

Grade: A

Rated: R (for strong bloody violence, language, drug use and some sexual content)

Dredd opens in theaters on September 21, 2012 and was screened as part of Midnight Madness at the 2012 Toronto International Film Festival.

Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

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Agents of S.H.I.E.L.D. 4×15 brings the L.M.D. storyline to a truly wild end. Here’s what to expect from “Self Control”!

You don’t know what’s coming

Yeah, there’s a synopsis for “Self Control” — “Suspicion turns to paranoia when the team doesn’t know who can be trusted as more LMDs infiltrate S.H.I.E.L.D.” But that’s the equivalent of saying that Iron Man is about a goateed man who can fly.

Sure, Agents of S.H.I.E.L.D. 4×15 answers a lot of questions about who is and who isn’t a robot. More profoundly though, the episode goes in for a final knead and punch of the ideas that have been floating around all season.

Free will and humanity. Sacrifice and love. The nature of reality — and even of life itself. Beneath the plot, surprises, and pain, that’s what’s really going on in the Agents of S.H.I.E.L.D. spring finale.

That, and the characters who get caught in the middle.

Jed Whedon is Not. Playing. Around.

Executive producer and showrunner Jed Whedon is the man behind the pen and the camera in “Self Control,” and he’s there for a reason. Whedon’s first try at the director’s chair on Agents of S.H.I.E.L.D. is operatic, incisive, and perpetually gut-clenching.

Yes, there are lovely and disturbing vistas, an artistry that comes from a deliberate and careful eye. But more important is the unshakable Whedon impulse that animates Agents of S.H.I.E.L.D. 4×15, that builds through the episode like a cresting tide.

You know that unmistakable sense that someone is laughing behind the scenes? Yeah. That’s why Jed Whedon is here.

What’s next?

Well, that’s a very good question. “Self Control” leaves us with a few razor-like possibilities, all of which lead down spiky corridors of questions. Agents of S.H.I.E.L.D. 4×15 is here to leave us thirsty for the season’s final seven episodes, and that’s exactly what it does.

Oh, and to answer your next question…

Cliffhanger?

Uh, yes. Cliffhanger.

Oh boy, cliffhanger.

Agents of S.H.I.E.L.D. 4×15, “Self Control,” airs Tuesday, Feb. 21 at 10:00 p.m. on ABC.

What are your top theories for ‘Agents of S.H.I.E.L.D.’ 4×15?

Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

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Have President’s Day off? Here are some movies, TV shows, and soundtracks with which to celebrate President’s Day.

‘Hamilton’


Even if you were somehow lucky enough to have already seen the musical, you might as well celebrate today with another listen to the soundtrack. In case you have been living under a rock, Hamilton is a hip-hop, rap, musical about Alexander Hamilton. Yes, Hamilton never became president, but the musical does include multiple would-be presidents. Thomas Jefferson, James Madison, and even birthday boy himself George Washington are heavily featured in Hamilton. Based on the biography by Ron Chernow, you can get a history lesson while you listen to great music.

‘Liberty’s Kids’


Liberty’s Kids aired in the early 2000s on PBS. Liberty’s Kids follows three teenagers from varying backgrounds throughout the American Revolution, mentored by Benjamin Franklin. It is geared for children but is still pretty enjoyable for adults. In each episode, the teenagers encounter a significant person or event from the revolution, giving a concise and entertaining history lesson. The show features many important figures throughout the revolution, showing even more presidents than in Hamilton. As one can imagine, Washington is among these.

‘Lincoln’


Lincoln is a 2012, Oscar nominated movie, directed by Steven Spielberg based on Doris Kearns Goodwin’s biography of Abraham Lincoln, Team of Rivals. Instead of a biopic of Lincoln’s entire life, Lincoln is specifically about his passing of the 13th amendment. Essentially directed between each of his science fiction blockbusters, Spielberg also made many significant historical movies, Lincoln among them. Lincoln not only shows his power as a president, but also humanizes him through an Oscar winning performance by Daniel Day-Lewis.

‘1776’


Hamilton is not the first musical about American history. Thankfully, though, because this way there are other options, one of which is 1776. Even more conveniently, the musical 1776 was adapted into a movie in the early 1970s. Heavily implied by its name, 1776 is about the signing of the Declaration of Independence. 1776 definitely has a more classical musical theater vibe than Hamilton. The strange combination of American history and musical theater allows for a humorous yet educational experience. However, as reflective of the history of the signing of the Declaration of Independence, Washington is not a character in the musical; yet, it obviously includes many other significant historical figures.

‘The West Wing’ or ‘The American President’


Unlike the other items on this list, these two are about fictional presidents. But it would be nice if they were real. Of the many politically charged movies and television shows by Aaron Sorkin, these two are specifically about presidents. If you have the day off and want to attempt to binge watch seven seasons, then you may want to check out The West Wing. The West Wing follows President Bartlet and his staff and advisors during their time in the White House. If you want a movie to help you transition between Valentine’s Day and President’s Day then The American President is worth watching. It is a romantic comedy about President Shepherd, who falls in love with a lobbyist.

How else will you celebrate President’s Day?

The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

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The first two cast members for Disney’s live-action adaptation of The Lion King have been announced by director Jon Favreau.

James Earl Jones, who voiced Mufasa in the animated movie in the ’90s, is returning as the character in the live-action adaptation. Interesting!

Meanwhile, Donald Glover — who will co-star in this summer’s Spider-Man: Homecoming for Disney and Marvel — will play Adult Simba.

Favreau tweeted the news Friday evening:

According to a statement from Disney, The Lion King “will build on the groundbreaking technology used in The Jungle Book to bring the story of Simba to photorealistic life.”

A release date for the film hasn’t been set. Favreau also helmed the live-action Jungle Book for the studio.

So far casting is off to a great start!